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Click here to subscribeA lady's Rolex Oyster Perpetual Datejust Superlative Chronometer stainless steel and yellow metal wristwatch, the white dial with gold Roman numerals and date aperture, ref no. 69173, with sapphire glass and integral Jubilee bracelet, with guaranteeCondition report: In working order but no guarantee, no box but original guarantee, general wear and light scratches in keeping with age, refer to images
An 18ct gold mid-size Rolex Oyster Perpetual Datejust Superlative Chronometer wristwatch, the black dial with gold batons, date aperture, sapphire glass and integral President braceletCondition report: In working order but no guarantee, no box or certificate, some general wear and light scratches but no significant visible damage, diameter of the crown approx 28mm, age estimated circa mid-late 1980's, unable to access the model number, refer to images
A Cartier gold plated Tank Solo quartz wristwatch, the oblong white dial with black Roman numerals, sapphire set winding crown, case back stamped 'Water Resistant Swiss Made Acier/OR750 818265LX-2743', with spare Cartier watch strap, within pouch, Cartier case and boxCondition report: Scratch to the glass, general wear and light scratches to the case, not currently in working order- possibly just requires new battery, size of the case approx 25mm x 30mm, comes with box, outer box, pouch and two booklets, please refer to additional images
A William Moorcroft 'Late Florian' vasecirca 1915of twin-handled form, tubelined with flowers and leaves against a green ground, impressed factory marks and painted signature in green,13.5cm highCondition report: When viewed under bright light, it is noticeable that the entirety of the vase is covered in relatively fine crazing to the glaze. There is a small fleabite to the upper rim, with a loss of glaze in that area. Likewise, the handles both have a few small glaze imperfections, which are a combination of firing flaws and fleabites. There are no cracks, chips, damages or any restorations. Please see the additional images.
An Edwardian cased set of four silver and enamel menu holders by Sampson Mordan & Co Ltd, Chester 1904, each individually enamelled depicting three game birds; a pheasant, partridge and grouse, together with a fox, each mounted to plain circular base and presented within fitted box, total weight approx 5.9ozCondition report: Makers marks are quite rubbed but the other hallmarks are reasonably clear, general wear and small light scratches to the enamel plaques in keeping with age but no significant losses or chips, crack to the case, wear to the outer case, refer to images
H.Stern ladies 18ct yellow gold and diamond-set bracelet wrist watch. The watch having a pave diamond set face 1.20cts with blue sapphire bezel. The strap set with diamonds and sapphires watch case stamped 091AM ZFMANAUS approx 92 gms, the watch face is 25 mm, watch diameter is 65 mm, on a 18ct gold bracelet with concealed clasp, four additional links, (no papers), total weight including movement and links 107 gms. Property of a Cotswold lady. -December Fine Jewellery SaleCondition report: The watch is not moving forward at time of testing. The face is in good condition with several light surface scratches visible under loupe. Watch bracelet in good condition, slight scratches to back of case consistent with wear.
18TH CENTURY ENGLISH SCHOOL “Young gentleman in naval uniform with white stock”, a portrait study, head and shoulders, oil on canvas, within an oval, unsigned, 74 cm x 61 cm CONDITION REPORTS All over crazing and some areas of touching up particularly noticeable under UV light. In need of a clean. Some splash marks of some description to the bottom of the picture. Frame has losses throughout. General wear and tear conducive with age and use. See images for more details.
A modern fawn upholstered two seat sofa bed, 173 cm wide x 94 cm deep x 80 cm high CONDITION REPORTS Mattress is a bit grubby. No labels. Some small marks to the internal cushion cover. Chip to the back right hand leg. General wear and tear to include some light fading to the back edge on the sofa. See images for more details.
A 19th Century Staffordshire pottery Toby jug as "Toby Philpott seated with jug of ale on his left knee, a pipe in his right hand, in pale pink jacket with black hat", 24.5 cm high CONDITION REPORTS Does not appear to have any signs of restoration under UV light. The eyes and mouth appear very pale or undecorated though there are signs that it may have had some decoration over the top of the glaze at some point which has now gone. There is damage to the glaze to the base front left and to the underside and crackelure particularly down the left hand side - not so obvious on the right though there is some. See images for further detail.
A collection of Belleek "Shamrock and basket" decorated tea wares including two teapots, three cream jugs, two sugar bowls, jam pot, large jug, muffin dish, two sandwich plates, six cups and saucers, three side plates, together with two shell decorated pink ground cups and saucers CONDITION REPORTS Most pieces have the black double back stamp. One sandwich plate/cake plate has one handle off and missing. The other sounds dull but no crack/fracture evident. Loss to the enamel decoration on various pieces throughout. One teapot has staining to the interior. Items with a single black back stamp comprise muffin dish, three side plates, one saucer, one teapot and a milk jug. Another black back stamp different to the others - one tea cup. One milk jug and sugar bowl have green double back stamp. Four pink items have various back stamps - see image. All items have general wear and tear conducive with age and use to include some light surface scratching, losses to the enamelled or gilded decoration and some knife marks etc - see images for more details
One Coalport cobalt square serving plate and six circular plates together with four various Royal Crown Derby gilt decorated coffee cans and saucers, together with a matching trinket dish, three Derby Chatsworth saucers, a Royal Crown Derby blue and gilt chinoiserie decorated part tea service comprising five tea plates, six saucers and five cups and matching twin handled sucrière and a further Royal Crown Derby blue and gilt ribbon decorated cup and saucer CONDITION REPORTS The Coalport plates only:- Square plate is dirty. Circular plates have general wear and tear to include some light surface scratching, knife marks and to the decoration with the exception of one which has a heavier mark with some red discolouration/staining which would probably wash off.The gilt decorated coffee cans and saucers - one can has severe discolouration to the interior - otherwise general wear and tear to include dirt, etc. Three Chatsworth saucers - all have chips, crazing, discolouration.The blue and white chinoiserie decorated set - all cups have hairline fractures, one saucer has a hairline fracture and one tea plate. Otherwise all have some signs of crazing, etc. Sucrier - nothing visible but sounds dull. All items have general wear and tear to include knife marks and wear to the gilding, etc. See images for examples.
A pair of 19th Century Chinese sang de boeuf baluster shaped vases with flared rims raised on a circular foot 27.5 cm high raised on carved wooden stands CONDITION REPORTS One vase has a large chip to underside rim. Both have signs of crazing to the interior which are in places dark. Firing flaws throughout as well as some light surface scratching. Otherwise general wear and tear conducive with age and use - see images for more details
A pair of gilded spelter candlesticks in the early 19th Century manner, the reeded columns on harpy triform bases 41 cm high including light fitting together with a pair of yellow glazed pottery table lamps in the Chinese taste 37 cm high CONDITION REPORTS Pair of yellow pottery lamps: one has a large crack running all the way down its body and more. Both are very dirty and in need of a clean, crazing throughout both as well as firing faults, knocks and bumps etc. The pair of spelter candlesticks are in need of a good clean, some splitting to the brasswork, needs re-wiring. Otherwise general wear and tear conducive with age and use - see images for more details
A 20th Century brass framed cylindrical ceiling lantern in the Georgian style with four internal candle type lights, 24 cm diameter x 46 cm drop, together with another similar hexagonal single light lantern, 18 cm diameter x 34 cm drop and a 20th Century glass and brass starburst ceiling light, approx 26 cm diameter and a modern faux bamboo five light electrolier in the Chinese taste, approx 43 cm diameter x 50 cm drop
A set of six 20th Century brass twin light wall sconces on flaming torch / urn supports, 20 cm wide x 40 cm high, together with a set of 20th Century brass wall lights of fan medallion and reeded scroll arm form comprising one two branch sconce and two single branch sconces, a pair of 20th Century ribbon and swag scroll arm wall sconces and two pierced brass finger plates
A circa 1900 brass framed ceiling light in the Empire taste with bound reeded banded decoration and shaped brown veined white alabaster shade, 49 cm diameter x approx 15 cm drop CONDITION REPORTS Framework basically sound though in need of a clean and with signs of minor wear and tear conducive with age and use. The alabaster shade with cracks. One glass panel to the side frieze missing. Electrical wiring in need of replacement - see images for further detail
A Timecraft light oak longcase clock, with an arched moon phase dial, decorated with cherubic spandrels, silvered chapter ring bearing Roman numerals, subsidiary seconds dial, eight day three train movement with Westminster chimes, rod strike, the oak case with glazed door and fluted demi pilasters, with pendulum, weights and keys, with paperwork, 190cm high.
A carved tree fungus protective spirit mask, Central Nepal, early 20th century,of primitive, naturalistic form with pierced eyes and mouth and applied separate nose, 18cm highProvenance:Acquired in February 1991Footnote: Still worn today during the celebrations of Kathmandu Valley's Panga Carnival, masks fashioned from fungus were designed to offer protection against malevolent spirits and suggest an intimate relationship with the natural world.Condition report: Light stress cracks around nose
A Chinese purple splashed Junyao jar, Song-Yuan Dynasty (960AD-1368AD),the narrow neck with four loop shoulder lugs, covered with a grey/light lavender glaze punctuated with arched purple splashes, 11cm high, 12.5cm diameter Provenance: Acquired from I. Rowe, 26 November 1994The Livingston CollectionCondition report: very good overall - slight glaze faults and pimples/burst glaze bubbles.
decorated in the Kakiemon style with the Hob in the Well pattern, 26cm wideProvenance: Property of a Sheffield collectorCondition report: Both of the plates have been under UV and show nothing (see images). There is a creaminess to the underside, especially around the footrim of one. It has been suggested that they coudl have been sprayed.The dishes have firing faults to the body wich have blackened over time. Light pitting to both.One has a 2.5inch crack to the underside. Rubbing to the enamel around the tree.The other one has two similar cracks to the underside with a susbsequent very tiny surface chip to the underside. One of the cracks is slightly visible from the front but is oscured by the factory fault.
two with plain trumpet shaped bowls on plain stems, 15.5cm and 16.5cm high; two with engraved bowls on plain stems, 14.5cm and 13.5cm high; one with plain bowl opaque air twist stem, 15cm high Condition report: All in good condition, the plain trumphet glass has black inclusions in places, usual light scratching
Thomas Sidney Cooper, RA (British, 1803-1902) and Frederick Richard Lee, RA (British, 1798-1879)The Watering Placesigned or inscribed and dated 'F.R. LEE RA '64/T.S. COOPER RA' (lower left); signed or inscribed 'T.S. Cooper/1850' (lower right)oil on panel 49 x 59.5cmCondition report: 61 x 71.5cm (framed)The painting is executed in oil on a wooden panel support with a label for Charles Roberson & Co on the reverse. The panel and paint layers are in a good condition overall. There are losses at the left hand corner and lower edge. There are a few age and stress cracks which have formed in the paint layers. Small areas of damage and abrasion have been retouched in the sky. The upper varnish layer is even and glossy. The painting is curiously signed by Cooper twice and Lee once. The Cooper signature to the right is dated 1850, under ultraviolet light the area around the date is surrounded by varnish which fluoresce green, although the date does not. The thick brown line under the date is also dark in UV but has age cracks and a gloss which matches the broken branch on the tree above. It may be possible that the painting was reworked at a later date but further analysis would need to be undertaken.
Samuel Bough, RSA (British, 1822-1878)Cub Hunting, Surreysigned and dated 'Sam Bough 1864' (lower left)oil on canvas85 x 111cmProvenance: Collection of Sherwood Hunter Private collection, NewcastleCondition report: 120 x 147cm (framed)Oil on canvas which has been lined. The canvas is in plane with good tension. There is a small dent in the paint and canvas near the centre of the picture. The paint layers are in a good, stable condition overall. In the lower left quadrant there are old areas of diagonal damage which have been overpainted. There are other localised areas of overpaint scattered across the surface. The varnish is glossy and even with a light layer of surface dirt.
David Cox, OWS (British, 1783-1859)Harvest scene with figuressigned 'D. Cox 1826' (lower left)watercolour on paper18.5 x 31cmProvenance:Property from a Suffolk country houseCondition report: A little discoloured. Light foxing in the sky. Surface dirt under glass. Not examined out of frame. framed 37 x 50cm
Thomas Miles Richardson Jnr., RWS (British, 1813-1890)A view of Kilchurn Castle, Loch Awe, West Scotlandsigned 'T M Richardson/1852' (lower right) watercolour on paper65 x 101cmProvenance:Property from a Suffolk country houseCondition report: 95 x 131cm (framed) Discoloured throughout. Few light foxing spots mainly in the sky. The colours are good. A small pin hole size chip to the paper above the tree right of centre. There are several areas in the sky where the paper appears abraded possibly caused by damp or mould. Light surface dirt under glass. Foxing and toning to the mount. Minor chips to the frame. Not examined out of frame.
Samuel Howitt (British, 1756-1822)A view of Carisbrooke Castle, Isle of Wightsigned and dated 'Howitt. 1791.' (lower right)pencil, pen and ink with watercolour on paper22 x 31cmProvenance:Colonel F W G Gore by 1906/7;Sir Herbert Merrett by 1937;Heather Newman British Watercolours, GloucestershireCondition report: 43.5 x 51.5cm framed Paper slightly warped in the bottom right corner. Light surface dirt. Slightly discoloured. Foxing especially in the sky and lower right foreground. Not examined out of frame.
Attributed to George William Thornley (French, 1857-1935)Shipping off a portoil on panel18 x 28cmProvenance:Christie of Broadway, WorcestershireCondition report: Oil on panel. Horizontal cracks to the paint layer in the direction of the wood grain in the upper right quadrant. Light surface dirt. Retouchings have discoloured.
George William Thornley (French, 1857-1935)Moonlit harbour scene with a town in the distancesigned 'Thornley' (lower right)oil on canvas34 x 29cmCondition report: 50 x 45cm (framed)Oil on canvas which is lined. The paint layer is stable and canvas tension is good. Top and left stretcher bar marks are visible in raking light when the picture is examined at an angle. Age-related craquelure in the middle ground. Scattered retouchings are well-matched to the original.
John Frost (British, fl. 1758-1785)A view of Southwell Minster, Nottinghamshire signed ‘Jnº: Frost pinxt’ (lower left) oil on canvas 58 x 88cm Condition report: The painting is executed in oil on a linen canvas support which has been lined. The canvas tension is stiff, and the picture is in plane. The paint layers are stable and secure. There is a network of age cracks which are prominent in the light paint passages. There are localised areas of overpaint across the surface. The varnish layer is thick and glossy and has yellowed slightly.
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