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â–² Feliks Topolski RA (Polish-British, 1907-1989) Soldierssigned and dated 'Feliks Topolski 1944' l.c., pen and ink26.5 x 18cm, unframed,and five further studies of the Benson Ball, pen and ink and wash with pencil inscriptions to two14 x 18cm and similar, unframed (6)Condition ReportThe study of soldiers has a small piece of brown tape applied to the top right corner. Light time staining. The studies of the Benson Ball have been stuck down in the corners. Light cockling and creasing. There are some brown marks and splashes to three of the studies, please refer to images.
â–² Graham Bannister (b.1954) Beach hutssigned and dated 'GRAHAM BANNISTER 83' l.r., oil on panel31 x 52cmCondition ReportFramed: 38 x 58cmLight surface dirt and some superficial surface scuffs. Not viewed out of glazed frame or examined under UV light, for a full report please contact the department.
â–² Robert Del Naja aka '3D' (b.1965) 'Hoping for Palestine'offset lithographic poster in colours, 2018, numbered '80/100' verso50 x 55cm, unframedCondition ReportSome light handling creases are visible verso however our opinion this does not affect enjoyment of the print which appears to be in otherwise good condition.
A signed Francis Bacon exhibition catalogue 'Francis Bacon'published by the Tate Gallery in association with Thames & Hudson, for the exhibition 22 May - 18 August 1985, signed and inscribed 'To Peter/with all best wishes/ Francis Bacon' inside the front coverCondition ReportA little time staining to the pages with light surface dirt to the edges. There is a crease to the centre of the spine. Light surface scuffs and scratches to the cover.
â–² Giuseppe Santomaso (Italian, 1907-1990) 'Santomaso, Litografie a Colori' a set of six lithographs in colours, each signed 'Santomaso', dated 50 and numbered '48/121' in pencil, printed at the studio of Alessandrini, and published by Collezione dell'Obelisco, Carlo Bestetti, Rome, complete with wrapper and signed and numbered publication justification visible 41 x 29cm (8) Provenance: With William Weston Gallery, London. Condition ReportSet of six, framed: 57 x 47.5cm. Time staining with some small speckles of foxing starting to emerge in places. The colours are bright and the prints are crisp. The wrapper is framed separately and measures 46 x 36cm (visible) and 54 x 45cm framed. Time staining. Light cockling with creasing to the upper left quarter. A 6cm rip to the upper left edge. Not viewed out of glazed frames.
George Barris (American, 1922-2016) 'The Last Photos of Marilyn Monroe', 1962a gelatin silver print and C-type print, printed 1987, both signed 'George Barris' in pen l.r. with Edward Weston Collection stamp verso 35.5 x 28cm (2) Condition ReportMinor creases to the black and white image - especally to the top left corner. The colour print has light handling creases with a small 1cm tear to the centre of the right edge.
â–² Jake and Dinos Chapman (b.1966 and 1962) 'D'you Wanna Be In My Gang'offset lithograph in colours on wrapping paper, 2021, signed 'Jake D Chapman' in marker pen l.c., from an unnumbered edition of 300 published by The Big Issue, London70 x 50cm, unframedCondition ReportLight handling creases. A small black dot to the extreme top right edge. The printed area appears to be in good condition.
â–² Mr Controversial (contemporary) 'Unhinged'signed, inscribed and dated 'Mr Controversial 1/1 2023' twice verso, and with two artist's studio stamps, mixed media on canvas, complete with a signed artist's certificate of authenticity150 x 100cm, unframedCondition ReportThe work appears to comprise of oil and chalk. The chalk is unfixed. Presents well overall. Not examined under UV light, for a full report please contact the department.
â–² John Hodgson Lobley (1878-1954) 'On Wimbledon Common'signed and dated 'J. Hodgson Lobley 1929' l.r., also signed and inscribed with title on a label verso, oil on board31 x 39cmProvenance: Mr Edward George Wilkinson.Condition ReportFramed: 53 x 61.5cmAppears to be in good condition. Not viewed out of glazed frame or examined under UV light, for a full report please contact the department.
William Heath Robinson (1872-1944) 'Signs of Spring in Town'signed and inscribed 'Rough Sketch/W. Heath Robinson' l.l., pencil, pen and ink36.5 x 26cmCondition ReportFramed: 50 x 38cmTime staining. Acid discolouration to the edges. Some faint dirty smudges. A faint horizontal fold mark through the centre. A light vertical crease mark from the centre of the bottom edge to the middle of the work. There is a faint pencil inscription bottom left which appears to have been erased. Inscribed 'Reeves Shaw' in pencil l.r. Not viewed out of glazed frame.
â–² Harold Speed (1872-1957) 'Sunny Afternoon, Engstlenalp'signed 'HAROLD SPEED' l.r., oil on board30 x 44cmExhibited: Mappin Art Gallery, City of Sheffield, 'Exhibition of Paintings by Mr Harold Speed', 15 July-31 August 1939.Condition ReportFramed: 50 x 63.5cmThere is an 8cm split in the board along the centre of the bottom edgre. Some smaller horizontal splits starting to emerge to the top left corner and bottom left, please see images. Not viewed out of glazed frame or under UV light, for a full report please contact the department.
â–² Frederick Donald Blake (1908-1997) 'Boats I', 1963'Boats II', 1963a pair, both signed 'F. Donald. Blake', oil on board25 x 47cm (2)Provenance: With the Furneaux Gallery, Wimbledon.Condition ReportFramed: 30 x 52cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department. Damage to the frame on the left side of one.
â–² Christoph Kiefhaber (Austrian, b.1941) 'Wir Sind Die Letzten' signed with initials, inscribed with title, and dated '2/92' verso, oil on canvas 65 x 70cm Provenance: With Galerie am Opernring, Austria. Condition ReportFramed:70 x 74.5cm Light surface dirt. Thare are some red marks to the lower right edge and it is unclear if these are original, please refer to illustration. Not examined under UV light, for a full report please contact the department.
â–² John Aldridge RA (1905-1983) 'Kitchen Table' of the artist, Place House, Great Bardfieldinscribed with title l.l., pencil22 x 26cmProvenance: From the artist's studio and estate, and then passed to the Fry Art Gallery in 2010 for sale.Condition ReportFramed: 34.5 x 37.5cmTime staining with some small scattered brown spots and speckles. Two light diagonal crease marks to the bottom left corner. Well presented and ready to hang. Not viewed out of glazed frame.
â–² Mr Controversial (contemporary) 'This Time Next Year We Will Be Billionaires...', 2024signed 'Mr Controversial' with artist's studio stamp verso, artist's studio blind stamp l.l., mixed media, complete with a signed artist's certificate of authenticity83 x 59cmCondition ReportFramed: 95.5 x 71.5cmThe work appears to be a combination of screen print and paint on paper. Light surface scuffs in places. Not viewed out of glazed frame or examined under UV light, for a full report please contact the department.
Yayoi Kusama (Japanese, b.1929-) 'Pumpkin' (green) lithograph in colours, 2011, numbered '33/200' in pencil l.l., printed courtesy of Mori Art Museum, Tokyosheet 38 x 32cm, unframedCondition ReportThere is a light handling crease to the lower left corner but in our opinion this is not overly distracting. Appears to be in otherwise good condition.
Vesna Vera (Venezuelan, 20th century) Blue cloudy skysigned 'Vesna Vera' with artist's monogram on the edge and also verso, oil on canvas, circular116cm diameterCondition ReportA few speckles of light surface dirt. A 1cm indentation to the canvas to the lower left edge. Faint stretcher marks starting to emerge. Light surface scuffs to the right edge, lower centre.
Eileen Brooker (20th century) 'Grasmere'oil on canvas40.5 x 51cmProvenance: Friends of Abbot Hall Picture Loan Scheme;M E Burkett.Condition ReportFramed: 50.5 x 60.5cmSome slight creases in the canvas are visible to the sky but overall presents well and is ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Stella Steyn (Irish, 1907-1987) A reclining female nudeoil on canvas laid on board63 x 44cmCondition ReportFramed: 73 x 53cmThere is a small strip along the right edge where the edge of the canvas shows and the board behind has been painted to match. Appears to be in otherwise good order. Not examined under UV light, for a full report please contact the department.
Kazimir Malevich (1879-1935) Portrait of a manlithograph in colours, numbered '1760/2000', printed by Mourlot, and published by Galerie Gerald Pilzer, Paris, with blind stamps, and a further 'The State Russian Museum' blind stampsheet 76 x 55cm, unframedCondition ReportA light dirty smudge to the centre of the right margin. The top and bottom edges of the sheet do not sit completely flat. The right edge is deckled. The print is bright and crisp and presents well overall.
â–² John Hoyland RA (1934-2011) 'Fly Away'etching and carborundum in colours, 1981, printer's proof, signed 'John Hoyland' in pencil l.r., inscribed 'P/P', with Kelpra Studio blind stampsheet 67 x 91cmCondition ReportFramed: 75 x 98cmCockling. A little discolouration and light surface dirt to the edges of the sheet. The printed area appears to be in good condition. Not viewed out of glazed frame.
Circle of Ethelbert White (1891-1972) A Romany wedding ceremonyoil on board51 x 60cmCondition ReportFramed: 64 x 74cmSurface dirt. Light scuffs and abrasions. Rubbing and small losses to the edges. Pinholes to the corners. Not examined under UV light, for a full report please contact the department.
After Henri Matisse 'Nu Allongé Sur Le Ventre, Petit Tapis Africain', 1935offset lithograph with embossed text, 1992, published by the Musée nationale d'art moderne Centre Georges Pompidou, Parisvisible 45 x 69.5cmCondition ReportFramed: 51 x 71.5cmA couple of faint brown stains to the torso. Light cockling with crease marks, please refer to illustration. Not viewed out of glazed frame.
Michael Babichev (20th century) Pink flowersa set of two, both signed in Cyrillic and dated '91' l.r., oil on board40 x 60cm and 50 x 40cm respectively (2)Condition ReportFramed: 49 x 68.5cm and 58 x 48.5cmWell presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² William Pye (b.1938) Cancrizan Series, 1969 a magnetic chrome base with four moveable magnetic chrome parts, stamp signed 'PYE', dated '1969' and numbered '14/75' 36cm wide43cm deep18cm high overallCondition ReportLight surface scuffs and scratches. Chrome loss to one corner below the stamp. Please refer to additional condition images.
â–² Craigie Aitchison RA (1926-2009) 'Wayney Going to Heaven', 1989 screenprint in colours, with 'Advanced Graphics London' blind stampimage 21 x 15.5cmCondition ReportSheet: 63 x 47cmFramed: 72 x 52cmA little cockling to the sheet with slight undulations to the printed area. Appears to be in otherwise good condition. The sheet appears to be stuck down by the corners. We believe the print was originally signed and numbered in red ink which has faded. Under UV light the print appears to be an artist's proof signed and numbered 'AP 3/35 Craigie Aitchison' at the bottom of the sheet in the centre, however this is not visible to the naked eye. Not viewed out of glazed frame.
â–² Anthony Gibbs (b.1951) Elephant in a rocky landscapesigned 'Anthony Gibbs' l.l., oil on canvas60 x 122cmCondition ReportOverall: 79 x 138cmThe work appears to be in good condition. There are some dirty spots and speckles to the reverse side of the glazing but the work itself does not appear to be affected. Well presented and ready to hang. The back of the canvas is boxed. Examined under UV light no retouching is visible. Not viewed out of glazed frame.
â–² Damien Hirst (b.1965) 'Ho, Ho, Ho!'screenprint on Perspex encapsulated in acrylic, signed in crayon l.r., a Christmas gift from an edition of 1700 commissioned by MOMART in 1997, with accompanying descriptive label6.5cm wide3cm deep7.5cm highCondition ReportA little light surface dirt with some very minor surface scratches visible on close inspection.
â–² Jean-Pierre Vasarely ('Yvaral') (French, 1934-2002) Untitledtwo screenprints in colours, both signed 'Yvaral' in pencil l.r., and individually numbered from an edition of 200image 62.5 x 62.5cm (2)Condition ReportFramed: 96 x 94.5cmA little light cockling. The prints appear to be in otherwise good condition. Not viewed out of glazed frames.
â–² Tina Morgan (b.1952) 'Yellow and Purple Parasols'signed 'Tina Morgan' l.r., oil on canvas61 x 51cmExhibited: The Society of Women Artists, Annual Exhibition at the Westminster Gallery, no.139.Condition ReportFramed: 83 x 74cmThere is a very small spot where the top layer of paint is a little unstable above the signature and to the left in the lower right quarter with the potential for flaking. The work appears to be in otherwise good condition and presents well overall. Not examined under UV light, for a full report please contact the department.
â–² Stephen Finer (b.1949) 'Head of a Woman', 1988-90oil on canvas30.5 x 25cmCondition ReportFramed: 46.5 x 41.5cmA little light cracking to the matt black background. The head itself has a glossy finish and appears to be in good order. There are some darker patches at the bottom where it appears the paint is pressing against the glazing, please refer to illustration. Not viewed out of glazed frame.
Vesna Vera (Venezuelan, 20th century) 'It Is No More Than A Reminder This World Is Not Your Home...'signed with 'Vesna Vera' monogram l.r., also signed 'Vesna Vera' with monogram verso, oil on canvas183 x 121cm, unframedCondition ReportA little light surface dirt with some superficial scuffs and abrasions. On close inspection there is a fine circular impact crack to the right edge, upper centre, however the paint appears to be stable. Not examined under UV light, for a full report please contact the department.
Ed Ruscha (American, b.1937) 'Ed in Burgh'offset lithograph in colours, a poster published for the Ed Ruscha exhibition at the Scottish National Gallery of Modern Art, Edinburgh, 3 November 2004 - 16 January 2005sheet 68 x 48cm, unframedCondition ReportExtremely light handling creases but appears to be in otherwise good condition.
â–² Ludwig Hohlwein (German, 1874-1949) Polo playerschromolithograph in coloursimage 35.5 x 35.5cmThis lot appears to be an original advertising poster for 'Das Goldene Buch des Sports', published in 1910, which has been cut down.Condition ReportFramed: 43 x 43cmSpots and speckles of light surface dirt with a little foxing starting to emerge. Not viewed out of the glazed frame. Cracks and chips to the frame.
Fabian Perez (Argentinian, b.1967) 'Tess III'hand-embellished giclée print on canvas, artist's proof, signed 'F. Perez' l.r., numbered 'AP 7/20', complete with DeMontfort Fine Art certificate of authenticity attached verso57 x 76cmCondition ReportFramed: 79 x 98cmLight surface dirt but appears to be in otherwise good condition.
Ernest ... (20th century) HMS 'Victory' firing a saluteindistinctly signed and dated '1915' l.r., oil on canvas59 x 44cmCondition ReportFramed: 62 x 47cmSurface scuffs and abrasions with a little light surface dirt. Not examined under UV light, for a full report please contact the department.
Aharon Bezalel (Israeli, 1925-2012) Three gatesbronze, the largest signed, inscribed and dated 'A. Bezalel A.P. 1.N 89'23cm wide 8cm deep46cm high and smaller (3)The sculpture is based on Jewish mysticism. The three gates symbolise the phases mankind should pass. The first gate is acquiring knowledge, the second is understanding, and the third is wisdom.Condition ReportLight surface dirt with minor scuffs and scratches. Please refer to additional condition images.
Isabel Kann (British-Canadian, 1921-2017) Still life of flowers, fruit and wine bottlesoil on canvas77 x 56cm, unframedProvenance: Direct from the artist, who was the vendor's aunt.Condition ReportA little surface dirt. Not examined under UV light, for a full report please contact the department.
Itzchak Tarkay (Israeli, 1935-2012) 'Girl in a Blue Dress'signed 'Tarkay' l.l., acrylic on canvas81 x 101cmProvenance: With Brian Sinfield, Oxfordshire.Condition ReportFramed: 95 x 115cmA couple of tiny speckles of light surface dirt. The canvas is a little loose to the touch with a very slight undulation to the upper left corner but in our opinion this does does spoil enjoyment of the work. Appears to be in otherwise good condition.
â–² Peter Coviello (1930-2006) Untitledsigned and dated 'COVIELLO/97' verso, oil on board64 x 52cm, unframedCondition ReportSmall scattered white speckles and a couple of extremely small losses but presents well overall. Not examined under UV light, for a full report please contact the department.
â–² Rudie Berkhout (Dutch, 1946-2008) 'Trails'signed and dated 'Rudie Berkhout '87' l.r., inscribed with title and numbered '5/9' l.l., transmission hologram on glass with a wooden standimage 28 x 39.5cm,together with a copy of 'The Floating World: Holograms by Rudie Berkhout', published on the occasion of the exhibition of the same name held at the Samuel Dorsky Museum of Art, State University of New York at New Paltz, 6 February - 10 July 2016 (2)Condition ReportOverall, including stand: 52cm wide, 28cm deep, 34cm high. Light surface dirt. Black dirty marks to the metal frame. The glass is a little loose in the frame.
Daniel Gbenga Orimoloye (Nigerian, b.1966) 'Low Tide, Agar Creek'signed and dated 'G. Orimoloye 2021' l.r., also signed, inscribed with title and dated verso, oil on board60 x 80cmCondition ReportFramed: 79 x 99.5cmAppears to be in good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Tessa Newcomb (b.1955) 'Emotions Running High'signed with initials and dated '10' l.r., oil on board11 x 29.5cmCondition ReportFramed: 22 x 42cmThe corners are a little worn. Presents well overall and is ready to hang. Not viewed out of glazed frame or examined under UV light, for a full report please contact the department.
â–² John Hoyland RA (1934-2011) 'View'etching and aquatint in colours, artist's proof, signed and dated 'John Hoyland 79' in pencil l.r., numbered '2/10 A/P', printed at Kelpra Studio, published by Waddington Gallery, London, with blind stampssheet 92 x 69cm, unframedCondition ReportA little light time staining with some discolouration to the extreme edges of the sheet. On close inspection a small crescent shaped handing crease to the centre of the bottom margin is visible. The printed area appears to be in good condition.
'Visual Aid For Band Aid, 1985' screenprint in colours, numbered '14/500' in pencil l.c., published by Coriander Studios with blind stamps, a publisher's certificate of authenticity is attached verso, the print features 104 artworks and is signed by artists including Paula Rego, Richard Hamilton, Elisabeth Frink, Eduardo Paolozzi, Howard Hodgkin, John Piper and Patrick Caulfield visible 120 x 91cm,together with a Band Aid card signed by Bob Geldof and Paula Yates (2)Condition ReportFramed: 130.5 x 102cmLight cockling. Appears to be in otherwise good condition. Not viewed out of glazed frame.
Samuel Harry Hancock (1871-1932) 'The Means of Many Joys' - a still life of artist materialssigned 'S. H. HANCOCK' l.r., oil on board38 x 49cmCondition ReportFramed: 45.5 x 56.5cmLight surface scuffs and abrasions and minor losses. Not viewed out of glazed frame or examined under UV light, for a full report please contact the department.
Liuming Ma (Chinese, b.1969) 'Painting No.19'signed 'Ma liuming', inscribed with title and dated '2015' verso, oil on canvas 200 x 150cm, unframed Condition ReportLight surface dirt with some minor surface scuffs. Overall the work presents well and is ready to hang. Not examined under UV light, for a full report please contact the department.
Richard Durando Togo (Argentinian, 1910-?) Seated nude tending flowers signed 'D. T. Richard' l.l., oil on canvas54 x 65cmCondition ReportFramed: 68 x 79.5cmCracking starting to emerge in places. Overall the paint appears stable. Some small specks of light surface dirt. There is a horizontal line crossing the background and the figure's stomach on the left side where the paint is slightly lighter in colour, please refer to illustration. Not examined under UV light, for a full report please contact the department,

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534297 item(s)/page