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GEORGE AMES ALDRICH (AMERICAN, 1872-1941), OIL ON CANVAS, H 24", W 30", "COMING TWILIGHT"In Newcomb-Macklin gilt frame; signed lower right; titled on verso. American, 1872-1941.As viewed under UV light in the unopened frame: appears to be UV clean; not lined; c. 2" x 2" patch in near upper center; overall craquelure; stretcher bar cracking of the paint; frame with cracks and very minor corner restorations. Rf, 1-4-2016- For High Resolution Photos visit Dumouchelles website.
JAMES S. KING (AMERICAN, 1852-1925), OIL ON CANVAS, H 12", W 16", "CLOSE OF DAY"Signed lower left; later frame. Salmagundi Club Auction Sale with title, artist's name and address encased in plastic on verso of frame. American, 1852-1925.As viewed under UV light in the unopened frame: c. 5-10% overpainting; severe cracking of the paint with instability; not lined or patched. Rf, 1-5-2016- For High Resolution Photos visit Dumouchelles website.
WILL ROWLAND DAVIS (AMERICAN, 1879-1944), OIL ON CANVAS, H 40", W 26", PORTRAIT OF A REDHEADSigned and dated on verso also with estate stamp on verso. American, 1879-1944.As viewed under UV light in the unopened frame: UV clean; craquelure with instability; not lined or patched; patina wear to frame. Rf, 1-5-2016- For High Resolution Photos visit Dumouchelles website.
EDWARD WILLIS HICKS (AMERICAN 1897-1987), OIL ON MASONITE, H 16", W 20", "CHRISTMAS BERRY ON MT. CALVARY, SANTA BARBARA"Signed lower right; gilt frame. Index card signed by Hicks has the work's title on it and is attached to the verso. American, 1897-1987.As viewed under UV light in the unopened frame: UV clean; gilt frame with wear. Rf, 1-5-2016- For High Resolution Photos visit Dumouchelles website.
GEORGE LUKS (AMERICAN, 1867-1933), OIL ON WOOD PANEL, H 12 3/4", W 9 1/2", GIRL FEEDING CHICKENSSigned lower left; later gilt frame b preservation Framing, Detroit, MI. American, 1867-1933.Cleaned by Ken Katz, Museum and Conservation Services. (As viewed under UV light in the unopened frame: UV clean; overall stable craquelure; later gilt frame and has light patina wear. rf, 1-5-2016)- For High Resolution Photos visit Dumouchelles website.
PETER MAX (AMERICAN B. 1937), ACRYLIC ON CANVAS, H 20", W 16", "BLUSHING BEAUTY, VERSION II"Signed lower right; framed; no. 13. Park West Galleries, Southfield, MI Holiday Show #242.As viewed under UV light in the unopened frame: UV clean; good condition. Rf, 12-16-2015- For High Resolution Photos visit Dumouchelles website.
BEARS A SIGNATURE READING "J.F. MILLET", OIL ON CRADLED, BEVELLED WOOD PANEL, H 13", W 9", "PEASANT GIRL HERDING DUCKS"Framed; bears a signature reading "J.F. Millet" lower left. Provenance: ex. McMorran/Murphy Collection donated to the Port Huron Museum, Port Huron, MI in 1979.As viewed under UV light in the unopened frame: some damage and overpainting in the LL and UL corners; a couple of small spots of overpainting in the tree right next to the girl; signature does not fluoresce; could use cleaning; wood panel is cradled; gilt molded gesso period or original frame has chips and cracks and needs cleaning. Rf, 3-27-2015- For High Resolution Photos visit Dumouchelles website.
BEARS A SIGNATURE READING "G. COURBET" OIL ON CANVAS, H 26", W 20", "TREE TRUNKS OF A FOREST"Framed; bears a signature reading "G. Courbet" lower left in red. Provenance: ex. McMorran/Murphy Collection donated to the Port Huron Museum, Port Huron, MI in 1979.As viewed under UV light in the unopened frame: turns largely green under UV light - can't tell about the extent of overpainting - appears to be a fair amount of it in the UR quadrant but that would need to be verified by Ken Katz; overall noticeable cracking of the paint is stable; needs cleaning; not patched; appears not to be lined; gilt molded gesso period or original frame with much damage, e.g. losses, cracks and needs cleaning. Rf, 3-26-2015- For High Resolution Photos visit Dumouchelles website.
JOAN MIRO (SPANISH,1893-1983), LITHOGRAPH, 1975, H 16", W 22", "PLATE VIII, LITHOGRAPHS II"Original lithograph. Numbered XVI/LXXX, (16/80). Pencil signed by Miro, lower right. Maeght Editeur. Catalogue #1044. Sight size 16" x 22".mat stain and light exposure.- For High Resolution Photos visit Dumouchelles website.
MARC CHAGALL (FRENCH/RUSSIAN, 1887-1985), COLOR LITHOGRAPH, 1977, H 13 1/2", W 10" 'L'ARBRE FLEURI II'Pencil signed; #47/50; framed. Ref: M916. Marc Chagall, French/Russian, 1887-1985.Artwork in good condition as viewed in the unopened frame under room light; molding is slightly nicked. Rf, 11-10-2011- For High Resolution Photos visit Dumouchelles website.
ERTE (RUSSIAN/FRENCH, 1892-1990), GOUACHES, PAIR, IMAGES: 8 1/2"X 6" & 8 1/2" X 4", FEMALE FASHION OR COSTUME DESIGNSEach pencil signed lower right and framed.As viewed under room light in the unopened frames: edge toning of paper. Rf, 12-16-2015- For High Resolution Photos visit Dumouchelles website.
SIR JOSHUA REYNOLDS (BRITISH, 1723-1792), OIL ON CANVAS, C. 1764, H 30", W 25", "PORTRAIT OF A LADY"Purchased from DuMouchelles in 1983. Originally purchased by Mr. and Mrs. LaFrance Mitchell, Lake Leelanau, Michigan, from the Mannheim Gallery of New Orleans. Along with Certificate of Authenticity from Metropolitan Galleries, 50 West 57th Street, New York, NY, dated November 9th, 1944. "We hereby guarantee this portrait of Mrs. Hugh Glen Cannon to be an original work by Sir Joshua Reynolds. This handsome portrait traditionally known as Mrs. Hugh Cannon glows with rich subdued color and introduces the painter's favorite golden yellow. One feels it is a good likeness of the sitter whose fine dark eyes and regular features are set off by masses of dark hair adorned with a feather ornament. A striped taupe scarf, draped over one shoulder adds a subtle touch. A good example of Reynold's art".As viewed under UV light in the unopened frame: possibly one small dab of overpainting in the near LL; the fine craquelure is stable; canvas has been lined (no overlapping edges for the original canvas); antique stretchers; gilt frame with cracks is much later in date than the painting. Rf, 8-28-2015 The current owner of the painting purchased it at DuMouchelles in 1983.- For High Resolution Photos visit Dumouchelles website.
JOE ROSENTHAL (AMERICAN 1911-2006), PHOTOGRAPH, "MARINES RAISING THE FLAG AT IWO JIMA, 1945", 1994-1995, H 17 1/2", W 13 1/2"Signed lower right and numbered 28/300 on lower left. From the Associated Press "Life Gallery of Photography 50th Anniversary Commemorative Limited Edition", 1994-1995; framed under acrylic Provenance: Circle Fine Art Corporation label.As viewed under room light in the unopened frame: good condition. Rf, 11-9-2015- For High Resolution Photos visit Dumouchelles website.
REMBRANDT VAN RIJN (DUTCH 1606-1669), BASAN EDITION ETCHING, PLATE SIZE: H 3 1/2", W 3 1/4", "THE CARD PLAYER"Plate signed and dated "Rembrandt f. 1641"; paper size: 4 3/4" x 3 3/8"; framed. Provenance: purchased from Bellette Hofmann, NYC in the late 1980's (Certificate of authenticity from Bellette Hofmann is in the customer file. Dutch, 1606-1669.As viewed under room light in the unopened frame: paper is browning; has thread margins; floated - appears not to be laid down. .rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.
REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP"Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8"; References: Bartsch #368 and Hind #152; framed. Provenance: purchased fro Bellette Hofmann, NYC in the late 1980's; certificate of authenticity from Bellette Hofmann in customer file. Dutch, 1606-1669.As viewed under room light in the unopened frame: thread margins; floated; appears not to be laid down; appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.
EDOUARD MANET (FRENCH, 1832-1883), ETCHING & AQUATINT IN BLACK INK, PLATE SIZE: H 3 3/8", W 6 7/8", "OLYMPIA"From the 1st edition issued in 1867 for Emile Zola (size of edition: 600 prints) but vi/vi; paper size: 5 1/4" x 8 3/4"; framed. Purchased from Bellette Hofmann, NYC in the late 1980's; certificate of authenticity from Bellette Hofmann in customer file. French, 1832-1883.As viewed under room light in the unopened frame: appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.
PIERRE AUGUSTE RENOIR (FRENCH 1841-1919), ETCHING, C. 1906, PLATE SIZE: H 5 3/8", W 7 3/8", "FEMME COUCHEE (TOURNEE A GAUCHE)"Second state of two; exact date that this print was pulled is unknown; sight paper size: 6" x 8 1/2"; reference: Stella #15; framed. Provenance: purchased from Bellette Hofmann, NYC in the late 1980's - certificate of authenticity from same in customer file. French, 1841-1919.As viewed under room light in the unopened frame: appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.
AFTER GEORGIA O'KEEFFE, UNESCO COMMISSIONED OIL-PAINT-SCREEN-PRINT H 12" W 30", "WHITE CANADIAN BARN"From the "UNESCO Travelling Print Exhibition From Impressionism Till Today" series" commissioned in 1948. Multiple, amended-oil paint-screen-printed reproduction of "White Canadian Barn No. 2, 1932". The original from which this reproduction was produced was from a series done by O'Keeffe during a summer trip to the Gaspe Peninsula of Canada in 1932. The Detroit Institute of Arts labels at the reverse, Loan No. 171 (see additional photographs). Measuring H. 12" x 30"; framed. The pamphlet for the UNESCO exhibition notes: "Government Departments, educational and cultural institutions desiring duplicate sets of the prints contained in this exhibition may obtain them at special rates through UNESCO." and many duplicates of this and the other prints were made.Areas of light craquelure noted, with several areas of marks noted along the upper section {visible in first photograph}. (Additional condition info as viewed under UV light in the unopened frame: UV clean; original frame with some chips. rf, 3-31-2015)- For High Resolution Photos visit Dumouchelles website.
KENNY MCKENNA (AMERICAN B. 1950), OIL ON CANVAS, H 15", W 24:, SOUTHWEST US DESERT SCENE WITH CACTISigned lower right; framed. American, born 1950.As viewed under UV light in the unopened frame: UV clean; good condition. Rf, 12-16-2015- For High Resolution Photos visit Dumouchelles website.
M.A.G. PARSON, OIL ON CANVAS, 1896, H 17", W 23", BASKET OF LILACSSigned and dated lower right; gilt period or original museum quality frame.As viewed under UV light in the unopened frame: UV clean; not lined or patched; frame with cracks and chips. Rf, 1-6-2016- For High Resolution Photos visit Dumouchelles website.
A 1994 Jaguar XJ12 (X305), registration number J600 ALX, light metallic blue. This flagship six litre Jaguar was purchased by the vendor in 2004 with a recorded mileage of 88,000 miles, and the odometer now reads 110,000 miles. The owner advises us that he has not had to have any major works carried out, just general servicing and maintenance as necessary during his ownership. The Jaguar is offered for auction with receipts and MOTs for the past eleven years. V5C, MOT to November 2016 See illustration
EXTRA LOT: A 1992 Toyota Previa, registration number K100 JCG, light metallic blue. This two owner Previa eight seater has been in the current ownership since January 2001. The vendor states the car had new tyres fitted in June 2015 (mileage 60,941) and a full service (at 61,273 miles). The Toyota is offered for auction with receipts, service history and handbooks. V5C, MOT to September 2016
A 1955 Ford Thames E83W 10 CWT van, registration number HPR 569, green over black. This charming light commercial was purchased by the vendor from Tites Scrap Yard near Sherborne, Dorset in approximately 1977. When purchased it was signwritten in the livery of Plumbheat Ltd 122 South Street Bridport. A full restoration was carried out over the next six years with a full length sunroof, detachable side signboards and was converted to 12V electrics. Its first trip was to complete the London to Brighton commercial vehicle run which was completed from its home in South Petherton in Somerset up to London and from there to Brighton and back again all in one day. The van has attended numerous classic car events in the South West of England and has always been admired. The vendor advises us that the van has seen very little mileage in the last ten years, starts and runs well and has had a reconditioned gearbox supplied by the Ford Sidevalve Owners Club. The van is offered for auction with an accompanying history file with photographs, expired MOTs, SORNs and general correspondence. V5C, MOT and tax exempt See illustrations
A 1941 left hand drive Dodge WC4 half ton pick-up truck with winch, registration number 767 YUF, Olive drab. Introduced in 1941 the WC range of light weight military trucks were available in various sizes. These encompassed weapon carriers, ambulances, command cars, reconnaissance vehicles and mobile workshops. This pick-up is believed to be one of a only a handful of examples in England. Restored by a previous owner who resided in Holland (photograph album of the restoration on file) but it has been used to attend military shows in both England and the Continent. Earlier this year the truck won the light weight military class (1st prize) at the Headcorn Military Show in Kent. During the current ownership the truck has been fitted with some improvements to aid motoring on today's roads. These include electronic ignition and alternator which the vendor says has transformed the starting and running of the vehicle, hidden indicators and auxiliary 12 volt socket to run a satellite navigation system and charge your phone or laptop. Further improvements include the fitting of a new canvas hood. This show winning WC4 is offered for auction with a history file and would be a great addition to any military vehicle collection. V5C, MOT and tax exempt See illustrations
Dated 1985. Card-cover volume Excavations at Brancaster 1974 and 1977 by John Hinchcliffe, East Anglian Archaeology series no.23, fully illustrated with maps and aerial photographs, line drawings of all finds including Roman ceramics, coins and military metalwork; full set of eleven microfiche slides to the inside back cover. 965 grams, 29.5 x 21cm (11 1/2 x 8 1/4"). [No Reserve] Good condition, light usage wear to covers.
19th century AD. A light hunting crossbow with wooden stock, iron trigger and guard; iron bow arms with lateral guards in the body, hooks for attachment of bowstring; mounted on a custom made stand. Property of an American lady; acquired 1970s-1990s. 5 kg total, 89 x 91cm including stand (35 x 35 3/4"). [No Reserve] Fair condition; stock split, some worm damage.

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534297 item(s)/page