Edwin Ellis (English, 1841-1895) Near Whitbyoil on boardartists label verso dated 187022 x 29.5cm***CONDITION REPORT***Oil on board in good condition, might possibly benefit from a light clean, a little light, but stable, craquelure in the darker areas and a slight outward bulge to the board. Looks to be the original gilt gesso frame with title plaque. Artist label verso giving the title ‘Under the cliffs near Whitby, E.Ellis 1870’. Said to be signed and dated lower right but hard to spot.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Follower of Walter Crane RWS (1845-1915) frontispiece for The Well of Loneliness by Radclyffe Hallink and watercolour on grey paperinscribed verso22 x 16.5cm***CONDITION REPORT***Ink and watercolour on grey paper, very light creasing showing towards the lower left corner and a few small dirt marks, application of the green watercolour paint over the flowing robes and also used to a lesser extent over the last two letters of well, under glass in a gilt scroll frame, pencil inscription retained along with a further ink inscription on the back with attribution to Crane however he died in 1915 and The Well of Loneliness was published in 1928.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Robert Polhill Bevan (British, 1865-1925) Study for The Bayhorse, Tattersall’s, 1921 (Paul Mellon Bequest - Yale Centre for British Art)pencil and watercolourinscribed verso29 x 23.5cm The subject matter of cab-yards, mews and horse sales in London was suggested to Bevan by Walter Sickert .For a related work see Christie's sale Lot 100, 28 Nov 2000.***CONDITION REPORT***Pencil and waterclour on light cream paper which is now discoloured, presumably left for many years with a mount lying over it at a slight angle and therefore the paper is discoloured differently at the top and then has less discolouration as one runs down the image, a few small scattered dirt and fox marks, pin holes showing across the bottom margin, old card mount and slim glazed gilt frame and inscribed label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Charles Ginner NEA ROI ARWS (English, 1878-1952) Landscape with trees, lake and house beyondink and watercolourinscribed verso stating from the artist presenting it to Ethelbert White26 x 36cm***CONDITION REPORT***Drawn on paper which has now discoloured to a light buff tone, the blue of the sky has faded but can be seen across the top where the work has slipped in the mount, some scattered fox marks, otherwise other than the loss of the blue, the colours look fair, apparently unsigned but maybe hidden below the mount, old washline mount with damp and insect dirt damage, tatty gilt frame, inscribed verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Sir William Orpen RA RHA RWS (British, 1878-1931) 'A Break for a Smoke'pencil, pen, red ink and watercolourNew Grafton Gallery 1977 Exhibition label verso25 x 33cm***CONDITION REPORT***Painted on to cream paper which has evenly discoloured to a light buff tone, a hint of creasing down the right side, colours remain fair, hint of acid staining around the mount, plain card mount and slim glazed frame with Grafton Gallery and JC Farley labels verso. Comes for sale from the estate of Barry EvansPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Noel Georges Bouvard (French, 1912-1975) Venetian canal scenesoil on canvas, a pairsigned27 x 35cm***CONDITION REPORT***Oils on original canvas in good untouched condition, possibly in need of a light clean but no real faults noted, housed in the original gilt scroll frames with one or two tiny chips, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Albert de Belleroche (English, 1864-1944) 'Femme nue dans la Campagne'oil on canvassigned79 x 62cm***CONDITION REPORT***Oil on original canvas in good condition, may need a light clean, signed lower left, housed in an ornate gilt gesso scroll frame which is a little dull with some cracking, typed label verso stating 'awaiting exhibition' and dated 1967, remnant of a hand written label in addition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Albert Williams (English, 1922-2010) Summer flowers in a vase upon a ledgeoil on canvassigned75 x 60cm***CONDITION REPORT***Oil on original canvas in slightly dirty condition with a little light white mould spore marks scattered throughout so will benefit from cleaning, otherwise looks good, housed in a gilt scroll frame which is in fair order, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Cecil Rochfort D'Oyly-John (1906–1993) 'Night fishermen off coast at La Napoule near Cannes S of France'oil on canvassigned25 x 35cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, a few light dirt marks but no real faults, signed lower left, housed in the original part gilt stepped frame, artist's label with title inscribed verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Cecil Rochfort D'Oyly John (English, 1906–1993) French Mediterranean town square with flower selleroil on canvassigned42 x 52cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, possibly needs a light clean, signed lower right, housed in an odd pink white painted scroll framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Walter John Beauvais (1942-1998) Beach sceneoil on canvassigned49 x 75cm***CONDITION REPORT***In honest original condition, possibly needing a light clean but no real faults noted, housed in a gilt gesso frame which has a number of losses particularly at the corners, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sherree Valentine Daines (1959-) Portrait of a young ladyoil on canvassigned and dated '8540.5 x 30cm, unframed***CONDITION REPORT***Oil on original canvas in good untouched condition, possibly needs a light clean, old printed extract verso giving details of the artist, lacks framing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Eileen Cooper O.B.E., R.A. (British, b.1953) Crouching figureoil on formica128 x 94.5cm***CONDITION REPORT***Painted on to board, a few small specks where paint has flaked away and some light surface scuffing, a fine crack running near the top right corner down into the purple square beneath it, which looks like it may well have occured before the work was painted rather than after, slim black metal frame, no labels or inscriptions verso.One of a set of four that artist painted which a monoprint was taken from each one.These paintings were supposed to be destroyed but this one survived.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A set of six porcelain plates made by Wedgwood for the National Art Collection Fund, 1992, comprising:'Garden Plate' by Patrick Heron,'Passed the Tangerine Test' by Bruce McLean,'Fabula' by Eduardo Paolozzi,'The Green Man' by John Piper,'Demonstrations' by Peter Blake,'Ipanema' by Patrick Caulfield,printed marks, limited edition of 500, in a series of six designs commissioned by the National Art Collections Fund and Wedgwood, with certificates and each boxed, each 31cm diameter (6)***CONDITION REPORT***'Passed the Tangerine Test' by Bruce McLean - slight scuffing to the blue and black glazes'Fabula' with some light surface scuffing'Garden Plate' with small scuffs to the dark red glazePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Dame Lucie Rie D.B.E. (1902-1995), a stoneware conical bowl, of slightly elliptical form, off white glazed with manganese rim, impressed seal mark, 20.1cm wide, 12cm high***CONDITION REPORT***Typical minor glaze imperfections, in good condition with no restoration, chips or cracks detected, examined under a UV light.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A matched pair of late 19th/early 20th century silver two branch, three light candelabrum, with scroll arms, on beaded square bases, Hawksworth, Eyre & Co, one Sheffield, 1881, the other Sheffield, 1901, height 49cm, weighted, arms only 61.6oz (a.f.).***CONDITION REPORT***Base of stem of later stick repaired. Repair around the side of the foot also.Other stick has a split at the top of the stem and the angles are worn. Splits and a repairs to the angles on the base.Numerous small dings to both columns. Minor scratches and dings elsewhere in general. Hallmarks mainly, clear but with some rubbing.Overall condition is generally quite poor.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of George VI silver two branch three light candelabra by George Howson, with reeded branches and tapering stems, on foliate scroll decorated bases, Sheffield, 1949, height 45.8cm, weight, arms weight gross 61.8oz.***CONDITION REPORT***Probable old professional repair to one stem. One stick leans slightly. A few small dents to one stem. A few minor dings within the decoration on the base. Green baize missing from underside of base of one stick. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George V Omar Ramsden planished silver shallow bowl, with wavy banded girdle engraved inscription relating to 'The Gas, Light and Coke Company at Barking Road', on four scroll feet, London, 1929, overall diameter 19.5cm, 17.6oz.***CONDITION REPORT***Overall condition is good, commensurate with age and mild use. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A rare neo-classical enamel on copper vase, probably Vienna 18th/19th century, painted to each side with figure scenes in the style of Angelica Kauffman within tooled gilt cartouches, on a Sevres style dark blue and gilt caillouté pattern ground, 31.5cm high, slight damage and enamelling imperfections***CONDITION REPORT***Neckrim with a series of unsightly losses to gilding; footrim similarly worn but less-so; one painted panel with bruise around and above green-clothed seated gent., as shown; light surface scratches.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An Arts and Crafts silver ewer,by Johnson, Walker & Tolburst, Sheffield 1923, of circular form, with hinged cover and scroll work thumb piece, the body planished and engraved 'Royal London Yacht Club Aug. 6th 1923 Won BY Gadfly', 14cm high 9.5oztCondition ReportLight oxidisation throughout. Marks struck clear.Foot is very slightly bent preventing the ewer from quite sitting flush.
Two 'Starbay' shoe shine boxes, 20th century, each with rise and fall folding foot rest, brass mounts and bone inset logo, complete with brush, 20cm wide35cm deep22cm high (2)Condition ReportVery light surface wear commensurate with age and use. Hinges and drawers functioning well. Minor tarnish to brass.
A George III mahogany longcase clockc.1775, by John Holmes of London, the hood with a sphere finial above a break-arch moulding, with a glazed door flanked by canted front edges and glazed side panels, the flame-veneered arched door above a panelled base and stepped plinth, the 12-inch silvered dial set with Roman numerals and centrally inscribed 'Holmes, London', with a strike/ silent function, a subsidiary seconds dial and a calendar aperture, the twin-train movement with five knopped pillars, maintaining power, anchor escapement and offset pivoted crutch, the wooden rod 'Ludlam' pendulum suspended from a substantial bridge on the backplate, with a massive gilt-painted lead disc-shaped bob, above a calibrated brass sphere for rating, 50cm wide26cm deep226cm highJohn Holmes is recorded as having worked from 156 Strand in London between 1761 and 1802. Holmes was regarded as one of the finest clockmakers of his time and F J Britten comments 'he seems to have been one among the leading mechanicians and when the turret clock at Greenwich Hospital was destroyed by fire in 1779, he was given the order for a new one. The Wetherfield Collection contains two long mahogany case clocks of his manufacture, one a particularly choice example of Chippendale dating from about 1770'.For an almost identical example, see Christie's, 'Important Clocks and Marine Chronometers', 20 February 2008, lot 99. Another similar example with an enamel and brass dial sold in these rooms 23 March 2022, lot 598.Literature: T Robinson, 'The Longcase Clock', 1981, p.168; T Mercer, 'Chronometer Makers of the World', 1991, p.165; T Reid, 'Treatise on Clock and Watch Making', 1832, p.404, pp.432-453.Condition ReportA few small knocks, tiny splits and areas of light cosmetic wear to the case commensurate with age and use. Some light wear, tiny scratches and marks to the dial. The clock was purchased at auction in 2016 and was subsequently worked on by Brian Baskerville, and we are told has since been running well in the vendor's home prior to consignment. Ticks and strikes when wound, however we feel that the clock may benefit from a light service by the successful purchaser. Please see additional photos.
A near pair Victorian silver swing handled sugar baskets,by Joseph & Albert Savory, London 1848, each of circular form, with wavy-edge borders, pierced scroll decoration, rope handles, and original blue glass liners,the larger 10cm high,9.6ozt (2)Condition ReportOne glass liner has crack running through it and seems it has been repaired (the smaller).Minor dents and lifting to pierced decoration in places.Light oxidisation.Marks rubbed.
A set of eight late Victorian oak dining chairs by Gillows,comprising two armchairs and six single examples, each with moulded detail to the frame, the rail set with grotesque mask finials, raised on acanthus-carved square supports united by a wavy 'X' stretcher, terminating in brass castors, stamped to each back leg, upholstered in leatherette,armchairs 65cm wide65cm deep112cm high (8)Condition ReportMost joints generally tight and sturdy. General surface wear, marks and fading throughout. Some knocks, scratches, chips and losses. Some light wear to upholstery. Seat height of armchairs 50cm.
A group of silver itemscomprising a Christening mug, with engraved initials, Birmingham 1910, 8.5cm high, another Victorian example, with engraved foliate decoration, 7cm high, a helmet form cream jug, by James Dixon & Sons, Sheffield 1906, 17cm high, a smaller example with a weighted base, 15vcm high, and a wine funnel, Birmingham 1997, 13.5cm highweighable 20.9oztCondition ReportDents to the Victorian mug. The rest appear to be in good condition, with only light scratches and tarnishing.
A contemporary white metal chandelier ceiling light, with pearlescent pink disk and crystal sphere drops, 43cms diameter; a figure of a Walking African Lady with Hands Together, by Straits Ltd; together with another figure of a lady; and a pair of red and black striped vases; and a selection of decorative home wares, including: pair of mirrored crackle glaze effect vases; two big cat sculptures, in silver glitter finish; mosaic effect square form box with cover; and other items.
Europe - a collection of mid - late 19th & early 20th century definitive stamp issues. The lot including Italy 1863 & onward issues, Denmark 1875 4 ore, Spain 1862 4 cuarto franked issue (with light damage), Switzerland 1862 & onward, Holland 1/2 cent 1869, Bavaria 1849 6d etc. Also with Bulgaria, Germany, Cyprus, Austria, Belgium, Finland, and single stamp for Mecklenburg and 1875 Wurtemburg, etc. Each hinged and presented on loose leaves, some franked. Approx. 40 leaves.
Vera Wang for Wedgwood - a modern boxed set of two chrome tea light holders. The tealight holders of silver metal and of goblet shape, with twisted tied wire bows and separate glass shades. Presented in original box, unused with packaging. Measuring approx. 6cm tall, approx. 13cm including shade.
The Great Train Robbery - Prisoner Of Rio (Movie Tie-In LP) - signed vinyl record LP by Ronnie Biggs (1929-2013). Signed in black ink to a light area of the front cover. Obtained personally by the original vendor. With LP present. The Great Train Robbery was the robbery of £2.6 million from a Royal Mail train heading from Glasgow to London on the West Coast Main Line in the early hours of 8 August 1963, at Bridego Railway Bridge, Ledburn, near Mentmore in Buckinghamshire, England. After tampering with the lineside signals in order to bring the train to a halt, a gang of fifteen, led by Bruce Reynolds, attacked the train. Other gang members included Gordon Goody, Buster Edwards, Charlie Wilson, Roy James, John Daly, Danny Pembroke, Jimmy White, Ronnie Biggs, Tommy Wisbey, Jim Hussey, Bob Welch and Roger Cordrey, as well as three men known only as numbers "1", "2" and "3". A 16th man, an unnamed retired train driver, was also present. With careful planning based on inside information from an individual known as "The Ulsterman" (erroneously named as Patrick McKenna in 2014), the robbers escaped with over £2.6 million (equivalent to £53.5 million today). The bulk of the stolen money was never recovered. Though the gang did not use any firearms, Jack Mills, the train driver, was beaten over the head with a metal bar. Mills' injuries were severe enough to end his career. After the robbery, the gang hid at Leatherslade Farm and famously used the money in a game of Monopoly - unwittingly incriminating themselves whilst doing so as the Monopoly set was used to garner finger prints of the suspects and was instrumental in the Police arresting most of the gang. The ringleaders were sentenced to 30 years in jail.
Creed III (2023) - multi-signed 11x14" colour poster photograph from the movie, signed by Michael B Jordan, Tessa Thompson, Ryan Coogler and Tony Bellow. All signed in black ink to light areas of the image. All obtained during the UK Premiere in London. Supplied with certificate of authenticity from an AFTAL member.
Queen - Ultimate 20 CD Box Set - 1995 - a limited edition 20 CD boxed set. Limited Edition No 003016. Featuring all twenty original CDs, with gold brochure and white booklet. Housed in it's original wall-mountable presentation frame. Appear unplayed. Box with light wear (latch requires fixing, scratch to the perspex). Display measures 44cm x 44cm.
A VARI-COLOURED, GEMSET RINGOf three-row design, each row set with a marquise-shaped sapphire, ruby and emerald respectively, flanked by three-single-cut diamonds, ring size L½* This lot is sold without a reserve Condition Report: In general light wear including very minor scratches to the shank.Gemstones: the sapphire of dark blue hue with few inclusions visible under 10x loup; the ruby of medium pinkish red hue with multiple internal inclusions affecting transparency; the emerald of light green hue with some inclusions visible under 10x loup.Diamonds: total estimated weight ca. 0.35ct, bright, lively and well-matched.Metal: unmarked.Total weight ca. 7.6gms
A CULTURED PEARL NECKLACE AND GEM-SET PENDANTThe single-strand necklace with a cartouche-shaped necklace set with an oval, mixed-cut ruby and sapphire, with pave-set diamond surround, length of pendant ca. 3.4cm, length of necklace ca. 47cm Condition Report: In general, light wear. The clasp fastens and appears secure.Pearls: diameter ca. 7.5mms. Some very minor pitting, visible only with 10x loup.Diamonds: total estimated diamond weight ca. 1.04ct, bright, lively and well-matched.Ruby: of dark pinkish red hue with a few wispy veil inclusions visible with a 10x loup.Sapphire: of dark blue hue with no visible inclusions with a 10x loup. Untested for natural origin.Metal: the pendant and clasp stamped '750'; the pendant with weevil import mark for Paris used for gold 1893-1990 Total gross weight approx. 44.9 grams
A PAIR OF SAPPHIRE AND DIAMOND EARRINGSOf partially hopped design, set with round, mixed-cut sapphires and round, brilliant-cut diamonds, with post fittings, total length ca. 2cm Condition Report: Sapphires: of medium to deep blue hue. Some with striations, some with inclusions, one surface-reaching.Diamonds: total estimated weight ca. 0.48ct. They appear bright, lively and well-matched.Metal: unmarked.In general light wear.Total weight ca. 4.1gms
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