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Click here to subscribeA pair of Georgian decanters. Of rectangular form, with cut glass decoration and shaped stoppers, H25cm Condition Report: One of the decanters has a small bruise and chip to one of the top corners and its stopper has knibbles around the end. Engraved numbers on the base and matching the stopper (10 & 19). Air bubbles, light surface scratches on both. Slight 'yellowing' colour to the glass.
A mid-century Ercol (blue label) elm dining table. With curved edges, raised on tapered supports, H104cm x W153cm x D76.5cm Condition Report: Appears in an excellent condition for its age. Structurally sound. No major damage, light surface marks, skuffs and small dents to the table top and scratches mostly to the ends of the legs.
A gold emerald set flower design clip brooch, with satin finish leaf and petals, to a central cluster of navette shaped emeralds, and a polished stalk. Clip brooch fittings to verso. Unmarked yellow metal tested as approximately 18ct gold. 60mm x 36mm, 27.06gCondition ReportLight surface scratches and marks to mount.Emeralds showing typical inclusions under 10x magnification.
A pair of modernist textured gold enamelled cufflinks, each comprising two interlocking open square panels, one with a bark finish, the other decorated with green enamel, to swivel backs. Indistinctly marked 18K, 15.18g Provenance: Maurice 'Dick' Turpin, Barons Keep, London W14. Condition ReportA maker's mark is present but illegible. Some loss of enamel and a few chips. Surface scratches and light marks commensurate with age.
A white gold single stone diamond ring, with a round brilliant cut diamond, estimated as approximately 1.20ct, six-claw set to a plain white gold mount, stamped 14K. 2.15g. Accompanied by a report by AIG dated 09.08.2018, stating the stone to be of natural origin, fancy light brown, VVS2/VS1 clarity. Ring size KBuying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportThe stone shows a moderate yellow fluorescence, which is stronger under LWUV, suggesting a natural origin. There is a light colour zoning, as well as a general milky appearance (due to the fluorescence). The brown colour is very faint. The colour is 'tinted', not 'fancy'. Surface marks/scratches to mount.
An Art Deco gold and platinum watch chain, with alternating sections of white and yellow curb chain. A bi-colour sliding T- bar and the original bi-colour swivel clip and half solid bolt ring clasp, together with a twisted wire T- bar. The watch chain marked 18C&PT the separate T- bar tested as approximately 9ct gold. 440mm long and 28mm long, 10.78g and 1.29g Condition ReportOnly minor light surface marks to the watch chain. No wear. Light wear to the separate T- bar.
An Edwardian pink topaz, aquamarine and chrysolite fringe necklace, c.1905, a series of graduated fringes claw set with pink topaz, aquamarine, colourless topaz and chrysolites, mounted on blade edge bars, suspended from a cable link chain with hook clasp, unmarked and tested as approximately 14ct gold. Presented in a fitted case by Connell, 83 Cheapside, London. Length 370mm approximately, 12.16gCondition ReportOverall good condition for its age. Some wear to the facet junctions of the gemstones. Dirt build-up behind the setting.Gemstones have typical natural inclusions.The necklace would benefit from a gentle clean.One small pick topaz a few chips along the edges.Stones in different shades of pink, green and light green to colourless. 'Chrysolite' stones: yellowish green topaz.Surface scratches to mounts.
A pair of rose gold varicoloured sapphire clip earrings, c.1950, the floral design mounts claw set with round and step cut light blue and pink sapphires, to polished petals and leaves, with clip-on fittings. Marked 9ct. 20mm x 28mm. 10.96gCondition ReportSapphires show typical inclusions indicating a natural origin.
A three stone diamond ring, with an oval diamond estimated as approximately 0.68ct six claw set in a 'V' shaped collet, with a pear cut diamond claw set to each side, with open shoulders to a plain shank. Marked 950 PLAT. Head 15.00 x 8.20mm, 4.17g. Principal diamond assessed as approximately: Colour H/I Clarity VS1/VS2 Ring size approximately LBuying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportDiamonds bright and lively. Light surface marks to the mount. Slightly oval in shape, so not possible to get an accurate finger size reading. Claws substantial and secure.
A Gentlemen's stainless steel and 18ct gold Rolex Datejust bracelet watch, c.1973, ref. 16013, 36mm diameter, with a champagne dial, raised baton indicators, luminous hands and seconds sweep, date aperture at three, gold fluted bezel. Case no. 3205316, c.1973. A bi-metal Jubilee bracelet with deployment clasp. With box and swing tagsBuying this watch at auction could save up to 0.80 tonnes of CO2e compared to buying new. Condition ReportCurrently working, but no guarantees as per continuous running and timekeeping. Hands adjust and move correctly. Condensation droplets visible through the glass with a jeweller's loupe. Light scratches to case and bracelet, but no deep marks or dents. This lot comes with box but no papers.
An 18ct white gold aquamarine and diamond cluster ring, with a cushion cut aquamarine encircled by a surround or round brilliant cut diamonds, all claw set to a wire basket gallery, to chenier shoulders and a plain band. London,1975. 5.98g Ring size JBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportAquamarine of light blue colour, with minor 'rain' inclusions not visible to the unaided eye. Aquamarine size approx.11.50 x 8.50 x 5.75mm. Combined diamond weight estimated as 0.36ct. Very good condition for the age, with surface scratches only.
A pair of two-colour gold cufflinks by Fabergé, c.1880-1913, each triangular plate with an applied silver crown set with rose cut diamonds and cabochon rubies, over a blue guilloché enamel ground, within a laurel wreath surround, linked to a reeded gold terminal with rose cut diamond ribbon decoration. Signed Fabergé, maker’s mark A*H for August Frederik Hollming, 1880-1913, 56 zolotnik hallmark for 14ct gold. 11.71gProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14. Condition ReportIn fair condition. Marked on back plate and terminal. Gas bubbles to enamel, visible under 10x magnification. Light cracking to the enamel at the corners. Surface scratches and marks commensurate with age.A rose cut diamond from the top of the crown motif has been replaced with a circular-cut diamond with the pavilion facing up. No stones missing, the smaller rose cut diamonds and diamond chips are worn.This lot does not come with the original fitted box.
A late Victorian chrysoberyl cat's eye and diamond cluster, later mounted to a bar brooch. A circular cabochon chrysoberyl cat's eye claw set to the centre and surrounded by a row of old European cut diamonds all claw set to a scalloped gallery with an incised under bezel. The later bar with flat guards and a lever catch. Tested as approximately 18ct gold, the bar as 15ct gold and the pin as 9ct gold. 64mm x 14mm, 3.45g Condition ReportGood central chatoyancy. Diamonds bright and lively. Light surface marks consistent with its age.
A pair of 18ct gold pink and blue sapphire cuff earrings, by Mappin & Webb, with a line of square cut pink and blue sapphires, channel set to an open cuff, to post and butterfly, 16mm long. Maker's mark for Mappin & Webb, London 1995. In a Mappin & Webb case and outer box.4.71gCondition ReportLight surface scratches consistent with age.
A pair of white gold diamond, sapphire and citrine drop earrings, with sapphire cabochon and diamond halo surmount, suspending an articulated drop set throughout with pave round brilliant diamonds, flanked by two baguette diamonds and three cabochon sapphires collet set on each side, into a citrine cabochon and diamond drop. Fitted with post and butterfly. Indistinctly marked 750 on post, tested as approximately 18ct gold. 55mm length, 24.03gCondition ReportLight scratches on the citrine cabochons.The edges of the rub over collets of cabochon sapphires and baguette diamonds are a little unveven, with a few gaps.Surface scratches and marks to mounts.
A French Art Deco silver reeded cigarette case, the rectangular case with gilded interior and thumbpiece. Maker's mark for Lucien Patoluillard, French Minerva head hallmark for silver 950 standard. In a fitted case by Cartier. 12 x 8 x 1cm 5.18oztProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14. Condition ReportGeneral tarnish, scratches and marks to the exterior. Light scratches to the interior. Gilding in good condition. The Cartier box is worn and damaged.
An 18ct gold ruby and diamond rabbit brooch, the resting rabbit is accented with a line of graduated round brilliant cut diamonds to the ear, collar and tail and with a single circular ruby cabochon eye, to pin and roller catch, 29mm x 30mm, London 1992, 13.00g, in a Mappin & Webb case Condition ReportClasp secures.Overall very good condition, with light wear and minor tarnish near the eye and the reverse surfaces.A few surface scratches on the smooth surfaces.Stones all present.
A varicoloured sapphire and amethyst clip brooch, c.1940-1950, of shield form, centring on a large step cut amethyst within a surround of varicoloured and varicut sapphires and rubies, all claw set to a white gold mount, with clip brooch fittings. Tested as approximately 9ct gold. 40mm x 48mm, 32.19gCondition ReportModerate wear to the facet edges and tables of the sapphires and rubies.Light wear to amethyst.
An early 19th century gold mounted hardstone snuffbox, of oval shape, the agate of even colour with very light bands, within a chased floral gold mont, indistinctly marked, possibly Austro-Hungarian Empire hallmark for 545 gold standard. 69.83g 71 x 50 x 30mmProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.
A diamond set line bracelet, probably American, with a row of thirty four brilliant cut diamonds, probably fancy brown, fancy light brown and fancy light yellowish brown, all four claw set in articulated collets to a concealed box clasp. Tested and valued as approximately 9-10ct gold. Estimated as approximately 6.00ct total. 181mm long, 16.65gCondition ReportFigure of eight safety clasp broken. Will need to be replaced.Some variations in the colour and clarity of the diamonds.
A pair of pavé diamond stud earrings, each set with round brilliant cut diamonds, in a claw setting, enclosed in a raised surround, the diamonds set in white gold, the rest in tested approximately 18ct gold, with post and butterfly fittings, the heads measure 12mm x 14mm, 8.90gCondition ReportDiamonds are bright and lively. Approximately G/VSThe gold surround has surface scratches and light pitting to the metal.
An antique mourning ring for Antony Lybbe, c. 1674, of 'D' section profile, with skull detailing to the outer surfaces, worn and indistinct, the reverse engraved 'Anth. Lybbe Ar: Obijt 24th Sept 1674'. Maker's mark W, 5.86g Ring size N Antony Lybbe was born in 1607 as the second son to Richard Lybbe, high sheriff of Oxon. In 1637, he married Mary Keate, the daughter and heir of Leonard Keate of Checkendon. She bore him 13 children and lived until 1692; she was buried in Whitchurch. In 1646 the Committee of the county of Berkshire sequestered the estate of Antony Lybbe, after receiving information that he was suspected of being in Armes against the Parliament. He was finally discharged in 1652 upon motion of Mr Blagrave, at Haberdashers’ Hall, London. He was a J.P. He died in 1674. As inscribed to an etched slate on the Whitchurch floor, he died in the 26th year of King Charles II reign. He left no will, so his widow took out Letters of Administration. Condition ReportThe light engraving on the outer surface of the band matches the shape of a very worn skull detailing. The band has been polished.
An 18ct gold Omega mechanical bracelet watch, a rectangular champagne dial with enamelled gilt baton indicators and pencil hands, case no. 111054, a 17 jewel manual winding movement calibre 620. Bark textured finish case and bracelet with a ladder clasp. Signed on case, movement and dial. Swiss assay mark for 750 standard, London import hallmark 1977. 73.45gBuying this watch at auction could save up to 0.80 tonnes of CO2e compared to buying new. Condition ReportWinds and ticking but no guarantee as to time keeping or continued running. Wear to the enamelled raised batons and to the pencil hands. Light scratches to glass, commensurate to age.
A pair of Turbo Shell clip earrings, by Seaman Schepps, with two white shells culminating in a cultured pearl at each end. Mounted in gold, signed P.S.V. of Seaman Schepps, stamped 14k on the clips. In a Seaman Schepps travel pouch, outer box by Betteridge. 30mm length, 21.97gCondition ReportLight surface scratches on mounts.One of the cultured pearls has a few hairline cracks and some wear to the nacre.Some glue marks at the edges of the backs.
A mid 20th century sapphire and diamond bombé ring, with an oval mixed cut sapphire claw set within two tiers of marquise and pear cut diamonds, to form a floral cluster. The gallery with a series of leaf panels all pavé set with graduated circular cut diamonds. Tapering wirework shoulders into a grooved band with two sizing beads. Combined diamond weight estimated as 4.50 to 5.00ct. Mount tested as approximately 18ct gold, 17.14g Ring size L (with sizing beads) Provenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Buying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportSapphire measurements: 10.28 x 8.51 x 5.15mm. Estimated as approximately 3.10 -3.50ct The gem has a deep twilight blue colour, with angular bands and minor inclusions indicating a natural origin. Diamonds well matched, bright and lively. Light marks to mount, commensurate with its age. The shank shows evidence of resizing.
An Art Deco sapphire and diamond monogram, with the letter 'L' channel set with a row of calibré cut sapphires, and the letter 'R' grain set with a row of old eight cut and old Swiss cut diamonds. Tested as platinum. 15.60 x 13.60mm, 2.71g Condition ReportThere are remaining spurs to the reverse, from the original pegs that mounted the monogram. These could be used to very easily convert the monogram into a pendant or re-attach it to a larger jewel. Diamonds bright and lively. Gemstones bright and lively. Light surface marks commensurate with its age. Minor marks to the table or crown facet edges under 10x magnification to the sapphires.
A white gold, three row varicoloured sapphire and diamond bracelet, with three rows of oval mixed cut blue, pink, green, yellow, golden and dark orange sapphires, all claw set to marquise shaped milled settings. A brilliant cut diamond, rub set to a milled setting between each sapphire, with a box clasp and a pair of figure of eight safety clasps. Marked 750. 74mm long, 13.30mm wide. 29.73gCondition ReportDiamonds bright and lively.Gemstones bright and lively.Light surface marks commensurate with its age. Clasp secure.
A gentlemen’s 18ct gold Patek Philippe Calatrava automatic strap watch, 3998J, with a 34mm case, c.1997. A silvered dial with raised gold batons, dauphine hands, centre second sweep and date aperture at the 3. A Patek Philippe brown alligator strap with the original 18ct gold satin finished buckle. Movement number 1’913’646, calibre 315. Original Patek Philippe case, outer box, leather wallet, certificate of origin, instruction booklet, swing ticket, agent booklet and leaflet Buying this watch at auction could save up to 0.80 tonnes of CO2e compared to buying new. Condition ReportRetailed in Belfast by John H. Lunn Ltd 01/05/1997 Winds and ticking but no guarantee as to time keeping or continued running. Hands adjust and move correctly. Light surface marks commensurate with its age. Signs of wear to the strap where it has been worn on the shortest hole, and to the end of the strap. As to be expected with presentation cases of this date, the interior is flaking, although the exterior is in nice condition. Outer box with slight wear to the corners. Marks and scratches to the wallet.
An 18ct gold amethyst and diamond ring retailed by David Morris, c.1990, centred by a rub set two sided amethyst cabochon. The pierced shoulders similarly set with drop shaped cabochon amethysts and accented by round brilliant diamonds, to a plain tapered band. Sponsor mark for David Morris, import hallmark Birmingham 1993. Ring head width 7.50mm. 11.04g. Presented in the original ring case by David Morris. Ring size L-MBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportThe ring is in very good condition for its age, with minor wear to the central gemstone and light scratches to the mount. The amethyst are well matched and saturated.
A diamond and gemstone set dragonfly brooch, c.1890, the body consisting in a line of rub set oval cut rubies, into a sapphire set abdomen and emerald eyes. Two pairs of wings set throughout with graduated old cut and rose cut diamonds, in openwork silver mounts backed in gold. ‘C’ catch, pin and safety chain. Tested as approximately 14ct gold and silver. 40mm x 46mm. Presented in a case by D. J. Lavender Antiques, London.10.32gProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14. Condition ReportGeneral tarnish and pits to the gold mount. Moderate abrasion to the emeralds. Rubies all present and well-matched. One has a small chip to the crown. Light wear to the sapphire cabochon.The antennae have vacant collets (possibly lacking diamond chips)
A Worcester sucrier and cover, circa 1770, decorated in the Kakiemon style with foliate panels on a blue scale ground, pseudo-Chinese seal mark, 13cm highThe cover has some restoration to the knop and to the rim. There is a small hairline with associated chip to the footrim, and another very light hairline on the base.
A Royal Worcester Neo-Classical pedestal table lamp hand painted with fruit, signed by James Skerrett, black painted mark to base numbered 3762, height 30.5 cm. CONDITION REPORT: No fittings present. Nothing clear and obvious under normal light. Examined under UV there are a few areas which might have been re-touched as there is some colour change, small white beading around the top section, a few areas near the grapes and peach show positively under UV and around the back ground. No signs of breaks or damages.
A Royal Worcester campana-shape lidded twin-handled urn, hand painted with fruit, black painted mark, numbered 4128, signed T Nutt, height 21.5 cm. CONDITION REPORT: Examined under UV there are no areas of damage or restorations visible. Under UV there are some areas showing what appears to be sticky tape residue, not visible in normal light. UV also shows security pen markings to the base of the urn and also the inside lid.
ARR Philip James (contemporary)Cotswold Viewsincluding Taynton, Vale of Sevenhampton, Ablington and Oakley Streetsigned lower leftcomprising four oils on board framed together50cm x 69cm overall Framed. Generally good condition overall, with some light surface wear. Some wear and loss to the frame.
ARR Eric Ravilious (1903-1942)Hull's Milled 115/150printed by Ian Mortimer from the original block, published by Merivale Editionswoodcut engraving on velin d'arches paper12cm x 19cm Framed and glazed. The woodblock print is in very good condition, with light foxing and no further visible wear.
ARR Doris Clare Zinkeisen (1897-1991)A Lady on Horsebackwith a landscape beyondsigned lower rightoil on canvas40.8cm x 51cm Framed. The painting is in good condition, and does not appear to have been relined. The picture surface is stable. Some light staining and abrasions to the picture surface, which might benefit from being cleaned. Some losses to the frame.
A pair of vintage early 20th Century Art Deco walnut bedside chests or nightstands, each bowfront with a single drawer with walnut handles, over a cabinet raised on a plinth base, each 37cm wide, 38cm deep, 66cm highOne cabinet with finish wear and scratches to top. Wear to corners and a little to sides. Drawers function well. Removable shelf. The other with light scratches and finish loss to back of top. Removable shelf inside light scratches and water marks to front
ARR Ian Hamilton Finlay (1925-2006)headlines/eavelinesfolio comprising 13 lithographs in colours48cm x 48cm each Some condition issues. Extensive wear to card folio covers, including foxing and browning. The prints themselves are in better condition, with light foxing and some undulation to most of the sheets, with others showing more extensive areas of spotting.
A CHINESE CIZHOU 'PARTRIDGE FEATHER' GLAZED BOWLPROBABLY NORTHERN SONG DYNASTYThe tapering circular body raised on a short straight foot, decorated with an unctuous black glaze with mottled russet-brown markings draining from the rim, the exterior with a paper label reading George Eumorfopoulos, no.B.231; together with three small Jun-type vessels, 10.5cm max. (4)Provenance: the bowl, formerly the Eumorfopoulos Collection.Literature: RL Hobson, The Eumorfopoulos Collection, 1926, vol.2, p.52, no.B231, pl.58.The distinctive type of decoration seen on the piece offered here, known as zhegu ban or ‘partridge feathers’, was achieved by applying a slip infused with iron-oxide onto the dark glaze prior to firing. Cizhou wares with these abstract russet splashes likely drew inspiration from teabowls of the Southern Jian kilns and were produced throughout the Northern Song period into the Jin dynasty. They were much in demand with the literati, whose tea drinking culture called for dark vessels to off-set the light froth of the powdered tea popular at this date. A number of 'partridge feather' glazed vessels are recorded to have been in the Eumorfopoulos Collection, alongside the piece offered here. See, RL Hobson, The Eumorfopoulos Collection, p.52 and pl.58.北宋（可能） 磁州黑釉鷓鴣班碗及鈞窯鳥食罐 一組四件來源：磁州碗為Eumorfopoulos（尤莫佛裡斯）舊藏。出版：RL Hobson, The Eumorfopoulos Collection, 1926年, 卷2, 頁52, 編號B231, pl.58.
A FINE CHINESE CELADON JADE 'POMEGRANATE' GROUPQIANLONG 1736-95Carved as two pomegranates issuing from a leafy stem, each fruit carved with a finely defined calyx, a small cicada clambering amidst the foliage and the underside of the larger fruit peeled to reveal the many hexagonal seeds within, the stone with light mottling and scattered instances of russet veining, 9.5cm.Provenance: from an English private collection, Buckinghamshire, purchased in Hong Kong in the 1950s.The pomegranate is an auspicious motif in China, its many seeds making it a symbol of fertility and abundance. The fruit is often depicted with a section of skin peeled back to show the numerous seeds inside, as seen in the piece offered here. This image forms the rebus liukai baizi, or 'the pomegranate opens revealing one hundred sons', conveying the wish for many offspring. For a related white jade pomegranate carving, see the Compendium of Collections in the Palace Museum: Jade, vol.9, p.172, no.162. The additional element of the cicada further enhances this meaning, as the image of the insect high up in tree canopies emitting its calling song is referred to as yiming jingren, comparing it to someone unknown who goes on to achieve great fame with an impressive feat. Hence, the piece offered here also carries the connotation of wishing that those many sons may go on to achieve greatness in their lives.清乾隆 青白玉雕秋蟬石榴擺件來源：英國白金漢郡私人收藏，1950年代購於香港。
A CHINESE JADE CARVING OF A MANDARIN DUCKMING DYNASTYCarved sitting with its feet tucked under its body and its head resting on its back, holding a fruiting peach branch in its beak, the stone of light brown colour mottled with areas of black, 7.2cm. Provenance: formerly the collection of Donald and Ursula Farm, New Jersey, formed 1970s and 1980s, later Courage and Joy, New York, 2011.Published: Priestley & Ferraro Chinese Art, From River Bed to Scholar's Desk: A Selection of Medieval Chinese Carved Jade Animal-Form Weights, April 2016, no.7.明 玉雕鴛鴦銜桃擺件來源：美國新澤西州Donald and Ursula Farm舊藏（建於1970-1980年代）。紐約Courage and Joy（2011）。出版：Priestley & Ferraro 覺是軒，From River Bed to Scholar's Desk: A Selection of Medieval Chinese Carved Jade Animal-Form Weights，2016年4月，編號7。
A SMALL CHINESE JADE PIG-DRAGON CARVINGPROBABLY HONGSHAN CULTURE, NEOLITHIC PERIODIn the form of a coiled dragon with its tail curving towards the head, subtly detailed with a wrinkled snout and bulging eyes, the neck drilled for suspension, the stone of a light green tone with small areas of opaque beige, 4.6cm.Cf. The Complete Collection of Treasures of the Palace Museum: Jadeware (I), p.64, pl.54 for a similar pendant.新石器時期 紅山文化（可能） 玉豬龍
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