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1932 Original Olympic Programmes Including Opening + Closing Ceremony: Dated 30/7/1932 from Los Angeles USA the opening ceremony has light foxing and spine completely split on cover. C/W programme dated 10/8/1932 covering Fencing Yachting Rowing Boxing Equestrian and Gymnastics which is good with pencil markings and another programme dated 14 8 1932 in excellent condition which is the closing ceremony and is excellent. (3)
6x UNUSED ORIGINAL NAZI CELLULOID CANDLE HOLDERS. A scarce batch of 6 new/old stock Nazi Party celluloid candle holders. These were designed to contain a night-light type candle; they were used as both Christmas decorations and also at funerals in the early 1930’s. By 1934 these cheaply produced Nazi items were banned under new laws dictating the minimum quality an item had to be if it wore the swastika emblem. 60-100
ALEXANDER JAMIESON IS ROI (SCOTTISH 1873 - 1937), BIDDY IN THE GARDEN oil on canvas, signed on the stretcher 63cm x 78cm (25 x 31 inches) Original frame Note: Alexander Jamieson was born in Glasgow and studied at the Haldane Academy before winning a scholarship to Paris. It was there, in 1898, that he came into contact with the work of the French Impressionists, whose bravura brushwork and preoccupation with the effects of light and atmosphere were to be his chief painterly concerns for the remainder of his life. It was also in Paris that he met the painter Gertrude (Biddy) Macdonald who he married in 1907. In his foreword to Jamieson's memorial exhibition, Sir John Lavery wrote, "He dipped his brush in light and air … Many a time I have been struck by his wonderful perception and clear judgement, his keen sense of colour and composition, allied with masterly technique, which enabled him to convey his impression in the simplest language." Some 33 of Jamieson's paintings are held in UK public collections and his work has featured in many prestigious auctions including Sotheby's, 26th August 2008 "Fountainebleau" lot 117, a similar sized oil on canvas to this, which achieved £16,785 (premium).
A SUPERB 19TH CENTURY FRENCH WHITE MARBLE AND BRONZE THREE PIECE CLOCK GARNITURE, the clock by VITEAU A. PARIS, with circular dial, eight day movement, blue and white Roman numerals, surmounted by a classical female reading a book, 21ins long, 14ins high, complete with a pair of five light candelabra with floral scrolling branches, 22ins high.
A quantity of late 18th and early 19th century porcelain tea and coffee cups and saucers, comprised of a teacup and two saucers, a cup and saucer, a single tea cup, two coffee cans and seven saucers - Part of a private owner collection CONDITION REPORT: Cup and saucer with green, silver, black and maroon decoration: Cup - Lustre with slight wear to the handle and very minor wear to the rim, with a small chip to the foot, 5.4cm high. Saucer - Slight wear to the silver lustre glazed rim, 13.8cm diameter. Tea cup and two saucers: Cup - Gilt rim worn and has areas of nibbling. There is a hairline crack running down the side of the cup which has a small chip to the outside of the crack as it runs down, 5.8cm high. Saucer one - Minor wear to the gilding on the rim, 4.6cm diameter. Saucer Two - Hairline crack running from the rim to the foot, with minor wear to the gilding, 4.6cm diameter Blue and White Coffee Can - Wear to the gilding on the rim. Areas oof light brown staining to the handle, foot, base and interior, 6.2cm high Coffee Can decorated with classical figures - Wear to gilding on handle and rim. Five small chips to the foot rim. To the centre of the base there is a four-point star hairline crack. Crazing to the interior. There are very minor scratches to the decoration, 6.3cm high Two saucers with green and gilt decoration: Saucer One - Gilt worn in several areas. Hairline crack running from the rim towards the foot and a very slight 4-point star hairline crack to the underside of the foot, 15cm diameter. Saucer two - Gilt worn in several places. Hairline crack running from the rim towards the foot, 14.7cm diameter Gilt and black decorated cup - Gilding with some wear to the rim and handle, 6cm high Wedgwood silver lustre saucer - Painted number to base AMH5734 with impressed marks and printed factory marks. Some minor wear to the silver lustre on the rim, 13.2cm diameter. Saucer with raised lattice and scroll decoration - Hairline crack running down from the rim to the foot, 15cm diameter Saucer with bird amongst foliage (matches jug in lot 41) - Large chip to the rim with one small and one larger hairline crack running down from it. Gilt worn to the rim and some wear to the enamel decoration, 14.7cm diameter Possibly H & R Daniel saucer with maroon and gilt decoration, numbered 5773 to the base, gilt worn, 15cm diameter. Saucer with gilt decoration to the rim and floral sprigs to the centre - Wear to the gilding on the rim in one area and wear to the enamel decoration around the centre rim, 15cm diameter
A pair of George III pierced oval silver salts, each raised on four legs with claw feet, London 1781 by Robert Hennell, engraved with a crest of a dog, with light blue glass liners, 8.25cm x 6.25cm x 5cm high, combined weight 3.16ozt, 98.3g CONDITION REPORT: See also lot 263 for spoons with matching crest. Salt One - Please see images of the soldered joins of the legs to the body of the salt. In each instance where the legs have been attached to the body the bottom rim has been effected. Above one leg the pierced decoration has come away from the rim. Minor salt erosion to the interior of the salt. Glass liner with several very small chips to the rim and two larger ones. Salt Two - As with salt one please see images of the soldered joins of the legs to the body. There is a small hole to the lower rim on the join of the body of the salt. There is greater salt erosion to the interior of the salt than on the first salt effecting the exterior of one of the pierced urn panels. Liner with a few minor chips.
A Barr Flight and Barr milk jug decorated with three black transfer printed panels of classical figures and gilt marbling, impressed factory mark to base, 14.5cm across, and six other 19th century English porcelain milk jugs with decoration including transfer, lustre and hand painted enamel, including a Charles Bourne example - Part of a private owner collection CONDITION REPORT: Jug one: Transfer decorated with sheep and a cow - (Possibly Ridgway) Areas of yellow staining to the body, spout and interior. One hairline crack running down from the rim approx 1.5cm long. Gilding with minor wear. Numbered 2/484 to the base. 15.1cm across Jug two: Decorated in enamel with a bird amongst foliage (matches saucer in lot 18). Very minor wear to the gilding, mostly to the handle. Crack to the base of the handle. Firing crack to the interior, approx 1cm 2/3 way up running vertically in line with the handle. 14.2cm across. Jug three: Silver lustre and enamel decorated jug - Lustre worn in several places, blue enamel extensively chipped/flaked off. Scratches to the glaze and decoration. Black firing faults to the base of the interior, 12.3cm across. Jug four: Silver lustre and purple enamel landscapes - Landscapes scenes very worn and scratches. Lustre worn in several places. Several areas of light brown staining. Crack 3.5-4cm long running down from the rim near the spout. Hairline crack to the base, 14cm across. Jug five: Fluted body with enamelled floral decoration - Numbered 134 to the base in red, small chip to the rim near the spout, enamel decoration with some chipping and flaking. Grey tide mark stain to the lower interior, 14cm across. Jug six: Barr Flight and Barr - A few very minor scratches to the glaze and the transfer decoration, 14.5cm across. Jug seven: Charles Bourne - With raised feather, ribbon and swag decoration and hand painted floral sprigs, red painted mark to the base CB 340 and very minor wear to the gilding. 14.5cm across.
A Chamberlain's Worcester porcelain teacup with lilac ground internal border, yellow feathered scrolls and gilt detail, with transfer decorated crest of a fish and a bird, shape featured in Michael Berthoud's 'Compendium of British Tea cups', plate 894, two Royal Worcester porcelain coffee cans with hand painted decoration, with printed factory mark for 1879, with hand painted floral decorated bands and light blue ground, and a Copelands china coffee can and saucer with cobalt blue ground, white enamel beading and gilt rim, hand painted in enamels and gilt with intertwined initials beneath a crown - Part of a private owner collection CONDITION REPORT: Worcester cups - Cup one: Dark brown staining to the base of the interior and patches of lighter brown staining to the remainder of the interior. There is a hairline crack running down from the rim approx 2cm long. There are small patches of light brown staining to the duck egg blue ground. Cup two: Brown staining to the base of the interior. An area of light brown staining below the rim near the handle. Chamberlains cup - Gilding to foot rim worn. Gilding to the base of the interior worn. Remainder of gilding with minor wear. The body of the cup on the interior is creased. Copeland cup and saucer - Cup: Handle restored with slight crazing to the rim of the cup by the handle. Very small chip to foot possibly done in the factory. Saucer: Small chip to the foot rim. A few scratches to the blue ground. A hairline crack running down from the rim approximately 1cm long
An H & R Daniel porcelain muffin dish and cover, First Gadroon shape with light green border and decorated with floral sprays, 20.5cm diameter, with matching coffee cup and saucer, the saucer numbered 3906 in gilt, and a matching teacup and saucer - Part of a Private owner collection CONDITION REPORT: Muffin Dish and Cover - Dish has restoration to the rim, the lid has wear to the gilding on the finial, and small scratches to the green ground. Tea cup and Saucer - Both with areas of crazing to the glaze. The cup has a tiny amount of wear to the gilding on the rim and a few scratches to the glaze in the centre.. The saucer has wear to the green ground, gilding and the floral decoration to the centre. Coffee Cup and Saucer - The cup has wear to the gilding and scratches to the apples green ground. The saucer also has wear to the gilding, small brown areas to the apple green ground, a small nick to the green ground, and a small firing crack to the centre of the underside of the saucer
An early 20th century walnut cased hexagonal concertina, having inlaid brass decoration surrounding pierced fretwork to each end, 48 brass keys, 18cm diameter, together with an original postcard, depicting a gentleman holding a similar (8-sided) concertina. Condition Report: The bellows are in reasonable condition - some light damage to the corners in places, but these appear to have had some repair work. The notes do play. Some damage and repair to the fretwork on both sides. No box. No reference no. It is not the same concertina as in the photo. The one in the photo has eight sides. All buttons make a noise when pressed and bellows pushed/pulled.

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534297 item(s)/page