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Lot 2

French School 18th Century Charles de Nompere de Champagny Oil on panel circular 180mm diameter ++Panel slightly bowed some light abrasions otherwise good condition

Lot 44

λ English School c.1790 Portrait of a gentleman bust length in a red coat Signed with a monogram MR Oval in a gilt clasp frame 36 x 30mm ++Some bloom and possibly some light abrasions

Lot 62

Attributed to Frederik de Moucheron (1633-1686) Woodcutters at work in a mountainous landscape Pencil 37.5 x 29.5cm; 14¾ x 11¾in ++A crease lower right a small tear upper left some light stains and blemishes

Lot 74

Follower of Sir Thomas Lawrence Portrait of Mrs. Harriet Bowdler Pastel 28 x 20cm; 11 x 8in ++One or two light blemishes a little surface dirt

Lot 75

English School 19th Century Portrait of a lady with a fan Pastel oval 63 x 51.5cm; 25 x 20in ++A few minor blemishes and light very light fox marks overall good condition

Lot 87

John Varley (1778-1842) A view in Spain with a hill-top town Watercolour 22.5 x 32cm; 9 x 12½in ++Possibly some restoration some light surface dirt in sky

Lot 97

John Henry Mole (1814-1886) Waiting for the fishing boats Signed and dated 1860 Watercolour with scratching out 24 x 46cm; 9½ x 18in Provenance: Sotheby’s Nov 86 ++Some light mount-staining some slight discolouration to paper on left quarter

Lot 151

James Bourne (1773-1854) Northfleet Grisaille watercolour 36 x 25.5cm; 14 x 10in With 2 Sussex views by William Newbery framed together and one of Peaks hole Castleton dated 1803 ++1 & 3. good condition; 2. some light staining and oneortwopinprick fox marks

Lot 152

A. Rimmer (19th Century) Said to be old Chester market square Signed and dated /78 Watercolour over pencil 28 x 21cm; 11 x 8¼in ++A little faded one or two light fox marks

Lot 158

Joseph A. Powell (fl.1901-1914) Horses and carts on a hilly track Signed Watercolour over pencil 36.5 x 54.5cm; 14½ x 21½in ++Some light foxing in the sky and one or two heavier fox marks

Lot 161

‡ Frank Henry Mason (1876-1965) Venice Signed titled and dated 02 Watercolour with gum arabic 18 x 29.5cm; 7 x 11in ++2 or 3 very light fox marks in the sky otherwise good condition

Lot 165

John Raphael Smith (1752-1812) Portrait of a girl half-length in a landscape Coloured chalks over pencil 21 by 18.7cm. 21 x 19cm; 8¼ x 7¼in Provenance: Private Collection Dorchester ++One or two blemishes in sky a few light abrasions a littlerubbing rightmargin

Lot 170

Jan Zoetelief Tromp (1872-1947) A mother and child Signed Watercolour with bodycolour in an arched mount 37 x 17cm; 14½ x 6¾in ++A little bloom and a little light abrasion

Lot 179

Frederick Edward Joseph Goff (1855-1931) Thames at Gravesend Signed and titled Watercolour with scratching out 26 x 72.5cm; 10¼ x 28½in ++Very fine light foxing through most of sky some light flecks in sky - possibly restored blemishesorabrasions

Lot 184

Continental School 19th Century Priests and clergy A set of three all watercolour with bodycolour 23 x 15cm; 9 x 6in and similar With a pencil drawing of a gentleman in a ruff (4) ++1-3. some foxing light staining and paper discolouration; 4.astain upperleft otherwise good

Lot 196

Arthur Hacker (1858-1919) White Star liner Olympic Signed with initials also inscribed Olympic looking aft below mount Watercolour over pencil 18.5 x 14cm; 7 x 5½in ++Some very light foxing and a light crease to paper upper left otherwisegood

Lot 232

Manuel Robbe (French 1872-1936) Portrait of a lady with a headband Signed Coloured chalks heightened with white on buff paper 28 x 22cm; 11 x 8¾in ++A few light fox marks otherwise good condition

Lot 239

Elizabeth S. Guinness (c.1850-1934) Portrait of a young gentleman in a hat Signed Pencil with charcoal on buff paper 40 x 32cm; 15¾ x 12¾in ++A few light fox marks one or two small flecks of bloom

Lot 241

‡ Frank O. Salisbury (1874-1962) St. George for the quest Titled Watercolour over pencil mounted unframed 53 x 38cm; 21 x 15in Provenance: By direct descent from the artist ++Some light foxing otherwise good condition

Lot 264

‡ Maxwell Ashby Armfield (1882-1972) Chichester Cathedral Signed with initials and titled Watercolour over pencil 15 x 27.5cm; 6 x10¾in ++Possibly some very light mount-staining good condition

Lot 265

Henry Scott Tuke R.A. (1858-1929) Harbour scene in Kingston Jamaica Signed dated 1924 and inscribed Kingston Jamaica Watercolour 21 x 13cm; 8¼ x 5in ++Some light foxing and blemishes in sky

Lot 278

Lucien Pissarro (French 1863-1944) The Thames Signed with a monogram Watercolour over pencil 9.5 x 12.5cm; 3¾ x 5in Provenance: Sotheby’s 21 Nov. 1962 ++Slight mount-staining possibly a little fading light staining upper left corner

Lot 298

Helen Beatrix Potter (1866-1943) Stop Thief! Signed and dated Aug 1927 Pen ink and watercolour 17 x 9.5cm; 6¾ x 3¾in ++One extremely faint fox mark one or two tiny pinprick fox marks a light smudge lower left corner good condition

Lot 309

North India School c.1800 A musician visited by a princess possibly Lucknow Gouache in a decorative border 17 x 12cm; 6¾ x 4½in ++Some rubbing and light staining restored paint-loss

Lot 317

‡ Hans Jacob Hansen R.S.W. (1853-1947) The dance show Signed Watercolour 15 x 15cm; 6 x 6in ++A light abrasion upper right one or two minor blemishes

Lot 365

Charles Rochussen (Dutch 1814-1894) Travellers resting by a track Signed with initials Oil on panel 19 x 25cm; 7½ x 10in ++One or two light abrasions otherwise good condition

Lot 381

Charles Wellington Furse (1868-1904) Portrait of Harriett E. Molesworth mother of Robert Bridges Inscribed on a label verso Oil on canvas laid down on board oval 51 x 41cm; 20 x 16in ++A light clean required otherwise good

Lot 383

Thomas Worlidge (1700-1766) after Giovanni Battista PittoniThe sacrifice of PolyxenaSigned Oil on canvas 74 x 53.5cm; 29 x 21in ++Relined restored an area of rubbing to varnish upper centre and one or two further light small abrasions

Lot 387

German School 19th Century A family in an interior Oil on canvas in a gilt frame 45.5 x 37cm; 18 x 14½in ++Some fine paint separation a very light push frame with losses

Lot 423

R. Woodroffe (19th Century) Prize cow Signed and dated 1889 and inscribed This is a prize cow belonging to Capt. Horsell of Marsh Cottage - Won a silver cup at Divizes against the County of Wilts in 1839 - likeness taken by Mr. R Woodroff fromLondon Oilon panel 27 x 34.5cm; 10½ x 13½in ++Would be enhanced by a light clean a few minor blemishes

Lot 461

Robert Smellie (19/20th Century) Sir Domino with a collie dog in a landscape Signed and dated ‘84 Oil on canvas 58 x 77cm; 23 x 30in ++Unlined a light surface clean required otherwise in good condition

Lot 464

English School 19th Century King Charles Spaniel Signed verso Birch Oil on canvas 39 x 45.5cm; 15¼ x 18in ++Unlined three patches verso with corresponding retouching light stretcher marks varnish yellowed

Lot 466

Colin Graeme (1858-1910) Study of the head of a hound Signed Oil on board 31 x 36.5cm; 12¼ x 14¼in ++Some surface grime and a light clean required otherwise good

Lot 543

John William Buxton Knight (1843-1908) A river landscape Signed Oil on canvas 30.5 x 35.5cm; 12 x 14in ++Unlined some paint separation would be enhanced by a light clean

Lot 579

‡ Stanley Grimm (1891-1966) A Continental town view Signed Oil on canvas unframed 63.5 x 76cm; 25 x 30in Grimm was a tutor at Chelsea Arts and taught John S. Wilkinson (see lot 580) ++Would be enhanced by a light clean a few scuffs

Lot 582

‡ Roy Petley (b.1950) November light Venice Signed Oil on board 61 x 91.5cm; 24 x 36in Provenance: Petley’s Gallery London 6th July - 26th August 2011 No. 36 ++Good condition

Lot 588

‡ Théo van Cleef (20th Century) Harbour scene at dusk Signed Oil on board 38 x 46cm; 15 x 18in ++Some minor blemishes and surface dirt would be enhanced by a light clean

Lot 603

‡ Constant Le Breton (French 1895-1985) Portrait of a boy seated holding a stick Signed Oil on canvas unframed 81 x 65cm; 32 x 25½in ++Unlined some visible craquelure and paint separation a little light rubbing in places varnish patchy

Lot 619

R. Vercelli (20th Century) A country house in spring Signed and dated 1951 Oil on board 35 x 45cm; 13¾ x 17¾in ++Some light rubbing to margins varnish a little yellowed would be enhanced by a light clean

Lot 667

Marcus Abraham Ruprecht and Johann Christoph Haffner (1668-1754) Prospectus Londinum Sedes Regia et praecipua Urbs in Anglia ad Temesium Fluvium Engraving with later hand-colouring 31 x 41.5cm; 12¼ x 16¼in With 6 further prints of Surrey Westminster Londonetc. inc. one after Sam. & Nath. Buck (7) ++Some light creasing centre good condition

Lot 676

Published by Carrington Bowles The Prussian Grenadier; The Light Guinea or the Blade in the Dumps Two both mezzotints Each 36 x 25cm; 14 x 9¾in (plate size)

Lot 698

‡ Harold Wyllie (1880-1973) Portsmouth; Falmouth; North Forland; Portland Four all signed 3 numbered LXI All etchings Two at 17 x 22.5cm; 6¾ x 9in and two at approx. 11 x 35cm; 4½ x 13¾in (4) ++Portland and Falmouth with some light foxingtomargins andalsowith mount marks within plate mark all with some mount-staining

Lot 78

A JADE LION AND CUB GROUP, 18TH CENTURY. H: 4.5 cm, W: 7.5 cm. A coiled Buddhist lion is skilfully carved, turning its head to the left, its large eyes framed by elegantly curling brows, with a large brocade ball under its grinning mouth. A playful cub is lying on the lion's back resting its head clutching at the ribbon. The depiction of a parent and cub, amusingly playing with a brocade ball, implies the thought of family strength and longevity (particularly associated with the long ribbons tied to the ball). In addition, the smaller and larger lion, dashi xiaoshi, as a homophone for taishi shaoshi, the titles of high official ranking, can be viewed as the wish 'May you and your descendants achieve high rank'. The stone of pale green tone with areas of light and dark russet inclusions. Literature: A related white jade group of Buddhist lion and cub, 18th century, but larger, is illustrated in Virtuous Treasures: Chinese Jades for the Scholar's Table, Hong Kong, 2008, pl. 104. Another related carving of a Buddhist lion, used to exhibit in Musée Cernuschi, Jades et Pierres Dures de la Chine, March 1927; and Musée Cernuschi, Les Fleurs et Oiseaux dans l'Art Chinois, April 1929, was in the sale of Bonhams, 15 May 2014, lot 169. Provenance: From the collection of Lady Horlick (dec'd). The family manufactured the popular drink 'Horlicks' from 1873.

Lot 385

A French gilt metal three branch nine light hanging electroliere, decorated faceted glass swags.

Lot 199

Ireland Postage Dues. 1965 10d bright purple overprinted in italic type, unmounted mint with a light diagonal crease. Ex Foley; Hamilton-Bowen Certificate. SG D13

Lot 204

Jamaica 1921-9 set of thirteen overprinted Type D12x, D12a, D16x or D19 mint, some light ageing and the odd hinge remainder, still a good set. SG 94s-106s (£300)

Lot 368

South West Africa 1927 triangular 4d singles in English and Afrikaans handstamped Type SA5, mint, light overall toning, the English stamp with small foxed patch on reverse. SG 55As, 55Bs (£140)

Lot 803

A RUBY TINTED GLASS LIGHT SHADE

Lot 907

FOUR CUT GLASS LIGHT SHADES, and a cut glass bowl and decanter (6)

Lot 1056

TWO BOXES OF METALWARE, light fittings etc

Lot 1133

SIX BOXES OF CERAMICS, glass, light fittings etc

Lot 1491

FOUR VARIOUS BOXES OF ELECTRICAL, hardware, plumbing requisites and light bulbs

Lot 1558

FOUR BOXES OF VARIOUS LIGHT FITTINGS, glass shades, a ViceVersa toaster, two brooms, occasional table, etc

Lot 1773

FOUR PAIRS OF CHROME WALL LIGHTS, and a matching twin wall light (9)

Lot 1866

A BRASS SIX BRANCH CEILING LIGHT

Lot 618

A Victorian light oak Aesthetic Period side table with a square leather-lined top on outswept legs and moulded frieze

Lot 634

A large square pouffe, the red upholstered button top with cord braiding on bulbous turned legs with a light oak drop on coffee table top

Lot 111

A collection of wall lights, a ceiling light and similar items

Lot 363

A vintage light bulb with screw fitting mount

Lot 578

A late Victorian light oak bench with pierced arched decoration with open scroll arms on turned legs

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