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Lot 252
A cut glass hanging metal ceiling light with bag style drops within a layer of drop pendants, approximately 50cm high together with a bronze and cut glass hanging ceiling light, the strands of cut glass medallions within a foliate decorated frame, approximately 55cm high (2)Condition report: Bag style light with heavy oxidisation to the frame, some glass drops detached to one end, in need of rewiring; other hanging ceiling light with losses to some drop pendants, in need of rewiring
Lot 316
A set of three brass adjustable double candlesticks on turned column and tripod base, 36.5cm high together with a pair of five light metal and pink marble table candelabras, the candles on scrolled mounts, gothic style column and square plinth base, 54cm high excluding candles (5)Condition report: Some tarnishing to brass candles, chip to marble base on one candelabra
Lot 275
A pair of cast iron mirror backed two light girandoles with foliate decoration, 25cm wide x 60cm high; four brass lamps; a pair of brass table lamps on circular bases, 45cm high excluding fittings and a further near pair of brass table lamps, one 34cm high, the other 41cm high excluding fittingsCondition report: Some elements of foliate decoration bent, will need rewiring, Larger pair of lamps unstable on bases, brass on all four lamps tarnished and with surface level scratches
Lot 344
A ceiling light with curved scrolling frame and attached hanging glass drops, 56cm high together with a brass frame and frosted glass hanging ceiling lantern, 36cm high and a glass onion dome ceiling light, 30cm high (3)Condition report: Some glass drops missing from largest ceiling light, glass light with significant breakage to the top, metal on all three lights tarnished
Lot 101
A gilt metal two light girandole wall mirror with rope twist and curving foliate decoration to the rim, 36cm wide x 47cm high together with an arched top dressing table mirror with bevelled mirror plates, 81cm wide fully extended x 55cm high Condition report: Gilt metal with some surface marks and oxidisation, dressing table mirror with some surface scratches to the central plate
Lot 805
LADYS ROLEX PRECISION NINE CARAT GOLD MANUAL WIND WRIST WATCH,the round cream dial with applied Arabic and wedge hour markers, 20mm case with personal inscription to the reverse dated 1958, 22.8g, in box, lacking papersCondition report: MOVEMENT: Ticking at present. WEAR: Generally worn. DIAL: Marks visible. CRYSTAL/ACRYLIC: Some light marks. HANDS & MARKERS: Intact. CROWN: Intact.BRACELET/STRAP: Generally worn. CLASP: In working order.
Lot 811
LADY'S TISSOT NINE CARAT GOLD MANUAL WIND WRIST WATCH,the square silver coloured dial with applied baton hour markers, 17mm case with articulated nine carat gold strap with foldover clasp, 21.9g, in box, lacking papersCondition report: MOVEMENT: Ticking at present.WEAR: Well worn. DIAL: Fair condition. CRYSTAL/ACRYLIC: Some light marks. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Snapped on both sides. CLASP: In working order.
Lot 833
SCHEFFLER SOHNE PERPETUAL GOLD PLATED AUTOMATIC WRIST WATCH,the round white textured dial with Roman numerals, outer seconds track in black, perpetual calendar in black, day and month aperture, temperature and humidity gauge, 55mm case, on a brown leather strap, lacking box and papersCondition report: MOVEMENT: Ticking at present. WEAR: Generally worn - some light marks. DIAL: Good condition. CRYSTAL/ACRYLIC: Fair condition.HANDS & MARKERS: Intact. CROWN: Intact - Pushers functioning. BRACELET/STRAP: Generally worn.
Lot 851
GENTLEMAN'S UNO GOLD PLATED MANUAL WIND WRIST WATCH,the round cream dial with Arabic and wedge hour markers, 32mm case, with subsidiary dial at 6, on a brown leather strap, in box with papers dated 1962, along with a Rotary example, the round gold coloured dial with baton hour markers, date aperture at 6, 32mm case, on a brown leather strap, lacking box and papers (2)Condition report: Rotary:Not ticking at the present time. Well worn. Scratched and marked all over. Strap worn. Uno:Ticking at the present time. In generally worn condition. Some light scratches and signs of wear. Some marks to the dial. Strap in worn condition.
Lot 292
Circa 900 - 1000 AD A hand-forged iron axe head with substantial curved blade and elliptical shaft-hole. The profile is square at the lower edge, in the classic skeggöx or 'bearded' profile used as both a weapon and as a grappling iron during naval battles. Reference: Leppäaho, H. Späteisenzeitliche Waffen aus Finnland, Helsinki, 1964 plate 62(2). Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight. Size: L:132mm / W:74mm ; 372g. Provenance: From a private collection; previously was acquired from G. M. in London in 2017.
Lot 294
Circa 1000 - 1100 A.D. The broad blade flaring to the curved cutting edge, with eared socket with D-shaped aperture. Commonly referred to as the Danish axe. For similar style see Bonhams, 5th October 2011, lot 304. Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight. Size: L:45mm / W:130mm ; 570g. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Lot 331
Tang Dynasty, Circa 618-906 AD A breath-takingly beautiful terracotta female polo rider with her head turned. She is depicted sitting on the horse and displaying a typical characteristic of court ladies of the Tang Dynasty. Her face is sensitively painted with elaborate details, elongated eyes, pointed nose, dimpled chin, and crisply carved mouths painted in red. Painted with rosy, full cheeks and make up indicate their status in the imperial court, which might be a princess or concubine. The figure is depicted wearing an elaborated coiffure which is drawn into a loose loop which hands slightly forwards. The hands raised to grasp the polo stick which it would have held. The galloping hollow-moulded horse features well-defined ears, eyes, noses and nostrils. The eyes, saddles and trappings have been added in black pigment. The horses extend their legs in a dynamic pose in mid-air to give the illusion of the action of a polo game. The original pigmentation survives largely intact. Decorated in a light brown pigment, the terracotta-coloured saddle and cloth still prominent. Terracotta figurines depicting female polo players riding a galloping horse have been found in the burials of the Tang Dynasty (AD 618-906 ), with the display of large quantities of figurines and a wide variety of types indicating the high social class that the burial occupants occupied during their lives. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:390mm / W:480mm ; 5.6kg. Provenance: UK private collection; formerly acquired in the early 1990s in Hong Kong.
Lot 102
Late Period, circa 664-525 BC A mummiform ushabti in a light blue glazed faience, wearing a plain tripartite wig, and a divine beard; the arms are crossed on the chest, and the hand hold a pick in the left, and a hoe in the right; the right hand also holds the cord of a basket which is carried behind the left shoulder; the facial details are well defined; the ushabti has a dorsal pillar, with a horizontal notch indicating the bottom of the rear lappet of the wig, and stands upon a trapezoidal base.Size: L:135mm / W:38mm ; 88gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Lot 104
Late Period, circa 332 BC A mummiform ushabti in a light green glazed faience, wearing a plain tripartite wig, and a divine beard; the arms are crossed on the chest, and the hand hold a pick in the left, and a hoe in the right; the right hand; the facial details are well defined; the ushabti has a dorsal pillar and stands upon a trapezoidal base.Size: L:120mm / W:36mm ; 73gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Lot 151
Late Period, circa 664-32 BC A light faience composition amulet in high relief, with head of Sekhmet with sun-disk over her head, tripartite wig showing under her mane, large multi-strands collar necklace, called a wesekh, two heads of uraei over the shoulders. Pierced behind the disk for suspension. For similar see The Metropolitan Museum of Art, accession number: 10.130.2055 Ackland Museum, accession number: 62.19.28Size: L:43mm / W:38mm ; 8.5gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Lot 259
Circa 1000-900 AD A forged-iron axe head of a hefty form with a perforated socketing shaft, a dense neck, and a vertically oriented blade with gently flared tips. Very fine condition. Mounted on a custom-made display stand. Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight. Size: L:70mm / W:135mm ; 315g. Provenance: From the private collection; previously was acquired from G. M. in London in 2017.
Lot 3A
Late Period, Circa 664 -332 BC An ancient Egyptian mummy shroud of beadwork from the chest of a mummified person, consisting of a net of dark green barrel and light green tubular beads with green ring of beads to forming the face, the skin made of green beads, the nose formed of yellow beads and mouth formed of red beads, a winged scarab pectoral and four sons of Horus: from the chest of a mummified person, consisting of a net of black barrel and green tubular beads with yellow ring beads. Below the mask is a a beaded pectoral winged scarab, a symbol of rebirth and generation. Beneath, are the Four Sons of Horus, Imsety, Duamutef, Hapi, Qebehsenuef. Protectors of the organs of the deceased. Shrouds of this type became popular in the Late Dynastic Period all the way through the Ptolemaic period and had both decorative and more importantly a symbolic use, as the burial was a highly magical process. To the Egyptians rebirth and the accession into the afterlife was more important than the life they firstly lived. The afterlife was eternal, so every precaution was taken in order to achieve eternal life. The face mask is interpreted to represent Osiris the god of the afterlife, rebirth and regeneration. In mythology, Osiris was also a dead being. Winged scarabs were usually modelled in faience and placed as pectoral embellishment on the chest of the mummy. In this case, the scarab, symbol of re-birth and regeneration, has been sewed together with the mummy mask. Manley, B and Dodson, A., (2010) Life Everlasting. National Museums Scotland Collection of Ancient Egyptian Coffins (Edinburgh: NMS Enterprises Ltd.), Cat.43, p. 115 For similar see National Museums of Scotland; Accession Number: A.1906.384Size: L:240mm / W:150mm ; 89.2gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Lot 262
Circa 900-1000 AD An iron bearded axe head with a, heavy blade, a lentoid shoulder and a round socket. The bearded axe, was common from the 6th century AD onwards in Scandinavia, but made most famous by the Vikings, who used these axes in battle to terrible effect. Bearded axes are named for the fact that the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of his (or her) opponents. For more information on Viking axes can be found in Petersen, Jan (1919). De Norske Vikingesverd. Kristiania. Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight. Size: L:65mm / W:210mm ; 370g. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Lot 263
Circa 900-1000 AD An iron bearded axe head with a, heavy blade, a lentoid shoulder and a round socket. The bearded axe, was common from the 6th century AD onwards in Scandinavia, but made most famous by the Vikings, who used these axes in battle to terrible effect. Bearded axes are named for the fact that the main part of the axe blade extends below the butt of the axe, creating a large cutting blade and allowing a fighter to hook onto the shields or weapons of his (or her) opponents. For more information on Viking axes can be found in Petersen, Jan (1919). De Norske Vikingesverd. Kristiania. Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight. Size: L:65mm / W:160mm ; 240g. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Lot 260
A hand-forged iron axe head with substantial curved blade and elliptical shaft-hole. The profile is square at the lower edge, in the classic skeggöx or 'bearded' profile used as both a weapon and as a grappling iron during naval battles. Reference: Leppäaho, H. Späteisenzeitliche Waffen aus Finnland, Helsinki, 1964 plate 62(2). Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight. Size: L:125mm / W:140mm ; 330g. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Lot 264
Circa 900-1000 AD. A hand-forged iron axe head with substantial curved blade and elliptical shaft-hole. The profile is square at the lower edge, in the classic skeggöx or 'bearded' profile used as both a weapon and as a grappling iron during naval battles. For more information on Viking axes can be found in Petersen, Jan (1919). De Norske Vikingesverd. Kristiania. Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight. Size: L:120mm / W:115mm ; 300g. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Lot 257
Circa 900-1000 AD. A beautiful example of Medieval Viking Era Battle Iron Axe. Bearded type with blade extends downward, below the butt of the axehead, providing longer cutting edge and lighter weight. Mounted on a custom-display stand. Fine condition. Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight. Size: L:105mm / W:180mm ; 360g. Provenance: From the private collection; previously was acquired from G. M. in London in 2017.
Lot 430
CERTIFICATED DIAMOND THREE STONE RING,the round brilliant cut diamonds totalling approximately 3.40 carats, with accompanying WGI report number WGI9624125000 stating a colour grade of light yellow and a clarity grade of SI1 - SI2, in eighteen carat gold, size M, 4.7gCondition report: Lightly worn conditon. All claws intact. Stones secure. Please see description for grading.
Lot 120
HERMÈS Konvolut. Ex Libris Stola aus Kaschmir und Seide in Türkis (73 x 200 cm) und Seiden-/wollgemisch Schal in Hellgrün mit H-Struktur (75 x 180 cm). Tragespuren dezent vorhanden. | HERMÈS convolute. Ex Libris stole in cashmere and silk in turquoise (73 x 200 cm) and silk/wool blend scarf in light green with H-structure (75 x 180 cm). Discreet traces of wear.
Lot 6
LOUIS VUITTON Handtasche "SAC PLAT", Koll. 2005. Monogram Denim Serie mit naturbelassenem Leder und goldfarbener Hardware. Flache Form mit großer Außentasche. Ein Außen- und ein Hauptfach mit Reißverschluss. Adressanhänger und Staubbeutel anbei. Guter Erhalt, leichte Patina. 32x37cm.| LOUIS VUITTON "SAC PLAT" handbag, coll. 2005. Monogram Denim series with natural leather and gold-tone hardware. Flat shape with large outside pocket. One outer and one main compartment with zip. Address tag and dust bag enclosed. Good condition, light patina. 32x37cm.
Lot 65
HERMÈS Armreif, NP.: 495,-€. Breiter Armreif aus bedrucktem Email (Oranger Grund mit traditionellen Kopfschmuck Motiven) und goldfarbener Fassung. Box und Staubbeutel anbei. Leichte Tragespuren.| HERMÈS bracelet, retail price 495€. Wide bangle made of printed enamel (Orange ground with traditional headdress motifs) and gold tone setting. Box and dust bag enclosed. Light wear marks.
Lot 47
HERMÈS Seidencarré "A PROPOS DE BOTTES". By Xavier De Poret, Motiv erstmals 1962 erschienen. 100% Seide in Beige mit dekorativen Stiefelmotiven, handrollierter Saum. 40x40cm. Leichte Gebrauchsspuren. Box anbei.| HERMÈS silk scarf "A PROPOS DE BOTTES". By Xavier De Poret, motif first appeared in 1962. 100% silk in beige with decorative boot motifs, hand rolled hem. 40x40cm. Light signs of wear. With box.
Lot 53
LOUIS VUITTON Schultertasche "LODGE GM", Koll. 2005. Letzter LP.: 1.480,-€. Monogram Multicolor Serie auf schwarzem Grund mit goldfarbener Hardware und naturbelassenem Leder. Zwei Außenfächer mit Dornschließe, Hauptfach mit Reißverschluss und zwei kleinen Innenfächern. Patina und leichter Abrieb an den Kanten vorhanden. Staubbeutel anbei. 32x9,5x20cm.| LOUIS VUITTON "LODGE GM" shoulder bag, coll. 2005. Monogram multicolor series on black background with gold tone hardware and natural leather. Two exterior compartments with buckle closure, main compartment with zipper closure and two small interior compartments. Patina and light wear present on edges. Dust bag enclosed. 32x9,5x20cm.
Lot 25
HERMÈS Seidencarré "CARROSSERIE". Designed by Ledoux. 100% Seide in Hellgrün und Weiß mit Fahrzeugmotiven. Handrollierter Saum. 90x90cm. Sehr guter Erhalt.| HERMÈS silk scarf "CARROSSERIE". Designed by Ledoux. 100% silk in light green and white with vehicle motifs. Hand rolled hem. 90x90cm. Very good condition.
Lot 44
LOUIS VUITTON Shopper "NEVERFULL MM", Koll. 2017. Akt. NP.: 1.250,-€. Monogram Canvas Serie mit naturbelassenem Leder und goldfarbener Hardware. Klassisches Modell mit Doppelhenkeln , textilem Innenleben in Hellbraun. Clutch anbei. Starke Patina, sonst guter Erhalt. 32x16x29cm. (T.H. Prägung am Henkel).| LOUIS VUITTON shopper "NEVERFULL MM", coll. 2017. Retail price 1,250€. Monogram Canvas series with natural leather and gold coloured hardware. Classic model with double handles , textile interior in light brown. Clutch enclosed. Heavy patina, otherwise in good condition. 32x16x29cm.
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