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Lot 408

Warren MacKenzie (American, 1924-2018). Large studio pottery ceramic bowl. With an irregular pinched rim. Stoneware with a shino glaze. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 8 1/4 in.Condition: There are no chips, losses, or cracks. There is crazing throughout. There is wear to the footrim, consistent with age and use. No signs of restoration under UV light.

Lot 395

Lenore Asbury (American, 1866-1933) for Rookwood Pottery, United States. Ceramic vellum plaque titled "Poplars" depicting a serene field with two towering trees, 1927. Initialed in pigment along the lower right; impressed maker's mark and numbered "XXVII" along the verso.Sight; height: 8 in x width: 5 3/4 in. Framed; height: 12 1/4 in x width: 10 1/4 in x depth: 1 1/2 in.Condition: There are no visible cracks, losses, or restorations when viewed under UV light. The colors are faded. The work is framed; light wear to the frame including some gilt loss. Not inspected out of frame.

Lot 372

Limoges, France and Halcyon Days, England. Group of six porcelain pill or trinket boxes in the shape of foods or serving ware. All marked along the interior or underside. Two Halcyon Days boxes in the shape of a pear and an apple. Four Limoges boxes: one in the shape of a tropical drink; one pineapple; one kettle; and one Easter egg.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height ranges from 2 in to 4 in; diameter ranges from 1 in to 2 in.Condition: There are no visible cracks, chips, or losses to any of the boxes. Light wear throughout each consistent with age and use. The top/lid of the apple box is detached from the metal rim. Along the interior top of the pear there is a small metal fitting that has come detached but is included. The tea kettle lid is broken and is missing one metal loop that would attach it to the rim; it is partially attached but comes off easily.

Lot 476

One Indian lingato bhadra mandala yantra depicting a grid of squares with a symmetrical design in yellow, red, and black. Pigment on paper.Sight; height: 5 1/2 in x width: 4 1/4 in. Framed; height: 15 1/4 in x width: 14 in x depth: 1 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. The sheet is toned. There is a slight undulation to the sheet. There is a deep crease along the upper half of the sheet in addition to a few minute chips and handling marks along the edges. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

Lot 547

Redlich & Company, United States. Sterling silver tray or platter with repousse and etched flowers and scrollwork along the edges. Marked "Alstead & Co.," sterling, numbered 56-7766-18in" and with maker's mark along the underside. Additionally inscribed "From E.D. A. and C.S.A. to Albert and Susanne Schloss 1895-1920" along the underside.Height: 1 1/4 in x width: 18 3/4 in x depth: 13 1/2 in. Weight: 38.42 Troy oz.Condition: Light to moderate scratching throughout. Significant wear at base edges. Tarnishing and accretions to the recessed areas. One small dent.

Lot 573

Anglo-German epergne with silver base of ornamental swags and medallions, on four feet with two handles. Marked 800 with crescent and crown and inventory number 49296. With a cut glass insert.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 5 1/4 in x width: 14 in x depth: 7 3/4 in. Weight (not including glass): 520.8 g.Condition: Some breaks throughout to the silver including at four of the feet. Tarnish and light scratching. The cut glass insert in good condition. White sticker on the reverse of one of the feet.

Lot 452

Batik on linen painting, illegibly signed along the lower right. Possibly Stephanie Eng (Malaysian, b. 1945).Provenance: Collected in Kuala Lumpur, 1960-65.Sight; height: 16 in x width: 22 3/4 in. Framed; height: 18 in x width: 24 in x depth: 1 1/2 in.Condition: There are no major visible tears, losses, or restorations. Light wear along the extreme edges including a small hole along the upper left corner and a small crease along the center of the left edge. Framed under glass; light wear to the frame. Not inspected out of frame.

Lot 625

Vladimir Kagan (American, 1927-2016). Vintage triangular Mid-century Modern two-tiered side table. Likely walnut with a glass plate top. This side table can be nicely paired with the two previous lots in this auction.Height: 21 in x width: 30 in x depth: 29 in.Condition: The structure is stable. There are light scratches, chips, and losses throughout, in particular along the edges of the wooden structure. There are minute losses to the legs. There are faint scratches to the glass component.

Lot 564

Two vesta cases and a sterling silver pencil.One vesta case with plain exterior, engraved W.F.W. Gilt wash interior marked sterling, marker's mark for R. Blackington & Co. and 3187.One vesta case with repousse foliate and dragon/griffin design and bale. Marked JJ in diamond cartouche.A sterling mechanical pencil with twist deployment, a decorative body and bale.Length ranges from 2 in to 4 in. Gross weight: 2.69 Troy oz.Condition: Both cases with light scratches to the exterior, some tarnishing and polish accretions to the interior. WFW case opens and closes smoothly, dragon case does not close tightly. Pencil with dent, light scratches, tarnishing and accretions. Twist mechanism deploys smoothly.

Lot 356

French polished brass gendarmerie helmet, possibly 19th century. With leather lining along the interior of the skull, black plume brush crest, and two epaulets. Details hammered in relief throughout the helmet including branches, leaves, and and vines along the helm; stalks of wheat, flowers, and foliage along both sides of the crest; and a stoic male face facing outward. The straps are with metal fittings in the forms of lions and scales. Etched "B. Franck & Ses Fils, Aubervilliers" along the nape of the helmet; "Marque de Fabrique" etched along the interior of both epaulets.Height: 10 1/2 in x width: 7 1/2 in x depth: 10 in.Condition: There are no major breaks or losses. There are a few small dents along the front right region of the helmet. Light tarnishing to the metal throughout, including minute corrosion particularly along the extreme edges. Light dust and debris gathered throughout.

Lot 436

Pair of Chinese Qing porcelain bowls decorated along the sides with a phoenix flying towards a rising sun and a dragon chasing a flaming pearl. Painted with a four-character mark along the underside.(Each) height: 2 in x diameter: 6 in.Condition: No major chips, cracks, losses, or restorations. One small chip to the footrim of one bowl. Losses to the gilt along the upper rim. Light wear to the footrim.

Lot 525

Wine coaster and small tasting chalice. Both with repousse floral design. Each marked with maker's mark of a shield shaped cartouche and knight on horseback, sterling 925, and 14064 and 14653.(Plate) Diameter: 7 1/2 in. (Chalice) Height: 4 1/2 in x diameter: 2 in. Gross weight: 9.82 Troy oz.Condition: Plate with polish accretions to the recessed areas on the front and back, light scratching. Cup bowl is slightly out of round, tarnishign and accretions to the recessed areas.

Lot 394

Sarah Toohey (American, 1872-1941) for Rookwood Pottery, United States. Rookwood pottery ceramic pencil holder or vase vessel in design style "1795" depicting perched ravens along the sides, 1910. Of a pentagonal form and glazed in an earthy matte brown. With impressed rook maker's mark, dated "X" (10), and numbered "1795" along the underside.Height: 4 3/4 in x diameter: 3 in.Condition: No visible cracks, chips, losses, or repairs. Light wear throughout. Five plastic tab feet affixed to footrim.

Lot 577

Hanau silver vase of flared cylinder form with repousse lover birds and shepherd and shepherdess accoutrements. Marked along the base with Hanau psuedo marks of crowned A and indistinct crowned P, potentially for Wolf & Knell, Georg Roth & Co., or B Neresheimer & Sohne.Height: 7 in x diameter: 3 3/4 in. Gross weight: 234.2 g.Condition: Some tarnishing to the recessed areas, light scratching, no major dents.

Lot 621

Pierre Jeanneret, Charlotte Perriand, and Le Corbusier for Cassina, Italy. LC4 chaise, designed 1928. Chrome-plated steel, enameled steel, upholstery, leather, rubber. With brown and cream cowhide.Height: 28 in x width: 63 in x depth: 22 1/2 in.Condition: There are no major tears or stains. Some wear to the black leather straps. Light wear to the cowhide. Light wear to the base and some light wear to the chrome where it meets the base.

Lot 503

Suzuki Harunobu (Japanese, 1724-1770). Woodblock print on paper depicting a half-dressed woman clipping her toenails. Likely a later reprint. Signed in plate along the lower right.Sight; height: 14 in x width: 9 1/2 in. Framed; height: 20 1/2 in x width: 15 1/2 in x depth: 1 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded and the sheet is toned. Areas of foxing throughout. Housed under a woven mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Lot 605

Jim Dolan (American, b. 1949). Steel sculpture in the form of two Canadian geese gliding over cattails, 1976. Signed and dated along the base. Affixed to a rectangular wooden base.Height: 19 1/2 in x width: 22 in x depth: 11 in. Weight: 10 lbs 10 oz.Condition: Light wear throughout including some wear along the extreme edges. Some patination throughout. Light dirt and dust gathered in the recessed areas of the work.

Lot 334

Russian Orthodox tempera on board painting depicting a calendar of saints.Provenance: Kenwood Gallery, Minneapolis, Minnesota; Private Minnesota Collection.Unframed; height: 7 in x width: 5 1/2 in x depth: 1 in.Condition: The colors are darkened and somewhat faded. There is craquelure throughout. The tan and red border is possibly a newer addition. There is a chip along the upper right edge. Some bowing to the wood. Due to an uneven varnish, it is difficult to discern whether there are any restorations under UV light. Several labels affixed to the verso.

Lot 552

A five piece tea set including a coffee pot, teapot, covered sugar bowl, open, footed sugar bowl and creamer. Each piece of the same swirling floral pattern featuring a bouquet and basket motif. Pieces with covers featuring a pineapple form finial. Each piece marked hand chased, B in shield shaped cartouche surmounted by crown, and sterling.Height ranges from 3 1/4 in to 11 1/4 in; width ranges from 4 3/4 in to 9 1/2 in; depth ranges from 4 3/4 in to 6 in. Gross weight: 86.995 Troy oz.Condition: Some tarnishing, polish accretions to finials. No large dents, covered sugar bowl with one small dent. Small light scratches throughout. All handles and lids firmly attached.

Lot 489

Group of 14 vintage photographs depicting scenes in and around India and Asia.(Sight) height ranges from 8 in to 12 in; width ranges from 6 3/4 in to 13 3/4 in. (Matted) height ranges from 12 in to 16 in; depth: 1/4 in.Condition: The sheets are toned. Light wear throughout. There few light creases throughout, with one deeper crease running diagonally along one of the prints. There is a repaired tear running along the extreme upper left edge of one of the 14 prints. There is a very slight undulation to a few of the sheets. Works are affixed to a foamcore mat and sealed in plastic; not framed. Not inspected out of plastic.

Lot 487

Sino-Tibetan painting on paper depicting a root vegetable.Sight; height: 7 in x width: 5 1/2 in. Framed; height: 16 1/4 in x width: 14 in x depth: 1 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. The sheet is toned. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

Lot 434

Chinese Qing porcelain vase with a celadon glaze and incised floral decoration. Drilled, marked under the drill hole.Height: 10 in x diameter: 4 in.Condition: The vase has been drilled. No major chips or cracks. Light wear to the footrim. A few light areas of accretions or dust/dirt.

Lot 562

Group of seven spoons, two teaspoons, one fork, one ladle, one serving spoon and two tea spoons (these two of different marks and makers than the rest). The majority marked with Austria Dianakopf in cinquefoil for .800 silver, 1872-1922 and with indistinct rectangular cartouche and two other unidentified marks, potentially a double headed eagle and some other bird. The other two spoons marked with Russian marker's mark PA, assayer mark B II 1886 for Vasily Aleksandrovich Petrov, and 84 silver standard mark (for 875/1000) and town mark for Moscow.Length ranges from 5 1/2 in to 9 in. Gross weight of sterling: 15.02 Troy oz.Condition: Outer tine on fork bent inwards. Light scratching and wear, some small dents.

Lot 583

Group of two Siamese sterling cuff bracelets. The larger featuring a central motif of a Siamese Buddha, swirls, and two ancillary figures. Marked along the inside sterling and made in Siam. The smaller bracelet featuring a central motif of Mekkala, goddess of lightening, and accent by swirls. Marked Siam, sterling, 95 and Kui Kee for Yapkuikee, a jeweler in Bangkok.(Larger) Interior diameter: 2 1/4 in x length: 5 in. (Smaller) Interior diameter: 2 1/2 in x length: 2 3/4 in. Gross weight: 6.350 Troy oz.Condition: Very light scratching and some tarnishing.

Lot 378

Lino Tagliapietra (Italian, b. 1934) and Marina Angelin (Italian, 20th century) possibly for Effetre International or Oggetti, Murano, Italy. Large hand blown glass rainbow bowl or charger with a cobalt blue rim and filigree of varying vibrant colors radiating from the base throughout the body of the bowl. Etched signature, date, and inscription reading "Murano" along the underside; editioned 5/200. With an "Oggetti" label affixed to the rim.Height: 3 in x diameter: 20 1/2 in.Condition: There are no breaks, losses, or restorations. Extremely light wear along the underside.

Lot 473

18th to 19th century Tibetan Suri yantra mandala drawing depicting a diagram of concentric rings with profuse inscriptions throughout, likely mantras or written incantations.Yantras are geometric diagrams used in sacred practices to aid meditation and spiritual growth. They serve as visual tools to represent divine energies and cosmic principles, guiding practitioners in focusing their thoughts and intentions to achieve higher states of consciousness and inner harmony.Sight; height: 10 in x width: 10 in. Framed; height: 19 1/2 in x width: 19 1/2 in x depth: 1 in.Condition: The colors are slightly faded; the sheet is toned. There is wear along the extreme edges of the sheet, including chipping and handling marks. There are deep creases running throughout the sheet that are consistent with folding. Some accretions along the surface of the work as well as the frame. Framed under glass; light wear and dust along the frame. Not inspected out of frame.

Lot 612

Group of two modern custom architect designed wooden prototype lounger armchairs, 20th century.(Each) height: 36 in x width: 28 in x depth: 26 in.Condition: Both chairs are overall structurally sound and stable. There are no losses, breaks, or splits to the wood. There is a penciled line along the right edge of the back to the chair, likely original to the production process. Light wear along the edges of the arm rests. Light wear to the feet. One chair lacking some pieces of hardware, most notably the back hinge piece.

Lot 535

Preisner, United States. Sterling silver brandy warmer with dark wood handle, 20th century. Marked along the underside Preisner and sterling.Height: 3 1/4 in x width: 9 in x depth: 4 3/4 in. Gross weight: 197.0 g.Condition: Very light wear, some minor spots of discoloration to the interior.

Lot 440

Pair of Chinese Republic period famille rose porcelain bud vases depicting flowers and birds, ca. 1890-1914. With bands of a floral scrollwork motif along the waist and footrim of each vase and a geometric key border along the flared rim. Stamped "China" along the underside.Each, height: 9 1/4 in x diameter: 5 in.Condition: There is a small chip to the upper rim of one of the vases. Light wear to the footrims. A few light spots of discoloration to the bodies. No signs of repair.

Lot 556

Set of 57 pieces of Towle Old Colonial sterling silver flatware. Comprised of seven forks, six fish forks, six butter knives, six knives, 10 spoons, six sporks, four iced tea spoons, three cocktail forks and nine pieces of serving ware. Marked along the stem with Towle hallmark (script T with rampant lion), 925/1000, sterling, and pat. 1895.Length ranges from 5 3/4 in to 10 1/2 in. Gross weight of sterling (not including 8 sterling-handled items): 55.18 Troy oz. (Box) height: 4 in x width: 16 1/2 in x depth: 12 in.Condition: There are no major bends or breaks. Light scratching and some tarnishing throughout. Some wear to the box and lining.

Lot 435

Pair of antique Chinese porcelain dishes with a celadon crackle glaze.(Each) height: 1 1/2 in x diameter: 7 3/4 in.Condition: No major chips, cracks, losses, or restorations. Crazing to the glaze throughout, original to production. Light wear to the footrim. Areas of affixitive along the underside to both dishes.

Lot 464

Late 19th to early 20th century carved wooden shujia scholar's shelf or bookcase with two drawers. Carved of a fine hardwood. Featuring four large open shelves with ample height, each with carved lattice fretwork and conjoined circle struts along the railings. The two drawers have finely detailed bas-relief carvings of scrollwork motifs and ruyi shapes along their facades and brass pulls. Below the bottom shelf are carved geometric aprons.Height: 78 in x width: 39 1/2 in x depth: 19 1/2 in.Condition: The shelf is structurally sound and stable. There are no major splits or stains and the drawers open and close smoothly. Light separation to the joints throughout. The left carved panel of the second shelf is detached from the body of the shelf, though it is able to rest in place and only noticeable upon movement. Light scuffs and scratches throughout, particularly along the surfaces of the shelves consistent with age and use. Light wear along the feet. Dust and debris gathered in the recessed areas.

Lot 413

Annie Tooktoo Inuit doll or figure with a carved stone face and fur garments. The figure rests on a basket woven base.Height: 6 1/4 in x width: 6 in x depth: 6 1/4 in.Condition: The item is in excellent condition with no visible tears, rips, or losses. When inspected under UV light, there is no visible sign of restoration. Some wear to parts that are covered with leather. Light wear along the underside as expected.

Lot 369

Dansk, Denmark. Tableware set in the "Flamestone" pattern with dark matte brown exteriors and glossy white interiors. Most with impressed or ink maker's marks along the underside. 54 pieces total including: one casserole dish, one teapot, six lidded bowls, one lidded serving bowl, one serving bowl with a spout, one creamer, four small cups, eight tall cups, four fluted saucers, four plain saucers, nine small plates, four lunch plates, and ten dinner plates.This now-discontinued pattern was produced between 1963 and 1985.(Plates) diameter ranges from 5 1/2 in to 12 in. (All other pieces) height ranges from 2 3/4 in to 12 1/4 in; diameter ranges from 2 3/4 in to 11 in.Condition: There is general wear throughout including some scratches, accretions, and light wear. No major chips, cracks, breaks, or restorations.

Lot 380

Terry Balle (American, 20th century). Large acrylic resin optical sculptural vase. With a rugged, tree bark-like texture along the exterior. Signature carved along the underside.Height: 11 1/2 in x width: 12 in x depth: 6 in.Condition: There are chips along the upper rim. Light scuffs and scratches throughout. Dust/debris gathered in the recessed areas. Wear to the footrim.

Lot 362

Royal Copenhagen, Denmark. Flora Danica porcelain reticulated soup tureen with hand-painted botanical pattern, shape number "20 3559". Marked along the underside with Royal Copenhagen's trademark blue wave stamp and green printed marks. Inscribed with the Latin names of the plants depicted, including: "Trifolium fragiferum L." and "Convolvulus arvensis L.". The common names for each plant are "strawberry clover" and "field bindweed", respectively.Lot Essay:The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volume’s publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmark’s natural richness?In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100-setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single-handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmark’s palaces and museums.In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand-molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer can choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.(Tureen w/ lid) height: 9 1/2 in x width: 14 1/2 in x depth: 8 1/2 in.Condition: There are no major cracks or restorations to the tureen. There is a small scratch along the lid that is approximately two inches in length; the scratch is extremely faint and only visible upon close inspection. There are some chips along the petals of three of the flowers underneath the handles of the tureen and a loss to the smaller set of buds below one of the pairs of flowers. Light wear along the rim of the tureen as well as the underside of the lid, where the two come into contact. Light wear along the footrim. Light dust and minute accretions gathered throughout, particularly along the interior of the tureen.

Lot 396

Large ceramic pottery pitcher, Shenandoah Valley of Strasburg, Virginia, ca. 1850. Stoneware with a glossy honey glaze and navy blue marbled throughout. Combed along the shoulder of the vessel and with an applied handle.Height: 9 1/2 in x width: 7 1/2 in x diameter: 6 1/2 in.Condition: Chips throughout the footrim. Crazing to the glaze. Some light scuffs to the body of the jug. No evident repairs.

Lot 407

Warren MacKenzie (American, 1924-2018). Small studio pottery ceramic covered bowl or dish. Stoneware with a shino glaze and slip trailing decoration along the lid. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 3 3/4 in.Condition: There are no chips, losses, or cracks. There is wear to the footrim, consistent with age and use. No signs of restoration under UV light.

Lot 618

R.C. Coquery (French, 20th century) for Thonet, Germany. Mid-century modern B251 model black leather lounge or armchair and ottoman with chrome-plated steel bodies, first designed in 1929.(Chair) height: 28 in x width: 37 in x depth: 36 in. (Ottoman) height: 14 in x width: 22 in x depth: 24 in.Condition: The chair and the ottoman are both structurally sound and stable. There are no evident tears, losses, or repairs. Wear, scuffs, and creases throughout consistent with age and use, especially along the surface of the ottoman. Light dust gathered throughout.

Lot 526

Mexican sterling silver chalice, on a short stem with a decorative register around the middle. Marked along the base for P. Lopez G. Eagle 1, made in Mexico, sterling, 0.925.Height: 4 1/2 in. Gross weight: 8.12 Troy oz.Condition: Some spots of tarnish to the interior cup and very light scratching.

Lot 359

French crystal and gilt bronze tantalus in the manner of Baccarat, possibly late 19th century. With three cut glass decanters, stoppers, and a wreath-topped column resting atop a mirrored tripod tray. Incised floral motifs throughout the bronze; faces carved in relief along the feet of the tray.(Overall) height: 15 in x diameter: 13 1/2 in.Condition: One crystal stopper is broken: the stem of the stopper is missing and there are large chips. Another stopper with several chips throughout. One bottle with a hole and cracks surrounding this small hole. Another bottle with small chips along the shoulder. All bottles with scratches and signs of use. There are a few chips to the crystal glass column. The column sits at a slight angle on the base. Some light scratches to the mirrored base. The mirror is slightly separated from the metal base. To the metal components throughout there is tarnishing, some accretions, and wear.

Lot 617

Marcel Breuer (Hungarian, 1902-1981) for Knoll, United States. Pair of 20th century "Wassily" style mid-century modern lounge armchairs, first designed in 1925. The chairs are composed of Knoll's "black belting" shade of leather and a tubular chromed steel frame.(Each) height: 28 in x width: 30 in x depth: 28 in.Condition: Both chairs are structurally sound and stable. No major tears, losses, or repairs. Some light scuffs and scratches to the leather, particularly along points of contact such as the seats and armrests. One deeper scratch to one seat. Light wear to the feet. Light dust gathered throughout.

Lot 137

Housed in a brown and black wooden frame. Depicts a gentleman in a light color suit. 'Underwood and Underwood Washington D.C.' on the lower left in pencil. Frame size: 9in W x 11.75in H. Sight size: 7.75in W x 10.5in H. Issued: Early 20th centuryManufacturer: Underwood and UnderwoodCountry of Origin: United StatesCondition: Age related wear. As found.

Lot 146

Poster Art that represents jazz trumpet player Dizzy Gillespie (John Birks Gillespie). It is contemporary reprint of the original 1948 blue and light pink poster designed for the Royal Roost in NYC that showcased The Mad Genius of Music Dizzy Gillespie. Sight size: 16.50"L x 23"H. Frame size: 19"L x 25"H x 0.50"W. Issued: 2002Country of Origin: United StatesCondition: Age related wear.

Lot 128

Oil pastel on paper by Western artist Ruth Goldsborough who drew a splendid white Schnauzer dog who wears a fancy blue collar with the name tag Sara. On verso: J. Done - Christmas of 1976, Sara. Housed in a gilt and wooden frame with a light grey mat. Signature and date on lower right: R. Goldsborough 11-8-76. Artwork dimensions: 10"L x 13"H. Frame size: 18"L x 22"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Ruth Goldsborough (American 1918-2013)Issued: 1976Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

Lot 210

Includes Vintage Bearington Collection Cindy Rabbit with original tag in a pink jumpsuit and bows on her ears, Unipak Designs Vicky Bunny with original tag wearing a light green bow and carrying a lace parasol, Hallmark Bunnies By The Bay Crickit Bunny with original tag in a pink checkered and floral Easter outfit with a stand included, a North American Bear Rose Rabbit with colorful floral pattern and a pink ribbon, and a round bunny with a rose patterned outfit accessorized with a woven hat. Tallest: 10"L x 4"W x 16"H. Dimensions: See DescriptionCondition: Age related wear.

Lot 30

This necklace has white and light pink faux pearls with clear beads. Dimensions: 42"LCondition: Age related wear.

Lot 814

An old metal adjustable studio light, COLLECT ONLY.

Lot 1185

A chrome plated 5 arm ceiling light

Lot 502

George III (1760-1820), Pre-1816 issues, Guinea, 1793, fifth bust, date with high 7 and large 9 (Bull 722; MCE 397; S 3729). Some light scrapes on bust, otherwise very fine £600-£800 --- Provenance: Sovereign Rarities Auction 4, 21 September 2021, lot 150

Lot 553

Victoria (1837-1901), Sovereign, 1870, die no. 87 (Hill 54; Bull 1170; cf. Bentley 1131; S 3853B). Light surface marks, otherwise good extremely fine, considerable mint bloom £500-£600 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

Lot 609

George V (1910-1936), Sovereign, 1913s, Sydney (Hill 273; Bull 1678; cf. Bentley 729; S 4003). Light obverse bagmarks, otherwise brilliant and virtually as struck [certified and graded PCGS MS 64] £340-£400 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

Lot 597

George V (1910-1936), Proof Sovereign, 1911, edge grained, 8.00g/12h (Hill 213A; Bull 1433; WR 416; cf. Bentley 356; S 3996). Light hairlines, otherwise brilliant £1,200-£1,500 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

Lot 524

Victoria (1837-1901), Sovereign, 1838, single hair strand terminal to Queen’s ponytail, normal shield (Hill 22; Bull 1054; cf. Bentley 36; S 3852). A few light surface marks, otherwise extremely fine, rare [certified and graded NGC AU 58] £2,400-£3,000 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

Lot 655

George V (1910-1936), Half-Sovereign, 1912s, Sydney (Hill 538; Bull 1697; S 4009). Light obverse bagmarks, otherwise brilliant, practically as struck £150-£200 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

Lot 561

Victoria (1837-1901), Sovereign, 1877s, Sydney, shield rev. (Hill 73; Bull 1522; cf. Bentley 659; S 3855). Light bagmarks, otherwise extremely fine, reverse with mint bloom £400-£500 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

Lot 568

Victoria (1837-1901), Sovereign, 1884m, Melbourne, shield rev. (Hill 65; Bull 1711; cf. Bentley 753-4; S 3854A). Light obverse bagmarks, otherwise brilliant and virtually as struck, considerable mint bloom £500-£600 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

Lot 588

Victoria (1837-1901), Half-Sovereign, 1892, no initials, low shield (Hill 481A; Bull 1367; S 3869D). Light grazes in obverse field, otherwise extremely fine, retaining mint bloom £200-£260 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

Lot 569

Victoria (1837-1901), Sovereign, 1885m, Melbourne, shield rev. (Hill 66; Bull 1712; cf. Bentley 755; S 3854A). Obverse with light bagmarks, otherwise good extremely fine, reverse brilliant and with considerable mint bloom £500-£600 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs ---

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