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Lot 573

Thomas Miles Richardson RWS (1813-1890) ''Isle of Capri'' Signed and dated 1860, with 1926 purchase receipt verso, watercolour heightened with white, 26.5cm by 48cm Provenance: Hewson & Forster, 1926, Sheffield Mr Carleton, Liverpool 1926 Tennants Auctioneers 12/11/83 Private Collection, UK In an overall very good state of preservation. Very light time staining to paper. Good colour depth. Few small foxing spots upper left and a small cluster of very superficial scuffs inline with the horizon line ( barely perceptible). Not examined out of the frame.

Lot 575

Arthur Reginald Smith RWS, RSW, ARCA (1872-1934) ''In Amerdale, Yorkshire'' Signed, watercolour, 31cm by 47.5cm In overall good state of preservation. Light time staining to the paper. Colour depth possibly slightly muted. Not examined out of the frame.

Lot 576

Frederick Fred Lawson (1888-1968) ''Nr. Redmire, Wensleydale'' Signed and dated 1915, watercolour, 31cm, by 44cm *ARR/(Droit de Suite) applies to this lot In overall good colour and condition. Light time staining to paper. Not examined out of the frame.

Lot 581

Ernest Pierre Guérin (1887-1952) French ''Chaumes Bretons'' Signed and inscribed, watercolour, 18.5cm by 24cm *ARR/(Droit de Suite) applies to this lot Light time staining to paper, pin holes to each corner with minor loss bottom left, colours remain fresh.

Lot 586

Herbert F Royle (1870-1958) ''Stacking Hay'' Signed, bears original inscribed label verso, oil on canvas, 50cm by 39.5cm *ARR/(Droit de Suite) applies to this lot n overall good, original condition. Surface dirt and discoloured varnish. Light rubbing and odd minor loss to edges. Thick impasto with some crinkling to paint. Not examined with a UV light.

Lot 589

John Scott (fl.1844-1866) Portrait of the steamer Providence off a coastline Signed and dated 1876, oil on canvas, 49.5cm by 75cm In fully restored condition. Re-lined, cleaned and re-varnished. Surface somewhat flattened in the process. Consistent over painting throughout the sky. Not examined with a UV light.

Lot 593

Antoinetta Brandeis (1849-1910) Austrian A gondolier before the Palazzo Ca Foscari, Venice Signed, oil on canvas, 24cm by 14cm In good, original condition. Covered in a layer of dirt and discoloured varnish. Cluster of vertical cracquelure to upper left hand corner. Not examined with a UV light

Lot 598

Alfred Augustus Glendenning (1840-1910) Figure droving sheep in an extensive summer landscape at dusk Signed, oil on canvas, 49cm by 74.5cm In overall good original condition. Covered in a layer of dirt and discoloured varnish. Not examined with UV light.

Lot 599

William Mellor (1851-1931) ''On the Llugwy, North Wales'' Signed, oil on canvas, 29cm by 44.5cm In an overall good state of preservation. Cleaned and re-varnished. Original canvas. Not examined with a UV light.

Lot 602

William Mellor (1851-1931) Shepherd and sheep in moorland Signed, oil on canvas, 28.5cm by 59cm In restored condition. Re-lined, cleaned and re-varnished. Some surface dirt and minor, sporadic re-touches. Not examined with a UV light.

Lot 603

William Mellor (1851-1931) ''On the Burbage'' Signed, oil on canvas, 28cm by 44cm In restored condition. Re-lined, cleaned and re-varnished. Minor stable cracquelure upper edge. Not examined with a UV light.

Lot 604

George Shalders (1826-1873) A scene in North Wales with figures and cattle Signed and dated (18)59, oil on canvas, 51cm by 76cm Original canvas. Cleaned and re-varnishes. Some light surface dirt. Paint slightly thin in places with some re-touching in the sky, especially on the right hand side, Retains texture and fine brushwork especially in the foreground. Small to medium sized stable craquelure evident across the sky. Not examined with a UV light.

Lot 607

Alfred de Bréanski Snr RBA (1852-1928) ''The Vale of Llangollen'' Signed, signed and inscribed verso, oil on canvas, 33.5cm by 49cm In a good overall stable and original condition. Light surface dirt.

Lot 609

Alfred de Bréanski Snr RBA (1852-1928) ''August in the Highlands'' Signed, signed and inscribed verso, oil on canvas, 110cm by 160.5cm Provenance: Ulverston Town Council In an overall good original state of preservation. Cleaned and re-varnished. Not examined with a UV light.

Lot 611

Alfred Fontville de Breanski (1877-1955) Highland landscape with cattle grazing Signed, oil on canvas, 48.5cm by 73.5cm In overall good, original condition. Light surface dirt and discoloured varnish. Not examined with a UV light.

Lot 613

Sir Alfred East RA, RBA (1849-1913) Figure walking through woodland Signed, oil on canvas, 44cm by 59.5cm Overall good, original condition. Light surface dirt and discoloured varnish. Minor stable cracquelure in isolated areas. Not examined with a UV light.

Lot 614

William Kay Blacklock (1872-1922) ''Thistledown, Dunwich Coast, Suffolk'' Signed, inscribed on the stretcher in pencil verso, oil on canvas, 35.5cm by 53.5cm In an overall good, stable and original condition. Light surface dirt and discoloured varnish.

Lot 617

John Emms (1843-1912) ''A Successful Shoot'' Signed, oil on canvas, 89.5cm by 68.5cm In an overall good, stable, restored condition. Re-lined, cleaned and re-varnished. Retains good surface, original brushwork and texture. Light surface dirt. Sporadic small sized cracquelure patches. Not examined with a UV light.

Lot 624

Circle of David Teniers (1610-1690) Flemish Tavern scene with figures music making Oil on panel, 27cm by 32cm In fully restored condition, cleaned and re varnished. Not examined with a UV light.

Lot 630

Edgar Bundy ARA (1862-1922) Gentlemen seated in discussion around a table Signed, oil on canvas, 49cm by 64.5cm In an overall good state of original preservation. Very slight cockell to canvas in upper right hand corner. Light surface dirt and discoloured varnish. Not examined with a UV light.

Lot 632

Frank Moss Bennett (1874-1952) ''At Moreton Old Hall'' (Cheshire) Signed and dated 1931, artist's inscribed label verso, oil on canvas, 38cm by 51cm *ARR/(Droit de Suite) applies to this lot In overall good, original condition. Small puncture to canvas upper right hand side of the gateway. Light surface dirt. Very minor sporadic and stable cracquelure. Not examined with a UV light.

Lot 642

John Butler Yeats RHA (1839-1922) Portrait of Mrs Gracie Yeats (Mrs Matthew Yeats), head and shoulders Oil on canvas, 59.5cm by 49.5cm Provenance: J Edwin Yeats (the sitter's son), Toronto, Canada; Thence by descent; Sotheby's, Billingshurst, August 2001; Private collection, Nottinghamshire A.G.M Yeats, or 'Gracie Yeats' as she was known, was John Butler Yeats' aunt by marriage. 5 fairly rudimentary patch repairs to the reverse of the canvas. Push mark/ tear to canvas right hand side. Stretcher shadow. Rubbing to edges with minor loss to canvas top edge. Stable cracquelure. Surface dirt and discoloured varnish. Not examined with a UV light.

Lot 645

Thomas Worsey (1829-1875) Still life of a bird's nest, butterflies and foxgloves Signed and dated 1856, oil on canvas, 39cm by 31cm (with arched top) In overall good, original condition. Surface dirt and discoloured varnish. Medium sized stable cracquelure throughout. Not examined with a UV light.

Lot 647

Vincent Clare (1855-1930) Still life of a bird's nest and flowers on a bank Signed, oil on canvas, 21.5cm by 16.5cm Overall good condition. Small patch of cracquelure to centre which is just beginning to lift. Light surface dirt and discoloured varnish. Glazed. Not examined with a UV light.

Lot 650

Dorrit Black (1891-1951) Australian ''The Wind Swept Farm'' Signed in pencil, inscribed with title and numbered 1/50, linocut, 24cm by 38cm, mounted, unframed Unframed. Secured with tape at top two corners onto card backing. Approx 1 cm to each margin excepting lower which is approx 2-3cms wide. On grey tinted paper, light surface dirt and lightly discoloured paper. Small sized foxing beginning to form ( barely perceptible). Creases to lower edge (not within image). Colour depth good.

Lot 663

After Laurence Stephen Lowry RA (1887-1976) ''Seaside Promenade'' Signed in brown crayon and numbered 66/75, a black and white lithograph, 47cm by 60cm *ARR/(Droit de Suite) applies to this lot Overall light time staining to paper. Relatively pronounced darker staining and medium sized densely clustered foxing running from close to upper left hand corner diagonally into lower right hand corner and occupying the dissected section. Light smudging to signature. Not examined out of the frame,

Lot 666

Tracey Emin (b.1963) ''When I think about sex'' Signed and dated (20)05 in pencil, lithograph, 58.5cm by 83cm *ARR/(Droit de Suite) applies to this lot In overall good condition. Very minor creasing along top edge and light rippling to paper. Not examined out of the frame.

Lot 672

John Nash RA, NEAC, LG, SWE (1893-1977) ''Winter trees, Suffolk'' Inscribed verso, with the John Nash Studio stamp, pencil and watercolour en grisaille, with annotations and squared up for transfer, 37cm by 54.5cm *ARR/(Droit de Suite) applies to this lot Pin holes to top right hand corner and lower left. Diagonal crease lower left. Sporadic minor thumb creases to surface and upper right hand corner. Cluster of brown marks and scuff. Light surface dirt. Not examined out of the frame.

Lot 683

Robert Leslie Howey (1900-1981) A View of Borrowdale Signed, oil on board, 49cm by 61.5cm *ARR/(Droit de Suite) applies to this lot Cluster of superficial scratches left hand side (barely visible). Light surface dirt. Not examined with a UV light.

Lot 685

Brian Shields ''Bráaq'' FBA (1951-1997) Industrial street scene with figures Signed and inscribed ''Ann'', oil on canvas, 34.5cm by 44cm *ARR/(Droit de Suite) applies to this lot In an overall excellent state of preservation. Light surface dirt, small superficial dark coloured mark to upper centre.

Lot 699

Graham Sutherland OM (1903-1980) ''Datura'' Initialled and dated (19)57, inscribed verso ''To Douglas with love G.S. 57'', oil on canvas, 15cm by 11cm Provenance: Sotheby's Modern British Paintings, 11th December 2006, lot 143 *ARR/(Droit de Suite) applies to this lot In an overall good state of preservation. Light surface dirt.

Lot 700

Cecil Kennedy (1905-1997) Still life of yellow roses in a glass vase with a bumble bee and ladybird Signed, oil on canvas, 49cm by 39.5cm Provenance: Christie's 20th century British Art, 23 November 2001, lot 44 *ARR/(Droit de Suite) applies to this lot In an overall good, original condition. Some to cracquelure to top left, centre left and lower right of the vase. Not examined with a UV light.

Lot 701

Christopher John Harrison RA (b.1945) Trompe l'oeil painting of a niche displaying Renaissance majolica plates and other vessels Initialled, oil on board, 96cm by 68cm (with arched top) *ARR/(Droit de Suite) applies to this lot Superficial scratch to top of plate display. Light surface dirt.

Lot 702

Katharine Church (1910-1999) Pink Lilies in a Library Signed and dated (19)78, oil on board, 52cm by 35.5cm Provenance: Duncalfe Galleries, Harrogate Sold together with a copy of the original receipt of purchase *ARR/(Droit de Suite) applies to this lot In an overall excellent state of preservation. Light surface dirt. Not examined with a UV light.

Lot 703

Tom Dodson (1910-1991) ''Saturday on the Canal'' Signed, oil on canvas board, 43.5cm by 54cm *ARR/(Droit de Suite) applies to this lot In an overall good state of preservation. Light surface dirt.

Lot 705

Carlos Nadal (1917-1998) Spanish ''La Plage, Blankenberg'' Signed, signed and inscribed verso, oil on card laid onto paper, 26cm by 33.5cm The painting is sold with a certificate from the Comité Nadal For comparable works see Duncalfe. J ''Nadal, An English Perspective'' p.118 & 119 *ARR/(Droit de Suite) applies to this lot In an overall excellent state of preservation. Light surface dirt.

Lot 707

Marcel Dyf (1899-1985) French ''La Boutte de Corm en Pont Bretagne'' Signed, oil on canvas, 44.5cm by 53cm *ARR/(Droit de Suite) applies to this lot Re-lined. Patch of over painting upper left hand which is slightly discoloured which is evident with the eye. Some light surface dirt and discoloured varnish. Very superficial scratch upper left hand side approx 2cms long. The canvas is showing through in some areas ( by execution) around the lower edge. Small patch of paint loss right hand side edge and 2-3 further small areas along lower edge. Retains impasto and surface.

Lot 708

Norman Wilkinson (1878-1971) ''Grand Canal, Venice'' Signed, oil on canvas, 43.5cm by 58.5cm Provenance: Tryon Gallery Ltd, London *ARR/(Droit de Suite) applies to this lot In an overall good state of preservation. Light surface dirt. Not examined with a UV light.

Lot 711

John Lowrie Morrison ''Jolomo'' (b.1948) ''Evening Light, Connel Bridge, from the Black Crofts'' Signed, inscribed verso, oil on canvas, 73cm by 73.5cm Provenance: Kranenburg Fine Art Ltd *ARR/(Droit de Suite) applies to this lot

Lot 1075

Allectus antoninianus, obverse:- Radiate and cuirassed bust right, reverse:- LAETITIA AVG, Laetitia standing left, holding wreath and anchor, S A in field, ML in exergue, London Mint, Sear 13811, some light corrosion stains but even black patina, EF and rare in this grade

Lot 1084

Ancient Egypt, Ptolemy II, Philadelphos, 285-246 B.C., AE47, wt.97.5g., obverse:- Diademed head of Zeus Ammon right, reverse:- Eagle standing on thunderbolt, wings open, head right, Sear 7782, with ticket by Dr.Vezin, very light deposit in lower reverse field [which could be expertly removed], GF

Lot 1094

Ancient Greek, Lydia under Persian Rule, c.450-330 B.C., silver siglos, obverse:- The Great King kneeling right, holding spear and bow, reverse:- Oblong incuse punch, Sear 4682, some light black oxide deposit, NVF

Lot 1132

Crusades, Tripoli, Bohemond VII 1275-1287 silver gros, obverse:- +DUODECAFOIL', reverse reads:- +CIVITAS:TRIPOLIS:SVRIE'. around three towered castle in Duodecafoil, Metcalf 497-498, centres a little weak but with light cabinet tones, GVF

Lot 1136

Domitian brass sestertius, Rome Mint 85 A.D., reverse:- Annona standing right, holding cornucopiae, facing seated Ceres at left, who holds corn-ears and torch, modus on garlanded altar between them, stern of ship in background, legend:- ANNONA AVGVST S C, Sear 2760, a nice example of this interesting issue, a little light surface pitting but VF

Lot 1147

Edward IV First Reign [1461-1470], Light Coinage [1464-1470], silver groat, London Mint, mm. Rose, quatrefoils at neck, fleur on breast, extra pellet in first quarter of reverse, Spink 2000var., Blunt and Whitton Type Vc, full, round, even colour very lightly crinkled, VF/GVF

Lot 1148

Edward IV, First Reign [1461-1470], silver groat of London, Light Coinage [1464-1470], mm. Crown [1468-1469], quatrefoils at neck, quite nice portrait NVF with a ditto but mm. Plain Cross?, broken in two, black and some scuffing, F [2]

Lot 1149

Edward IV, First Reign [1461-1470], silver groat of London, Light Coinage [1464-1470], mm. Sun [1469-1470], quatrefoils by neck, Spink 2000, GF

Lot 1154

Edward VI silver groat struck in the name of Henry VIII, Tower Mint, mm. Lis, reverse reads:- POSVI etc., with annulets in reverse cross ends, Spink 2403, round and well centred and above average for this issue, obverse very light scuffs under magnification, nice portrait, VF/NVF

Lot 1174

Germanicus copper as struck by his brother Claudius, Rome Mint 42 A.D., obverse reads:- GERMANICVS CAESAR TI AVG F DIVI AVG N, bare headed bust right, reverse reads:- TI CLAVDIVS CAESAR AVG GERM P M TR P IMP P P around SC, Sear 1905, signs of light tooling, but with nice even patina, VF

Lot 1204

Henry VIII silver groat, Third Coinage [1544-1547] of Bristol, reverse reading VILLA BRISTOLIE, Spink 2372, short crack into and along legend at obverse 9 o'clock, light scuffs, F

Lot 1367

Royal Humane Society Swimming Proficiency Medal of 51mm struck in hallmarked silver, presented at Felsted School [Essex] 1923 to L.J.Shearing, box not original, with light golden cabinet tone, EF

Lot 1420

WWI German Naval Memorial Medal, black metal (bronzed cast iron?) d.108mm, commemorating the deaths of Admiral Maximilian Reichsgraf Von Spee and his two sons Graf Otto and Graf Heinrich on 8.12.1914 (at the Battle of the Falklands), EF with a light touch of rust.

Lot 2035

GB - George V Seahorse 2/6d SG399 fine mint cat £350 (some light gum bends and very tiny thin noted, but of attractive appearance).

Lot 2143

China 1938 $1 Dr Sun Yat-sen second issue (SG.496A) imperforate horizontal pair outer frame proof on ungummed watermark paper in orange colour: Light horizontal creasing in upper margin, hinge remainder (above left proof only), otherwise very good condition.

Lot 2352

Father Christmas selection inc Hold To Light, Embossed and Tucks (approx 38)

Lot 2388

Military mainly 1910-1925, including RP, Trenches, Silks (3), Naval, Submarines, German Barracks, India inc. Band and Funeral, Durham Light (2). (approx 31)

Lot 803

Axe: An Indian all steel 'TABARZIN' (saddle axe) typical of those used by armoured Indian Cavalry in the 18th & 19th centuries. Heavy iron construction overall. Length approx 22". Simple Indian warrior decoration. Vertical shaft spoke and spike to rear of axe blade. The whole with light pitting and age patination giving every appearance of some age. This is a decorative item of some age. Viewing recommended. Sold as seen.

Lot 823

Chassepot Model 1866 Sabre bayonets in their steel scabbards. 1) Made at Tulle in March 1877. Good condition. 2) Made at CHATELLERAULT in October 1870. Good condition. Both in very good condition with some light rust. (2)

Lot 849

Machine Gun: A NAZI MG-13 light machine gun with flash hider. Cal 7.92mm. De-act in 1996. No visible markings. Action operates. With deactivation certificate. (Buyer collects)

Lot 850

Machine Gun: A NAZI MG42 light machine gun with functioning action. Marked 'cof' with Waffenampt marks. In good condition and working order with bipod. Deactivated with certificate dated 2014. (Buyer collects)

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