PIRANESI, Giovanni Battista: (1720-1778), `Veduta, nella Via del Corso, Del Palazzo Dell Accademia`, etching, 62 x 40 cms, Watermark: Fleur-de-lys in double circle, light foxing, signed within the plate mark, c1750 (or later). With ... `Veduta degli avazi del Foro di Nerva`, etching, 61 x 40 cms, faint watermark, slight stain. With ... `Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta`, etching, 61 x 40 cms, light foxing small hole repaired. With one other (some damage). (4)
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A retro occasional table of circular form raised on a central tubular steel pillar and splayed tripod, together with a pair of contemporary cantilever chairs with cane panelled seats and backs and a Victorian style hanging electric light in the form of an oil lamp with milk glass shade and iron work fittings
Medal, Boer War, Extremely Rare, Darlington Volunteer Tribute Award, Queen`s South Africa, bars, Cape Colony, Orange Free State, Transvaal, Laing`s Nek, 1901, 8063 PTE R. BENSON DURHAM LI, confirmed on roll, boxed; with a presentation hallmarked silver cigarette case engraved with the Darlington coat of arms and DLI badge and the inscription, SOUVENIR, SOUTH AFRICAN WAR 1900-1, PRESENTED TO, LANCE CORPORAL R.W. BENSON, OF THE DARLINGTON CONTINGENT , SPECIAL SERVICE COMPANY, 1ST VB DURHAM LIGHT INFANTRY, J.G. HARBOTTLE MAYOR, CHAIRMAN RECEPTION COMMITTEE, Sheffield, 1900 (Private R.W. Benson of 1st Volunteer Service Company 1st Durham Light Infantry was a L/Cpl when his first four bars were awarded, but had lost his stripe by the time his final bar was issued; J G Harbottle was Mayor of Darlington 6 times and was knighted in 1918)
An oak presentation shield for the Conisborough Detachment of the Kings Own Yorkshire Light Infantry Regiment, presented by W. Gibbs Esquire for boxing, the silver plated central mount cast with boxers, leaves and scrolls and engraved with the regimental crest, surrounded by various smaller plaques, 1925-1937, 45cm high.
A Sevres style gilded porcelain cup and saucer, probably Coalport, with "cut-out" Classical decoration of leaves and urns, blue painted interlaced mark above M over 238; together with an English porcelain cup and saucer, probably Coalport, each piece painted with a pastoral vignette and extensively highlighted with gilding against a light green ground. (2)
A Meissen double-lipped two-handled sauceboat and integral stand, moulded in light relief with C-scrolls and painted with deutsche Blumen, 26cm in length, blue crossed swords mark; and a similar Meissen salmon dish, ozier moulded borders, 53.5cm in length, blue crossed swords mark, late 19th century
A Thai Sawankholok kendi, the lower part slightly fluted, the shoulder decorated with horizontal bands beneath a row of down pointing lotus petals, all covered with a crackled celadon glaze of light bluish tone falling short of the foot, 19cm high; together with two Southeast Asian celadon glazed bowls and a small jar bearing stylised design, all 15-16th century
WALTER FOLLEN BISHOP BRITISH-AUSTRALIAN (1856-1936) Hawthorn Blossom, Brownhill Creek, 1917 watercolour 124 x 74cm. Walter Follen Bishop was a Liverpool artist, though he also lived in both London and Jersey. Bishop worked in the strong tradition of Liverpool landscape painting, and like his contemporary J.T. Watts (1853-1930) he specialised in woodland scenes and must have been familiar with the writings of John Ruskin and the Pre-Raphaelites. His fidelity to nature and attempts to revive a sense of realism in landscape painting bear testimony to his adherence to Ruskinian principles. He was fascinated by the play of light on leaves, bracken, lichen and rocks. He managed to combine meticulous detail with a sense of atmosphere. He exhibited at the Royal Academy from 1882-1902 works such as Where moorland and forest meet, 1884, no. 992, The last rays of sunlight on forest and moor, 1885, no. 1318 and The wood with morning sunlight crowned, 1890, no. 1319 and also at Suffolk Street. He married the painter and sculptress Florence Fitzgerald (fl.1887-1927) who also exhibited at the Royal Academy works entitled By the Meadow Brook and Where the Wild Flowers grow and at Suffolk Street. Follen Bishop is known to have painted in Australia, as there are several known works of South Australian views, though little is recorded of his time here. He is represented within the collection of the Art Gallery of South Australia and in the City of Burnside collection South Australia. The present work which is on an unusual scale for a watercolour, shows a romanticised English interpretation of the Australian bush, with young girls in the woods beneath towering gum tree’s. PLEASE NOTE THAT GST WILL BE CHARGED ON THE HAMMER PRICE
Max Le Verrier Art Deco patinated bronze lamp Max Le Verrier (French 1891-1973) Art Deco patinated bronze lamp, circa 1930, sculpted as a sinuous maiden, her outstretched arms holding a large art glass spherical light, her head gazing skyward as she is standing on her tip toes, signed on base M. Le Verrier, mounted on a stepped marble base, 25"h x 13"d .
Pair of Sevres style ormolu mounted candelabra Pair of Sevres style ormolu mounted candelabra, the five arm fixture surmounted with a later single socket light above the bulbous scenic base depicting a courting scene and a landscape, rising on a footed gilt bronze base terminating on paw feet, 30"h x 14"w
Sitzendorf porcelain framed girandole, first half 20th century, the winged putti flanking the shaped looking glass accented with flo... Sitzendorf porcelain framed girandole, first half 20th century, the winged putti flanking the shaped looking glass accented with floral sprays terminating at the three light candle stand, marked on top with underglaze Sitzendorf crown and S, 33.5"h x 17"w
Two Japanese Woodblock Prints, Yoshida Hiroshi, Taji Mahal (lot of 2) Yoshida Hiroshi (Japanese, 1876-1950), the first, `Moon Light of Taji Mahal` from the India and South East Asia series, modern woodblock prints, lower left with seals, lower margin with title and signature, left margin with jizuri (self-printed by artist) mark, the year and title, dated Showa 6 (1931); the second, `Taj Mahal - Night`, lower right with seals, lower margin with title and signature, left margin with jizuri mark, the year and title, dated Showa 6 (1931), sight: 10"h x 15"w, overall (with frame): 16.5" h x 20.5"w
Chinese Spinach Jade Dragon Form LocK Chinese spinach jade lock, carved and reticulated with a pair of gui-dragons flanking an auspicious phrase and reversed with a scene with a deer standing under a pine, the dark green stone infused with dark flecks and light inclusions, 3.125"w; Provenance: Estate of Reynold Tom of Oakland, CA

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534297 item(s)/page