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Rolling Stones Mono Vinyl L.P. 2nd Pressing. Released 1964. Catalogue Num. LK.4605. Matrix Numbers XARL-6271-2A & XARL 6272-3A. Condition of Vinyl Is Excellent but Some Light Scratch Marks. Sleeve as Some Creases and Tiny Edge Knocks to Corners. Inner Sleeve Creased. Provenance - Vendor Bought This LP As A Young Man In 1964 When The LP Was First Released. Has Been In His Possession For 51 Years.
Two Moorcroft pottery 'Anemone' powder pot and covers, green/blue ground bodies, 14 cms diameter the largest with impressed factory marks (crazing and restoration to lid, crazing and bubble imperfection to base), 12.5 cms diameter the smaller, impressed and painted factory marks dated 7.5.88 (light crazing only)
A Robin Day for Hille, a Hillestak desk circa 1950's, the grey laminate inset top raised over a beech frame incorporating a pair of suspended drawers to one side, makers label to underside, 71 cm h x 130 cm x 61 cm Condition Report used original/unrestored, the undamaged top showing light surface scratching, water staining to bottom of legs, a few light chips to drawer top edges
Coldstream Guards: History, 1914-18, Ross-of-Bladensbury, Lt Col Sir John, three vols with maps 1928, also single vol history 1986; History 1885 and 1914 by Sir John Hall 1929; Early History by G. Davies; History 1920-46 by Michael Howard & John Sparrow 1951; 'No Dishonorable Name', D C Quilter (edit), 1st, 1947 (8) Condition Report All very good overall, all complete, all have Guards crest to front board, no loose pages, all coloured plates, maps and photo pages present, 1815 - 1895 has heavilly foxed frontis pages, board/spine becoming loose, further light foxing throughout, Vols I & II ink signed C.H. Frisby (Cyril Hubert Frisby VC)
A Tottenham Hotspur cockerel pin badge relating to the 1961-62 European Cup Semi Final ties v Benfica, designed with the cockerel club mascot and initialled THFC initials This pin badge was swapped with a Benfica player after the tie. Spurs had a great run to the European Cup semi-finals in 1961/62, losing the first leg 3-1 in Portugal at the Stadium of Light, before winning the return leg at White Hart Lane 2-1 in front of 64,500 fans, but ultimately losing 4-3 on aggregate to eventual winners Benfica who triumphed in a high scoring final 5-3 v a star studded Real Madrid side
A collection of Sunderland football memorabilia, including: a Coronation Year 1937 F.A. Cup final commemorative earthenware plate by Midwinter, inscribed "Coronation Year Cup Final, Sunderland v Preston North End, depicting King George VI and Queen Elizabeth, chip at "10 o'clock", diameter 23.5cm., 9 1/4in.; two modern limited edition football prints featuring Sunderland: "Roker Park" by Ron Davidson, signed by the artist & dated 1994; and "Manchester City v Sunderland F.A. Cup semi-final at Villa Park 1955", by Brian West, signed by the artist and numbered 101/250, both mounted, framed & glazed, the first the larger 56 by 76cm., 22 by 30in.; two limited edition china plates, 1979 Centenary Year, and 1987-88 Div III Champions; a framed wall plaque for the 1979-80 promotion to Div I; and an album of 28 modern Sunderland postal covers with many examples bearing autographs; and a qty. of photographs showing the Stadium of Light under construction in the 1990s; and a collection of 1973 F.A. Cup memorabilia including a group of souvenir newspapers and other publications, framed double-glazed presentation including a Bob Stokoe & Sunderland team-signed postal cover; a fully-signed colour picture of the Sunderland team, programmes from the final and Cup run, rosettes, pictures and other miscellaneous items (a qty.)
Autographs of boxing champions, i) Max Baer (1934 World Heavyweight champion) signed & dedicated 1937 photo ii) Freddie Mills (1948-50 World Light Heavyweight champion) autograph & photo iii) Archie Moore (1952-62 World Light Heavyweight champion) signed B&W photo iv) Carmen Basilio (1950s World Welter & Middleweight champion) signed B&W photo v) Paddy DeMarco (1954 World Lightweight champion) signed colour photo vi) Joey Giardello (1963-65 World Middleweight champion) signed B&W photo vii) Earnie Shavers signed B&W "Puncher of the Century" photo-card viii) Joltin' Jeff Chandler (1980-84 World Bantamweight champion) signed B&W photo
A rare set of four 78rpm records Wembley chronicling landmark events at Wembley Stadium and the Empire Pool between 1923 and 1944, reminiscences by Sir Arthur Elvin and Raymond Glendenning, recorded and published in 1944 by Raymond Glendenning, the records produced at Star Sound Studios, this set originally owned by Major McGrath a Director of Wembley Stadium, approximate running time 30 minutes overall, compilation of history of stadium with interviews, descriptions and commentaries, detailed below: Side 1 April 23rd 1924 State opening of British Empire Exhibition at Wembley. Description of declaration of opening by King George V. Singing of massed choirs 'Land of hope and glory' List of displays held at stadium, torch light tattoos. 1925 rugby union match -Army v RAF. May 19th 1925 description of planes in formation dropping small incendiary bombs over stadium and fire fighters extinguishing the fires. Side 2 15 years later - wartime. Closing ceremony 1925. First function April 28th 1923, first cup final - Bolton v West Ham. Crowds invaded pitch, interview with PC George Scorey who rode the white horse which pushed the crowds back. Side 3 Interview with Ted Vizard (left winger) about game. 1924 Arthur Elvin commentary as to how he founded present company and became MD - how he raised finances. Memories of zeppelin over ground and 1932 Newcastle v Arsenal match with the disputed goal. Side 4 Commentary by Tommy Woodrooffe about disputed goal. Crowd singing Abide with me. Memories from Fred Jackson who was responsible for box office for 21 years. Anecdotes of cup final ticket applications, issuing duplicates because dog chewed or charred remains plus one fellow each year included 5 cigarettes as a sort of bribe. Side 5 Speedway racing, description of race. 1936 Lionel Van Praag first world champion. Greyhound racing - 1940 story of broadcaster - technical difficulties then description of race won by Julia Classic. Side 6 Captain Brice 1927 director and judge. Detailed description of greyhound St. Leger October 3 1931 won by Mick the Miller. Rugby league cup final commentary of 1933 Warrington v Huddersfield match. Harold David - Press secretary recalling occasions. Side 7 Harold David anecdotes.1930 Brentwood v Southend. Ambitious lads tried to excavate tunnel near turnstiles, discovered following day. Empire Pool - foundation stone laid by Earl of Derby, opened 1934 -construction details. Boxing - 2 World title fights, commentary John Henry Lewis v Len Harvey Side 8 Events at Empire Pool. Boxing, tennis, table tennis, ice hockey. Cycling - commentary on race with American team. War time pool closed but stadium still played a part. Post war improvements. Greatest year 1937 Festival of Youth attended by Princess Elizabeth. Music of Brigade of Guards. Finally singing of crowds at Cup Finals.
A collection of eight football jerseys, comprising: i) a yellow & black England Youth No.13 international goalkeeping jersey circa 1985, long-sleeved, the badge inscribed YOUTH ii & iii) both versions of the zig-zag pattern England goalkeeping jerseys used during 1988 and 1989, both No.1, issued to the Youth team, a four-tone green and a four-tone blue iv, v & vi) a trio of unbadged England squad jerseys from Euro '96, all short-sleeved, with numbering front & back, player lettering to the reverse, but lacking the tournament Euro '96 and Fair Play badges to the sleeves, comprising: a Teddy Sheringham white No.10, a Les Ferdinand white No.18, and a Robbie Fowler grey No.21 change jersey vii & viii) Danny Murphy & Kasey Keller: two Fulham jerseys, the Murphy a light blue Fulham No.27 away jersey season 2009-10, short-sleeved, F.A. premier League flashes, the reverse lettered MURPHY; the Keller a yellow Fulham goalkeeping jersey season 2007-08, Premier League flashes to sleeved, reverse mounted in a frame to reveal No.1 and KELLER lettering, title plaque set beneath, 82.5 by 56.5cm., 32 1/2 by 22 1/4in.
A racecard for the 1892 House of Commons Point to Point Steeplechase, "to be ridden by Members of the House of Commons in Hunting Costume" and run in two classes Heavy Weights 14st. and upwards, Light Weights 12st. and upwards, two other races on the card for the course near Rugby, Warwickshire; sold together with six old horse racing postcards, Sandown, Doncaster, Newmarket etc.; and a modern postcard-sized photo of Pat Eddery (8)
* CHARLES MACQUEEN RSW RGI, TENEMENT MEMORY oil on board, signed 55.5cm x 55.5cm Framed and under glass Note: Charles MacQueen was born ((1940) in Glasgow and studied at Glasgow School of Art from 1958 to 1962. After graduation MacQueen pursued a career in teaching art, until in 1990 when he retired and became a full time professional artist. His travels have taken him to Morocco, Italy, the Greek Islands and France. The influence of the colour and light experienced in these places are visible in his highly textured and atmospheric works. He is an acclaimed artist with many prestigious accolades including the Glasgow Civic Art Prize won in 1971 and the Torrance Award and Teacher's Whisky Travel Award, both at the Royal Glasgow Institute. He was elected a member of the Royal Glasgow Institute in 1983 and the Royal Scottish Society of Painters in Watercolour in 1984. His works can be found in public, private and corporate collections worldwide.
* WILLIAM ALEXANDER BURNS RSA RSW (SCOTTISH 1921 - 1972), SEAHOUSE gouache and pastel on paper, signed 60cm x 69cm Mounted, framed and under glass Label verso: Aitken Dott & Son, Edinburgh, Festival Exhibition 1968, Cat. No. 50. Note: Born in Newton Mearns, William Burns trained at Glasgow School of Art in the late 1940s and thereafter at Hospitalfield, near Arbroath. One of a number of artists from the west who settled in the north-east of Scotland, he joined the art department of Aberdeen College of Education. Burns' career was cut short at the age of 51 when his light aircraft crashed in dense fog. Using his environment as a starting point, Burns increasingly explored abstraction and colour as means of expression. Early landscapes gave way to harbours and late in his career, Burns explored the mines along the east coast of Scotland with the benefit of a pilot's bird's-eye view.

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534310 item(s)/page