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![A TIFFANY FAVRILE GLASS VASE of electric blue OR violet iridescence, 32cm h, engraved 1549 L.C.T. Tiffany [.] Favrile, early](http://lot-images.atgmedia.com/SR/10086/2893703/12-2013111312213_468x382.jpg)
Lot 12
A TIFFANY FAVRILE GLASS VASE of electric blue OR violet iridescence, 32cm h, engraved 1549 L.C.T. Tiffany [.] Favrile, early 20th c ++One or two light scratches, unusually an erasure of a word and number that precedes the (correct) shape number 1549 on the base, the correcting of a mistake at the time of manufacture, but not a second or damaged.
Lot 301
A PAIR OF JAPANESE KUTANI HANGING LANTERNS globular and enamelled with butterflies and peonies on a sky blue ground, 21cm diam, red painted mark, early 20th c ++In fine condition with a few light scratches on the under surface. Wear to the gilding on the three suspension lugs. High decorative and unusual
Lot 305
A FINE JAPANESE IVORY NETSUKE OF QUAIL ON MILLET AFTER OKATOMO, side by side and facing in opposite directions with inlaid eyes, a leaf curling on the underside to form the himotashi, covered in a light stain, 4cm l, signed Okatomo, late 19th/early 20th c ++In very good condition with some accretion of dust over time, in the same local private ownership for at least 60 years
Lot 316
A CHINESE EXPORT PORCELAIN BOWL enamelled with a Mandarin pattern of two principal scenes divided by smaller reserves of two figures on a ground of gilt tendrils with iron red vignettes, the interior with a flower spray and red spearhead inner border, 20cm diam, c1780 ++Typical light wear principally to the gilding but undamaged
Lot 415
A PAIR OF GEORGE III PIERCED OVAL SALT CELLARS with beaded rim and embossed with swags, on openwork feet, blue glass liners, 8cm w, by Edward Leapidge, London 1775 and a Victorian pierced cylindrical mustard pot, Sheffield 1842, 6ozs 10dwts (3) ++The salts with localised salt corrosion and polish residue but undamaged. No repairs, the marks fair to good. Light differences in the liners, one possibly original, the rim chipped. The mustard pot with light wear and slight play in the hinge but complete with old glass liner
Lot 416
A GEORGE II WAITER AND A GEORGE III WAITER with moulded border, the second with shells at intervals, on three feet, 16cm diam, both London, by George Hindmarsh, 1733 with scratch weight 7=6, and apparently no maker`s mark, 1764, 12ozs 10dwts ++Both with light wear consist with the age, the earlier waiter engraved on the underside, probably in the late 18th c with a monogram. The second waiter with evidence of erasure from the field and somewhat whippy
Lot 424
A GEORGE III OVAL TEA TRAY the field engraved with armorials and initials, having cavetto border and reeded rim and handles issuing from acanthus leaves, 55cm w, by Thomas Hannam and John Crouch, London 1800, 52ozs ++Light polish scratches consist with the age and occasional use. No damage or repairs, the engraving and marks good
Lot 437
A GEORGE III ENTRÉE DISH AND COVER octagonal, the swept cover with loop handle with twig terminals, the dish with gadrooned rim, both engraved with armorials, 27cm w, by Daniel Smith and Robert Sharp, London 1785, engraved No4 and with scratch weight 21=0, 40ozs 10dwts Provenance: The arms are those of the Earl of Clare, presumably John Fitzgibbon, Lord Chancellor of Ireland 1st Earl (cr.1794). The title became extinct in 1864. The crest is tht of Tafford or De Trafford. ++In good average condition without damage or repair, the inside of the dish with typical but light scratches from use as to be expected, no repair
Lot 439
A GEORGE II MUG on moulded foot, 16cm h, by Francis Crump, London 1749, 25ozs ++A good quality mug in fine condition with only a few light dents and scratches. Some of the planishing marks still visible, on the base the engraved scratch weight 25oz:13wt. In the present local private ownership for several generations
Lot 442
A GEORGE II TEA CADDY with domed cover, moulded shoulder and sliding base, crested, 13.5cm h, marked on base, by John Newton, date letter poorly struck, probably 1727, 7ozs 10dwts ++Light overall wear, apparently marked only on the base, the marks well spaced, the maker`s mark and lion passant clear, the London mark and date letter poorly struck
Lot 445
AN IRISH VICTORIAN CLARET JUG of Armada pattern, cast, applied and chased in high relief with demi figures, grotesques and flowers, having leafy scroll handle and lever action lid, 38cm h, maker JS, a pellet between, Dublin 1867, 41ozs ++Light erasure and dents from the vacant cartouches but not noticeable, complete and undamaged with polish residue
Lot 446
A PAIR OF GEORGE II CANDLESTICKS the rope bordered and banded sconce with square nozzle on knopped stem and moulded shell cornered foot, 25.5cm h, marked on base, sconce and nozzle by Edward Jay, London 1758, 39ozs 10dwts ++Both in good condition with light wear but no damaged, the marks on the bases good, the mark on the sconce rubbed, the two marks on the nozzles slightly rubbed
Lot 463
A GEORGE III OVAL TEA TRAY the field engraved with a contemporary inscription in flat chased cartoche and border of flowers and grapevines, the handles issuing from acanthus leaves, 58cm w, by William Bennett, London 1806, 66ozs ++In good condition with a few typical light scratches. The back engraved Bequeathed to Joseph Armitage by his father George Armitage February 19th 1878. Later chased.
Lot 467
A GEORGE III SALVER the shaped and beaded rim with paterae, on four claw and ball feet, 33.5cm diam, by Walter Tweedie, London 1781, 36ozs 10dwts ++Engraved at later date Presented by Earl Spencer KG in 1879 to the Peterborough Companies. and by them presented to their captain Commandant T J WalkerSome light scratches, the marks good, no damage or repair
Lot 474
A WILLIAM IV TEA SERVICE of lobed ogee shape with leafy scroll handles and embossed with panels of flowers, teapot 17cm h, by George Burrows and Richard Pearce, London 1831, 44ozs (3) ++In good condition with light wear and the odd minor dent and scratch only, no repairs, the marks practically as struck
Lot 499
A GERMAN PAPIER MÂCHÉ SNUFF BOX AND COVER BY STOBWASSER the cover painted with Mary Queen of Scots, 9.5cm diam, the interior inscribed in red Maria Stuart Konigin von Schottland/13607 Stobwasser`s Fabrik, c1820 ++A good example in fine condition with only a few light surface varnish scratches and one or two small chips to the raised ridge encircling the box and cover, entirely unrestored
Lot 507
A SCOTTISH PROVINCIAL SILVER MOUNTED COWRIE SHELL SNUFF MULL, BANFF the lid with engraved integral hinge, leaf thumbpiece, crest and motto SI JE PUIS terminating in leafy scrolls, 8.5cm l, by William Byres, maker`s mark only, in a crudely cut punch, c1770-80++In good condition with light wear, complete and original, undamaged. The lid closing correctly without play in the hinge
Lot 639
EDMUND HALLEY A NEW AND CORRECT CHART OF THE CHANNEL BETWEEN ENGLAND AND FRANCE double page engraving published by Page & Mount Tower Hill London [1702] coloured, mounted to platemark, 64.5 x 101cm ++Creased where folded, some separation on one crease across Isle of Wight, light handling marks and minor surface dirt and marginal tears but acceptable, in modern frame
Lot 656
CHARLES MOTTRAM (1806-1876) AFTER JOHN MARTIN (1789-1854) THE PLAINS OF HEAVEN mixed method engraving printed in colour, published by Thomas Mclean 1857, mounted to within platemark, s71 x 101cm ++Light browning in the sky, also one or two attempts at cleaning visible and a small tear upper right, in what is probably the original ornate Victorian gilt wood and composition frame
Lot 670
WILLIAM LEIGHTON LEITCH, RI (1804-1883) VIEW IN SOUTHERN ITALY signed and dated 1872, watercolour, 12 x 18.5cm ++A very pleasing and characteristic watercolour by Leitch with sporadic old light foxing and slight fading but the colours still retaining their luminosity, long in the present late Victorian gilt frame and mount
Lot 672
JAMES STEPHEN GRESLEY (1829-1908) THATCHING THE COTTAGE signed and dated 1867, watercolour, 29.5 x 33cm ++A particularly pleasing bright and attractive example of this artist`s watercolour with some light foxing in the sky, the scene is almost certainly set in one of the south Derbyshire villages around Ticknall. On th reverse the label of Charles H Ward of Friargate Derby
Lot 720
NORTHERN EUROPEAN SCHOOL, 19TH CENTURY DUTCH FISHING VESSELS IN ROUGH SEAS a pair, 19 x 23.5cm (2) ++Both with some craqueleur, rather more pronounced on one, on this work also a small patched repair, the varnish on both requiring a light clean. In ornate Victorian gilt cavetto frames that have been regilt and with small restorations
Lot 730
ENGLISH SCHOOL, MID 19TH CENTURY PORTRAIT OF MARY COWPER STILES MRS ANDREW LOW OF SAVANNAH three quarter length in a light blue dress, 130 x 197cm Provenance: The family of the sitter, thence by descent to the present vendors. Famed for her beauty and charm, Mary Cowper Stiles (1832-1863) was born in Savannah, Georgia. Her father, William Henry Stiles (1808-1865), was a member of the US House of Representatives and lawyer. In 1845 he was appointed Chargé d`affaires to the Austrian Empire. She married, as his second wife, Andrew Low (1813-1866) a Scottish born cotton factor who had amassed a fortune in Savannah. In the years leading up to the Civil War the Lows became leaders of fashionable society in Georgia and guests at their grand new house (built 1848-9) on Lafayette Square in the centre of Savannah included William Makepeace Thackeray who stayed twice (1853 and 56) and General Robert E Lee, who was godfather to one of their daughters. Since 1952 The Andrew Low House has been a museum. ++Support lined and some localised professional restoration
Lot 732
ENGLISH SCHOOL DOUBLE PORTRAIT OF A LADY AND GENTLEMAN OF THE DALTON FAMILY seated half length in an interior, 61.5 x 74cm ++In good condition, the varnish requiring a light clean, the present work of early 20th c date and probably a copy of an original of c1850, frame damaged and regilt in a bronzing paint
Lot 733
DONALD WOOD (1889-1953) POSTHUMOUS PORTRAIT OF ANNIE EMILY HARRIETTE BARKER (1867-1908) half length in a pink dress with primroses in her right hand, signed and dated 1936, 75 x 61cm ++In entirely original and unrestored condition, the varnish requiring a light clean, in the original 1930s moulded and painted frame
Lot 736
ELLEN CONELLY (EXH 1880-85) PORTRAIT OF MAY OLIVER signed and dated 1875, signed and dated again, inscribed with the title and artist`s address, 116 Gower St Fulham WC, 92 x 71cm ++In good original condition, unlined, on the original stretchers with brand of Winsor & Newton Rathbone Place London. The varnish requiring a light clean with some ingrained dirt, the pigments darkened in passages, in what is likely to be the original ornate Victorian giltwood and composition frame, some loss to the mouldings on the frame
Lot 748
JOHN SANDERSON WELLS (1872-1955) THE MUSICIAN signed, panel, 19 x 29cm ++The medium a little thin in places but apparently free from restoration although not verified under UV light. The varnish in need of a light clean, in 18th c style gilt frame and on the backboards the label of a Toronto dealer and subsequent label of Cambridge Fine Art
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534338 item(s)/page