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Lot 712

A TIE Fighter lower hatch master pattern model miniature from the production of George Lucas' Star Wars: A New Hope. TIE Fighters were the standard combat ships of the Galactic Republic. This hand-made pattern from a TIE's lower hatch was used by Industrial Light & Magic as a master; a mould was created from it, which was used to cast pieces for the final filming models. The model is made of moulded resin painted black and white, with textured ridges on top and a smooth, concave reverse. It exhibits minor signs of use, including stains and scrapes to the paint on the reverse and chips to the resin throughout. Dimensions: 9 cm x 9 cm x 2.75 cm (3 1/2" x 3 1/2" x 1")£1000-1500 Ω

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Lot 232

Cole Trickle's (Tom Cruise) racing suit from Tony Scott's racetrack drama Days of Thunder. Cole wore his racing suit during the climactic race at the Daytona 500, which he won. The racing suit is predominantly black and made of Nomex, a flame-resistant material used to keep the wearer safe in case of an accident. The suit has "Cole Trickle" stitched in neon yellow on the right breast, the "Nascar" logo on the left, and adverts for the various companies sponsoring Cole, most prominently the drink brand Mello Yello. The suit features neon yellow piping down both sides and the label in the neck has "New #1-A" and "Cole" handwritten in red ink. The suit has some minor wear from age and production use, including light staining on the left leg.£4000-6000 M

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Lot 73

A "Save The Town Clock" flyer from Robert Zemeckis' time-travel adventure Back to the Future. Flyers were handed out by the Hill Valley Preservation Society in the town square, where two were given to Marty (Michael J. Fox) and Jennifer (Claudia Wells). Jennifer wrote a love note and phone number on one for Marty. The flyer is printed on light blue paper and features a photocopy of the local Hill Valley Telegraph newspaper's article headlined "Clock Tower Struck By Lightning", written in the wake of the events Marty witnesses in 1955. Filler text is used for the body of the article, and a plea for donations from the preservation society is at the bottom. Dimensions: 28 cm x 21.5 cm (11" x 8 1/2")£1000-1500 M

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Lot 425

A $500,000 poker chip from Martin Campbell's Bond movie Casino Royale. Bond (Daniel Craig), Le Chiffre (Mads Mikkelsen) and their fellow poker players used betting chips during the high-stakes game at the Casino Royale in Montenegro. The chip is made from red pearlescent plastic with a translucent green centre. "Casino Royale $500,000 Montenegro" is printed on both sides in a gold-and-black font. The chip displays light scratches, but remains in very good condition and comes presented on a custom display stand.Dimensions (casino chip): 11.5 cm x 8 cm x 1 cm (4 1/2" x 3 1/4" x 1/4"); (displayed): 16 cm x 16 cm x 9 cm (6 1/3" x 16 1/3" x 3 1/2")£800-1200 † Δ

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Lot 783

A light-up remote control R2-BHD droid from Gareth Edwards' Rogue One: A Star Wars Story. R2-BHD served as an astromech droid at the Alliance base hangar in the Great Temple on Yavin 4, and was assigned to Gold Leader (Angus MacInnes). Cassian Andor (Diego Luna) led Jyn Erso (Felicity Jones) through the hangar before commencing their search for the plans to the Death Star. The same droid body was also utilized in Rogue One as a second unit, R3-S1, with a clear dome and orange detailing (R3-S1 dome not included with this lot.) The droid, affectionately referred to as "Tooby", was hand-built by Brad Oakley, who also produced droids for Star Wars: The Last Jedi and Solo: A Star Wars Story. It is made predominantly from aluminium, including an all-aluminium external shell, as well as steel feet for durability. The droid is capable of a "2-3-2" conversion, meaning the center leg can be extended when rolling or retracted when standing static. It features three aluminium "holographic projectors", a strip of LEDs on the main body and a small area of LEDs which form patterns and spell out words, depending on the command program selected. The droid includes many interactive features, including numerous electronically-controlled movable elements and panels. It is programmed with over 200 different noise and movement sequences, controlled through a modified PlayStation controller. R2-BHD was additionally seen in several promotional and behind-the-scenes featurettes for Rogue One, and appears on pages 39 and 59 of Star Wars: Rogue One ۠The Ultimate Visual Guide with a small section about its backstory and personality. The droid also featured in a Gillette advert released during the promotion of Rogue One. The advert, entitled "Every Story Has a Face", featured a Rebel soldier's day in reverse, from facing off against Imperial stormtroopers on Scarif, all the way back to his shave that morning. At one point during the commercial the soldiers ran past this R2-BHD droid. The astromech droid is tarnished from usage and age, like much of the Rebellion's equipment, and in keeping with George Lucas' initial "used future" visual concept. The legs can be removed for storage and transportation. The lot is accompanied by a copy of Star Wars: Rogue One ۠The Ultimate Visual Guide, which features this droid, as well as other merchandise that specifically incorporates R2-BHD, including a lifesize cardboard cutout, a "Droid Factory" action figure pack, a Lego figure, a model and a perpetual calendar. It also comes with a power supply, remote control and list of pre-programmed commands. Dimensions: 75 cm x 70 cm x 110 cm (29 1/2" x 27 1/2" x 43 1/2") Literature Star Wars: Rogue One ۠The Ultimate Visual Guide by Pablo Hidalgo, published by DK.£60000-80000 M *Contains electronics; see electronics notice in the Buyer's Guide*Special shipping required; see special shipping notice in the Buyer's Guide

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Lot 287

Forrest Gump's (Tom Hanks) screen-matched bus stop shoes and socks with a continuity photo from Robert Zemeckis' Academy Award-winning drama Forrest Gump. Forrest wore his shoes and socks while waiting at the bus stop and telling his life story to various people.This pair of white Nike trainers with blue and red trim come with a pair of light brown socks with black and red stripes. They are screen-matched to the wide shots of Forrest on the bench, and include an original continuity photo of the scene. There is significant production-applied dirt and wear, with some detachment from the soles of the shoes and markings on the socks.£8000-10000 Ω

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Lot 504

An Elven warrior cloak, helmet and shield from Peter Jackson's adaptation of J.R.R. Tolkien's fantasy epic The Lord of the Rings. The Elven army carried shields during the film's prologue, in which the Last Alliance of Elves and Men fought against the Dark Lord Sauron (Sala Baker) and his forces at the foot of Mount Doom. The Elves of Lorien wore helmets and cloaks at Helm's Deep, the climactic battle at the end of The Two Towers. The talented team at Weta Workshop created the costumes and armoury for the trilogy, winning Academy Awards for their work on The Return of the King. The shield is made of dense urethane and resembles a large leaf, detailed with spiral patterns and painted in a dark brown colour with gold-coloured highlights, giving it a mystical, earthy feel. The back includes a vertical metal grip painted brown to resemble wood. The helmet is made from flexible vinyl, decorated in metallic brown hues, with raised swirling patterns across the surface. A tall crest tapers down to the nose, and Velcro and elastic straps ensure a snug fit for the wearer. The grey-blue hooded cloak ties at the front below the chin. Traces of stage blood residue are present around the neck, and small slits have been made in the sides, most likely for stunts involving harnesses. There are light scuffs to the helmet and shield, and slight flaking to the paint above the cheeks on the helmet, but all of the components remain in very good condition . Dimensions (shield): 13 cm x 55 cm x 135 cm (5" x 21 1/2" x 53")£10000-15000 †

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Lot 781

A StarSpeeder 3000 light-up model miniature from Disney's Star Wars: Star Tours. Riders of the motion-simulating theme-park attraction boarded the StarSpeeder 3000, a tourist spacecraft that was caught in the middle of the Galactic Civil War. This button-operated, light-up model of the ship was created by Industrial Light & Magic for use in the first-person-perspective ride film shown on the front viewscreen during the attraction's simulated adventure. Several StarSpeeder 3000s were seen during the opening and closing scenes, which took place in a busy spaceport. The model is made of resin painted grey, black, and blue with silver detail, and features two glass light bulbs at front connected via wires to a black plastic button and an empty AAA battery pack. The model exhibits various signs of use, including a snapped-off piece at the top and chips to the paint throughout. Dimensions: 30.5 cm x 8.5 cm x 2.5 cm (12" x 3 1/4" x 1")£2000-3000 Ω *Contains electronics; see electronics notice in the Buyer's Guide

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Lot 644

Spock's (Leonard Nimoy) science officer costume from Gene Roddenberry's sci-fi television series Star Trek: The Original Series. This costume was worn exclusively by Spock in the second season, and screen matches the tunic worn in episodes "The Ultimate Computer" and "The Omega Glory", based on the placement and stitching of the Science Division patch. The costume comprises a blue velour tunic and a pair of black fabric trousers. The tunic features a pair of faux-gold rank braids on both sleeves, indicating the rank of First Officer, and has a Starfleet science patch made of reflective faux-gold material with black embroidery affixed to the left breast. The collar is made of a loose-weave black fabric and would have featured hook closures, which were removed some time during or after use on the production. The collar has lost most of its elasticity due to age, which is common in such costumes. The zipper fitted along the left side €“ used by actors to get into the tunics and commonly known to fail through use €“ has been removed, and the seam for the zipper stitched closed. The trousers feature Velcro strips on the side, rear and on the right-hand pocket for attaching communicators and phasers during wear, a trait seen only in the costumes of principal characters. Both garments were uniquely tailored for Nimoy in the role of Spock, with side-stitching used to reduce the size of the tunic's chest; some of this side-stitching has come away over time. The bottom cuffs of the trousers were modified for use in Rodenberry's unproduced sequel series Star Trek: Phase II, and the tunic displays some light fading. The name "Nimoy" is handwritten on the interior of the trousers' left pocket. Acquired directly from Paramount Studios during the early 1990s, and offered with original Paramount Archives wardrobe tags, the costume remains in very good overall condition.£50000-70000 M

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Lot 292

Freddy Kruger's (Robert Englund) glove from Ronny Yu's action-horror film Freddy Vs. Jason. Freddy wore his glove throughout the film, from the moment he rebuilt it during the opening montage to the final fight with Jason (Ken Kirzinger). The glove was originally designed and created by Jim Doyle, the mechanical special effects designer of Wes Craven's A Nightmare on Elm Street. When he asked Craven for guidance on the design, the director said, "It's kind of like real long fingernails. I want the glove to look like something that someone could make who has the skills of a boilermaker, because this guy worked in a boiler room." The design has stood the test of time, and remains one of horror cinema's most iconic weapons. This glove is made of tan-coloured leather with soot and light stage-blood markings. The tips and palm of the glove have been cut off, and a blade assembly has been fitted, comprising tarnished copper finger caps with a single pivot point, riveted to a back plate that is fixed to the glove's rear. Made for use in the film's fight scenes, the claws are made of resin, painted to resemble steel, and secured to the tips of the fingers with glue and wire, which provides a strong hold, but allows for simple replacement in the event of breakages. The glove shows production-applied distress, including scratches on the metal fingers and back plate, to give it a battle-worn appearance. Small dots have been drilled in the glove to create the illusion of weld splatter from its creation during the opening montage. It shows some unintentional wear, however, including repairs to the ring-finger claw, a replaced rivet in the little finger's claw mount and fraying to the stitching throughout. The glove comes on a custom-built display stand and is accompanied by a certificate of authenticity from New Line Cinema. Dimensions (glove): 36 cm x 18 cm x 5 cm (14" x 7" x 2"); (displayed) 30 cm x 18 cm x 47 cm (12" x 7" x 18 1/2")£20000-30000 M

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Lot 703

Visual effects reference 35mm transparencies from the production of George Lucas' Star Wars: A New Hope. These 27 Eastman and Easymount transparencies feature images from various stages of the visual effects work, including the construction of the Star Destroyer, other models, and various activities at Industrial Light and Magic during pre-production and production. Many of these images are believed to be unpublished. Each transparency comes in a protective plastic case, many of which are labelled with numbered tape. They exhibit visible signs of age, including fading which has discoloured the film. Dimensions (each): 10 cm x 9 cm (4" x 3 1/2")£600-800 Ω Δ

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Lot 840

Guardian's (Arnold Schwarzenegger) teddy bear with head damage from Alan Taylor's sci-fi action sequel Terminator Genisys. Guardian hid a gun inside a teddy bear, using it when he needed to protect Sarah Connor (Emilia Clarke) from a cyborg version of her son John (Jason Clarke).This large, light brown teddy bear is made of polyester and cotton, and filled with cotton. The bear's head has a hole blown through it by production, and a cardboard tube inserted to keep it upright. It exhibits minor signs of wear to the fur. Dimensions:114.5 cm x 81.5 cm x 51 cm (45" x 32" x 20")£200-300 Ω Δ

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Lot 140

William Adama's (Edward James Olmos) dog tags from sci-fi television series Battlestar Galactica. Adama wore his dog tags underneath his uniform in multiple episodes throughout the series as he commanded the crew aboard the Galactica. He notably moved his dog tags out of the way when examining a scar on his chest in the Season 2 episode "Resurrection Ship Part II". The two hexagonal tags are made of plastic and feature an engraved ship emblem, with "W.Adama" and a serial number situated below. The tags have been affixed together and are suspended on a long brass ball chain. Signs of production use are present on the lot, including light scratches, discolouration and minor wear. Dimensions: 33 cm x 3.5 cm x 0.5 cm (13" x 1 1/2" x 1/4")£1000-1500 M

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Lot 364

A Staff of Ra headpiece from Steven Spielberg's Raiders of the Lost Ark. This piece comes from the personal collection of legendary producer Robert Watts. Thought to be a simple medallion by its owner, Marion Ravenwood (Karen Allen), it became a major plot device when she and Indiana Jones (Harrison Ford) attempted to thwart the Nazis' attempts to locate the legendary Ark of the Covenant. Indy used it in the Map Room at Tanis to reveal the location of the Well of Souls, the resting place of the Ark. This headpiece was cast from the original moulds during production to create a special gift for Watts. The headpiece is made of cast metal, finished in faux-gold paint, and features plastic crystal €ËÅ“eyes'. It is mounted on a custom-made wooden display. This piece shows few signs of wear, with just some light tarnishing to the metal. Dimensions (displayed): 6.5 cm x 6.5 cm x 18 cm (2 1/2" x 2 1/2" x 7 1/4")£4000-6000 M

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Lot 636

A light-up plasma rifle from Nic Mathieu's sci-fi action film Spectral. Members of the US military used their plasma rifles when they attacked the power plant, which Clyne (James Badge Dale) believed to be the source of the spectral beings that were killing people without mercy. Produced by Weta Workshop, this plasma rifle is made of rubber, which is fitted around a metal armature to provide rigidity. It has been painted black and faux silver to give it a metallic, futuristic look, and features two clear acrylic panels on the rifle's sight. These light up when a power pack on the back of the gun is activated. The weapon can be carried with the attached sling. The lot comes with a "battery magazine" which is made of hard rubber and features solid button detailing. It has some wear from production use, including areas where the rubber has cracked and come away. Dimensions: 76 cm x 16 cm x 44 cm (30" x 6 1/4" x 17 1/4")£1500-2500 † Δ*Contains electronics; see electronics notice in the Buyer's Guide

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Lot 85

Marty McFly's (Michael J. Fox) self-lacing light-up 2015 Nike MAGs from Robert Zemeckis' sci-fi adventure sequel Back to the Future Part II. Doc Brown (Christopher Lloyd) brought Marty to the future year of 2015 and gave him a futuristic ensemble to help him blend in, including a pair of 2015 Nike MAGs.These high-top trainers are made with a flexible synthetic grey fabric over a blue-flecked foam and clear rubber sole. They feature white leatherette padding along the opening and a matching strap holding a white foam heel pad on the back of each shoe. On the sides of the shoes are white Nike logos; the right shoe also features practical lighting elements behind the Nike logo on the top strap, in the colored sections at the side of the heel, and in the clear element on the side of the sole itself. There is also a grey power cord running out of this shoe to a newly added black power pack which, with the flip of a switch, powers the lights on and off.The right trainer has been created by the special effects department so the flat shoe laces run out of the bottom of the shoe. These were used to create the self-lacing effect, with a crew member lying beneath a raised platform, on which the shoes stood, and pulling the straps tight from underneath. The Nike MAGs exhibit age and wear, and the foam components have undergone restoration to reconstruct cracked, crumbling and some missing elements. The electroluminescent lightstrips in the top strap and sole of the right shoe, as well as the coloured LED lights in its heel, have also undergone restoration to allow them to light up again. The soles, backstraps and other foam elements of the shoes are especially delicate.£15000-25000 Ω *Contains electronics; see electronics notice in the Buyer's Guide

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Lot 711

A TIE Fighter cockpit hatch model miniature casting from the production of George Lucas' Star Wars: A New Hope. TIE Fighters were the standard combat ships of the Galactic Empire. This piece is an unused and unfinished special effects model casting from a TIE Fighter's cockpit hatch, designed by Industrial Light & Magic during pre-production. It is made of urethane, painted with a grey primer coat, and features four slats at the centre. It exhibits minor signs of use and is unpainted on the reverse. Dimensions: 9 cm x 9 cm x 2.75 cm (3 1/2" x 3 1/2" x 1")£1500-2500 Ω

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Lot 683

A Naboo Royal Starship cockpit chair from George Lucas' Star Wars: The Phantom Menace. Chairs formed part of the cockpit aboard Queen Amidala's (Natalie Portman) Naboo Royal Starship, which featured throughout the film. Custom-made by Zoeftig and Company for the production, the chair comprises a cast aluminum frame with black leather padded sections added to the seat, back and headrest. The chair displays three black rubber harness straps which connect to a circular metal buckle. Strips of Velcro, which no longer stick, are adhered to the back of the buckle and the straps' metal clips. Curved armrests adorn each side and the piece is fitted to a horizontal shaft with two chrome triangular feet attached underneath. The lot displays signs of production use, including light wear, remnants of dirt, and minor holes on the right strap. Dimensions: 64 cm x 55 cm x 98 cm (25 1/4" x 21 1/2" x 38 1/2")£4000-6000 † Δ*Special shipping required; see special shipping notice in the Buyer's Guide

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Lot 168

A Matthew Yuricich matte painting for a building exterior in 2019 Los Angeles from Ridley Scott's sci-fi classic Blade Runner. Matte artist Yuricich created this painting of the exterior of several skyscrapers, looming high above the crowded city streets of the dystopian future Los Angeles. This matte painting is rendered in mixed media on a large Masonite board, and is labelled "3-11-81", "FX92B", and "H=5o, V=5o" in the top-left corner. A piece of white gaffer tape is labelled "BLADE RUNNER", and another piece of tape reads "BR". At the centre of the matte is a large white-and-brown space with light pencil sketching and a blue oval, which was used for a composite effects shot. The limited colour palette employed here is due to the high-contrast film stock that was used to shoot matte paintings, which enhanced the colour latitude of the image. The matte painting exhibits signs of wear and aging, including damage to the corners of the board and some small scuffs and scratches. Dimensions: 203.25 cm x 96.75 cm x 1.5 cm (80" x 38" x 1/2")£8000-10000 US *Sold without copyright; see copyright notice in the Buyer's Guide*Special shipping required; see special shipping notice in the Buyer's Guide

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Lot 107

Joker's (Jack Nicholson) purple suede gloves from Tim Burton's superhero film Batman. Insane criminal mastermind the Joker wore his gloves in various scenes throughout the film, including his meeting with the mobsters after killing Carl Grissom (Jack Palance), and as he lured Vicki Vale (Kim Basinger) to the Gotham Museum of Art. Made from a pale purple suede, the gloves feature three decorative lines on their backs, and on the wrists they feature vents with a black button and loop fastening. Displayed on a black custom-made stand, the gloves show light wear to the suede from production use, and red make-up marks are present, notably on one of the thumbs. Dimensions (displayed): 12 cm x 22 cm x 35 cm (4 3/4" x 8 3/4" x 13 3/4")£2000-3000 † Δ

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Lot 698

A production budget and cost binder set from the productions of George Lucas' Star Wars: A New Hope and Irvin Kershner's Star Wars: The Empire Strikes Back. The set contains extensive, specific details of the budget and final costs of A New Hope, and the budget of The Empire Strikes Back. The black vinyl binder with a yellow-and-black dollar-sign sticker contains 145 pages of the working budget paperwork for The Empire Strikes Back, as well as an additional 129 pages of budget and cost reports from A New Hope. These consist of four key components: a handwritten preliminary, detailed UK budget of £4,401,576 for The Empire Strikes Back, dated "4/25/78"; a handwritten and typed preliminary US budget of $6,725,523 for The Empire Strikes Back dated "4/27/78", likely from associate producer Jim Bloom; a typewritten production budget of $7,751,917 for "The Star Wars" dated "11/5/75" from production supervisor Robert Watts and Jim Nelson; and an undated Industrial Light and Magic production cost report for A New Hope showing a cost of $3,137,742, with specific cost information for all models, including such details as the X-Wing Fighters' total cost of $38,021. The teal canvas three-ring binder contains a 107-page original, undated typewritten production budget of $9,245,18 for The Empire Strikes Back. The budget appears to be a working version pertaining only to the US costs of production, with incomplete details regarding key crew and department costs, as well as a set of typewritten "Final Picture Cost Recap" documents for A New Hope dated "12/17/77" identifying the total spend to date and a document regarding the designers and copyright owners of various alien characters. The blue paper folder contains an 80-page original, typewritten total production budget of $8,228,228 for A New Hope, which was compiled 15 March 1976 with additional pages dated 1 February 1976. Based on a 20th Century Fox template, this budget features cost information for key cast and crew, a cost breakdown for all locations and studio sets, ILM's "miniatures" budget, a set decoration budget, a props budget (noting 20 laser swords coated with "3M reflective material[21]", among other things), a wardrobe budget, and more. Dimensions (each): 30 cm x 28 cm x 12.75 cm (11 3/4" x 11" x 5")£1500-2500 Ω

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Lot 186

A Willy Wonka Golden Ticket announcement poster from Tim Burton's adaptation of Roald Dahl's children's novel Charlie and The Chocolate Factory. Posters were put up when celebrated chocolatier Willy Wonka (Johnny Depp) announced a global contest in which five lucky children would win a Golden Ticket to a tour of his mysterious factory. Printed on thin white paper, the poster features text in black and red ink. The bold headline at the top reads "Dear People Of The World:" and the poster declares the rules of the contest. Wonka's signature is printed in the bottom-right corner. Signs of production use include light creasing, two small rips along the top edge and minor wear. Dimensions: 46 cm x 30.5 cm (18" x 12")£300-500 † Δ

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Lot 404

Hand-drawn artwork depicting two sets from Val Guest, Ken Hughes, John Huston, Joseph McGrath and Robert Parrish's Bond spoof Casino Royale. Titled "Int Q Dept: Harrod's Basement", one illustration depicts Evelyn Tremble's (Peter Sellers) visit to Q's (Geoffrey Bayldon) cellar, which was full of ineffective inventions. The second design, titled "The Goldfinger Room", shows a hidden room within the Casino Royale, where several women were painted gold. Rendered by Oscar-nominated production designer Michael Stringer, both designs consist of pen-and-coloured ink drawings showing various details within the rooms. The "Harrod's Basement" drawing is signed by Stringer in the bottom-right corner and has been adhered to thick grey card. The "Goldfinger Room" design features several annotations and is displayed within a matted frame. Both artworks displays light wear from production use, including minor marks, and the paper on the annotated design has become discoloured over time. Dimensions ("Harrod's Basement" artwork): 55 cm x 67 cm (21 3/4" x 26 1/2"); ("Goldfinger Room" artwork): 50 cm x 61 cm (19 3/4" x 24")£600-800 M *Sold without copyright; see copyright notice in the Buyer's Guide

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Lot 158

Blade's (Wesley Snipes) aluminium stake from Stephen Norrington's vampire action-thriller Blade. The half-vampire "Daywalker" wore metal stakes in a bandolier around his left thigh throughout the movie, notably pinning Quinn (Donal Logue) to a wall with two before setting him alight. The stake is made of cast aluminium and displays a chromed faux-silver finish. An indented line adorns the top and the opposite end is pointed. Signs of production use are present on the lot, including light scratching and marks. Dimensions: 24.5 cm x 3 cm x 3 cm (9 3/4" x 1 1/4" x 1 1/4")£400-600 M

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Lot 741

A pair of hand-drawn Dave Carson Millennium Falcon storyboards from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. After original storyboards like these were approved, copies were made and distributed to various department heads for use throughout production.These two storyboards depicting the Falcon, the Star Destroyer, and three TIE Fighters were rendered in pencil, pen, and marker on US letter-sized paper by Industrial Light & Magic artist Carson. Both are labelled "CE 14", while one is also labeled "Added 11.7.79", "omit" (indicating the shot was later omitted or revised) and marked with "DC", Carson's initials. There is a small stain on the initialed illustration and both pieces exhibit minor creasing. Dimensions (each): 21.75 cm x 28 cm (8 1/2" x 11")£1000-1500 Ω *Sold without copyright; see copyright notice in the Buyer's Guide

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Lot 464

A baby stegosaurus maquette from Steven Spielberg's sci-fi action sequel The Lost World: Jurassic Park. A baby stegosaurus was photographed by Dr. Sarah Harding (Julianne Moore), but it was frightened by the noise of her camera and caused an adult stegosaurus to charge at her. Maquettes were created by Stan Winston Studio for use as a master reference for colour matching, and cyber scanned to create CGI models, allowing the team to computer-mill foam pieces to build the full-size animatronic dinosaurs. The small models also gave the creative team the opportunity to design the look for the dinosaurs in terms of their size, shape and colour. This baby stegosaurus maquette is made of resin and realistically hand-painted. It is mounted on a black wooden board with a white label marked "BABY STEGOSAURUS". There are light paint chips and cracks along the back plates and tail spikes, as well as light paint wear throughout. The wooden board shows the most signs of age and use, including scratches on the underside. Dimensions: 50 cm x 28 cm x 32 cm (19 3/4" x 11" x 12 1/2")£4000-6000 † Δ

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Lot 436

A Thern dagger and sword from Andrew Stanton's sci-fi adventure John Carter. Therns were a secretive race of shape-shifting Martians who could summon a blue energy called the "Ninth Ray" and turn it into solid weaponry, such as swords and daggers. A Thern assassin tried to use a dagger to kill Edgar Rice Burroughs (Daryl Sabara) near the end of the film, but was foiled by John Carter (Taylor Kitsch), while Sab Than (Dominic West), used a Thern sword to fight against Carter. The dagger and sword are made of metal and features latticework blades with an inner metal core. The handles are solid, with black painted sections to give the impression that the latticework continues further down. They have been painted a light blue colour to mimic the Ninth Ray energy. They have some wear from production use, including some scuffing and scratches. Dimensions: (dagger) 47.5 cm x 6.5 cm x 2 cm (18 3/4" x 2 1/2" x 3/4"); (sword) 75 cm x 7.5 cm x 2 cm (29 1/2" x 3" x 3/4")£1500-2500 †

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Lot 882

A production-used shooting script belonging to Academy Award-winning special effects artist George Gibbs, from Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This script is 147 pages long and features assorted colour revisions. Bound in a red imitation leather cover, it is dated "October 15, 1986". The title page details it as the fourth draft and uses the working title "Who Shot Roger Rabbit?". Page 17 has a sticker showing it belonged to Gibbs, and he has annotated the script throughout, using highlighting and tape to categorise sections. This script shows signs of use and age, with discolouration on the paper, marks on the cover and various light soiling throughout. Dimensions: 32 cm x 24 cm x 3 cm (12 1/2" x 9 3/4" x 1 1/4")£400-600 M

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Lot 886

A Toon .38 pistol with Dum-Dums crew gift from the production of Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This item comes from the personal collection of legendary producer Robert Watts. Eddie (Bob Hoskins) swapped his real gun for a Toon one before entering Toontown. Eddie's new oversized gun shot idiotic Toon rounds which he later referred to as "Dum-Dums". During filming, a stand-in gun was used, with the animated cartoon gun added in post-production. The pistol ۠a casting from the stand-in's mould and given as a crew gift to Robert Watts ۠is cast in resin and presented in a display case with six Dum-Dum character bullets. On the back is a business card of Steve Crawley, a Model Shop Project Supervisor from Industrial Light and Magic. The plastic case shows some signs of age and wear, with light scratches on the case, and the plaque has slipped from its position. Dimensions (displayed): 35.5 cm x 24 cm x 10 cm (14" x 9 1/2" x 4")£3000-5000 M

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Lot 723

A set of Y-Wing thruster model miniature master pattern components from the production of George Lucas' Star Wars: A New Hope. Y-Wing starfighters were the ships of choice for the Rebel Alliance's Gold Squadron during the climactic Battle of Yavin. These hand-fabricated pieces were made by the Industrial Light & Magic model shop during development of the Y-wing model miniatures. The pieces include a grey resin engine-steering master pattern; a grey aluminum-and-styrene engine-exhaust master pattern; and a clear injection-moulded polyurethane final side-detail piece. The master patterns were hand-built and then molded so that the assemblies could be cast in resin for faster assembly-line style construction of multiple models. The injection-moulded piece is a final completed part that ultimately went unused. Each exhibits signs of use, including traces of red moulding silicone rubber on the patterns. Dimensions (largest item): 6.5 cm x 6.5 cm x 6.5 cm (2 1/2" x 2 1/2" x 2 1/2"); (smallest item): 9 cm x 4 cm x 1.5 cm (3 1/2" x 1 1/2" x 1/2")£1000-1500 Ω

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Prop Store
Lot 250

An "E.T. and Me" crew hat from the production of Steven Spielberg's sci-fi family film E.T. the Extra-Terrestrial. An alien stranded on Earth befriended a young boy (Henry Thomas), who helped him call back his spaceship. E.T. and Me was an early working title for the film, with crew hats featuring the title frequently seen being worn by crew members in behind-the-scenes images.This adult-size cotton baseball hat is emblazoned with an "E.T. and Me" patch on the front, and features a mesh back, and a plastic size adjuster on the reverse. It exhibits minor signs of use and wear, including light staining. Dimensions: 20.25 cm x 23 cm x 8.25 (8" x 9" x 3 1?4")£400-600 Ω Δ

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Prop Store
Lot 487

Lara Croft's (Angelina Jolie) belt and gun holster rig from Simon West's action adventure Lara Croft: Tomb Raider. Croft wore her holster rig to carry her iconic Heckler & Koch USP Match pistols in numerous scenes, from the opening sequence in which Croft battled her robot S.I.M.O.N., to her adventures in Siberia as she fought for possession of the legendary Triangle of Light. Made of black leather, the belt displays multiple metal rivet holes and a cast resin buckle which features a skull-and-crossbones emblem, finished in faux-gold paint. Attached to the belt are two black leather holsters and adjustable straps with strips of Velcro, which would have secured the rig to the actor's thighs. Accompanying the lot is an additional replica resin gold-coloured belt buckle minus the crossbones. The belt and rig show signs of production use, including minor corrosion on the belt hardware, and light scratches and minor wear to the leather. Dimensions (belt, fastened): 37 cm x 40 cm x 8 cm (14 1/2 x 16" x 13 1/4"); (belt buckle): 6.5 cm x 9.5 cm x 2.5 cm (2 1/2" x 3 3/4" x 1")£2000-3000 Ω

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Prop Store
Lot 298

A Sarris Guard Pod Gun from Dean Parisot's sci-fi comedy Galaxy Quest. Sarris (Robin Sachs) and his reptilian guards carried their weapons throughout the film, as well as by the film's human protagonists. Hero versions were used for close-ups in which the weapons were required to function.Constructed from cast resin and plastic decorated with assorted shades of metallic paint, the weapon housing is covered in faux-snakeskin and features metal embellishments and string decoration. The surface is distressed to appear well-used from numerous space battles.The barrel rotates via a flick switch on the side, while a push button on the grip operated a red flashing light which no longer functions. Two sling attachment points are present on the top of the gun. Powered by 9V batteries (not included), the gun remains in very good condition and is presented on a display stand. Dimensions (displayed): 80 cm x 17 cm x 45 cm (31 1/2" x 6 3/4" x 17 3/4")£2000-3000 † Δ*Contains electronics; see electronics notice in the Buyer's Guide

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Prop Store
Lot 483

Professor G.H. Dorr's (Tom Hanks) suit and hat from Joel and Ethan Coens' Ealing Comedy remake The Ladykillers (2004). The charming professor wore his full suit when he first met Marva Munson (Irma P. Hall) and enquired about the spare bedroom she had advertised to let. The costume consists of a beige herringbone three-piece suit; a matching sleeveless caped coat; a pink Anto Beverly Hills textured shirt; a tan sateen bow tie with clip fastenings; and a straw boater-style hat, which features a woven brown band. Embroidered in blue, the initials "TH" feature on the label within the shirt, and the lot is accompanied by six production wardrobe tags, which display detailing about each garment, change numbers and scene numbers. The costume shows minor wear, including light plucks and dirt marks on the trouser hems.£2000-3000 M

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Prop Store
Lot 166

Ten Los Angeles miniature model skyline components from Ridley Scott's sci-fi thriller Blade Runner. Miniatures were used to construct the film's sweeping dystopian Los Angeles vistas, as exemplified by the detailed "Hades Landscape" in the memorable opening sequence, as well as the imposing Tyrell Corporation pyramid. The set includes seven cityscape pieces, with two lift grills and a building decal, which would have been affixed to the Tyrell pyramid's miniature sets. They are all made of etched brass, with the front finished in black and the back showing a bare metal finish. Holes are cut into each component to allow light to shine through. There are signs of wear on the pieces, with slight bends in the brass and minor paint scratches on the bottom of each component. Dimensions (largest piece): 41 cm x 7.5 cm (16 1/4" x 4 3/4")£2000-3000 † Δ

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Prop Store
Lot 378

A collector's album autographed by Steven Spielberg, Kathleen Kennedy, Frank Marshall, and Richard Edlund from the promotion of Spielberg's action-adventure film Raiders of the Lost Ark. This 64-page album features behind-the-scenes material from the production, and was first produced as a promotional programme before being offered for sale. The album is printed in full colour and autographed and inscribed on page 1 with notes from producers Kennedy and Marshall, visual effects supervisor Edlund, and Spielberg, whose note "Tom ۠now let's RAID the ghostly universe ۠! Best Steven Spielberg" refers to their then-upcoming collaboration on Tobe Hooper's Poltergeist. The album comes with a letter of authenticity from Industrial Light & Magic production supervisor Thomas G. "Tom" Smith. Dimensions: 28 cm x 22 cm (11" x 8 1/2")£1000-1500 Ω Δ

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Prop Store
Lot 756

An archive of behind-the-scenes stills, a Lucasfilm Ltd annual from 1983, and a set of crew stickers from the original Star Wars trilogy. This item comes from the personal collection of legendary producer Robert Watts. Comprising a set of 12, the black-and-white stills were taken during the filming of A New Hope and show key cast members, droids, director George Lucas and others. Annuals were gifted to Lucasfilm employees during their yearly picnic at Skywalker Ranch. This set of stickers includes two triangular stickers designed by Ralph McQuarrie and a sheet of uncut stickers featuring Return of the Jedi's original title "Revenge of the Jedi" with an image of Yoda. The lot is completed by a colourful embroidered patch of the same Yoda design. The lot exhibits minor wear, including light scratches, plucks around the patch outline, and crease lines, notably on the annual cover and uncut sticker sheet. Dimensions (annual): 28 cm x 22 cm x 1 cm (11" x 8 3/4" x 1/2"); (each photo): 20 cm x 25.5 cm (8" x 10"); (sticker sheet): 19 cm x 25 cm (7 1/2" x 10")£300-500 M

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Prop Store
Lot 860

Doug MacRay's (Ben Affleck) bus driver costume from Affleck's crime thriller The Town. MacRay dressed in a bus driver uniform disguise while making his final getaway from the city after pulling off a robbery. This costume consists of a navy-coloured jacket with a pair of patches; a light blue short-sleeved button-up shirt with a pair of patches, labelled "DOUG" on the interior; a pair of navy-coloured trousers; and a navy baseball cap with a patch and the number "67093" embossed on the front. There is some mild staining on the jacket and fraying on the lettering on the baseball hat.£600-800 Ω

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Prop Store
Lot 780

A model miniature Death Star turret from Richard Marquand's Star Wars: Return of the Jedi. Turrets covered the surface of the Death Star, and constantly fired at the attacking Rebel pilots during the film's climax. Crafted by Industrial Light and Magic from biscuit foam and resin, the gun tower features a futuristic industrial design and has grid lines carved into the sides to simulate a panelled construction. While static, the top portion of the gun tower is shaped to resemble a rotating gun turret and has two resin laser cannons mounted at the top. Pencil lines have been used on the side of the top portion to create the illusion of panelling. Below the turret, the body of the gun tower stretches to a wider base for stability. The entire piece is painted light grey in colour, and shows some wear from production use and age, with some chips to the paintwork, most notably around the guns. Dimensions: 7 cm x 6 cm x 19 cm (2 3/4" x 2 1/4" x 7 1/2")£5000-7000 Ω

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Prop Store
Lot 657

A light-up Bajoran interceptor miniature model from sci-fi TV series Star Trek: Deep Space Nine. Miniature models were used for the Bajoran ships, which first appeared in the Season 2 episode "The Siege", when two interceptors attacked the ship being flown by Commander Kira Nerys (Nana Visitor) and Lieutenant Jadzia Dax (Terry Farrell). The Starfleet officers managed to destroy one of the Interceptors before sustaining critical damage and crash landing. Models were later used in the Season 3 episode "Through The Looking Glass" and for cutaway footage of ships flying around DS9 in later seasons. The model is made of plastic and hand-painted to look as detailed and realistic as possible. It is predominantly decorated in shades of grey with bronze detailing, in keeping with the Bajoran aesthetic. It features €ËÅ“rust' markings and other examples of intentional distress, giving it the appearance of being well used and battle worn. When connected to mains power via a D-sub 9-pin connector, the lights within the model illuminate, lighting up the cockpit, windows and engines, as well as lights on the wing tips and the top of the ship. The miniature sits on a custom-made metal stand on a black wooden base. The stand is a fixed to a production-made filming mounting point, which can be hidden with an extra piece when not on the stand. There is a second hidden mounting point in the tail. It has some wear from production use and age, including a small repair to the left wing. Dimensions: 45 cm x 68 cm x 25 cm (17 3/4" x 26 3/4" x 9 3/4") ADDITIONAL INFORMATION Interceptors were lightly armed craft with two phaser emitters, used by the Bajoran Militia in the defense of Bajor. They were often utilised in the orbit of the planet but, as in "The Siege", could also fly within the atmosphere.£8000-10000 M *Contains electronics; see electronics notice in the Buyer's Guide

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Prop Store
Lot 258

Ava's (Alicia Vikander) final costume from Alex Garland's sci-fi thriller Ex Machina. Ava obtained her costume during the climactic scenes, as she raided cupboards containing old humanoid robots and used pieces of skin and clothing to create the appearance of a human woman. The Karen Millen two-piece costume comprises a high-necked peplum top with cap sleeves (size UK 6) and pencil skirt (size UK 10), both made from a white floral crochet cotton with a visible yellow polyester lining. The back of the top features a thin cotton panel,and both pieces have side-concealed zip fastenings. The costume displays light wear and a minor mark on the back of the top.£800-1200 †

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Prop Store
Lot 557

A cast chair back from the production of Gore Verbinski's action adventure Pirates of the Caribbean: The Curse of the Black Pearl. Chair backs were created for the cast and crew of the film, and featured the iconic production logo. This chair back is made of black canvas with the logo emblazoned on the front and the word "Cast" on the reverse. Each side has a hole for affixing the chairback to a cast chair. This chair back exhibits some signs of wear and age, including light discolouration. Dimensions: 27.5 cm x 18 cm x 1.5 cm (11" x 7" x 1/2")£400-600 Ω Δ

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Prop Store
Lot 709

Luke Skywalker's (Mark Hamill) production-made lightsaber from the production of Star Wars: A New Hope (1977) Lightsabers are one of the most memorable props in the history of cinema, and it is well-known amongst enthusiasts that Luke's original lightsaber was built from a Graflex 3-Cell Camera Flash Attachment unit. The modifications used to turn the flash handle into the lightsaber prop were relatively straightforward: a set of black T-shaped grips were attached to the lower half of the flash, a D-ring was attached to the bottom of the unit to allow it to hang from a belt hook, and a set of plastic magnification "bubbles" from a vintage calculator display were fitted to the flashes center clamp. Due to the simple nature of the prop's construction, authenticity around Graflex-based lightsaber props is frequently controversial. This is the first Luke Skywalker lightsaber Prop Store has handled with solid provenance and the appropriate physical construction elements to support that it is indeed from the production. The most well-documented Skywalker lightsaber props are the Graflex-based hero version seen best in production photography, and the special-effects version with a motorized spinning blade (designed to reflect light into the camera lens) that was made from a piece of pipe dressed to look a Graflex. It is not clear exactly how many lightsaber props were built for the first film in total. This lightsaber is distinctly not the hero Graflex version seen in production photographs, or the well-documented spinning version, but is an original made for the production of the film. The lightsaber originated from Andy Mitchel, the son of Andrew Mitchell, who was the managing director of Elstree Studios at the time the original Star Wars films were shot there. Mitchell recovered the lightsaber prop as a young man from the Elstree Studios backlot where it had been discarded along many other props and sets during or after production. He was allowed to keep the piece as a memento shortly after production wrapped. The Graflex is a "Folmer" version of the flash handle, which is the same version of Graflex used to create the hero piece seen in production photographs. This flash unit was fully converted into a prop lightsaber: a D-ring is affixed to the bottom of the handle with two pop rivets, a bubble lens strip fitted in the center clamp (with 7 bubbles, matching the hero prop), and glue residue exists on the lower half where the T-shaped grips were once attached. The red button at the top of the flash is a version with a thin band of knurling€â€different to the documented hero Graflex, but the same style of button seen on the document effects "spinning blade" prop. The most interesting aspect of this piece is a welded metal plate affixed into the open end of the emitter. The plate features a small hole in the center and the welding process has deformed some of the top of the flash. This plate was almost certainly welded in as part of the effort to mount a blade in the handle. This custom modification supports the fact that the special effects or props team at Elstree Studio was working with this piece at some point during production, and it was specifically converted to be a lightsaber prop. At present, the location of both the well-documented hero Graflex lightsaber and well-documented "spinning blade" effects version of the prop are not known. Therefore, this may be the only, or certainly one of the few, genuine Luke Skywalker lightsaber props from the original Star Wars film still in existence. While it is uncertain whether this piece was ever used in filming or not, it has a strong chain of provenance and the appropriate physical construction to support its authenticity and is a wonderful example of this legendary film prop. Included are a letter of authenticity from Andy Mitchell who originally obtained the piece from the Elstree backlot, and from a friend of Mitchell's who was gifted the piece by Mitchell in 1983. The piece is well-worn, with numerous scratches and marks to the body. Dimensions: 25 cm x 5.75 cm x 3 .75 cm (10" x 21/4" x 11/2")£60000-100000 M

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Prop Store
Lot 733

A pair of large vehicle decals from Irvin Kershner's Star Wars: The Empire Strikes Back. Trac-Master snow vehicles, used as towing and support vehicles on set, were emblazoned with the film's production logo during filming of the Hoth scenes in Norway. Screen-printed on vinyl, the decals feature the visage of Darth Vader looming through flames over a blue field, surrounded by the film's title and borders in white. Red fields around the logo allowed the decal to blend in with the vehicle's predominantly red paint scheme. Both decals are still attached to their backing paper and remain in good, unused condition, with light creasing around the edges. Dimensions (per decal sheet): 45 cm x 31 cm (17 3/4" x 12 1/4")£400-600 M

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Criterion Auctioneers Ltd
Lot 682

I. Rosseland, 'Lyset Rommer' (The Light Holds), lithograph, signed, dated 76, titled and numbered 10/100 in pencil to lower margin, framed and glazed, 35 x 50cm

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Criterion Auctioneers Ltd
Lot 674

Trond Botnen (Norwegian, 1937-2019), 'Lyset Slar Ned Endelig II' (The Light Turns Down Finally), limited edition etching and aquatint, signed and dated 77 in pencil to lower right margin, numbered 2/38, 40 x 45cm

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Clarke and Simpson Auctions
Lot 171

A pair of Tiffany style light shades

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Clarke and Simpson Auctions
Lot 389

A pair of light oak veneered bar back chairs

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Keys Fine Art Auctioneers
Lot 155

GOOD QUALITY MODERN LIGHT OAK RECTANGULAR BOARDROOM TYPE TABLE ON SQUARE LEGS

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Clarke and Simpson Auctions
Lot 652

A quantity of light bulbs etc.

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Clarke and Simpson Auctions
Lot 552

A quantity of light fittings

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Clarke and Simpson Auctions
Lot 1055

A concrete ornament in the form of an otter; a solar light decorated with a gnome and a concrete ornament in the form of hedgehogs

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Lyme Bay Auctions
Lot 397

French Mid century style handing centre light

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Lyme Bay Auctions
Lot 534

Light Birds eye Maple Art Deco dining table with six matching chairs upholstered in suede, glass top cover.

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Lyme Bay Auctions
Lot 398

French Mid century hanging centre light

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1818 Auctioneers
Lot 343

A selection of power tools and inspection light

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1818 Auctioneers
Lot 213

A large brass bodied light base

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1818 Auctioneers
Lot 124

A cast and wrought iron wall or gas light bracket

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Bolton Auction Rooms
Lot 78

Silver bracelet with light green gem stones

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Stacey's Auctioneers & Valuers
Lot 874

A Russian porcelain figure of a tiger a Shorter and Son spotted sheep a Wedgwood light and other ceramics - NO RESERVE

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