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Lot 262
Weston (George) His First Million Women, light toning strip on endpapers, original cloth, dust-jacket, light chips to extremities, otherwise excellent, New York, 1934 § Gratacap (L.P.) A Woman of the Ice Age, original boards, splitting along joint, lightly rubbed at extremities, New York, 1906 § Newton (Bertha) My Life in Time, signed presentation inscription from the author on front free endpaper, light spotting to first few pages, original boards, dust-jacket, price-clipped, short tear to upper panel, nicks to edges, spine head a little frayed, 1938 § Harris (Clare Winger) Away from the Here and Now, signed by the author on front free endpaper, original cloth, dust-jacket, chipped and frayed at edges, Philadelphia, 1947 first editions; and 14 others, science-fiction written by or featuring women, v.s. (18)
Lot 218
Shiel (M. P.) Here Comes the Lady, first edition, first few pages spotted, 1928 § Stoker (Bram) Dracula's Guest, reprint, [c.1914] § Cabell (James Branch) The Way of Ecben, light toning to first few pages, 1929 § Timbs (John) The Romance of London, light foxing, spine label browned, c.1870, original cloth, light fading to spines, bumping to extremities; and 7 others, weird and mystery fiction, 8vo (10)
![[Birkin (Charles Lloyd, editor)] [The "Creeps" series], 6 vol., comprising Shivers; Creeps; Thrills; Powers of Darkness; Quak](https://cdn.globalauctionplatform.com/28ec0438-5e65-4ea7-bcd0-b163012997a3/e082e7f3-8de3-4007-b50d-b16400bb56c7/468x382.jpg)
![[Field (Julian Osgood)], "X.L.". Aut Diabolus Aut Nihil and Other Tales, second edition, bookplate, half-title and endpapers](https://cdn.globalauctionplatform.com/28ec0438-5e65-4ea7-bcd0-b163012997a3/26ae66c7-7a17-45a7-aa2d-b16400bc2209/468x382.jpg)
Lot 84
[Field (Julian Osgood)], "X.L.". Aut Diabolus Aut Nihil and Other Tales, second edition, bookplate, half-title and endpapers browned, 1895 § Stoker (Bram) "Bones and I" or, The Skeleton at Home, ownership inscription on front free endpaper, 1868 § Jarrett (Cora) Strange Houses, first English edition, light spotting to peripheral pages, 1937, original cloth, light bumping to extremities, light rubbing to spine ends; and 7 others, weird and mystery fiction, 8vo (10)
Lot 124
Highsmith (Patricia) A Dog's Ransom, first American edition, New York, 1972; Those Who Walk Away, first edition, endpapers browned, 1967 § Hawk (John) The House of Sudden Sleep, first edition, endpapers spotted, light spotting to boards, jacket edges a little nicked, tear to title head, New York, 1930 § Woodward (Edward) The House of Terror, first edition, nicks to jacket spine ends and edges, lower cover a little toned, New York, 1930, first or first American editions, original boards or cloth, dust-jackets; and 24 others, thrillers and crime fiction, 8vo (29)
Lot 6
Ambler (Eric) The Light of Day, first edition, 1962; Passage of Arms, second impression, light foxing to first few pages, 1959; Cause for Alarm, third impression, small gift inscription on pastedown, jacket price-clipped, 1949, original cloth or boards, dust-jackets, light nicks and chips to extremities; and 6 others, spy fiction, 8vo (10)
Lot 316
Rackham (Arthur).- Wagner (Richard) The Rhinegold & The Valkyrie, 34 tipped-in colour plates by Rackham, occasional light spotting, spine ends lightly bumped, 1910; Siegfried & The Twilight of the Gods, 30 tipped-in colour plates by Rackham, occasional light spotting, spine ends lightly bumped, 1911 § La Motte-Fouqué (Friedrich de) Undine, 15 tipped-in colour plates by Rackham, spine ends and corners very slightly bumped, 1909, first trade editions, captioned tissue-guards, a couple loose, original pictorial cloth, gilt, spines very lightly sunned, otherwise excellent; and 6 others, illustrated, v.s. (9)
Lot 198
Read (Herbert) Pursuits and Verdicts, one of 15 separate copies for Graham Greene, original wrappers, light fading to spine, 1983; The Contrary Experience, first edition, original boards, dust-jacket, lightly rubbed and discoloured, 1963; To Hell With Culture, second impression, original boards, dust-jacket, light fading to spine with nicks to edges, 1963, from the library of Tom Rosenthal, the last two with his bookplate on endpapers; and 2 others by the same, 8vo (5) *** Tom Rosenthal (1935-2014) was a notable publisher who headed up Secker & Warburg from 1971 to 1984.
![[Wyndham (John)], "John Beynon". Stowaway to Mars in The Passing Show, vol.5, nos.215, 217-19, 221-22 (6 only, of 8), illustr](https://cdn.globalauctionplatform.com/28ec0438-5e65-4ea7-bcd0-b163012997a3/22c599bc-6b56-487d-b80c-b16400be313c/468x382.jpg)
Lot 278
[Wyndham (John)], "John Beynon". Stowaway to Mars in The Passing Show, vol.5, nos.215, 217-19, 221-22 (6 only, of 8), illustrations, original pictorial wrappers, light fraying to edges, a few leaves loose, some with tears, some light marking, 1936 § Hamilton (Edmond) City at World's End, first edition, original cloth, dust-jacket, broken in pieces but neatly split down joints, glue staining, 1951; and c.40 others, science fiction, including first edition sets of H.G. Wells' The World of William Clissold, v.s. (c.45) *** Stowaway to Mars was first published in 1936 as Planet Plane by George Newnes, then serialised for the first time here in The Passing Show as Stowaway to Mars, and again in 1937 in Modern Wonder magazine as The Space Machine.
Lot 185
Nolan (William F.) and George Clayton Johnson. Logan's Run, jacket spine sunned, light creasing to head and foot, 1967 § Christopher (John) The World in Winter, jacket with very light toning to spine, 1962 § Aldiss (Brian) Hellonia Spring, signed by the author on title, jacket with sunning to spine, 1982; Hellonia Summer, signed presentation inscription from the author, 1983, first or first English editions, original boards, dust-jackets; and c.45 others, largely science-fiction, 8vo (c.45)
Lot 222
Spanner (E.F.) The Harbour of Death, front free endpaper torn out, cloth a little spotted, 1927 § Knittel (John) Nile Gold: A Legend of Modern Egypt, ink gift inscription on browned endpapers, upper cover lower edge with small damp-staining patch, 1929 § Tracy (Louis) The Day of Wrath, embossed ownership stamp on front free endpaper, 1916, first editions, original cloth, light rubbing; and 6 others, strange adventure fiction, 8vo (10)
Lot 205
Rushdie (Salman) The Satanic Verses, reprint, signed presentation inscription from the author "to Simon and Sheila, best wishes, Salman Rushdie 22nd Nov '89" on title, original boards, dust-jacket, spine faded, light nicks to extremities, 8vo, 1988. *** A fascinating Rushdie association item. After the Fatwah against Rushdie for the publication of The Satanic Verses was issued, the writer was forced into hiding in 1990. Within 2 weeks the author was forced into hiding with London Metropolitan Police Special Branch protection for a decade. In the first few months of the Protection Detail, due to the high grade and imminent nature of the Intelligence threats received against him, it had been required to relocate the author and his wife once every 3-4 days. A number of safe houses, some friends, but other officially rented premises were utilised for the purpose. The person to whom this book signature is dedicated, ‘Simon’ was the Metropolitan Police Special Branch Detective responsible for the Subject's Close Protection detail on occasions during the period August to November 1989. The book, signed and inscribed to Simon and his wife Sheila, was presented to Simon in a London safe house that we were occupying on Wednesday 22nd November 1989.
Lot 244
Verne (Jules) The Green Ray, first English edition, translated by Mary de Hauteville, plates, one or two light foxing marks, original pictorial cloth, light bumping to corners and spine ends, light fading, still a sharp and bright copy overall, 4to, Sampson Low etc., 1883. *** Published in September 1883, a month before George Munro's pirated "Seaside Library" edition. The Green Ray was something of a departure for Verne, a love story set in Scotland, wherein a girl refuses to marry the man her uncles have chosen for her unless she sees the mysterious "green ray," which would tell her it is true love. This issue bound without the 16pp. publisher's catalogue at end.
Lot 311
Potter (Beatrix) The Tale of Peter Rabbit, first trade edition, deluxe issue with 'wept big tears' on p.51 and bound in mustard-yellow cloth rather than paper boards, half-title, leaf-pattern endpapers, 31 full-page colour illustrations by Potter, small ink ownership inscription to front free endpaper, a few abrasion marks, pp.58-9 and 66-7 stuck together, p.80 with short marginal tear, gutter cracked and weak, contents shaken, lower hinge broken and lacking rear free endpaper, original mustard-yellow cloth with mounted colour illustration on upper cover, t.e.g., slightly rubbed and soiled, [Linder p.421, Quinby 2], 16mo, London & New York, Frederick Warne and Co. [1902]. *** Rare deluxe issue of the first trade edition of the first book written and illustrated by Beatrix Potter. Originally published in two privately printed editions of 250 and 200 copies (December 1901 and February 1902, respectively), this first trade edition was the first in which all of Potter's designs are printed in color. Leslie Linder records that 2000 copies from the first printing of 8000 were issued in "green cloth, light green cloth or olive-green cloth". This mustard-yellow cloth variant is therefore unrecorded by Linder, making it perhaps the rarest of the different deluxe issues of Peter Rabbit.
Lot 326
Detmold (Edward Julius) Sunset with camel drovers and elephant, etching and aquatint printed in colours on thin chine, signed in pencil and numbered from an edition of 12, platemark 238 x 480 mm (9 3/8 x 18 7/8 in), good margins, carefully taped onto mount support at edges, some surface dirt and light browning, unframed, [early 20th century]
Lot 72
Doyle (Sir Arthur Conan) The Lost World, first edition, frontispiece, ink gift inscription and browning on front free endpaper, light spotting to peripheral pages, original cloth with portrait decoration to upper cover, gilt, lettered in white, light rubbing, spine creased and lightly frayed, overall a very good and bright copy, 8vo, 1912.
Lot 258
Wells (H.G.) The First Men in the Moon, first English edition, frontispiece and 11 plates, embossed W.H. Smith library stamp on lightly toned front free endpapers, original gilt-stamped cloth (Currey's variant B with white endpapers), very light bumping to extremities, spine faded, ends a little creased, [Currey p.518], 8vo, 1901.
Lot 96
Freud (Sigmund) The Ego and the Id, embossed library stamp on title and first page, light spotting, 1927; On Dreams, one or two spots, 1952; Totem and Taboo, damp-staining to title, cloth a little stained, 1919, first English editions, first two published at the Hogarth Press, original cloth, extremities lightly rubbed, 8vo (3)
Lot 23
Birch (A.G.) The Moon Terror, jacket with 2" tear across upper panel, few others nicks and tears to edges, spine browned, Indianapolis, 1927 § Meyer (John J.) 13 Seconds that Rocked the World, jacket spine lightly browned and with light creasing to ends, New York, 1935 § Keir Cross (John) The Other Passenger, jacket splitting along upper flap joint, rubbed with creases, chips and tears to extremities, 1944, first editions, original boards, lightly rubbed, dust-jackets; and c.60 others, science-fiction, v.s. (c.65)
Lot 81
*** Please note, the description to this lot has changed.***Faulkner (William) The Sound and the Fury, first English edition, second state without 4pp. advertisements at end, light browning to endpapers and neat ink ownership inscription, original cloth, slight shelf-lean, dust-jacket, price-clipped, light soiling to spine (heavier to foot), minor chipping to spine tips and corners, light finger-soiling to panels, 2 short nicks to head of panels, still an excellent example overall, 8vo, 1931.*** Among Faulkner's most celebrated works, difficult to find in dust-jacket in good condition.
Lot 15
Ballard (J. G.) Crash, first edition, original boards, slight bumping to spine tips and corners, very slight fading along upper and lower edges, dust-jacket, slight sunning to spine, vertical crease to upper panel with some resultant lifting of laminate, chip to upper corner, a few short nicks to head and foot with light creasing, a little rubbed at head and foot, 8vo, 1973.*** Ballard's superb exploration of car-crash sexual fetishism. Initially controversial, Crash is now regarded as a landmark work of postmodern fiction.
Lot 7
Amis (Martin) The Rachel Papers, signed by the author on title, jacket with very light rubbing to edges of jacket, 1973; Dead Babies, jacket price-clipped, 1975; Other People: A Mystery Story, 1981; Money, review copy with slip loosely inserted, 1984, first editions, original boards, dust-jackets, fine or near-fine copies; and 2 other first editions by Amis, 8vo (6)
Lot 178
Milne (A. A.) Now We Are Six, first edition, illustrations by E.H. Shepard, small gift inscription and small browning patches on front free endpapers, faint foxing to half-title, original pictorial cloth, light fading patch to spine head, extremities bumped, still very sharp and bright, 1927; and 7 others by Milne, including reprints (some early) of other Christopher Robin books, some in bright or near-fine cloth, folio & 8vo (8)
Lot 239
Tolkien (J.R.R., contributor), Dorothy L. Sayers, and others. Oxford Poetry, light spotting to first and last few page, wrappers creased, Oxford, 1915 § Day-Lewis (Cecil) Beechen Vigil, unopened, edges creased and a little frayed, 1925, first editions, original wrappers, 8vo (2) *** The first includes an early appearance of Tolkien, and an early reference to mythical creatures in his poem 'Goblin Feet'.
Lot 131
Huxley (Aldous) Brave New World, bookplate on front free endpaper, a few light foxing marks, cloth a little rubbed and spine faded, 1932 § Lowry (Malcolm) Under the Volcano, cloth spine and extremities very faded, spine a little spotted, remnants of upper panel and flap of dust-jacket, 1947, first editions, original cloth, 8vo (2)
Lot 313
Potter (Beatrix) The Tale of Mr Tod, ink ownership inscription dated "Feb. 23rd '13" to half-title, extremities slightly rubbed, minor shelf-lean, otherwise excellent, 1912; The Tale of Pigling Bland, light occasional spotting, half-title and last plate leaf loose, gutter a little weak, spine and covers slightly rubbed, spine and head of upper cover lightly faded, 1913, first editions, first or second printings with dates on title, both with colour frontispiece and 14 colour plates, plain title vignette and illustrations in text, pictorial endpapers, all by Potter, original boards with mounted colour illustrations, [Quinby and Linder], 16mo (2)
Lot 10
Atwood (Margaret) The Handmaid's Tale, uncorrected proof, original printed wrappers, slight rubbing to head and foot, dust-jacket, light creasing to spine tips and corners, light rubbing, but a remarkably bright and crisp example, 8vo, 1986.*** Scarce in the proof state with the trial jacket in such good condition.
Lot 138
Johnson (B. S.) House Mother Normal, one of 126 copies signed by the author, 1971; Poems Two, one of 100 copies signed by the author, 1972; Albert Angelo, small ownership name on front free endpaper, dust-jacket, light creasing and chipping to extremities, 1964, first editions, original boards or cloth; and another by Johnson, 8vo & 4to (4)
Lot 100
Gibbings (Robert) Coming Down the Seine, one of 70 copies signed by the author, with signed proof wood engraving, light rust-stain marks to endpapers, original blue morocco, lightly faded, corners rubbed, 1953; and 3 others, modern literature, including a signed copy of Nureyev by John Percival, signed by Nureyev, 8vo (4)
Lot 250
Waugh (Evelyn) Scoop, first edition, light toning to endpapers, cloth spine faded, 1933; Vile bodies, tenth impression, ownership signature and spotting to endpapers, 1930; Brideshead Revisited, revised edition, pen jotting on title, boards a little soiled, dust-jacket, many tears repaired with tape verso, portion lacking from spine tail and long upper flap joint, extremities chipped and nicked, 1945, original cloth, extremities bumped and chipped, 8vo (3)
Lot 248
Waugh (Evelyn) Remote People, first edition, plates (one becoming loose), folding map, foxing, light browning to endpapers, original cloth, dust-jacket, spine slightly browned, spine ends and corners a little chipped, creasing and fraying to head and foot, red stain to upper panel, not affecting lettering, 8vo, 1931.
Lot 155
le Carré (John) The Little Drummer Girl, advanced proof, original wrappers, faded and lightly discoloured, 1983 § Greene (Graham) The Lost Childhood, first edition, light foxing, original cloth, dust-jacket, spine faded, extremities frayed and chipped, short tear to upper panel, 1951 § LeSieg Theo) Please Try to Remember the First of Octember, illustrations by A.J. Cummings, small ownership inscription on pastedown, original boards, corners a little rubbed, 1977; and 5 others, modern literature, including signed limited editions of Mario Vargas Llosa's works, v.s. (8) *** The lot includes several volumes of Mario Vargas Llosa, including signed first edition copies of The Scriptwriter and A Fish in the Water.
Lot 246
Verne (Jules) Twenty Thousand Leagues Under the Sea, ink ownership inscription on half-title, 1902; The Captain of the Guidara, ownership name and book-label on pastedown, spine head rather frayed, 1884; A Journey to the Centre of the Earth, new edition, light foxing, 1911, early reprints, illustrations, original pictorial cloth, rubbed, spine ends frayed; and 2 others, similar, 8vo (5)
Lot 110
Grossmith (George and Weedon) The Diary of a Nobody, first edition, half-title, frontispiece, illustrations, bookplate and embossed stamp on endpapers, lightly toned, publisher's advertisements at end browned, original pictorial cloth, slight bumping to corners and extremities, light marking to upper cover, 8vo, Bristol and London, 1892.
Lot 87
Fleming (Ian) Casino Royale, first edition, second impression, original black boards with heart motif in red to upper cover, spine lettered in red, fractional bumping to corners, otherwise fine, dust-jacket, small scattered splatter to upper panel corner, nick to upper panel edge, light chipping to corners, spine ends lightly fraying, light toning and stain to lower panel, still overall a remarkably sharp and bright copy, 1953; and 4 others by or relating to Fleming, 8vo (5)
Lot 223
Steinbeck (John) The Grapes of Wrath, first edition, light rubbing to upper hinge, otherwise internally very clean, original pictorial cloth, spine faded, spine ends lightly bumped, still overall a sharp and fresh copy, 1939; The Red Pony, first illustrated edition, illustrations by Wesley Dennis, original cloth with pictorial onlay on upper cover, spine lightly browned, ends a little bumped, overall near-fine, 1945, New York, 8vo (2) *** Includes an excellent copy of Steinbeck's landmark novel, winner of the National Book Award and the Pulitzer Prize. One of the most influential books of the century.
Lot 280
Yeats (William Butler) The Tower, first edition, bookplate on front free endpaper, very faint scattered spots to first few pages, bookseller's sticker to rear pastedown, original pictorial cloth, blind-stamped and gilt by T. Sturge Moore, spine ends slightly frayed but else fine and remarkably brightly gilt, dust-jacket, uncut, half-title unopened, jacket in two pieces split along lower joint, upper joint starting, 3" triangular closed tear on upper panel, light pen mark to upper panel, extremities chipped, 8vo, 1928. *** One of 2000 copies. The Tower was Yeats' first major volume of poetry to appear as Nobel Laureate (he had been awarded the Nobel Prize five years earlier in 1923). It is considered one of the poet's most important volumes, and firmly established his place in the Modernist canon.
Lot 217
Shaw (George Bernard) The Adventures of the Black Girl in Her Search for God, first edition, signed presentation inscription from the author to Nancy Astor "to Nancy from G.B.S. 1st Dec. 1932" on half-title, illustrations by John Farliegh, some light spotting, original boards with design by Farliegh, light creasing and bumping to extremities, overall excellent, 8vo, 1932. *** An excellent association copy, dedicated to Shaw's friend Nancy Astor.American-born Nancy Astor (1879–1964), née Langhorne, succeeded her husband Waldorf Astor as Conservative MP for Plymouth Sutton in 1919, becoming the first woman to sit in the House of Commons. Despite their opposing political views, Astor and Shaw remained very close friends throughout their lives throughout the 1920s and until Shaw's death in 1950.
Lot 176
Miller (Arthur) Death of a Salesman, small book-label on endpapers, jacket with tape stains, light rubbing to extremities, otherwise a very sharp copy, 1949; The Crucible, cloth spines lightly bumped, jacket with small portion of loss to upper edges of panels, spine faded, chips and tears to edges, 1953, first editions, original cloth, dust-jackets, New York, 8vo (2)
Lot 4
Alexander (Robert) The Pendulum of Fate, light foxing, cloth fine, 1933 § Munro (John) A Trip to Venus, small ink ownership name on half-title, cloth spine faded, ends creased and chipped, 1897 § Morrison (Arthur) The Green Eye of Goona, light spotting to title, cloth spine faded, a little rubbed at extremities, 1904, first editions, original cloth; and 6 others, weird and mystery fiction, 8vo (9)
Lot 151
le Carré (John) The Naive and Sentimental Lover, jacket price-clipped, 1971; Single & Single, 1999; The Constant Gardener, 2001, first editions, all signed by the author on title, original boards, dust-jackets, light creasing to edges, otherwise excellent; and 3 others, all signed by the author, 8vo (7)
Lot 213
Service (Robert W.) The Master of the Microbe, 1926 § Beck (L. Adams) The Ninth Vibration, ownership inscription on endpapers, 1928 § Le Queux (William ) The Veiled Man, 1899 § O'Neill (John) As We Sow, 1926, first editions, some light browning to endpapers or peripheral pages, original coth, some sunning or rubbing to extremities; and 6 others, weird and mystery fiction, 8vo (10)
Lot 139
Johnson (B. S.) & Margaret Drabble, editors. London Consequences, first edition, signed presentation inscription from the author "please understand this is a joke!" on title, original wrappers, light creasing to corners, 1972; Travelling People, reprint, Margaret Drabble's copy with her ownership inscription and notes, original wrappers, rubbed, 1967; Albert Angelo, reprint, Margaret Drabble's copy with her ownership inscription and notes, original wrappers, rubbed, 1967; and 4 others, all Margaret Drabble's copies with her ownership inscriptions, v.s. (7) *** The first work was a collaborative novel, written and published for the Festivals of London in 1972.
Lot 58
Dahl (Roald) Charlie and the Chocolate Factory, first English edition, illustrations by Faith Jacques, the odd spot, original pictorial boards, spine ends and corners a little rubbed, some loss to laminate at head and foot of spine, some very light surface soiling, 1967; The Magic Finger, first English edition, illustrations by William Pene du Bois, some occasional faint spots, original pictorial boards, spotting to covers, spine ends lightly bumped, spine lightly browned, 1968; The Twits, first edition, illustrations by Quentin Blake, light water-staining to pp.10-11, original boards, light bumping to spine ends, dust-jacket, repaired tear to spine, light peeling on flap joints, spine ends and corners very slightly creased, 1980; and 3 others by or relating to Dahl, including a copy of Quentin Blake's Beyond the Page signed by the author, v.s. (6)
Lot 333
Detmold (Edward Julius) The Captive, etching printed in brownish black ink, signed in pencil, on thin cream laid paper, lightly affixed at corners onto card support, platemark 355 x 300 mm (14 x 11 3/4 in), sheet 500 x 410 mm (19 5/8 x 16 1/8 in), minor exposure lines from previous mount, light spotting and surface dirt, unframed, [1923]; together with two etchings of women signed in pencil 'T. Mackenzie', various sizes, unframed, [early to mid-20th century] (3)Provenance:Collection of Colin White; by descent to the present owners, London
Lot 135
Johnson (B. S.) Travelling People, first edition, signed presentation inscription from the author to Gregory Greynog on title, with autograph letter signed from the author to "Molly [Kershaw]" loosely inserted, related newspaper clippings loosely inserted, original boards, light rubbing to spine ends, dust-jacket, chips to edges, 8vo, 1963.
Lot 90
Fleming (Ian) The Spy Who Loved Me, jacket with light chipping to corners and spine head, otherwise excellent and sharp, 1962; On Her Majesty's Secret Service, small ink ownership name on front free endpaper, boards lightly marked, jacket head frayed, spine faded, 1963, first editions, original boards, dust-jackets; and 5 others, all but one relating to Fleming, 8vo (7)
Lot 279
Wyndham (John) The Midwich Cuckoos, first edition, endpapers browned, very light shelf-lean, otherwise fine, 1957; Trouble With Lichen, second impression, light toning to endpapers, jacket spine lightly toned, nicks to edges, 1960; Chocky, first edition, review copy with slip loosely inserted, fine copy, 1968, original boards, dust-jackets, 8vo (3)
Lot 188
Orwell (George) Animal Farm, first American edition, ownership inscription on front free endpaper, fine cloth, jacket with chips and small portions of loss to spine ends and extremities, light nicks and tears to edges, New York, 1946; Nineteen Eighty-Four, first American edition, fine cloth, jacket spine with rubbing and surface abrasion marks, spine lightly faded and ends frayed but panels sharp, 1949; Animal Farm, second impression, cloth spine a little faded, jacket creased with nicks and tears to edges, 2" tear down spine joint creeping onto panel, spine ends with small portions of loss, 1945, original cloth, dust-jackets, 8vo (3)
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534297 item(s)/page