[Charles I (King)] Basilika [Greek letters]. The works of King Charles the Martyr : with a Collection of Declarations, Treaties, and other Papers concerning the Differences betwixt His said Majesty and his two Houses of Parliament, 1687, London, R. Chiswell, second edition, folio, a large paper copy (440 x 275mm), pp. [x], 720 (273-282 erroneously numbered 373-382), [4], royal coat-of-arms frontispiece, additional engraved title by A. Hertocks, double-page plate by by I. Neeffs. Handsome blue roan with gilt decoration and royal crest to upper cover, upper joint starting to crack, edges rubbed and corners bumped, a.e.g., with later marbled e.p.s and mostly light and marginal soiling and staining internally. Overall a good copy
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William Heath (British, 1794-1840, 'Paul Pry') SIX CARICATURES Mr George King_the Parish Overseer; Mr Primate the Churchwarden; Master Fang the Parish Beadle; Leo Sacks_one of the Charity Crab's; Caleb Quotem the Parish Factotum; Attorney in General to the Parish, 1829 ['1826' misprint on one plate], London, T. McLean, hand-coloured etchings from the 'Parish Characters' series, Heath's man-with-walking-stick monogram lower left. Three prints trimmed to platemark, some light scattered staining, else good impressions in unfaded early colour. Personalities lampooned include George IV, William Howley, Archbishop of Canterbury, and the Duke of Wellington (6)
Huxley (Leonard, Editor) Scott (Captain R.F.) Scott's Last Expedition, (Vol. I) Being the Journals of Captain R.F. Scott, R.N., C.V.O., (Vol. II) Being the Reports of the Journeys & the Scientific Work Undertaken by Dr. E.A. Wilson and the Surviving Members of the Expedition…Preface by Sir Clements R. Markham, 1913, Smith Elder & Co., First edition, two thick large 8vo volumes: Vol. I xxvi, pp. 633 plus advert leaf; Vol II xiv, pp. 534; photogravure frontis. portraits to both vols., numerous plates, some in colour, folding maps. Publisher's blue ribbed cloth lettered gilt, only minor shelf ware (protected by acetate sleeve), scattered mostly light foxing to uncut text leaves and edge of block, t.e.g. (2)
[Wedderburn (Alexander), first Earl of Rosslyn] The Argument of Alexander Wedderburn, Esq; His Majesty's Solicitor General, in the Cause of Lord Pomfret against Smith; which was tried at the bar of the Court of King's-Bench, Westminster... November 1772, by a Special Jury of the County of York...1773, [York?], privately printed, 4to; vi including title and Advertisement plus pp. 49, in later three-quarter morocco over marbled boards, t.e.g. Boards and joints a little rubbed, upper hinge a little tender, light scattered marginal foxing to text. Self-promotion for Wedderburn (seemingly at the expense of the defendant Smith), posing as champion of the individual against powerful interests. Wedderburn became Lord Chancellor in 1793. The case, concerning disputed ownership claims to a lead mine in Swaledale by George Fermor, Earl of Pomfret, was tried first at York, in 1770. A rare tract
Clarke (Harry, Illustrator) Tales of Mystery and Imagination by Edgar Allan Poe, [1923], Harrap, 4to, eight mounted colour plates including frontispiece, 24 monotone plates, with vignettes to text; original stained and rubbed black cloth gilt, pictorial label to upper cover, internally light foxing only, front and rear, block rough-trimmed, top edge stained black [with:] Kipling (Rudyard) Just So Stories, 1902, MacMillan, 4to, second impression, with author's illustrations, frayed red pictorial cloth, the block disbound [&] Shaw (Bernard) Adventures of the Black Girl in her Search for God, 1932 reprint, 8vo, frayed boards and chipped spine Lot includes a modern translation of St Mark's Gospel and seven Folio Society publications in slipcases (11)
Ornsby (Rev. George) Sketches of Durham; being an attempt to indicate to the stranger some of the most prominent Objects of Interest in that place..…Illustrated by Historical, Biographical, and Architectural Notices. 1846, Durham, George Andrews, 8vo, pp. vi, 226, Addenda leaf, four lithographic plates including frontis, text illustrations, author's (unsigned) presentation copy to J.W. Williamson; generally light foxing, original blue cloth with backstrip detached [with:] Phillips (John) The Rivers, Mountains, and Sea-Coast of Yorkshire. With Essays on the Climate, Scenery and Ancient Inhabitants of the County, 1853, John Murray, first, 36 lithographic plates, all but frontis. bound towards rear, pp.16 publisher's list at end dated November 1852; internally good, original bumped green cloth, the frayed spine stained and faded and split at lower joint; previous owner signature, Edmund Backhouse bookplate (2)
LIGHT AND SPECTROSCOPY Suffolk (W.T.) Spectrum Analysis as Applied to Microscopical Observation, 1873, London, John Browning, slim 8vo, pp. 39, colour frontispiece plus six plates, adverts to rear, publisher's rubbed and frayed green cloth, stiching weak, f.f.e.p. loose, stamps and labels for Wigan Free Public Library; Schellen (Dr. H.) Spectrum Analysis In Its Application to Terrestrial Substances, and the Physical Constitution of the Heavenly Bodies, 1872, London, Longmans, first edition, large 8vo, 13 plates (incl colour frontis), illustrations, original decorated cloth shelf worn, scattered foxing; Spottiswoode (William) Polarisation of Light, 1874, London, Macmillan, slim 8vo, viii, pp.129, two chromolithograph plates, illustrations, pastedown adverts, publisher's rubbed and frayed decorated cloth gilt, some gatherings starting to loosen [with:] Roscoe (Sir Henry E.) Spectrum Analysis: Six Lectures Delivered in 1868 before the Society of Apothecaries of London, 1885 large 8vo Fourth Edition, revised and enlarged by the Author and A. Schuster, illustrations, lacking one plate, decorated cloth [&] [Anon.] The Wonders of Light and Shadow, 1851, London, S.P.C.K., 16mo, pp. 106, wood-engraved illustrations and diagrams, original orange cloth, scuffed and stained (5)
David Roberts (British, 1796-1864) Thebes Great Hall at Karnac. Novr. 28. 1838 [&] Ruins of the Memnonium_ Thebes_ Decr. 5th 1838 [&] Temple at Esneh Novr. 25th.1838, [1846-1849], London, F.G. Moon; three tinted lithographs by Louis Haghe with hand colouring, from the deluxe subscribers' edition of 'Egypt & Nubia: from drawings made on the spot'. Some very light foxing visible in lighter areas; unexamined out of gilt frames (3)
Little (Cynthia, pseud.) A Review of the First Masquerade at the Royal Gardens, Brighton; under the Patronage of the Tenth Royal Hussars, 1829, London, Cunningham and Salmon, 12mo, vi including Dedication to the regiment, Preface and list of Characters, pp. [7]-72, near-contemporary leather-backed marbled boards, 'Price 1s. 6d. in boards' printed to foot of title. A light-hearted, mildly titillating account of a young woman's experience at a society Ball; several pp. of poems to rear. Binding a little frayed at extremities, paper age-toned, pp. 43-44 trimmed at lower edge without apparent loss of text. Rare
Butler (Lady Elizabeth) Autograph Letter Signed on Bansha Castle, Co. Tipperary headed writing paper to 'Dear Colonel Williams', 1st January 1907, one sheet folded so pp. [4], 8vo, granting Williams permission to use an image of her famous painting 'Scotland for Ever' as the frontispiece to an intended history of the Scots Greys regiment (no record of publication found). Butler advises her correspondent to seek permission from the copyright holders, the fine art publishers S. Hildesheimer & Co Ltd. Scotland for Ever! (exh. Egyptian Hall, Piccadilly, London, 1881; Leeds City Art Gallery), is today the military painter's best-known work. She lived in Ireland with her husband the army officer and author Sir William Francis Butler. Fold creases and light soiling, else very good (1)
Johnson (J., Publisher) The Natural History of Birds ... intended for the Amusement and Instruction of Children… 1791, 12mo, 6 parts in 3 volumes (each part separately paginated), 116 plates attractively watercoloured by hand: Vol I with pp. xii list of plates interrupting pagination of prelims, general title, and titles to Parts I & II; Vol II lacking general title and titles to Parts III, IV & V; titles to Vol III and Part VI present. Directions to binder to rear of all six parts, pp. [7] publisher's list of books for children to rear Vol. III. Contemporary speckled calf, rebacked with George Gregory binder's label inside upper covers, inscribed on the f.f.e.p. 'To Miss Johnes from the Compiler with his Compliments' and with (Johnes?) engraved armorial bookplate to front pastedowns. Some scattered minor finger-soiling and light staining, generally good condition. [together with:] Bewick (T.) History of British Birds, 1821, Newcastle, later half-calf [&] Mudie (R.) Feathered Tribes of the British Isles, 1841, 2 vols, hand coloured plates, later half-sheep, third edition (7)
A COLLECTION OF MIDLANDS INTEREST BOOKS AND BOOKLETS including railway interest - Beddoes & Smith - 'The Tenbury & Bewdley Railway' Wild Swan 1995, Roger Carpenter - 'The Criggion Branch of the Shropshire & Montgomery Light Railway' 1990 together with Patricia Pearce - 'Where The Cider Apples Grow - The Story of Shepton Beauchamp' 1983 (26)
A COLLECTION OF RAILWAY INTEREST BOOKS - EASTERN COUNTIES including Chris Hawkins & George Reeve - 'Great Eastern Railway Engine Sheds' Part 1 & 2, Chris Hawkins - 'Great Eastern in Town & Country' Vols 1 & 2, and Vol 3 by Peter Kay, Peter Paye - 'The Mildenhall Branch LNER', Wild Swan 1988, Peter Paye - 'The Mid-Suffolk Light Railway', Wild Swan 1986, Chris Hawkins & George Reeve - 'The Wisbech & Upwell Tramway, Wild Swan and Mitchell, Smith & Ingram - 'Branch Line to Upwell' 1995 (9)
FIVE NARROW GAUGE RAILWAY INTEREST BOOKS including Mark Smithers - 'An Illustrated History of 18 Inch Gauge Steam Railways' OPC 1993, Robert Gratton & Stuart R. Band - 'The Ashover Light Railway' Wild Swan 1989, Fred W. Harman - 'The Locomotives Built By Manning Wardle & Company Vol. 1 Narrow Gauge', Baker & Allen Civil - 'Bagnall Locomotives A Pictorial Album of Bagnall Narrow gauge Locomotives' 1990 (5)
CARSTONS OF WEST GERMANY POTTERY VASEwith a waisted rim decorated in mustard yellow above a salt glaze black body, 50.5cm high; a German Studio 24 pottery abstract vase in red with a circular flared rim in navy blue with light blue insertions, 30cm high; and a West German Bay Keramik pottery lamp of shaped form with four circular glass panels to the base, with impressed decoration to the blue ground, 57.5cm (3)
BUWAYHID, ABU KALIJAR, Dinar, Amul 438h. OBVERSE: In field: Shah | la ilaha illa Allah | wahdahu la sharik lahu | Shahanshah al-A- | ‘zama malik al-A- | rd. REVERSE: In field: lillah | Muhammad rasul Allah | al-Qa’im bi-amr allah | Fakhr Din Allah | Sultan Din Allah | Abu Kalijar | Buwayh. WEIGHT: 3.18g. CONDITION: Very fine to good very fine and of the highest rarity, apparently unpublished. This unrecorded coin sheds new light on the history of Amul during the fifth century. Writing in 1967 Stern knew of no coins from Amul for the century between 388h (a Buwayhid dirham) and 486h (a Seljuq dinar). Since then three dinars of Amul dated 437h, 439h and 441h have come to light (see Diler p. 27), all struck in the name of the Great Seljuq ruler Tughril Beg, suggesting that Stern was correct to assume that Amul came under Seljuq control during the course of the 5/11th century. The present piece, however, demonstrates that the Buwayhid Abu Kalijar was able to strike coins in his name in Amul for at least this one year during this period of Seljuq rule. It may have been this that prompted the Seljuqs themselves to issue coins there at this time and thereby confirm their own authority, given that Amul otherwise seems to have been largely inactive as a mint for the decades between 390-480h.
An Art Nouveau pink and white diamond pendant, the pear-shaped pink diamond weighs 2.77cts and suspends from a scroll mount set with graduated cushion-shaped diamonds. Fitted case by Paris of Liverpool. Accompanied by report number 2185033615 dated 28th November 2016 from GIA, stating that the pear-shaped diamond measures 14.46 x 8.70 x 2.96mm and weighs 2.77cts. Light pink in colour with VS2 clarity. No fluorescence.
A black silk rectangular evening bag by Cartier, with gold coloured trim to the borders and applied with a gold feather, mounted with three sections of lapis lazuli to one side and set with turquoise and sapphire cabochons to the other. Mounted with a rectangular bevel edged mirror to the light blue silk interior. Various compartments with two pouches. Signed Cartier. 27cm wide. With Cartier presentation box. The advertisement from the New Yorker, September 29th 1951, illustrates a similar Cartier evening bag.
A pearl pendant, the pear shaped natural salt water pearl suspends from a silver cap set with rose cut diamonds. 1.9cm high (total). Accompanied by report number 5777-8889 dated 8th March 2017 from GCS, London stating that the light grey pearl measures 13.1 x 11.4 x 9.7mm and is natural saltwater.
A five row natural pearl necklace, the pearls graduate from 2.65 to 7.40mm. 61cm (longest). With a rectagular-shaped white gold clasp set with fifteen circular-cut diamonds. Accompanied by report number 90383 from SSEF, Switzerland dated 28th February 2017 stating that the 668 pearls are natural saltwater. Colour: light cream to cream, partly with rose and green overtones. Diameters: A: 2.90 - 4.30 - 7.40 - 4.30 - 3.05mm (61cm long) B: 3.00 - 4.20 - 6.95 - 4.35 - 3.00mm (58.5cm long) C: 2.65 - 4.25 - 6.85 - 4.25 - 2.60mm (56.5cm long) D: 2.90 - 4.25 - 6.55 - 4.30 - 3.00mm (54.5cm long) E: 3.20 - 4.10 - 6.35 - 4.25 - 2.95mm (52cm long)
A cushion-shaped sapphire and diamond cluster ring, the sapphire is set within a surround of single-cut diamonds in white gold. Size M. Accompanied by report number 5777-8704 from GCS, London dated 6th February 2017 stating that the cushion-shaped sapphire weighs approximately 7.60cts, and is a natural colour-change sapphire exhibiting blue in daylight and purple in incandescent light. With no indications of heating. Origin: Sri Lanka (Ceylon).
A Belle Epoque enamel and diamond pendant, the heart-shaped centre section is decorated with light blue enamel underneath a diamond-set laurel and diamond border. With a diamond bow to the top and bottom and suspending a pearl in platinum and gold. Engraved decoration to reverse. Fitted case.
A pair of late Victorian natural pearl and diamond drop earrings, the small button-shaped pearls suspend diamond bows and a drop-shaped natural pearl suspended within the diamond-set pear-shaped wreath. In silver and gold. 5.2cm long. Case by Austin & Williams. Accompanied by report number 5776-6595 dated 8th August 2016 from GCS, London stating that the four light grey and cream pearls measure approximately 6.2 x 5.5 x 4.8mm, 5.5 - 5.6 x 5.7mm, 7.8 - 7.9 x 12.4mm and 7.3 - 7.8 x 12.2mm and are natural saltwater pearls with no indications of treatment. The cream coloured drop-shaped pearl is fully drilled.

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534297 item(s)/page