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Lot 801
Julian Rossi Ashton, English/Australian 1851-1942- Extensive, Australian rural landscape with outbuildings; watercolour and bodycolour over traces of pencil, signed and dated 1910, inscribed label for The Fine Arts Society, 29 Bligh Street, Sydney, Australia, attached verso, 25x35cm, Note: The original Sydney Art School today the Julian Ashton Art School, which Ashton established in 1890, recognised as one of the most influential in Australia. In 1897-98 Ashton was president of the Society of Artists which in 1903 amalgamated with the Art Society of New South Wales to become the Royal Art Society of New South Wales. In 1907 he led a successful move to re-establish the Society of Artists, and was president until 1921 and vice-president until 1940, when he returned to the Royal Art Society. Because of Ashton`s domination, the society became strongly identified with his art school. He was behind the establishment in 1911 of the Fine Arts Society`s gallery and shop in Bligh Street, the first to deal solely in Australian art. He also lectured and wrote frequently, especially for Art in Australia. Ashton was a well-established artist in both oils and water-colour. He claimed his `Evening, Merri Creek` (1882) was the first plein air painting done in Australia. His early landscapes had a distinctly Australian feeling of light and space. He was also known for his romantic figure-paintings, many done at beaches near his home at Bondi. Awarded the Society of Artists` medal for distinguished services to Australian art in 1924, he was appointed C.B.E. in 1930, and won the Sydney sesquicentenary prize for a water-colour in 1938. (ADoB)
Lot 885
Graham Clarke b.1941- "Cottage garden"; etching and aquatint printed with tone, signed, titled and numbered 21/100 in pencil, 34x54cm: together with three further etchings from the same suite to include "Industry; Spring Ploughboys and Beneath The Green Willow, each signed, titled and numbered 21/100, in matching frames, (4) Note: A recent major project, Graham Clarke`s Millennium window is to be seen in his own parish church of Boughton Monchelsea, Kent. It involves light and sound as well as the stained glass itself. During the year 2000 he produced a large composite wood carving `The Gloucester Nativity`. Gloucester Cathedral is its home but it is designed to travel and forms the centrepiece at Clarke`s retrospective exhibition held at The Royal Museum and Art Gallery, Canterbury in 2001. (may be subject to Droit de Suite)
Lot 979
* Stanley William Hayter 1901-1988- "Night and Day"; (B.M.203) Engraving, soft ground etching and embossing, 1953, signed and dated 1953, inscribed Etat VI, full margins on wove paper in generally good condition, light soiling and minor creasing in the margins, minor tear extreme bottom right, traces of printers ink in the margins, 70x54cm., (unframed)
Lot 1332
An early 20th Century lacquered brass and marble Clock Garniture, Boullier of Bourges, the drum-shaped cased surmounted by a dove amongst flowers, to a serpentine mount raised on four plain freestanding columns set with floral and ribbon swags, to a further shaped base and bladed feet, with beaded bezel enclosing a bevelled convex glass, to a signed 4” Arabic enamel dial with further Arabic quarters, outside minute track and floral swag detail to the centre, and fancy pierced gilt hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 17 ½”; together with a matching pair of side three light Candelabra (3)
Lot 356
Len Harvey 1907-1976 Lonsdale middle, light heavy and heavy weight champion, his shorts in presentation case, along with an Edwardian silver and leather boxing belt belonging to him, ornamented to the centre with two boxing figures in silver gilt and chased with scrollwork and flower heads, assayed London 1906.
Lot 119
A collection of 19th century and later cabinet cups and saucers to include: a Meissen cup and saucer painted with flowers and with gilt highlights, blue crossed sword marks; a Sèvres cup and saucer with relief prunus decoration and light blue painted floral decoration, blue mark; a Sèvres cup and saucer, blue glaze with gilt highlights, printed marks; and a group of nine cups and seven saucers of assorted shapes and sizes, various marks (22)
Lot 137
A Black Enamelled and Chrome Beck Monocular Calibrated Fine Focus Microscope Model 3523, London Model 33237, with Beck wide field eyepiece, electric light attachment, three objectives on swivel turret, mechanical stage, planoconvex mirror, on a Y-shaped base, with accessories, in a fitted mahogany case.
Lot 305
A Collection of Cameras, lenses and other accessories, including Praktica, Canon and Yashica cameras, lenses by Tamron, Zeiss, Yashica, Pentax, Hanimex, Pentacon, Canon, Olympus etc., Rolleiflex accessories, light meters, Kodak film tank, viewer, opera glasses, Watkins bee meter, flash units etc.
Lot 82
A Canon EF camera with telephoto` lens, a Minolta 500si Super camera with AF 35-70 zoom lens, a Vivitar 35EE camera, a Mastra V35 camera with fitted leather case, a Zenza Bronica movie camera with telescopic lens, spare lens and cartridge, in a fitted carrying case, three other movie cameras, nine telescopic and other lenses by various manufacturers, together with a quantity of tripods, light metres, cases and other photographic equipment
Lot 236
D Nonesuch Press. WHITE (Gilbert) The Writings..., edited by H J Massingham, 2 volumes 1938, No.44 of 850 copies, wood engraved pictorial titles and head and tailpieces by Eric Ravilious, folding map to Vol.II, buckram gilt spines, teg others untrimmed, very light spotting to fore-edges and end-papers, a fine set, without slip case
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534325 item(s)/page