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Mathewsons Car Auctions
Lot 458

FORD SALES AND SERVICE LIGHT UP SIGNWe highly recommend that you view in person any potential purchase and take time to inspect paperwork and make any relevant enquiries.**This lot will go through our auction on Saturday 5 June**On display at our Thornton le Dale site – Roxby Garage, Pickering Road Thornton le Dale YO18 7LH - please call us on 01751 474455. Thank you.We ask that customers collect their own memorabilia purchases. We are not able to ship these items.

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Mathewsons Car Auctions
Lot 507

FERRARI LIGHT UP SIGNWe highly recommend that you view in person any potential purchase and take time to inspect paperwork and make any relevant enquiries.**This lot will go through our auction on Saturday 5 June**On display at our Thornton le Dale site – Roxby Garage, Pickering Road, Thornton le Dale, YO18 7LH – please call us on 01751 474455. Thank you.We ask that customers collect their own memorabilia purchases. We are not able to ship these items.

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Mathewsons Car Auctions
Lot 510

JAGUAR E-TYPE LIGHT UP SIGNWe highly recommend that you view in person any potential purchase and take time to inspect paperwork and make any relevant enquiries.**This lot will go through our auction on Saturday 5 June**On display at our Thornton le Dale site – Roxby Garage, Pickering Road, Thornton le Dale, YO18 7LH – please call us on 01751 474455. Thank you.We ask that customers collect their own memorabilia purchases. We are not able to ship these items.

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Galerie Zacke
Lot 1

TAKANO RYOICHI: A FINE BRONZE VASE WITH A FROG AND BAMBOOBy Takano Ryoichi (born 1907), signed ShizanJapan, Takaoka, Toyama prefecture, first half of 20th centuryThe tall and slender body rising from a short waisted foot to a short waisted neck with everted rim, the front boldly decorated in relief with a small frog perched on a bamboo stalk, with a second bamboo stalk and leaves, the recessed base signed SHIZAN.HEIGHT 27 cmWEIGHT 987.5 gCondition: Very good condition with minor wear, few minuscule nicks, occasional light scratches, the neck and rim with a small dent.Provenance: German private collection, acquired before 2007.Shizan was the go (art name) for Takano Ryoichi who lived in Takaoka, Toyama Prefecture. He started his career at the beginning of the Showa era and won several prizes in craft exhibitions.Auction comparison: Compare a related bronze baluster vase with a dragon by the same artist, but of larger size (34 cm high), at Bonhams, Fine Japanese Art, 12 May 2016, London, lot 522 (sold for 3,125 GBP).

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Galerie Zacke
Lot 100

A RARE LACQUER SUZURIBAKO WITH OWL AND MOONJapan, c. 1700-1750, Edo period (1615-1868)The rectangular suzuribako (writing box) with a black-lacquered exterior, the cover finely lacquered in gold and silver takamaki-e depicting an owl perched on a leafy oak tree with many acorns, above craggy rockwork, ferns, and small plants, all below the silver moon partially hidden beneath kirikane-inlaid clouds and gold-sprinkled mist. The inside of the cover shows a beautiful reddish nashiji ground and is lacquered in gold and silver takamaki-e depicting various flowers, grasses, and a fence. The interior with further nashiji, a tray showing a blooming flower, and a compartment containing the original suzuri (ink stone), and brass suiteki (water dropper), as well as further takamaki-e plants.SIZE 22.6 x 21 x 4.5 cmCondition: Good overall condition with age-related wear, including some tiny losses and subsequent touch-ups to the cover, some light surface scratches, some crackling and old repairs to the edges of the cover and box, and some general associated wear. The ink stone with a large chip.Provenance: Ex-collection Claudio Perino, a collector with a keen interest in Japanese, Chinese and Far Eastern cultures. His collection consists of over 2000 works of art, partly loaned to the Museum of Oriental Arts (MAO) in Turin, Italy and to the Museo delle Culture (MUSEC) in Lugano, Switzerland. An exhibition of Kakemono scroll paintings is currently on view in the MUSEC until end of April 2021.Auction comparison:A related suzuribako with an owl and dated to the 18th century was sold by Christie’s, Japanese Art and Design, 14 May 2008, London, lot 35 (sold for 4,750 GBP).

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Galerie Zacke
Lot 112

A FINE LACQUER KOGO (INCENSE BOX) WITH KANZAN AND JITTOKUJapan, late 19th centuryOf lobed square shape, bearing a fine roiro ground, the lid masterfully lacquered in iro-e togidashi-e depicting Kanzan and Jittoku examining a scroll. The inside and underside of dense nashiji.SIZE 7.5 x 7.5 x 2.3 cmCondition: Superb condition with extremely minimal surface wear including very light scratches.Provenance: British private collection.Auction comparison:Compare to a lacquered kogo from the same workshop, sold at Bonhams, Fine Japanese Art, 6 November 2007, London, lot 177 (sold for 2,040 GBP).

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Galerie Zacke
Lot 12

A MASSIVE BRONZE OKIMONO OF A SEA EAGLEJapan, c. 1900, Meiji period (1868-1912)Massively cast as a large sea eagle perched on a rocky outcrop engulfed in violently crashing waves with prominent spherical water droplets, the feet part of the separately cast base and each of the wings cast separately as well.HEIGHT 63 cmWEIGHT 14.8 kgCondition: Good condition with minor wear and casting irregularities, traces of gilt, few minuscule nicks, occasional light scratches, one leg has been reattached, still slightly loose.Provenance: German private collection.The underside incised with a lengthy inscription stating the okimono was commissioned by Inoue Ryonosuke of the Inoue Company, together with his business partners, including the successful businessman and founder of the historic Fujiya Hotel in Hakone, Yamaguchi Sennosuke (1851-1915). The Inoue company was founded in December 1897, retailing stationery, paper products, and printing materials.Auction comparison: Compare a related but larger (76 cm high) bronze okimono of an eagle, dated to the late 19th century, at Christie’s, Masterful Exuberance, Artistic Craftsmanship of Imperial Japan: The Property of a Lady, 18 May 2012, London, lot 150 (sold for 13,750 GBP).

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Galerie Zacke
Lot 127

A MAGNIFICENT AND VERY LARGE FIGURE OF AMIDA, BUDDHA OF INFINITE LIGHTJapan, 17th - 18th century, earlier Edo period (1615-1868)Carved wood. Amida, the Buddha of Immeasurable Light and Life, standing on a lotus base, the right hand raised in the Semui or Vitarka gesture, the left lowered in the Yogan or Varada mudra, the drapery of his garment elegantly rendered in ‘endlessly’ flowing folds, all sumptuously gilt and decorated in fine lacquer.HEIGHT overall 135 cmCondition: Traces of use and old wear as expected, minor touchups, age cracks and losses, possibly some old replacements. Generally in good condition, commensurate with age, and better than most statues of this extremely rare size and period.Provenance: From an old French private collection. Galerie de Chartres, France, April 2016. A noted European collector, acquired from the above.The Byakugo, a white swirl of fine hair on the forehead of the Buddha, is represented here by a neatly inlaid pearl of crystal. It is also sometimes called the third eye and allows Amida to see past the mundane and into the divine world. The ushnisha above is embedded in finely sculpted, curly hair and neatly inlaid in glass.The massive, three-sectioned pedestal is composed from multiple layers of finely carved lotus petals and partially reticulated reliefs of Dharmachakra wheels and horizontal Vajras. The borders are fortified by bands of gilt bronze, all bearing fine incision and punching work. The backside shows a group of blazing flames.The gilt halo is carved in shallow relief to depict a seven-lobed lotus flower springing from a circular band of rays, all supported by a single vertical column.Amida is the principal Buddha in Pure Land Buddhism, also called the Buddha of Infinite Light. In Vajrayana tradition, he is known for his magnetizing discernment, pure perception and deep awareness of the emptiness of all phenomena. According to scriptures, he possesses infinite merit resulting from good deeds over countless past lives as a bodhisattva.Literature comparison: Compare with an earlier statue of a standing Amida Nyorai in the Tokyo National Museum, traditionally identified as Shaka Nyorai, inventory number C21, formerly owned by Sennyu-ji, Kyoto. Auction comparison:Compare with a closely related statue of Amida of near-identical size, but lacking most of the superb gilding of the present lot, sold at Christie's London, Japanese Art and Design, 16 November 2000, lot 191 (sold for 35,200 GBP - c. 42,000 EUR).

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Galerie Zacke
Lot 130

A LARGE BRONZE OKIMONO OF A RAKAN SEATED ON A SHISHIJapan, 18th-19th century, Edo period (1615-1868)Heavily cast as a rakan (arhat) seated in a relaxed pose on a large shishi lying in a recumbent posture with flaming mane and tail, reishi-shaped nose, and sharp claws, the rakan wearing a long flowing robe secured with a hooked ring at the shoulder, the face showing a calm expression with thick eyebrows, downcast eyes, and slender lips forming a subtle smile.WIDTH 35 cmWEIGHT 5,204 gCondition: Very good condition with minor wear and casting irregularities, minuscule nicks, and light scratches.Provenance: French private collection.

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Galerie Zacke
Lot 142

A FINE IVORY PAGE TURNER WITH A MONKEY AND WASP NESTJapan, Meiji period (1868-1912)The flat blade carved in shishiaibori (sunken relief) with katakiri and kebori, to one side with a monkey struggling to climb up a pomegranate tree and to the other with a monkey hanging down a branch, both very dynamic and with finely incised fur and neatly detailed features, the handle densely carved in with a monkey climbing up a pomegranate tree to reach a wasp nest guarded by two large wasps, a small mother-of-pearl inlay in the form of a stylized chrysanthemum at the top of the handle.LENGTH 45 cmCondition: Very good condition with minor surface wear, occasional light scratches, and few small natural age cracks, the edge of the blade with some expected wear.Provenance: British collection.

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Galerie Zacke
Lot 143

A FINE SHIBAYAMA-INLAID AND GOLD-LACQUERED IVORY PAGE TURNER WITH MONKEYS IN A STRUGGLEJapan, Meiji period (1868-1912)The flat blade inlaid with mother-of-pearl, coral, horn, and stained bone, and decorated in gold hiramaki-e and takamaki-e, depicting to one side a pheasant looking up towards flowering chrysanthemum below the towering branch of a blossoming cherry tree continued on the other side of the blade, with flowers, fruit, and buds, two small birds perched on a branch and two birds in flight above, the handle superbly carved as a group of monkeys fighting each other and forming a pile, as if each is trying desperately to reach the top first, with horn-inlaid eyes and fierce expressions.LENGTH 48 cmCondition: Very good condition with minor surface wear, occasional light scratches, and few small natural age cracks, the edge of the blade with some expected wear.Provenance: British collection.

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Galerie Zacke
Lot 18

AN IMPRESSIVE BRONZE JAR AND COVER INLAID WITH MANY FINE MENUKIJapan, late 19th century, Meiji period (1868-1912)Of globular form, the domed cover with a knob handle, the bronze patinated to a dark caramel brown, the sides and cover finely inlaid with numerous menuki in gold, silver, shakudo, and shibuichi, the depictions running the full gamut of Japanese legends and mythology, including a tengu, Urashima Taro, Jurojin, Kan’U, frogs and toads, bats, chickens, and many others.HEIGHT 19.5 cm, max. DIAMETER 23 cmWEIGHT 3,100 gCondition: Good condition with minor wear, few small nicks, occasional light scratches, one of the menuki is lost, another menuki with two small losses.Provenance: Collection of Wivica Ankarcrona Borell (1935-2019). Her grandfather Sten Ankarcrona was a Swedish marine officer who came to Japan on a special mission in 1923, bringing back vast collections of Japanese art and decorating his summer house, creating first a Japanese garden and later a complete Japanese building as documented in Svenska Hem i ord och bild (Swedish Home in Words and Pictures) in 1928, providing a fascinating look at this golden age of European collecting. Their guest book contains the signature of the Swedish king Gustav VI Adolf as well as that of the Japanese crown prince, later Emperor Akihito.

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Galerie Zacke
Lot 236

A LARGE MOTHER OF PEARL-INLAID WOOD MANJU NETSUKE DEPICTING AN ELEPHANT AND KARAKOJapan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Carved in shishiaibori (sunken relief) to one side with an elephant with gilt eyes and to the other with a gleefully laughing boy, lying on his stomach and supporting his head with both hands, next to a woven basket with an uchiwa (fan), inlaid with mother-of-pearl, inside. Two asymmetrical himotoshi to the center of the back, one ringed in bone.DIAMETER 6.3 cmCondition: Very good condition with minor surface wear, few minuscule nicks, occasional light scratches.Provenance: German private collection.

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Galerie Zacke
Lot 265

MORI SOSEN: A LARGE AND IMPRESSIVE SCROLL PAINTING OF MONKEYS BY A WATERFALLBy Mori Sosen (1747-1821), signed Sosen with seal MorikataJapan, late 18th to early 19th century, Edo period (1615-1868)Finely painted in ink and watercolors on silk and mounted as a hanging scroll with silk brocade frame, the circular image within a rectangular field, depicting a tribe of monkeys in a rocky landscape with blossoming cherry trees and a waterfall, the monkeys engaged in various activities such as climbing, fighting, grooming, eating, and resting. Note the single white-haired monkey near the center of the image, which is almost hidden due to the similarly colored background. The rectangular field with the signature SOSEN and seal Morikata lower right.With an old wood hakogaki (storage box) with an attached label: 群猿之圖、森狙山筆 “Gun’en no zu, Mori Sosen hitsu” [A painting of a group of monkeys, painted by Mori Sosen]A further label to the side: 狙山筆、円相、郡猿圖 “Sosen hitsu, Enso, Gun’en-zu” [A painting of a group of monkeys, as the Enso (The Circle), painted by Sosen] With a large black lacquered wood box.SIZE 89 x 86.5 cm (image) and 190 x 103.5 cm (incl. mounting)Condition: Very good condition with minor wear, little soiling, few creases. The mounting with some wear, traces of use, tears, and few loose threads. The tomobako with extensive wear, cracks, and minor losses. The black-lacquered wood box with some wear, minor nicks, and light scratches.Provenance: Collection of Frieda and Milton Rosenthal, acquired from Shukodo, Kyoto. Sotheby’s Fine Chinese Ceramics & Works of Art Including Chinese and Japanese Art from the Collection of Frieda and Milton Rosenthal, 16 September 2008, lot 293. US private collection, acquired from the above.Auction comparison: Compare a related painting by Mori Sosen depicting two monkeys and their young, but of considerably smaller size, at Christie’s, Lacquer, Jade, Bronze, Ink: The Irving Collection Day Sale, 21 March 2019, New York, lot 1162 (sold for 15,000 USD).

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Galerie Zacke
Lot 28

MASATATSU: A FINE INLAID IRON TSUBA WITH AMARYU DRAGONBy Masatatsu, signed Wada Daishi Masatatsu with kakihanJapan, 18th to 19th century, Edo period (1615-1868)The iron tsuba of sumi-iri-kaku-gata shape with two hitsu, finely inlaid in partly silvered copper and gold takazogan with a slender amaryu dragon and a tama (magical pearl). The reverse showing finely incised silver waves.LENGTH 7 x 6.5 cmWEIGHT 88.8 gCondition: Some surface wear and light corrosion to iron surface. Good condition.Provenance: Old German private collection.

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Galerie Zacke
Lot 3

NOGAWA: A FINE PATINATED BRONZE GU-FORM VASEBy the Nogawa company, signed Yushi koku and with the Nogawa company markJapan, late 19th century, Meiji period (1868-1912)The vase shaped like a Chinese gu vessel, with a slightly flared base tapering to a slender body widening to a trumpet-shaped mouth wider than the base, finely inlaid with various metals including gold and silver depicting tall bamboo and sprouting bamboo shoots, signed YUSHI koku, the base with the mark of the Nogawa company.HEIGHT 21.8 cmWEIGHT 489.3 gCondition: Very good condition with minor surface wear, some wear to metal inlays as well, few minuscule nicks, occasional light scratches.Provenance: Collection of Wivica Ankarcrona Borell (1935-2019). Her grandfather Sten Ankarcrona was a Swedish marine officer who came to Japan on a special mission in 1923, bringing back vast collections of Japanese art and decorating his summer house, creating first a Japanese garden and later a complete Japanese building as documented in Svenska Hem i ord och bild (Swedish Home in Words and Pictures) in 1928, providing a fascinating look at this golden age of European collecting. Their guest book contains the signature of the Swedish king Gustav VI Adolf as well as that of the Japanese crown prince, later Emperor Akihito.Auction comparison:Compare a related bronze vase, featuring a similar depiction of bamboo and also signed Yushi koku, at Christie’s, Masterful Exuberance, Artistic Craftsmanship of Imperial Japan: The Property of a Lady, 18 May 2012, London, lot 150 (sold for 2,750 GBP).

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Galerie Zacke
Lot 4

A SUPERB KAKUHA STUDIO INLAID GILT-BRONZE VASE WITH FLYING SPARROWSBy Tenmaru Isshi for the Kakuha studio, signed Tenmaru Isshi zo and Kakuha seiJapan, Takaoka, Toyama prefecture, Meiji period (1868-1912)The baluster body rising from a straight foot to a waisted neck with an everted rim, the shoulder applied with two fierce beast-mask handles with gilt eyes and fangs, the body with copper and shakudo takazogan depicting numerous sparrows in flight, some clustered together and others flying alone, amid finely gilt-splashed clouds, above a flat-inlaid band of archaistic designs with stylized phoenix heads in gold, copper, and silver, the neck flat-inlaid in gold with ‘Buddha’s hand’ fingered citron and stylized flowers, the underside signed TENMARU ISSHI zo and KAKUHA sei.HEIGHT 33.5 cmWEIGHT 4,882 gCondition: Very good condition with minor wear, few small nicks, and occasional light scratches.Provenance: German private collection, acquired before 2007.Kakuha Kanzaemon IX, real name Kakuha Zenjiro, was a member of a lineage of metalworkers from Toyama. In 1869, he started a branch office in the port of Yokohama for export trade of bronze ware, also acting as a retailer for foreign clients in Japan.Auction comparison: For a fine bronze of a monkey and frog by the same studio see Christie’s, Peter Petrou: Tales of the Unexpected, 20 January 2019, London, lot 44 (sold for 10,625 GBP). For a bronze group depicting elephants from the same studio see Bonhams, Fine Japanese and Korean Art, 17 March 2021, New York, lot 602 (sold for 20,312 USD).

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Galerie Zacke
Lot 53

A LACQUERED JINGASA (WAR HAT)Japan, 19th century, Edo period (1615-1868)The black lacquer shingen style jingasa with a copper brim and tehen no kanamono, the front with a mon crest in gold hiramaki-e, the red-lacquered interior with the original straps and interior padding and applied eyelets. With associated silk padding.LENGTH 33.5 cm, WIDTH 30 cmCondition: Good condition with minor wear, occasional light scratches, an application to the back of the jingasa is lost.Provenance: Viennese private collection, acquired in the local trade before 2000.The origins of this style of jingasa are said to trace back to Takeda Shingen (1521-1573), who it is believed favored this shape.Auction comparison:Compare a related jingasa from the same period at Bonhams, Fine Japanese and Korean Art, 21 March 2018, New York, lot 2275 (sold for 2,500 USD), and another at Bonhams, Fine Japanese Art, 12 May 2009, London, lot 50 (sold for 3,960 GBP).

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Galerie Zacke
Lot 65

NAMIKAWA YASUYUKI: A SUPERB AND VERY RARE MINIATURE CLOISONNE ENAMEL BOX AND COVERAttributed to Namikawa Yasuyuki, unsignedJapan, late 19th century, Meiji period (1868-1912)The silver-mounted octagonal box with a faceted cover, masterfully worked with polychrome enamels and silver wire, depicting various stylized floral diapered patterns arranged in neatly enameled panels of alternating color. The lid with a central octagonal reserve depicting a majestic phoenix showing all the various colored enamels used throughout the design of the box, against a bright yellow ground.SIZE 4 x 3.8 x 3.5 cmWEIGHT 91 gCondition: Very good condition with minor old wear. The box: Perfect condition. The lid: Minuscule hairlines to the edge of two panels. One panel with two microscopic, restored areas, all of which is only noticeable under strong UV-light and magnification. [Please request additional images made under UV-light from us]Provenance: US private collection.The box and cover are designed in a clever way so that the lid can only be fitted on the box when the panels of the same color are matched.Namikawa Yasuyuki (1845-1927) is widely regarded as one of the greatest cloisonne makers of all time. He won prizes at the Philadelphia World Fair of 1876, then at the Paris World Fair of 1878, and later at the 1889 Paris Fair. He was also honored at the series of National Industrial Expositions which was instituted in 1877. He won altogether 31 prizes at expositions both at home and abroad. In 1896 together with the unrelated Namikawa Sosuke, Yasuyuki was appointed as a Teishitsu Gigeiin, or ‘Imperial Artist’, the only two cloisonne makers to be so honored.Auction comparison:Compare to a very similar miniature box and cover by Namikawa Yasuyuki, yet arguably considerably less fine than the present example, sold at Christie’s, Japanese and Korean Art, 18 September 2013, New York, lot 776 (sold for 21,250 USD).

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Galerie Zacke
Lot 66

A MIDNIGHT BLUE CLOISONNE ENAMEL VASE WITH CHERRY TREE AND FLOWERSJapan, Meiji period (1868-1912)The rounded square baluster body rising from a short spreading foot to a slender waisted neck with everted rim, decorated in bright enamels with a blossoming cherry tree as well as peonies, chrysanthemums, and various other flowers, the reverse with iris and grass blades, a key-fret band below the rim and a lappet band above the foot, all reserved against the midnight blue ground.HEIGHT 18.2 cmWEIGHT 214.6 gCondition: Very good condition with minor wear and manufacturing irregularities, expected minor pitting, and occasional light scratches.Provenance: Viennese private collection, acquired in the local trade before 2000.

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Galerie Zacke
Lot 67

A MIDNIGHT BLUE CLOISONNE ENAMEL VASE WITH A SPARROW AND FLOWERSJapan, Meiji period (1868-1912)The baluster body rising from a short foot to a broad shoulder with a slender waisted neck and everted rim, one side decorated in polychrome enamels with a sparrow in flight surrounded by chrysanthemums with stylized scrolling petals and other flowers with stems, leaves, and buds, the neck and foot with geometric borders.HEIGHT 12.5 cmWEIGHT 221.9 gCondition: Good condition with minor wear and manufacturing irregularities, expected pitting, occasional light scratches and few minuscule losses.Provenance: Viennese private collection, acquired in the local trade before 2000.

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Galerie Zacke
Lot 70

A MIDNIGHT BLUE CLOISONNE ENAMEL VASE WITH A DRAGONJapan, Meiji period (1868-1912)The baluster body rising from a short foot to a broad shoulder with a slender waisted neck and everted rim, one side decorated in bright ginbari enamels with a fierce and sinuously coiled dragon surrounded by flames.HEIGHT 15.5 cmWEIGHT 219.3 gCondition: Good condition with minor wear, expected pitting, occasional light scratches, and few minuscule nicks.Provenance: Viennese private collection, acquired in the local trade before 2000.

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Galerie Zacke
Lot 73

AN UNUSUAL IRON-RED CLOISONNE ENAMEL VASE WITH PEONY AND CHRYSANTHEMUMJapan, Meiji period (1868-1912)The ovoid body rising from a short spreading foot and short waisted neck with everted rim, decorated with bright enamels depicting peonies and chrysanthemums with leaves and buds, all reserved against the iron-red ground.HEIGHT 11.8 cmWEIGHT 148.5 gCondition: Very good condition with minor wear and manufacturing irregularities, expected pitting, a few minuscule losses and occasional light scratches. Provenance: Viennese private collection, acquired in the local trade before 2000.

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Galerie Zacke
Lot 77

ANDO: A DEEP PURPLE CLOISONNE ENAMEL VASE WITH ASTERBy the Ando company, signed with the mark of the Ando companyJapan, Showa period (1926-1989), mid-20th centuryThe slender baluster body rising to a broad waisted neck and everted rim, one side decorated in enamels of white and shades of purple with aster flowers on thin stems with leaves and buds, reserved against the deep purple ground, the recessed base with the Ando company mark.HEIGHT 30.3 cmWEIGHT 706.4 gCondition: Good condition with minor wear and manufacturing irregularities, expected pitting, light scratches, and manufacturing-inherent hairlines.Provenance: Viennese private collection, acquired in the local trade before 2000.

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Galerie Zacke
Lot 88

A LARGE ENAMELED KUTANI PORCELAIN CHARGER WITH FALCON AND CRANESSigned Kutani seiJapan, Meiji period (1868-1912)The interior finely painted in gilt and bright enamels with three cranes standing on the shore next to a gnarled tree and large blossoming flowers, a falcon flying above with a fourth crane trapped in its talons, several fishermen in boats toward the center in front of a small village with huts and blossoming trees, two mountains and clouds in the background. With a metal mounting for suspension to a wall.DIAMETER 46.2 cmCondition: Very good condition with minor wear and firing irregularities, such as kiln grit to the base and some dark spots, occasional light scratches, and some wear to enamels.Provenance: German private collection.

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Essex Auction House
Lot 314

Early Leica style Russian camera and light meter.

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Elstob & Elstob
Lot 3010

WALTER MOORCROFTA POTTERY GINGER JAR AND COVER, MID 20TH CENTURY, the ovoid body and cover tubelined and hand-painted with Pomegranate pattern, slate blue painted signature and impressed marks. 21cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Fairly heavy crazing to cover - appears dull (possible sun damage) Light crazing and surface scratching to body. 

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Elstob & Elstob
Lot 3012

WALTER MOORCROFTA LARGE "LEAF AND BERRY" PATTERN POTTERY VASE, CIRCA 1950, the ovoid body tubelined and hand-painted with stylised leaves and berries against a green shaded ground, green painted initials and impressed marks. 26cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Usual light crazing, overall ingrained surface dirt, some surface scratching. 

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Elstob & Elstob
Lot 3017

A LARGE CONTEMPORARY ART GLASS BOWL, flared circular form, indistinctly signed to base. 37cm diameterThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some ingrained surface dirt. Very light surface scratching to interior. Overall good condition. 

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Elstob & Elstob
Lot 3022

RENÉ LALIQUE (FRENCH, 1860-1945)"CEYLAN", AN OPALESCENT GLASS VASE, DESIGNED 1924, moulded with parakeets on branches, stencilled R. LALIQUE FRANCE signature. 24cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some surface scratching to flat neck rim, some very light surface scratching to body. Some minor bubble inclusions. 

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Elstob & Elstob
Lot 3024

RENÉ LALIQUE (FRENCH, 1860-1945)"ONDES", AN OPALESCENT BOWL, DESIGNED 1931, moulded with ribbed bands radiating spirally from the centre, etched R LALIQUE FRANCE mark. 20.5cm diameterThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some (approximately 6) small surface chips to the rim and some nibbling, very light surface scratching to interior. 

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Elstob & Elstob
Lot 3025

RENE LALIQUE"TOKIO", A LIDDED BOX, designed 1921, amber glass, moulded LALIQUE mark. 17cm diameterThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some minor bubble inclusions and light surface scratching. 

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Elstob & Elstob
Lot 3038

A PAIR OF ARTS AND CRAFTS SILVER VASES, by Ollivant & Botsford, London 1909, tapering cylindrical with slightly out-turned rims and reeded bands above a domed foot. 21cm high, 31.5 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.One with light dent to body, light surface scratching. 

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Elstob & Elstob
Lot 3048

IVAR T. HOLTH - A NORWEGIAN SILVER-GILT AND WHITE ENAMEL NECKLACE, of undulating and pierced rectangular links, maker's mark for Ivar T. Holth, marked '830s'. Length 37.5cm, 52.2 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Two links with faint hairlines to the clear top layer of enamel, light general wear and rubbing to gilding. Condition report made 130521.

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Elstob & Elstob
Lot 3050

NANA DITZEL FOR GEORG JENSEN - A PAIR OF DANISH SILVER CUFF EARRINGS, designed as tapering knife-edge hoops, post-1945 maker's mark for Georg Jensen, numbered 126, marked 'Sterling'. Measure 3cm long, 2.5cm in diameter, 17.6 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light surface wear. The cuffs are designed to hook over the cartilage of the ear and are held in place with a ball to the inside of the cuff, they do not sit on the lobe as they have the original fittings and have not been adapted. Condition report made 120521.

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Elstob & Elstob
Lot 3051

BJÖRN WECKSTRÖM FOR LAPPONIA, SPACE COLLECTION - A SCANDINAVIAN SILVER MASK OF GONDA RING, designed as a large abstract mask motif, maker's mark for Lapponia, dated code 1987, marked '925', ring size N1/2. 15.7 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light general wear, the head measures 5cm long. Condition report made 120521.

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Elstob & Elstob
Lot 3053

NIELS ERIK FROM - A DANISH SILVER AMETHYST RING, a round cabochon amethyst within a dished frame, to forked shoulders, maker's mark for Niels Erik From, marked '925s', ring size I1/2. 4.0 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light surface wear. Condition report made 120521.

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Elstob & Elstob
Lot 3054

JAKOB BENGEL - AN ART DECO CHROME AND ENAMEL NECKLACE, c.1930s, chrome brick links picked out in green enamel, marked 'Depose'. Length 44cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Heavy wear and losses to the enamel, light surface scratching.

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Elstob & Elstob
Lot 3056

HANS MYHRE - A NORWEGIAN SILVER-GILT AND WHITE ENAMEL LEAF BRACELET, designed as leaf-motif links, maker's mark for Hans Myhre, marked '925s'. Length 19cm, 19.2 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.One link with surface scratch to the clear enamel, light general wear. Condition report made 130521.

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Elstob & Elstob
Lot 3057

A DANISH SILVER AND PASTE NECKLACE, the wing-shaped front set with a white paste, to long link chain, maker's mark '84 D.U', marked '925'. Measures 40cm long, 29.1 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light surface wear. Condition report made 130521.

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Elstob & Elstob
Lot 3059

CHARLES HORNER – A SILVER AND ENAMEL PENDANT NECKLACE, a pierced oval plaque filled with blue-green enamel and suspending an enamelled pendant drop, tied to an enamelled link to a belcher chain, maker’s mark for Charles Horner, marked ‘Sterling’. Pendant measures 3.4cm by 2cm, chain length 38.5cm, 3.7 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition with light surface wear, no damage noted to enamel. Condition report made 130521.

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Elstob & Elstob
Lot 3062

A PAIR OF MID 20TH CENTURY SCANDINAVIAN SILVER PENDANT EARRINGS, articulated openwork frames with a central pendant drop, marked ‘830’, with screw fittings. Length 8cm, 16.7 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The earrings are in good condition with light surface wear. They fasten with screw back fittings and are suitable for non-pierced ears. They are stamped ‘830’ and in our opinion would test as silver. Condition report made 040521.

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Elstob & Elstob
Lot 3064

CHARLES HORNER – A SILVER AND ENAMEL PENDANT NECKLACE, a pierced kite-shaped plaque filled with blue enamel and topped by an orange paste, to a belcher chain, maker’s mark for Charles Horner, hallmarked Chester 1908. Pendant measures 3.2cm by 2cm, chain length 53cm, 8.0 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The connector of the jump-ring with a split, meaning chain may detach with continued wear, light surface wear, no damage noted to enamel. Condition report made 130521.

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Elstob & Elstob
Lot 3065

ARNO MALINOWSKI FOR GEORG JENSEN – A DANISH SILVER LAMB AND IVY BROOCH, 1933-1944 maker’s mark for Georg Jensen, numbered 311, marked ‘Sterling’. Measures 4.5cm by 4.8cm, 16.4 grams The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition with light surface wear. It fastens with a pin and safety catch. Condition report made 130521.

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Elstob & Elstob
Lot 3067

KUPITTAAN KULTA - A SCANDINAVIAN SILVER PENDANT, the lozenge-shaped pendant with a silver gilt fish design, maker's mark for Kupittaan Kulta and Nina Breddal, marked '925'. Measures 2.5cm by 2cm, 3.0 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition, very light wear. Condition report made 130521.

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Elstob & Elstob
Lot 3068

CHARLES HORNER – A SILVER AND ENAMEL PENDANT NECKLACE, a pierced oval plaque filled with blue-green enamel and suspending an enamelled pendant drop, to a belcher chain, maker’s mark for Charles Horner, hallmarked Chester 1912. Pendant measures 3.4cm by 2cm, chain length 49.5cm, 6.3 grams The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition with light surface wear, no damage noted to the enamel chain possibly later. Condition report made 130521.

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Elstob & Elstob
Lot 3069

ATTRIBUTED TO MURRLE BENNETT & CO - A JUGENDSTIL SILVER TURQUOISE BROOCH, a turquoise matrix within an oval frame with branching decoration, suspending a turquoise drop. Measures 3.2cm by 3.5cm, 5.5 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The principal turquoise is heavily discoloured green, light surface wear. It fastens with a pin and c-hook. No makers marks. Condition report made 130521.

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Elstob & Elstob
Lot 3070

NORMAN CHERRY - A SCOTTISH MID-CENTURY MODERNIST SILVER CITRINE RING, an oval-cut citrine within a heavily textured and pierced rectangular frame, maker's mark for Norman Cherry, hallmarked Edinburgh 1972, ring size M. 6.5 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light surface wear. Condition report made 130521.

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Elstob & Elstob
Lot 3072

NIELS ERIK FROM - A DANISH SILVER CHRYSOPRASE RING, a round cabochon chrysoprase within a pierced frame decorated with fish and bubbles, marker's mark for Niels Erik From, marked '925s', ring size K1/2, 7.4 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Small dent to one of the 'bubbles', light surface wear, some scuffing to the metal. Condition report made 130521.

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Elstob & Elstob
Lot 3073

NIELS ERIK FROM - A DANISH SILVER CHRYSOPRASE BANGLE, two round cabochon chrysoprase to a tapering split bangle, maker's mark for Niels Erik From, hallmarked import London 1966. Measures 5.4cm by 5cm inner diameter, 18.8 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light surface wear. Condition report made 120521.

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Elstob & Elstob
Lot 3075

AN ART DECO PATINATED METAL FIGURAL TABLE LAMP, the semi-clad maiden cast looking to the sky and holding aloft a spherical glass shade, raised on a marble base. 65cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some light wear/surface scratching to metal. Glass shade good, no damage noted. No damage noted to marble base.

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Elstob & Elstob
Lot 3076

FRANÇOIS ANDRÉ CLEMENCIN (FRENCH, 1878-1950), A BRONZE CHIVALRIC GROUP, "CELUI QUI FUT PRIS", bronze gilt with silver patina, signed Clemencin to the base with foundry mark for Unis, France. 37.5cm by 21.5cm The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition with some light surface scratching noted to base and maiden's body, general tarnish to the silvered patina. Some very minor surface scratches and wear but generally in very good original condition. 

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Elstob & Elstob
Lot 3095

WILLIAM H. JAMIESON, ROBIN HOOD AND ROBINSON CRUSOE, A PAIR, c.1900, each signed and titled, watercolours, in oak framed. 45cm by 15.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Behind glass and not removed prior to inspection. Light bloom of black mould to right edge (near elbow/shoulder) insect casing/debris caught behind glass leading to possible staining. Some minor discoloration/staining to edges. 

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Elstob & Elstob
Lot 3097

AN ARTS AND CRAFTS OAK MOTTO MANTEL CLOCK, with leaf-form copper dial below the motto 'EAST WEST HAMES BEST', the front further carved with serpents, two-train movement striking the hours and half hours on a coil gong, with pendulum. 31cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Movement not tested, cannot guarantee working condition.  Dial good, light surface wear to the front of the case. Back of the case with wear to varnish near door clasp. 

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Duggleby Stephenson of York
Lot 850

Early to mid 20th century industrial metal spot light/ search light, on a circular adjustable base H75cm

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Duggleby Stephenson of York
Lot 594

Large light oak and granite boardroom/dining table, the top inset with granite segments, raised on panelled square supports with turned feet 305cm x 183cm, H76cm

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TW Gaze
Lot 1106

A "Skovby" Danish extending dining table with two extra leaves, in light oak, 170cm long including one leaf

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British Toy Auctions
Lot 106

Minichamps - 1985 Porsche 956L Le Mans car in 1:18 scale. This is one of a limited edition of only 500 made and the model appears Mint with the removable rear body section still sealed in the packaging from new. The box is Near Mint with only light storage marks.

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British Toy Auctions
Lot 110

AUTOart - Aston Martin DBR9 model in 1:18 scale, this Gulf liveried car is number 1030 of only 2500 made and comes with a numbered certificate. The car still appears Mint and the box is Near Mint with only light storage marks.

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British Toy Auctions
Lot 113

Minichamps - 1930 Bentley 'Blower' 4.5 litre Le Mans in 1:18 scale. This model appears Mint though is a little dusty from being on display and the two screws that should hold the car to its plinth are missing. The box has some light storage marks.

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