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Black hair; light green band; yellow and burgundy bow. Sairey Gamp sugar bowl is based on a character from Charles Dickens' 1843 novel, "Martin Chuzzlewit". Back of sugar bowl is inscribed with "Sairey Gamp". Royal Doulton backstamp. Impressed with model number 8297. Artist: Leslie Harradine/Harry Fenton Issued: 1939-1942 Dimensions: 3"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good
Glazed white, tan, light brown. Little boy and cockerspaniel. A Lladro figurine, model number 4522. With a glazed finish, modeled as a seated young boy encouraging his pet cockerspaniel to silence. Decorated in a glazed finish with accents of brown, tan, white, and gray, stamped to base. Artist: Vincente Martinez Issued: 1970 Dimensions: 7.75"H Manufacturer: Lladro Country of Origin: Spain Condition: Overall good condition.
Vintage happy face clown with bottle and holding striped lamp post. Clown with green hat, smiling ear to ear with oversized blue collar and large orange buttons. He has a red bottle in hist left hand (chipped) and steadying himself with the swirl stripped tall lamp post. His comedic, buffoonish shoes create the base and support for the him and light. Original sticker " Made in Murano, Italy" Dimensions: 12"H Manufacturer: Murano Country of Origin: Italy Condition: fair, chipped red bottle in left hand
Voightlander, Bolsey, Agfa, and Zeiss Ikon- replete with chrome. All but Voightlander Vitessa T have leather cases. Vitessa features rapid-fire advance plunger; Agfa Optima II and Zeiss Contaflex Flash-Matic have built in light meters. Excellent classic look for display or restoration. Issued: Various Dimensions: 5.5"L X 5"D X 5.5"H largest Manufacturer: Various Country of Origin: Various Condition: Age and use related wear, as-is.
Glazed light blue, tan. Seated girl on phone with dalmation puppy A Lladro figurine, model number 5466. With a glazed finish, modeled as a seated young girl speaking on a vintage touch tone telephone, while her Dalmatian reclines nearby. Decorated in a glazed finish with accents of brown, tan, light blue, lavender and gray, stamped to base. Missing telephone handset. Artist: Juan Huerta Issued: 1988 Dimensions: 7.75"H Manufacturer: Lladro Country of Origin: Spain Condition: Missing phone handset, otherwise good overall.
AN 1871 PATTERN YEOMANRY CAVALRY OFFICER'S WHITE METAL HELMET, THE FIFE LIGHT HORSE, c. 1900, applied with the regimental crest, the Thane of Fife in full armour against a saltire beneath a crown, the motto below, with white metal spike and horse hair plume, with leather-lined white metal chin strap and leather lining, in its original tin case.
*A cased set of six Royal Worcester coffee cups and saucers, each piece hand-painted with a Scottish castle and signed 'Stinton', views are of Caerlaverock, Dunderave, Dunolly, Dunstaffnage, Dunvegan, and Invergarry, each having puce mark verso, with further ship mark M9005, date code for 1938; together with a matching set of six coffee spoons by James Dixon & Sons, Sheffield 1938, housed in a fitted blue leather case bearing a label to the lid interior for James Ramsey of Dundee. One cup with light crazing and gilt splashed body. Saucers with surface scratches to gilt centre. Light handling wear throughout. Case with splits and general wear. Lacking brass catch to one side of case.
*A cased set of six Royal Worcester coffee cups and saucers, each piece on a light blue ground decorated with blueberries and leaves, having gilt handles and interiors, puce mark verso and numbered 22C 2200, date code for 1923, together with an associated set of six silver coffee spoons, maker Henry James Hulbert, London 1928, housed in a gilt tooled green leather case stamped Asprey London to the lid interior. Approx 5mm hairline crack to rim of one cup. Four hairline cracks to one saucer. Further large crack from rim through pink centre of one saucer. One saucer with crack from top rim to foot rim. One saucer with hairline crack from foot rim.
*A Royal Worcester bone china match-holder, of fan shape to a circular dished base, hand-painted with apples and blackberries, signed A. Shuck, puce mark verso, date code for circa 1939; together with two small bowls and a coffee cup, each painted with fruit by the same artist (4). Very small scratch to either side of striker with some light wear to gilt.Cup with surface scratches to gilt exterior.Saucers with light gilt wear.
*A pair of Royal Worcester twin handled porcelain vases, of squat melon form, each hand-painted with a pheasant amidst landscape, signed R.H. Austin, having green mark verso, date code for 1926, h.8.5cm. Very minor scratches to paint within foliage, only seen under a glass.Mark to underside of one vase.The other vase with discolouration to the rim.Both with light handling wear.
*A Hadley's Worcester bottle vase, having a flared rim to a slender neck and bulbous lower body, hand-painted with roses, having printed backstamp verso, numbered F105 with 10 below, circa 1902, h.22cm; together with a Hadley's Worcester twin handled vase, of squat melon form, with painted floral decoration, printed green mark verso, numbered 15568, h.9cm (2). Bottle vase – light crazing.Small vase – heavily crazed and worn to gilt at rim.
*A large Royal Worcester porcelain blush ivory pot pourri, of globular form, having pierced dome cover with basket weave decoration, with interior cover, the body hand-painted with floral sprays, with further gilt basket weave decoration, puce mark verso, shape No.1286, date code for circa 1910, h.26cm. Very light handling wear only.
*A Royal Worcester porcelain blush ivory lotus leaf bowl, having a gilt edge, painted with floral sprays, having puce mark verso, shape No.1419, date code for circa 1895, dia.22cm; together with a Royal Worcester Chinaworks blush ivory shell shaped bowl, having green shield mark verso, shape No.G324, h.9cm (2). Lotus bowl - small chip to gilt rim, and light handling wear. Shell bowl - small chip to rim.
*A Royal Worcester porcelain blush ivory flat-back jug, hand-painted with floral sprays, having gilt handle, puce mark verso, shape No.1094, date code for circa 1917, h.13cm; together with a Royal Worcester blush ivory ewer, with hand-painted floral decoration, puce mark verso, shape No.1260, h.16cm; and a blush ivory vase, having Wrythern moulded body, decorated with flowers, having green printed mark verso, shape No.G161, further printed flag for 1914, h.7cm (3). Flatback jug – light gilt wear.Ewer – poor finish where top of handle joins body,Vase – wear to gilt rim.
*A Royal Worcester porcelain teacup and saucer, on a deep blue ground, hand-painted with exotic birds and insects by G. Johnson, the whole heightened in gilt, having blue mark verso, No.2136, date code for 1918; together with a 19th century Crown Derby vase and cover, of spherical form, having all-over gilt floral decoration, printed mark verso, h.10cm (2). Crazing to panels of interior of cup and saucer and handling wear to gilt.Jar and cover with light gilt wear but OK.
*A 19th century Vienna porcelain vase, of squat baluster form, the central panel hand-painted with a bust portrait of a semi-nude maiden, signed Wagner, having all-over raised gilt and enamelled decoration with birds, cornucopia and flowers, blue beehive mark verso, signed Gitonui(?), numbered 950 Depose, further numbered 5275-950579 to the rim, h.16cm. Three very small minor scratches to woman's hair. Slight wear to gilt rim. Very light gilt wear. Enamel decoration good.
*A 19th century Vienna porcelain chocolate cup and cover on stand, hand-painted with classical scenes on a cobalt blue ground with gilt decoration and further raised enamel decoration, having blue beehive mark verso, h.10cm. Stand – small area of gilt wear to outside of rim, small amount of enamel white dots missing, otherwise appears good.Cup – very light gilt wear to top of rim and corner of handle, otherwise appears good.Cover – minor gilt wear to ribbon handle, approx. 50% of enamel dots to edge are missing.All enamels good and bright.No apparent chips or hairlines throughout.
An early 19th century Bloor Derby figure of a boy, from the French Seasons series after the Tournai models, modelled by N.J.F. Gauron, emblematic of Spring, decorated in bright enamels and heightened in gilt, incised No.123, puce painted crown and Bloor Derby, h.17cn. Minor loss to one flower head at base. Minor leaf chips to bocage. Light handling wear to right knee. Otherwise good.
A Victorian silver four light candelabrum, the candle holders each modelled as half-reeded pedestal urns with detachable sconces, on acanthus leaf capped scroll arms to a bright cut engraved baluster column, loaded base, maker John Edward Walter & John Barnard (Barnard & Sons Ltd), London 1872, h.44cm
*A 15ct amethyst, diamond and pearl necklace, cased by Liberty and a matching pair of earrings, the pear shaped amethysts, claw mounted to a single blade set with a single rose cut diamond and single bouton pearl, longest drop 27mm, shortest drop 16mm long, with gold necklace and barrel clasp stamped 15ct, cased by Liberty & Co. Ltd, Regent St., London, together with a matching pair of earrings, each 25mm long, with 9ct screwback fittings. Necklace – light wear throughout consistent with occasional use, far left amethyst has a small chip to edge of table, the other amethyst show minor abrasions (not eye visible), centre pearl shows pitting to nacre (although possibly natural), weight 15.4g.Earrings – light wear throughout consistent with occasional use, one pearl shows signs of wear and peeling to nacre (confined to edges), weight 3.7g.
A '21k' sapphire fringe necklace, the oval spectacle set sapphires, each approx. 6.5mm long, (19 in total), longest drop 26mm long, with fine link chain and clasp stamped '21k', 49cm long, (6.3g). With very, very light wear.Clarity varies but colour is good and well-matched.Overall good condition.

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534297 item(s)/page