Tudor Royal 9ct gentleman's wristwatch, Edinburgh 1958, signed silvered dial with baton markers and centre seconds, 17 jewel movement, modern brown leather strap, 32mm-Movement - currently functioning.Dial - light marks.Glass - light marks.Hands - some surface wear.Case - generally good for the period - see images.Crown - adjusting correctly.Strap - modern, good with mild wear.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
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Tudor 9ct gentleman's wristwatch, circa 1950s, signed silvered dial with Arabic numerals and subsidiary seconds, the case back with presentation inscription, modern strap, 32mm** with a Tudor box and burgundy pouch-Movement - currently functioning.Dial - showing signs of wear consistent to the period - see images.Glass - mild marks.Hands - wear with some lume loss to the hour hand.Case - inscribed presentation back as mentioned with a mild bruise mark and light surface marks - see images.Crown - possibly later, adjusting correctly.Strap - modern, good with mild wear.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Omega De Ville gold plated and stainless steel lady's wristwatch, ref. 511.204, serial no. 24594xxx, circa 1966, champagne dial with baton markers, cal. 620 movement, modern Hirsch leather strap, 23mm-Movement - currently functioning.Dial - would benefit with a clean, surface pitting - see images.Glass - light marks.Hands - matching, light marks.Case - some wear to the plate on the case edges - see images.Crown - surface wear, adjusts correctly.Strap - modern, good.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Tudor 9ct gentleman's wristwatch, Edinburgh 1957, the signed dial with applied Arabic numerals, luminous set hands and subsidiary seconds, signed 15 jewel movement, case ref. 5372, the case back with British Railway Western Region 45 Years Service inscription, modern leather strap, 32mm-Movement - currently functioning.Dial - light marks consistent to the period.Glass - good.Hands - some lume insert loss to the minute hand, nice patina.Case - inscribed presentation back as mentioned, otherwise generally good condition, case requires re-sealing.Crown - probably later but adjusting correctly.Strap - modern, clean.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Breitling SuperOcean Heritage II automatic stainless steel gentleman's wristwatch, ref. AB2020, serial no. 5002xxx, ceramic blue bezel and dial, mesh bracelet, 46mm ** with Breitling box and spare bracelet link-Movement - currently functioing.Dial - good.Glass - good.Hands - good.Case - good.Crown - adjusting correctly.Bracelet - some light marks on the clasp, otherwise good, wrist size 7.75-8" approx.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Cartier Ronde 18ct lady's wristwatch, serial no. 660101xxx, circa 1987, white Roman numeral dial, sapphire crown, signed 6 jewel quartz movement, tan leather strap, 20mm-Movement - requires a replacement 321 battery as not been worn for several years.Dial - surface crazing evident.Glass - good.Hands - good.Case - light marks.Crown - adjusts correctly.Strap - has wear and would benefit with replacement.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Must de Cartier Tank silver wristwatch, ref. 2416, serial no. 6706xxxx, the dial with blue Roman numerals, cabouchon sapphire crown, quartz, green leather strap with Cartier folding deployment clasp, 22mm-Movement - currently functioning.Dial - good.Glass - light marks.Hands - good.Case - light marks from typical wear - see images.Crown - adjusts correctly.Strap - mild wear, considered acceptable/good.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Must de Cartier Tank silver-gilt lady's wristwatch, ref. 3 081119, cabouchon sapphire crown, mechanical movement, brown leather strap, 20mm-Movement - currently functioning.Dial - starting to slightly craze consistent for the period - see images.Glass - light marks.Hands - good.Case - general rubbing to the silver-gilt to the corner of the lugs as viewed in the image.Crown - adjusting correctly.Strap - not Cartier and has wear, would benefit with replacement.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Patek Philippe Calatrava 18ct gentleman's wristwatch, ref. 2593, movement no. 783xxx, circa 1963, champagne dial with baton markers, cal.23.300 18 jewel movement, black strap with a PP 18ct buckle, 32mm** with the original certificate purchased from Asprey & Co Ltd, London. Asprey box ( the case back engraved 'P.G 14.1.63')-360 VIEW-Movement - currently functioning.Dial - good.Glass - light marks present.Hands - good.Case - the back engraved 'P.G 14.1.63', other typical light marks - see images.Crown - PP crown adjusting correctly.Strap - the strap has some wear, the buckle is PP and 18k.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Longines Flagship quartz two-tone gentleman's wristwatch, ref. 7292, serial no. 255988xx, white dial with centre seconds and date aperture, 33mm** with related Longines booklets-Movement - requires a new battery.Dial - good.Glass - light marks.Hands - good.Case - generally good with typical light marks.Crown - adjusting correctly.Bracelet - some visible wear and rubbing to the gold plating, wrist size 7.5" approx.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Longines stainless steel gentleman's wristwatch, case ref. 2511, serial no. 7622xxx, circa 1940s, the silvered dial with Arabi numerals and subsidiary seconds, 17 jewel movement, the case signed Baume, numbered 12325, fixed bar lugs, 31mm-Movement - currently functioning.Dial - heavily tarnished and dirty.Glass - light marks.Hands - light marks.Case - typical light marks and a visible light scratch to the back with mild bruising.Crown - adjusting correctly.Strap/Bracelet - no strap, watch head only.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
LORD BYRON: An English bisque porcelain bust of Lord Byron, early 19th century, modelled with bare torso set above a rectangular cartouche with impressed 'BYRON', the waisted pedestal on octagonal base, impressed '312' and '3' to the hollow interior, 20 cm high CONDITION REPORT:The piece shows a small moulding fault to the left eyebrow, which is full of dirt. There are similar smaller faults to the right of the neck, the lower left of the torso, and the lower edge of the plinth. There are two small losses to the lower edge of the base. The piece shows general light wear with some areas of surface dirt, and would benefit from cleaning.
Walter Keeler (b. 1942) 'Angular Teapot', a salt glaze stoneware teapot and cover, 20th century, tapering oval form with double barrel spout and strap handle, grey-blue glaze, 24cm high, illustrated in Cooper & Fielding, WALTER KEELER (a copy of which will be supplied with this lot)CR; No chips, cracks or losses. Crazing to the glaze throughout, but no cracks or losses. Piece shows light scratching and wear commensurate with age. No signs of restoration.
A set of six George III Old English pattern spoons, John Langlands I & John Robertson I, Newcastle circa 1785, the handles with gadrooned borders, monogrammed initials to thumbpiece, each 17.7cm long, gross weight 7.21oztCR; Moderate wear to the borders and monogrammed initials to the thumbpieces. Some light thinning around the thumbpieces and the bowls. Moderate scratching and wear to the handles and bowls commensurate with age and use. Some light denting to the bowls, but no signs of major damage or repair.
A George II silver sugar caster, Samuel Wood, London 1741, of baluster form on circular foot with pierced pull off cover, 18.3cm long, weight 7.70oztCR; Some light denting to the cover and the body, mostly concentrated around the foot, waist and piercing. Moderate scratching and general wear to the body and cover. Some splitting and thinning to the pierced decoration on the cover, but it is largely in tact. Some wear to the crest, but this is still crisp and clear. Some possible signs of solder repair (see pictures for illustration). Hallmarks are slightly worn, but are largely crisp and clear (see pictures for illustration).
Pre-Raphaelite school (19th century),A bust length portrait miniature depicting a young lady with flowing red hair,Watercolour on ivory,In oval gilt mount,10.5cm x 7.5cm,Gilt framed, 18.5cm x 17cm overall CONDITION REPORT:The paint surface appears to be in good overall condition. Examination under UV light shows no visible evidence of repair or restoration. There are pale areas to the cheek and neck on the right side of the image. These areas appears to have been painted in the underlying skin tone, and then shaded around to create highlights. There is no indication that anything has been rubbed away in these areas, however buyers should satisfy themselves by viewing prior to bidding. Trevanion Auctioneers & Valuers do not ship items containing ivory outside the UK. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
A pair of Imari pattern vases, of shouldered inverted baluster form, prunus pattern panel decoration, gilt highlights throughout, marks to base, each 28cm high, together with a near pair of Meiji period Imari pattern plates (1868 - 1912), each 18.5cm diameter, a Chinese18th century blue and white chrysanthemum pattern bowl, 22cm diameter, two Chinese 18th century blue and white plates, each 23cm diameter, and a large Imari pattern bowl, 31cm diameter (8)Condition reportLarge bowl has paint 'texture' to the interior possibly indicating light restoration.Both small Imari plates have minor nibbles to the rims, blue and white plate has minor chip to underside rim, and a second blue and white plate has minor wear and nibbles to rim
A quartetto of Chinese hardwood tables, mid 20th century, each with a rectangular top above an openwork frieze, raised upon legs of square section united by peripheral cross stretchers, the largest 66cm H x 45cm W x 34cm DCondition reportFirst table (smallest), chip and restoration to the top of one leg, repair/restoration to one cross stretcher, very minor split to the table top.Second table, cross stretcher re-glued at joint, restoration/repair to the frieze and underside at the top of both rear legs, light water marks to the table top.Third table, table top has joint split at the border.Fourth table (largest), light scratches to table top, one leg has been chamfered and has gap at the top joint, indicating some level of repair/restoration.
A Chinese porcelain blue and white lamp base, 20th century, the baluster shaped vase with flared neck, decorated with scrolling formal foliage, converted to a lamp base, upon an ebonised wooden base, 57cm high overall Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. Condition report; This appears to be a decorative lamp base with contemporary light fittings. No obvious chips, cracks or restoration. Please see additional images.
A cased George V silver mounted coffee service, John Collard Vickery, Birmingham 1927, comprising six cans and six saucers, raspberry coloured ground with gilt highlights, saucers 11.3cm diameter, cans 5.6cm high, each can set to a silver loop handled holder with pierced decoration, all set to a fitted faux leather box retailed by JC Vickery Regents Street, case 38cm, gross weight of silver 3.75oztCR; Please note: The china components of this lot are unmarked. Some of the cups are stamped '3085' to base.No cracks, chips or losses to the china. Moderate wear to the gilt highlights. Saucers show light to moderate scratching to the raspberry glaze.Silver mounts are in good order, no large dents, splitting or signs of repair. Some mounts show minor misshaping around the edges. General scratching, wear and tear across all pieces. Each mount stamped to base with hallmarks and 'Rd735407'.The case is very heavily worn and damaged. Please see additional images of the case.
A 19th century brass door porter, in the form of a putto with grapes and vines, stamped to the underside Peerage England, 50cm high, with a pair of bell-shaped early 19th century door porters, 32cm highCondition reportHandles on both bell porters slightly deformed, otherwise only very light tarnishing, rubbing and scratches commensurate with cleaning and use
An early 20th century brass Dutch style eight branch light fitting, the central bulbous column with a cast eagle crest, extending to eight 'S' shaped arms, 60cm H x 78cm D Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of Rococo style gilt brass twin branch wall sconces, the foliate 'C' scroll back plates supporting twisted arms with acanthus leaf knops and scrolled terminals, each 50cm high, with associated clip-on shades (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. Condition reportThe electrical fittings on both sconces require attention, and the capitals on one sconce are loose.Otherwise only general light tarnishing to the gilt work
An early 20th century Arts and Crafts style wrought iron standard lamp, the square section column applied with scrolled detail, extending to a sphere terminal and raised upon four down swept supports and pad feet, 146cm high (not including light fitting) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Two Japanese porcelain Kutani lamp bases, each of lobed baluster form and decorated with birds and branches, bayonet light fittings, 73cm high and 60cm high overall, on hardwood bases (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Persian Village wool rug, the central panel with an abundance of repeating motifs, enclosed by green spandrels, within a floral border, 183cm x 126cmOverall light general wear with associated fading, tassel wear to both ends, with some unravelling particularly to one side.We believe it to be hand woven, mid to late 20th century, please see further images
A Anatolia Yahyali type rug, woven in blue and red dyes with a central amulet within an open field, 195cm x 106cmCondition reportGeneral overall wear, with minor speckled threadbare patches and some light fading also.Repair to one end of the rug, approx. 22cm wide.Tassels worn to both ends along with some light unravelling
A George V silver tea caddy, William Hutton & Sons, Sheffield 1918, of oval form with waved borders, half-reeded body with floral embossing, vacant cartouche, pull-off cover, 9.2cm high, weight 4.17oztCR; Overall good. The body and cover show no major denting, splitting, damage or repair. Some light denting to the highpoints of the decoration, as well as general scratching and wear. The waved borders show splitting where it meets the body, and around the edges, and some large areas of thinning. There is some denting loss to the definition in the wave pattern. There is some wear to the hallmarks, but they are legible.
A Turkish wool runner, woven in red, yellow and blue dyes with three medallions surrounded by a floral motif border against a cobalt ground, 240cm x 100cmCondiution reportOverall minor general wear with some light speckled thread bare patches. Along with light wear/loss to tassels on both ends, however no rips or tears.
A Victorian mother of pearl tea caddy, the rectangular box with hinged cover opening to reveal a divided interior, each with lids, raised on four bun feet, the top set with a vacant shield shaped cartouche, 12.5cm H x 22.5cm W x 13cm DCondition reportOne of the inner compartment lids has minor nibbles to each of the corners.Very minor nibbles to the corners of the plinth base, one of the feet is a later replacement.Otherwise only very minor chips, nibbles and wear commensurate with very light use
A mid 19th century elm dresser, possibly French, the high back with a moulded cornice over three open shelves united by ring turned uprights, upon the base with an arrangement of three frieze drawers above four cupboard doors, applied with brass ring handles and punctuated by conforming ring turned pilasters, raised upon six carved ball and claw feet, 224cm H x 182cm W x 40cm DCondition reportSymmetrical circular 'cut out' repairs to the base top, possibly evidence of later alterations.The lower rail to the back board is loose when the rack is removed, evidence of historical woodworm in the drawer fronts, the rack back boards, and also the base top.Feet are possibly associated and later.Overall the condition is good and the dresser is stable, however there is evidence of some restoration, alteration and repairs with only light general wear commensurate with age and use, please see further images
An Edwardian silver card case, W G Keight & Co, Birmingham 1901, of shaped rectangular form, scrolling foliate decoration to shield cartouche and monogrammed initials to centre, hinged cover opening to reveal gilt interior, 10cm x 7.2cm, weight 2.14oztCR; No splitting or signs of repair. Corners and highpoints of shaped border are quite heavily dented. Some light bending/misshaping to the case. Cover opens smoothly and closes flush. Exterior shows general scratching and wear. All engraved decoration is crisp and clear.
A George III mahogany tray top tripod table, the scalloped table top mounted upon a birdcage movement and a baluster pillar, with carved wrythen detail, extending to three leaf carved cabriole supports terminating in ball and claw feet, 73cm H x 72cm DCondition reportOverall light fading/ bleaching, minor light scratches, rubbing and marks to the top. Very fine hairline crack to the top running 30cm from the rim.Metal bracket added to the underside of the pillar extending to the underside of one leg.Very minor split at the top of one leg joint
A George III style breakfront mahogany library bookcase, late 20th century, the dentil and arcaded frieze above four astragal glazed doors opening to an arrangement of adjustable shelves, over four cupboard doors applied with bead moulding, raised upon a plinth base, 214cm H x 202cm W x 37cm DCondition reportVery light general wear and fading commensurate with age and use.Several light scratches and scuffs to the central cupboard doors, otherwise no cracks to the glass, no visible damage or losses.
A George III honey oak breakfront housekeepers cupboard, the moulded cornice with a dentil frieze above an arrangement of four invert moulded cupboard doors, upon the rectangular base with a pair of cupboard doors flanked by three drawers to both sides, applied with ebonised knob handles, and raised upon bracket feet, 214cm H x 212cm W x 53cm DCondition reportHandles are later and four are at fault, moulding detached from both sides of the cupboard.Overall light fading and wear, full height split to pine back boards in the cupboard.Replaced hinges and screws on the cupboard doors, evidence of restoration to the underside of the chest top with small blocks added. Replaced pine drawer liners and runners, overall condition is sound although there is some evidence of historic restoration.
A Victorian stained pine kitchen cabinet, the moulded cornice above a pair of glazed doors opening to a painted interior, over a pair of cupboard doors, 178cm H x 106cm W x 33cm DCondition reportLacking feet with minor signs of worm to the base.Overall structurally sound however would benefit from a clean and some light restoration
A William IV rosewood breakfast table, the circular tilt top raised on a triform pedestal applied with carved scroll ears, upon the triform plinth base extending to carved leaf scrolled feet, 74cm H x 140cm DCondition reportFilled joint split to the table top along with two minor hairline cracks, both 25cm approx. along with minor water marks.Light fading to the pedestal otherwise only light wear commensurate with age and use
A Chinese hardwood and marble nightstand, early 20th century, the rectangular top inset with a rouge marble slab, above a scrolling open work frieze, raised upon legs of square section united by an undershelf, 81cm H x 41cm W x 31cm DCondition reportVery minor nibbles to the marble edge, with minor hairline cracks.Otherwise only very minor wear to the stand commensurate with light use
A Victorian Howard type sofa, upholstered in Morris & Co 'Tangley' fabric on an eggshell ground, the padded scrolled arms extending to carved oak paper scroll terminals and reeded columns above the front mushroom shaped feet, brass cups and castors, along with plain back swept rear feet with castors, 64cm H x 212cm W x 79cm DCondition reportMinor play in right arm and back, minor chip 2cm long at the base of the right arm column.Very light scuff marks to the feet, recently re covered so fabric in good condition
A Victorian pine kitchen table, the rectangular top with rounded corners above a single frieze drawer, raised upon ring turned tapering legs and peg feet, 73cm H x 122cm W x 89cm DCondition reportGeneral light fading/bleaching, little or no play in the leg joints, generally sound condition with light wear commensurate with age and use
A 1930's Art Deco golden oak occasional table, the circular moulded top raised upon four plain supports, united by two circular undershelves, 61cm H x 53cm DCondition reportOne quarter of table top frieze is detached, another quarter is missing.Otherwise only light general wear commensurate with age and use
An early Irish silver sugar caster (marks worn), of typical baluster form on domed circular foot with pierced pull-off cover, 13.5cm high, together with an Edwardian silver sugar caster by Charles Stuart Harris, London 1902, 11.5cm high (2)CR; Irish example: Heavy denting to the pierced cover. Moderate splitting to the pierced decoration (please see pictures for the largest split). Cover shows moderate scratching and wear. Cover sits flush to the body.Moderate denting to the body. Splitting is visible around the waist of the body (see pictures for illustration). Possible signs of repair around the foot. Moderate scratching and wear.Hallmarks to the body are very heavily worn, and there are no visible hallmarks to the cover.London example: Some light denting to cover. Some slight thinning around the piercing, but no signs of splitting or repair. Cover sits flush to the body. Moderate denting, scratching and wear to the body, but no signs of splitting or repair. Some wear to hallmarks, but they are legible and clear.
A 9ct gold medallion for the ?New Brighton Horse Show 1937 Open Jumping?, James Fenton, Birmingham 1937, 38mm diameter, together with a silver medallion for the ?New Brighton Horse Show 1938 Ladies Jumping 2nd Prize?, 38mm diameter, and a further silver coloured medallion for ?Hunters Improvement & National Light Horse Breeding Society?, 46mm diameter (3)
MATÍAS PALAU FERRER (Montblanch, 1921-2000). "Woman with flowers". Oil on canvas. Signed in the upper left corner. Size: 98 x 78,5 cm; 106 x 87 cm (frame). In this work Maties Palau Ferré offers us a beautiful scene of colour and light, based on a rigorous composition starring a young woman who offers the spectator a vase with flowers, and a clearly modern concept of space, of cubist heritage. In this way, Palau Ferré overcomes classical forms to show us another way of seeing reality, freed from the chains of learning, the fruit of experimentation and reflection. He studied at the Royal Catalan Academy of Fine Arts of Saint George, Barcelona, and moved to Paris in 1957, where he was one of Pablo Picasso's disciples. He began with some cubist-inspired works on oil canvases. Over the years he also did some ceramics and a few sculptures. After coming to fame in Spain he exhibited in several foreign countries, including France, the UK and the USA. His most important works are Woman and Moon, Montblanch and Guer-Blanc. Palau Ferré became notorious for his sudden mood swings, which led him to burn his oil paintings in 1974 after a dispute with a gallery owner. As a protest against what he defined as the "prostitution of art", he continued to systematically burn all his oil paintings that came into his possession over a period of about twenty years. He usually scattered the ashes of his paintings ceremonially in the Francolí River in his homeland, but some of the ashes of his canvases were saved and became part of an art exhibition in Pennsylvania, USA.1 His prolonged protest led him to stop painting oil canvases and to prohibit the few that survived from being exhibited until 1989. In his last artistic phase he painted only in India ink on thick paper using a technique of his own invention. He always signed his works with his two surnames "Palau Ferré". Palau Ferré died on 1 January 2000 in Montblanch and the town council named a street after him that same year. Months later, the Palau Ferré Art Museum was inaugurated, where some of his works are exhibited, including some rare canvases that were saved from burning.
A quantity of boxed / original packaging bike parts and accessories, including Cyclepro bike locks, Shimano Casette Sprockets, Shimano Chainwheel, Tiger stabiliser set, Clarks bar grips, cables, Staywrap chainstay protector, Dirt Wash sproket cleaning brush, D2O tyre tools, Raleigh headlamp, Smart tail lamp, ETC front lamp, various other light sets, Claud Butler multitool, and various other bike tools. (Contents of slatwall racking)
TIMECOP 2: THE BERLIN DECISION (2003) - THREE COSTUME ITEMScomprising a DOCTOR'S JACKET AND TROUSERS made up of ladies blue tunic with white piping at neck and elasticated trousers size 18, with matching elasticated belt, accompanied by a Premiere props certificate of authenticity; a MEN'S DOCTOR COAT, light grey 80% polyester 20% cotton coat, size 44, accompanied by a Premiere Props certificate of authenticity; and a BROWN WAISTCOAT, the wool mixture waistcoat with brown silk like backing. The film stars Jason Scott Lee (3)
HOW TO DEAL (2003) - VARIOUS COSTUME ITEMS comprising BUCK'S SHIRT, TROUSERS AND A TIE - PLAYED BY ANDREW GILLIES - Gents wool trousers made by Gala slacks, 30 inch waist and 32 inch inside leg, light blue cotton shirt by Simon Chang, 15.5 inch neck, and a navy blue and pink dot tie, accompanied by a Premiere Props Certificate of authenticity. Certificate refers to shoes which are not included; and MICHAEL'S SOCCER JERSEY - PLAYED BY JOHN WHITE, the burgundy large cotton t-shirt with Birchmount H.S Soccer badge and a dark wine mesh bib, accompanied by a Premiere props certificate of authenticity. The film stars Mandy Moore and Dylan Baker
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