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Lot 213
A WILLIAM & MARY WEST COUNTRY SILVER TREFID SPOON by John Mortimer, Exeter, c.1690, circular punch with a crowned X flanked by script JM struck three times, with a ribbed rat-tail, the back of the top of the stem pricked IB over EW. 22cm long, 1.4 troy ouncesCrack through the middle mark on the stem (three town mark/maker's mark combinations), knife edge to the front of the bowl, ripples in edges, some light scratches and nicks commensurate with age and use.
Lot 265
AN AUSTRO-HUNGARIAN SILVER AND ENAMEL CIGARETTE BOX by Georg Adam Scheid, 900 grade silver, Vienna, import marked, William Hornby, London 1899, retailed by A. Barrett & Sons, rectangular, the hinged cover decorated with an enamel panel depicting a hunting scene, wood lined. 9.5cm wide, 10.1 troy ounces grossThe covers hinge works well and closes flush, one minor impact mark on the right hand side, light surface wear and scratches to the enamel commensurate with age, generally in good condition.
Lot 270
AN EDWARDIAN SILVER CARD CASE maker's mark illegible, Birmingham 1904, rectangular-shaped, embossed with a standing female figure with flowers by her feet, engraved with a monogram. 10.2cm by 7.6cm, 2.3 troy ouncesLight damage to the corners, some play in the hinge leading to the cover not closing flush, otherwise in good condition.
Lot 271
A VICTORIAN NOVELTY SILVER VESTA CASE, MODELLED AS MR. PUNCH'S DOG, 'TOBY' maker's mark rubbed, London 1882. 6cm highThe marks on the flange are reasonably clear, but the maker's mark is rubbed, and the date letter is difficult to read. The hinge is in good order, and the cover snaps closed well. Registration number to rear of hat. Minute pin-prick size hole to the top, which is not visible from the outside but light can be seen shining through from inside. Some age-related surface wear.
Lot 290
A NORWEGIAN SILVER-GILT AND GUILLOCHÉ ENAMEL POWDER BOX by Marius Hammer, marked '930S', circular form with a hinged cover, enamelled to the cover and sides with powder blue guilloché enamel, with a fine white enamel border at the rim of the base. 6.3cm diameter, 2.8 troy ounces grossTwo small chips to the enamel below the hinge, very light surface wear. The lid closes properly and neatly but not tightly.
Lot 338
AN ELIZABETH II SILVER AND ENAMEL CIGARETTE BOX maker's mark AJ., London 1928, rectangular, the hinged cover decorated with guilloché enamel and scrolling borders, the sides engine-turned, wood lined, weighted. 11.4cm wideThe hinge works well, both front corners are upturned to prevent a flush closure, light surface wear to the enamel commensurate with age and use, otherwise in good condition.
Lot 418
A JAMES I SILVER SEAL-TOP SPOON by William Cawdell, London 1604, the fig-shaped bowl struck with a leopard's head crowned, the tapering hexagonal stem engraved to the front with an initial, the baluster seal terminal engraved to the matrix with a crest. 16.2cm long, 1.2 troy ouncesMarks clear and well struck - maker's mark, lion passant and date letter well spaced to the back of the stem. Bowl with various minor dings, slightly creased and misshapen. Light surface marks and scratches throughout commensurate with age and use.
Lot 491
A WHITE METAL OMEGA POCKET WATCH circular white enamel dial with black roman index and outer minute track, sub seconds dial at 6 o'clock position, blued steel hands, the plain case with a hinged case back signed Omega, hinged internal case back cover, keyless wound unsigned movement with lever escapement. Case diameter 60mmWatch is not currently functioning but balance is good and a new mainspring may be required, some light scratches to dial but no cracks detected.
Lot 626
A REGENCY BRONZE AND PARCEL-GILT HANGING LIGHT-FITTING the reeded circular dish applied with lion masks and two sconces, three suspension brackets, with chains and mount. 55cm wide overallOne chain needs to join back together, but that should be fairly simple. All the pieces appear to be there. In otherwise good condition commensurate with age and use. Very good quality.
Lot 1008
A George II style walnut elbow chair, late 19th/early 20th century, the carved shell crest uniting a pair of eagle masks on out swept rails over the pierced splat and curved arm supports culminating in leaf scroll terminals, over a bowfront stuff-over seat and shell apron, upon front leaf moulded cabriole legs culminating in egg and claw feet, plain back swept rear legs united by a wavy cross stretcher, 97cm H, seat height 47cm, along with a 19th century Hepplewhite style dining chair, the pierced oval back rest centred with an inlaid boxwood fan, over a serpentine seat, 90cm high (2) Provenance: Wykey HouseCondition reportLight fading to the elbow chair particularly on the arms, bracing bar to the rear rail, see additional image.Chair feels 'tight' with very little or no movement in the joints, general minor light marks and scuffs commensurate with age and use.Hepplewhite style chair has minor play in the joints, historic repair to back rail with later corner blocks added to the underside, further general commensurate wear.
Lot 1047
A Victorian rosewood wine/lamp table, the circular top with a moulded raised rim, upon a fluted, acanthus tapering column, triform plinth base and three scrolled feet, 57cm H x 38cm D, along with a Chippendale revival mahogany torchere, early 20th century, the ogee tray top upon a ring turned and wrythen pedestal, three leaf carved cabriole supports, egg and claw feet, 90cm H x 31cm D (2) Provenance: Wykey HouseCondition reportTorchere has a loose leg, general light wear, the wine table no obvious structural faults, general wear commensurate with age and use.
Lot 1048
A French Louis XV style kingwood and marquetry ladies dressing table, late 19th/early 20th century, the shaped top formed from three panels, each centred with an inlaid spray of blooms, the middle opening to an interior mirror, flanked by two lined compartments, over a writing slide and small drawer, along with further conforming faux drawers, upon French curvilinear legs extending to gilt metal sabot, 73cm H x 81cm W x 50cm D Provenance: Wykey HouseCondition reportExtensive speckled silvering loss to the mirror, minor ring stains to the table top along with very minor rippling to the table top veneer.Some minor light stains to the fabric interior, general light fading, marks and wear commensurate with age and use.Table appears to be structurally sound with little or no play in the joints.
Lot 1055
A mahogany butlers tray, 19th century, the rectangular tray with full gallery and kidney shaped hand apertures, upon an associated folding 'X' frame, 84cm H x 72cm W x 48cm DCondition reportTwo full width joint splits to the tray, general light stains and marks, commensurate with age and use.X frame appears sound with little or no play
Lot 1085
A large Victorian pitch pine ecclesiastical hall cupboard, formed with two pairs of panelled cupboard doors, each opening to two fixed shelves, 130cm H x 261cm W x 44cm DCondition reportBoth sides 'unfinished' where the cupboard has been fitted, with cutaways to fit over the skirting board.Evidence of historic worm particularly to the door mouldings, general marks and light splits commensurate with age and use
Lot 1096
A Chinese hardwood opium table, early 20th century, the rectangular top inset with a panel, probably burr yew, upon curved and scrolled legs, united by a 'chain-link' openwork frieze, 30cm H x 97cm W x 37cm D Provenance: Wykey HouseCondition reportGeneral light fading and stains to the table top, minor paint and scuff marks to the sides.Structurally sound no visible damage or faults
Lot 1097
A nest of three Chinese rosewood tables, 20th century, of rectangular form, with a carved vinery openwork frieze, upon slender spider legs, united by peripheral cross stretchers, largest table measures, 62cm H x 36cm W x 29cm D (middle table lacking stretcher, at fault) Condition reportGeneral marks light stains commensurate with age and use, middle table lacking one stretcherProvenance: Wykey House
Lot 623
An Ercol honey elm and beech Windsor giraffe open bookcase, mid to late 20th century, formed with four oval shelves and a pair of cupboard doors, flanked by tapering uprights upon conforming splayed feet and cross stretchers, 192cm H x 90cm W x 36cm DCondition report 10cm ring mark to the middle shelf, further general light marks and wear commensurate with age and use.Small 'burn' mark and elongated stain to the upper shelf, please see additional images.Very light fading to the LH cupboard door, cupboard doors feel 'tight' when closing.Bookcase feels structurally sound with little or no play in the joints.
Lot 631
An Ercol Savona model 2427, light oak chest of drawers, late 20th/early 21st century, formed with four small drawers over three long drawers, upon legs of tapering square section, 123cm H x 86cm W x 46cm DCondition reportVery light wear only, all drawers run smoothly, no obvious faults or damage.
Lot 632
A pair of Ercol Savona light oak bedside cabinets, late 20th/early 21st century, each formed with drawers upon tapering square section feet, Ercol roundel to the inside of the drawer, 60cm H x 46cm W x 43cm D (2)Condition reportAll drawers run smoothly, very little wear, no visible faults or damage
Lot 634
A contemporary Italian cream leather corner sofa by Formenti, late 20th century, of 'L' shape with a padded and arcaded back rest, upon brushed metal 'sleigh' supports, two sections 192cm and 167cm long, seat height 38cmCondition reportVery light wear only with some very minor marks/stains, no rips or tears, structurally sound.
Lot 641
A pair of contemporary Uttermost composite table lamps, each modelled as an Art Nouveau style gilt foliate spray, impressed maker's marks to bases, each 67.5cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportGeneral light rubbing wear to both lamps, very minor chip to one leaf tip, mottled rubbing wear to one base.Minor play in the lamp joints, electrical fitting loose on one lamp.
Lot 643
A Charles and Ray Eames style rosewood reclining chair and ottoman, late 20th century, having black leather button upholstery, raised on painted and polished steel bases, Herman Miller label to the underside (2)Width of arms 89cm, internal 53cmPLEASE NOTE: Although both pieces have Herman Miller labels on them, we believe these pieces to be Charles and Ray Eames STYLE, but NOT Herman Miller originals. Condition Report:Lacking two buttons on the seat of the chair, general light wear/creases to the leather although no rips or tears.Loose screw to the underside of the footstool where the bracket attaches.
Lot 740
A Poole Pottery onion vase, 20th century, naturalistically modelled and decorated, impressed maker's mark to base, 10cm high, with two onion vase examples, and a Poole Pottery 'Atlantis' vessel, 20th century, of compressed form, with carved Greek Key decoration, impressed maker's mark to base, 6.5cm high, with a further 'Atlantis' vessel, 6cm high (5) Condition report: Each onion vase show light surface wear commensurate with use, but no obvious chips, cracks, crazing, damage or signs of restoration.Both Atlantis vessels show fine surface wear, but no chips, cracks, crazing or obvious signs of damage nor restoration.
Lot 773
A Chinese porcelain Doucai bowl, Kangxi period (1661-1722), the circular bowl externally decorated with four phoenixes in flight amidst clouds, the interior decorated to the centre with a single phoenix, the underside bearing a six character Chenghua mark (1465 – 1487), 15.5cm wide (small hairline)Condition report; Small stained rim descending hairline approximately 2cm. Small stained pit to the rim. Some stained scratching to the interior. Some further light pitting. No obvious signs of chips or restoration.
Lot 807
A pair of polished cast brass Rococo revival three branch candelabra, 19th century, the candle sconces set to scrolling acanthus leaf arms around a central floral and berry finial, raised on a scrolled acanthus leaf triform base, 42cm high (2)Condition reportRepair to the end of one branch with a visible screw tip, with a slight 'twist' to the same arm, slight play in the same candelabra joints.General light tarnishing to both candelabra, all arms not perfectly symmetrical, further very minor faults and blemishes.
Lot 810
A pair of toleware wall mounting lanterns, 20th century, the pagoda shaped tops suspending bells above five single glazed panels, each painted with foliate motifs against a teal ground and black ground, pierced detail throughout, each 44cm high (2) (at fault) Condition reportSlight 'warp' to the doors on both lanterns, otherwise general light wear only.Provenance: Wykey House
Lot 811
A set of four gilt metal two branch wall light sconces, mid 20th century, cast with a ribbon tied crest over acanthus cast back plates and reeded 'S' shaped arms, 42cm high, along with a pair of medieval style wrought iron three branch wall lamps, with twisted 'S' shaped arms and dragon mask terminals, 48cm high (6) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 814
A Louis XV style giltwood standard lamp, mid 20th century, the fluted and acanthus moulded column extending to a circular plinth base, with associated pleated shade, 180cm high with shade, 150cm to light fitting Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportEvidence of historic woodworm to the base, general rubbing marks and wear commensurate with age and use
Lot 816
A pair of rouge marble and brass table lamps, probably Besselink & Jones, late 20th century, the marble Corinthian columns entwined with acanthus wreaths, upon a stepped brass plinth base, 40cm high to light fitting, along with a pair of pleated shades. Height to top of columns 39cm Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 883
A pair of Victorian painted cast iron pub tables, each raised upon twin trestle type supports, centred with a cast female mask, upon fluted half columns, extending to outswept feet, one table with an associated hardwood top, the other with a later marble top, 73cm H x 110cm W x 52cm D (2)Condition reportSome light corrosion and paint loss, structurally sound no obvious damage or faults.
Lot 933
A very large Chinese wool carpet, the central green field adorned with exotic birds upon flowering branches and a rocky outcrop, within a cream coloured border similarly detailed with multi-coloured floral motifs, 490cm x 620cm (at fault)Condition reportMultiple light stains to the carpet, which would benefit from a professional clean, however colours remain vibrant with a thick pile overall, some possible minor losses to the tassels.
Lot 959
A Meissen porcelain framed easel timepiece, signed Asprey & Son, New Bond St, the 18cm gilt metal dial applied with Roman numerals within scrolling chased detail, signed with the retailers name, the flower and vine encrusted frame below a pair of cherub figures, with a cased key wound movement to the rear, 35cm high (at fault)Condition reportMultiple minor chips and losses to the encrusted frame, one cherub lacking wing, missing two screws to the frame, upper and lower, very light tarnishing to the dial.Two mounting holes flanking the crossed swords mark indicating possible loss of finial.No resistance when winding the clock, clock movement will require attention.
Lot 107
Style Three. She wears a light green dress, dark green shawl, and carries a bag and umbrella.Royal Doulton backstamp. From the Dickens (Series Three) collection. Weight: 14.8 oz #royaldoulton #charlesdickens #saireygamp Artist: Leslie HarradineIssued: 1952 - 1967Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.
Lot 175
Modeled as a standing bulldog with light and dark brindle coloration; brown collar with gold studs. Hand written HN number. Royal Doulton backstamp. Artist: Fredrick DawsIssued: 1931-1985Dimensions: 5"L x 2.5"W x 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 247
Light and dark brown robes, green oak leaves.Fat and jolly and fond of drink, Friar Tuck joined the legendary Robin Hood and his band of rogues in Sherwood Forest as they robbed the rich to feed the poor in rural England.Royal Doulton backstamp. Artist: Harry FentonIssued: 1951 - 1960Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 249
New colorway edition, issued in a limitation of 1,000. Variation two; dark blue cap, blue striped sweaters and light brown golf bag handle. Royal Doulton backstamp. Artist: David B. BiggsIssued: 1970Dimensions: 6.5"L x 4.75"W x 8"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 278
Dark brown hat, light brown coat, red kerchief with white spots. From the Charles Dickens' Characters series.In the 1837 Charles Dickens novel, " The Pickwick Papers," Sam Weller was a boots employed at the White Hart Inn. He became a faithful aide and valet to Mr. Pickwick and eventually married Napkin's housemaid. This character jug is unusual in that its modeling changes dramatically between the large and small versions. Artist: Leslie Harradine and Harry FentonIssued: 1940 - 1960Dimensions: 6.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 280
Variation One. Yellow hat, turquoise tunic, white ruff, light brown hair, lavender handle.In the 17th-century comedy, written by Edward Ravensroft, Scaramouche appears as a boastful, foolish character, dressed in the old Spanish style.Series: Characters From Literature. Royal Doulton backstamp. Artist: Stanley J. TaylorIssued: 1988 - 1991Dimensions: 6.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 292
Style One, Variation One. Light brown cap; dark brown flight jacket with cream collar; white scarf without cypher.This series pays tribute to those servicemen of the Royal Air Force, the Royal Army, and the Royal Navy who fought in World War II. An airman belongs to the Royal Air Force, as either a pilot or another member of the crew. Series: Armed Forces. Royal Doulton backstamp. Artist: William K. HarperIssued: 1991 - 1996Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
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534297 item(s)/page