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Lot 2267
Royal Doulton character jug - Winston Churchill model no. D6934 and one other limited edition no. 1471 model no. D6850 Viscount Montgomery CONDITION REPORT No cracks, chips or crazing. Not marked as seconds. Light scratching on bases. Glaze on Churchill's newspaper is slightly worn in one small area
Lot 2305
Minton Haddon Hall tea and dinner service (60 pieces) CONDITION REPORT Soup bowls good order. Side plates good order. Tea plates have light wear to green border. Cake plate has light wear to green border. Dinner plates all in good order. Five tea cups in good order, two badly worn and one has chip on base (7 in total). Five saucers in good order, three have extensive wear to green border and decoration. Condiment set - mustard pot has cracked body and lid repaired. Pepperette body has been re-glued. Salt good order. Three oval dishes - one has chip on border, one has chip on foot rim, other good. Sauce boat good order. Three bowls good order. Milk jug has wear to green border and chips to rim. Tureen and stand good order. Pin dish good order. Two spare lids in good order
Lot 28
A fluted Lowestoft Porcelain tea bowl and saucer in the "Bungay" pattern with puce and turquoise swags, bowl height 5cm, and diameter 8cm, saucer diameter 12.5cm. Comes with purchase receipt for £240 from David Gibbins Antiques of Woodbridge dated 5th May 1989 CONDITION REPORT: Tea bowl staining to top rim and interior loss of gilding, possible light restoration to rim. Saucer - light wear to interior gilding and glaze
Lot 2
Desmond Carrick RHA (1928-2012) FARMLAND AT CARRAROE oil on board signed lower left; titled on Waldock Gallery, Blackrock label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon Editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 18 x 24in. (45.72 x 60.96cm)
Lot 3
Desmond Carrick RHA (1928-2012) PREVAILING WESTERLY WINDS AT BALLYCONNEELY oil on board signed lower right; titled on artist`s label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon Editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 24 x 32in. (60.96 x 81.28cm)
Lot 4
Desmond Carrick RHA (1928-2012) SAVING HAY AT CARRAROE, 1996 oil on board signed lower left; with RHA exhibition label on reverse The Artist`s Estate Royal Hibernian Academy Annual Exhibition 2003, catalogue no. 44 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon Editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 18 x 24in. (45.72 x 60.96cm)
Lot 5
Desmond Carrick RHA (1928-2012) DWELLING ON A RIDGE, CARRAROE, COUNTY GALWAY, 1989 oil on canvas board signed lower left; inscribed with title on artist`s label on reverse The Artist`s Estate Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p.78 & 101 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon Editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 12 x 16in. (30.48 x 40.64cm)
Lot 7
Desmond Carrick RHA (1928-2012) BACK ROAD TO CLIFDEN oil on canvas board signed lower right; inscribed with title and artist`s studio address on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon Editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 12 x 16in. (30.48 x 40.64cm)
Lot 9
Desmond Carrick RHA (1928-2012) BOG FLORAE ON INISHBOFIN ISLAND, COUNTY GALWAY oil on board signed lower left; titled on artist`s label on reverse; also bears Carroll Gallery, Longford label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon Editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 18 x 24in. (45.72 x 60.96cm)
Lot 10
Desmond Carrick RHA (1928-2012) SUMMER OUTING AT RED ROCK, HOWTH oil on canvas signed lower left; titled on artist`s label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon Editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 14 x 18in. (35.56 x 45.72cm)
Lot 17
Desmond Carrick RHA (1928-2012) THE FIRST DAY OF WINTER AT HAZELHATCH, DUBLIN oil on board signed lower right; titled on artist`s label on reverse; with RHA exhibition label on reverse The Artist`s Estate Royal Hibernian Academy Annual Exhibition 1998 Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p.66 & 100 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958.In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns were later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. On 30 September 2012, exactly a year to the date of this sale, Desmond Carrick passed away.Examples offered in the present collection demonstrate his unique artistic vision, a career dedicated to the exploration of light and colour, along with a consistency of style and quality which became his hallmark. Many lots were shown in the RHA and or illustrated in Desmond Carrick RHA - The Lie of the Land (2009). 14 x 18in. (35.56 x 45.72cm)
Lot 19
Desmond Carrick RHA (1928-2012) ON THE BEACH AT HIGH NOON, NERJA (MALAGA), 1995 oil on canvas board signed lower right; with RHA exhibition label on reverse The Artist`s Estate Royal Hibernian Academy, Annual Exhibition 1995, catalogue no. 57 Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p. 141 & 165 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958.In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns were later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. On 30 September 2012, exactly a year to the date of this sale, Desmond Carrick passed away.Examples offered in the present collection demonstrate his unique artistic vision, a career dedicated to the exploration of light and colour, along with a consistency of style and quality which became his hallmark. Many lots were shown in the RHA and or illustrated in Desmond Carrick RHA - The Lie of the Land (2009). 18 x 24in. (45.72 x 60.96cm)
Lot 20
Desmond Carrick RHA (1928-2012) WINTER LANDSCAPE WITH OLIVE TREES AT NERJA oil on board signed lower left; titled on artist`s label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958.In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns were later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. On 30 September 2012, exactly a year to the date of this sale, Desmond Carrick passed away.Examples offered in the present collection demonstrate his unique artistic vision, a career dedicated to the exploration of light and colour, along with a consistency of style and quality which became his hallmark. Many lots were shown in the RHA and or illustrated in Desmond Carrick RHA - The Lie of the Land (2009). 16 x 20in. (40.64 x 50.80cm)
Lot 21
Desmond Carrick RHA (1928-2012) TIERED LAND AT FRIGILIANA (MALAGA) oil on board signed lower left; RHA exhibition label on reverse The Artist`s Estate Royal Hibernian Academy Annual Exhibition 1999, catalogue no. 67 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958.In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns were later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. On 30 September 2012, exactly a year to the date of this sale, Desmond Carrick passed away.Examples offered in the present collection demonstrate his unique artistic vision, a career dedicated to the exploration of light and colour, along with a consistency of style and quality which became his hallmark. Many lots were shown in the RHA and or illustrated in Desmond Carrick RHA - The Lie of the Land (2009). 18 x 24in. (45.72 x 60.96cm)
Lot 24
Desmond Carrick RHA (1928-2012) SLEEPING NUDE oil on canvas signed lower right The Artist`s Estate Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p.180 & 185 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 14 x 32in. (35.56 x 81.28cm)
Lot 26
Desmond Carrick RHA (1928-2012) OLIVE TREES BEFORE THUNDERSTORM, NERJA (MALAGA) oil on board signed lower right; titled on artist`s label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 16 x 20in. (40.64 x 50.80cm)
Lot 27
Desmond Carrick RHA (1928-2012) DEIRDRE AND BRIGITTE IN A MEADOW WITH APPLE TREES ABOVE SAINT MARCEL, 1994 oil on board signed lower left; titled on artist`s label on reverse The Artist`s Estate Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p.197 & 212 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 24 x 32in. (60.96 x 81.28cm)
Lot 28
Desmond Carrick RHA (1928-2012) RECLAIMING THE LAND, c.2011 oil on canvas board signed lower right; with RHA exhibition label on reverse Royal Hibernian Academy Annual Exhibition 2011, catalogue no. 84 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 16 x 20in. (40.64 x 50.80cm)
Lot 30
Desmond Carrick RHA (1928-2012) HILL ROUTE TO PUNTA LARA, NERJA, 1996 oil on board signed lower right; titled on artist`s label on reverse The Artist`s Estate Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p.158 & 166 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 18 x 24in. (45.72 x 60.96cm)
Lot 31
Desmond Carrick RHA (1928-2012) TWO ALMOND TREES IN WINTER AT NERJA oil on canvas board signed lower right; with RHA exhibition label on reverse The Artist`s Estate Royal Hibernian Academy Annual Exhibition 1997, catalogue no. 75 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 18 x 24in. (45.72 x 60.96cm)
Lot 33
Desmond Carrick RHA (1928-2012) A DAPPLED LAND AT NERJA, 1987 oil on canvas board signed lower left; titled on artist`s label on reverse The Artist`s Estate Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p.163 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 18 x 24in. (45.72 x 60.96cm)
Lot 35
Desmond Carrick RHA (1928-2012) ALMOND TREES IN SHADOW AT PUNTA LARA oil on board signed lower right; titled on artist`s label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 16 x 20in. (40.64 x 50.80cm)
Lot 36
Desmond Carrick RHA (1928-2012) NORTH WIND OVER NERJA oil on canvas board signed lower left; titled on reverse Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 16 x 20in. (40.64 x 50.80cm)
Lot 37
Desmond Carrick RHA (1928-2012) TOWN SQUARE oil on canvas board signed lower left The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 16 x 20in. (40.64 x 50.80cm)
Lot 39
Desmond Carrick RHA (1928-2012) VILLAS AND AQUADUCT UNDER A HEAT HAZE, NERJA oil on canvas board signed lower left; RHA exhibition label on reverse; titled on artist`s label on reverse The Artist`s Estate Royal Hibernian Academy Annual Exhibition 1989, catalogue no. 117 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 18 x 24in. (45.72 x 60.96cm)
Lot 40
Desmond Carrick RHA (1928-2012) LANDSCAPE WITH A FACTORY BEYOND oil on canvas signed `Carraig` lower right The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 13 x 18in. (33.02 x 45.72cm)
Lot 41
Desmond Carrick RHA (1928-2012) LANDSCAPE WITH A PATH AND A TOWN BEYOND oil on canvas board signed lower right The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 12 x 16in. (30.48 x 40.64cm)
Lot 42
Desmond Carrick RHA (1928-2012) OLD FARMHOUSE AT NERJA oil on canvas board sighned lower right; titled on artist`s label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 16 x 20in. (40.64 x 50.80cm)
Lot 43
Desmond Carrick RHA (1928-2012) FADING SUN AND NORTH WIND, NERJA, 1996 oil on canvas board signed lower right; titled on artist`s label on revrese The Artist`s Estate Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p.159 & 165 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 18 x 24in. (45.72 x 60.96cm)
Lot 44
Desmond Carrick RHA (1928-2012) CART TRACKS AT EL CAPISTRANO oil on canvas board signed lower left; titled on artiist`s label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 16 x 20in. (40.64 x 50.80cm)
Lot 45
Desmond Carrick RHA (1928-2012) THE ROAD TO SAYALONGA (MALAGA) oil on board signed lower left; titled on artist`s label on reverse The Artist`s Estate Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 16 x 20in. (40.64 x 50.80cm)
Lot 46
Desmond Carrick RHA (1928-2012) OLD BUILDINGS ON RUE DE CRÉPY, FREIGNEUX, OISE, FRANCE, c.1994 oil on board signed lower right; with RHA exhibition label on reverse The Artist`s Estate RHA Annual Exhibition 1994, catalogue no. 74 Carrick, Desmond; Corcoran, Tony, Desmond Carrick RHA - The Lie of the Land, Gandon Editions, Cork, 2009, p.208 & 213 Desmond Carrick was elected a member of the RHA in 1968 and became one of the institution`s most eminent and active members. For forty-four years his paintings were a familiar sight on the academy walls, particularly during the annual exhibitions. His role as secretary for the academy in the late 1970s saw his skills as an administrator come to the fore and he played a crucial role in facilitating the transformation of the old academy site into the modern space it is today. He sat on various academy committees and was central to the process of electing new members, as well as the coordination of the annual show, in which he exhibited since 1951. Carrick`s journey towards becoming an artist was gradual. He followed in his father`s footsteps with a career in the Guinness brewery from 1945 but pursued his interest in art through classes at NCAD where Seán Keating and Maurice MacGonigal (both past presidents of the RHA) were his tutors. He won the coveted Taylor Scholarship in 1956; a prize which facilitated a trip to Spain and ignited a lifelong passion for light and colour. Often in the company of fellow academian James Nolan, he would continue this pursuit in weekend trips around Dublin and to the West of Ireland and later with regular trips to Spain and France. While continuing to work in Guinness (he remained with the brewery until 1977) his talents as an artist were recognised. Bryan Guinness, later Lord Moyne, director of the brewing company, became a patron and he was commissioned to paint a large mural depicting the brewing process for the company`s visitor centre in 1958. In the late 1950s Carrick designed and constructed his own home and studio at Killakee. He married Deirdre Mellett in 1967 and together they enjoyed life in the picturesque surroundings of the Dublin Mountains. After his retirement from Guinness, the couple spent part of the year abroad in Southern Spain and in France. Much of the work painted on these sojourns was later submitted for exhibition in the RHA annual show or in various exhibitions with the Dublin Painters Gallery, Ritchie Hendriks Gallery, IELA, Oireachtas among others. In 2009 Gandon editions published a profusely illustrated text on Carrick`s life and career, The Lie of the Land. This brought to light his journey and celebrated the diversity of his skills as an artist in oil, watercolour, sculpture and stained glass. 24 x 32in. (60.96 x 81.28cm)
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