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Lot 178
A PAIR OF SEVRES-STYLE TURQUOISE-GROUND, 'JEWELLED' AND GILT PORCELAIN URNS AND COVERS LATE 19TH CENTURY Decorated with fete gallante panels on a jewelled and gilt bleu Celeste ground Sevres-style marks 26cm high overall Condition Report: Light wear generally. Please see additional images available from the Dept. for condition. One finila has been off, re-stuck and re-gilt. No 'jewels' appear to be missing.Condition Report Disclaimer
Lot 56
A PART SILK RUG IN TABRIZ STYLE approximately 390cm diameter Please note: This lot should be described as 'Tabriz Style' and not as originally listed. Condition Report: Colour variation, this has sat in a room and had UV light damage to one outer quarter, the colours in this area notably 'bluer' than the remainder of the carpetOtherwise with signs of age and use in a domestic setting. No obvious moth damagePlease see additional images for visual reference to condition and appearance Condition Report Disclaimer
Lot 139
Y FRENCH SCHOOL (18TH CENTURY) A PORTRAIT OF A WOMAN, BELIEVED TO BE MADAME DU MAINE (1676 - 1753) Oil on canvas 39 x 31cm (15¼ x 12 in.) in a tortoiseshell frame Condition Report: The canvas has been relined. There are stretcher marks visible to all four edges of the canvas. Evidence of old craquelure. Ultraviolet light reveals no evidence of retouching although a heavy masking varnish most likely conceals restoration. In good restored condition.Condition Report Disclaimer
Lot 192
CIRCLE OF SIR THOMAS LAWRENCE, P.R.A. (BRITISH 1769-1830) PORTRAIT OF A NOBLE MAN, THREE QUARTER LENGTH Oil on canvas 90 x 70cm (35¼ x 27½ in.) Condition Report: The canvas has been relined. Some scuffing to the extreme edges of the canvas. Craquelure throughout. The work has a heavy masking varnish, which is uneven in places, preventing full inspection under ultraviolet light but is likely to be restored. Frame in good condition. Condition Report Disclaimer
Lot 175
CIRCLE OF ENOCH SEEMAN (ENGLISH CIRCA 1686-1745) PORTRAIT OF SIR FRANCIS SEYMOUR AS A BOY Oil on Canvas 49 x 39.5cm (19¼ x 15½ in.) Provenance: Anonymous sale, Christie's, 19 January 1945, lot 34 Anonymous sale, Crewkerne, Somerset, 24 April 2009, lot 1947 Condition Report: Canvas has been relined. Stretcher marks visible. Evidence of old craquelure. Ultraviolet light reveals evidence of retouching, although a green masking varnish prevents full inspection. In overall good clean restored condition.Frame in good condition.Condition Report Disclaimer
Lot 19
FOLLOWER OF GEORGE MORLAND OFF TO SERVICE Oil on canvas 71 x 98cm (27¾ x 38½ in.) framed Condition Report: The canvas has been relined. There is craquelure throughout, most noticeable in the sky. Faint stretcher marks to each edge. There is a small spot of paint loss in the sky upper left and a couple of brown surface stains to the upper right margin. A few scattered spots of retouching visible under ultraviolet light. Otherwise in relatively good clean condition.Condition Report Disclaimer
Lot 195
GERARD VAN SOEST (BRITISH 1637 - 1681) PORTAIT OF JAMES USSHER ARCHIBISHOP OF ARMAGH Oil on canvas 36 x 29cm (14 x 11¼ in.) Provenance: Sale, Sotheby's Olympia, London, British and Continental Pictures, 13 October 2004, lot 2 Condition Report: Canvas has been relined. Faint stretcher marks visible. Some light scuffing to the paint surface in the left of the picture. Ultraviolet light reveals evidence of retouching but a green masking varnish prevents full inspection. Condition Report Disclaimer
Lot 33
AN EXTENSIVE RILEY'S SEMI CHINA PART DINNER AND DESSERT SERVICE CIRCA 1825 Printed with the arms of the Draper's Company within a floral border comprising; twelve dinner plates, 25cm diameter, twelve side plates, 19cm diameter, eleven ozier moulded dessert plates, 19cm diameter, twelve soup plates, 25cm diameter, four square shaped two handled vegetable tureens and covers, a large well and tree meat dish, 48cm diameter, eight further serving dishes (in sizes), a pair of chestnut baskets and stands, Twin handled footed dessert dish, two pairs of sauce tureens, covers and stands, and a two handled soup tureen and stand All with printed and impressed marks Condition Report: Twelve dinner plates: One plate cracked to top surface, slight surface wear and knife scratches consistent with some use, the glaze to one has gone and is beginning to stain Side plates: some cracks and crazing throughout, very few 'ring' convincingly but for most part do not appear to be cracked, staining and signs of useOzier moulded desert plates: Signs of little use throughout, no real knife scratches, no serious cracks detected Soups: Some with slight knife scratches to central shield Four vegetable tureens: All knops with chips and scratches, two with foot rim chip, all with varying degrees of staining from age and use, one with star crack to base, chip to handle and significant cracks and repair to one side. Serving dishes: Well and tree dish has got two blemishes to top surface and knife scratches, the remaining dishes with light signs of age and useChestnut baskets and stands: light signs of wear including some crazing to the glaze, light stainingDesert dish: One handle restoredSauce tureens: three handles restored across the pair Pedestal soup tureen: Some crazing and staining to underside of turneen, a chip to one handle of the stand Some with elements with 'disk adhesive plate hangers and associated residues - these will need taking off and cleaning properlyPlease see additional images for visual reference to condition and appearance overallCondition Report Disclaimer
Lot 145
A PAIR OF GILTWOOD AND GREEN FLORAL UPHOLSTERED ARMCHAIRS IN LOUIS XVI STYLE CIRCA 1900 111cm high Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe upholstery to the front of the back and the seat is clean and presentable overall, it is later than the frames and appears fairly recently applied, the stripped fabric to the rear elements with some rips, tears, scuffs The giltwood frames with the usual rubbing, marks, wear, signs of refreshing, the arms and other 'high use areas' with significant wear, other areas appear refreshed overallThe two associated removable cushions are in presentable order overall reflecting their lack of great age and likely only light usePlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 72
ATTRIBUTED TO LOUIS DE CAULLERY (FLEMISH/FRENCH 1582-1621) ELEGANT PARTY DINING WITH MUSICIANS PLAYING MADRIGALS Oil on panel 50 x 32cm (19½ x 12½ in.) Provenance Purchased from David Wade Fine Art Ltd Christie's, Amsterdam, 5 November 2003, lot 32 Condition Report: The panel is slightly bowed. Evidence of old fine craquelure throughout. Evidence of some retouching visible under ultraviolet light but a marking varnish may conceal further restoration. In overall good clean restored condition. Please see additional photos for visual reference to condition.Condition Report Disclaimer
Lot 27
A QUM SILK RUG approximately 295cm x 197cm Condition Report: Some colour variation from UV exposure, pile uniform overallFringes appear fairly uniformThe rug does not appear to posses great age overall, signs of light use in a domestic settingPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 183
A TABRIZ PART SILK RUGapproximately 259cm x 161cm Condition Report: Overall presentable order, the rug does not appear to posses great age, signs of light use in a domestic setting Fringing 'fine' in gauge and therefore tangling, but appears fairly uniform in length Please see additional images for visual reference to condition and appearance Condition Report Disclaimer
Lot 92
AUGUSTE XAVIER LE PRINCE 1799-1826 SHEPHERD AND FLOCK Oil on canvas Signed and dated '1823' (lower right) 18 x 23cm (7 x 9 in.) Provenance: Purchased from David Wade Fine Art Ltd Condition Report: Canvas is not relined. There is craquelure throughout which would benefit from some stabilisation. A few scuffs to the paint surface at the centre of the composition. Ultraviolet light reveals no evidence of retouching although a heavy varnish may conceal some restoration.Condition Report Disclaimer
Lot 116
AN AUBUSSON STYLE TAPESTRY RUG approximately 383cm x 276cm Condition Report: Fading and colour variation to the rug from exposure to UVThe rug does not appear to bear great age, there are some surface marks and signs of age and use in a domestic setting, some light cleaning may be beneficial The underside is untidy with threads as is expected with these rugsPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 158
FRANZ VANSEVERDONCK (BELGIAN 1809-1889) HORSE AND SHEEP ON GRASSY HUMMOCKS Oil on panel, a pair Signed and dated '1888' (lower right) each 17 x 25cm (6½ x 9¾ in.) Condition Report: Some scuffing and associated paint loss to extreme edges of the panels. Evidence of old craquelure to both pictures. An uneven discoloured varnish to one work. Ultraviolet light reveals evidence of some scattered retouching to both panels, although both works have a heavy varnish which may obscure further restoration. Both frames in generally good condition. Some scratches to the gilt on one frame and rubbing to the gold on the other, all of which visible in the online photographs. Condition Report Disclaimer
![Margaret Johnson [Contemporary] six glass vases a bowl and a night light, of varying form each decorated with silk straw and](https://cdn.globalauctionplatform.com/9ab9b7e1-534b-4787-b536-b0cf00bf1955/7f545ed2-6e26-4e3c-b614-b0fc00ef2f84/468x382.jpg)
![Richard Shock [Contemporary] a turned elm tea light holder, 17cm diameter together with a fine turned scorched ash bowl, 21cm](https://cdn.globalauctionplatform.com/9ab9b7e1-534b-4787-b536-b0cf00bf1955/48ecd724-7fde-47ca-a3b0-b10600eac34a/468x382.jpg)
Lot 445
Elliott, London, a chiming mantel clock, 1930s, the eight-day movement striking the hours and chiming the quarters on four gongs, the square cream dial stamped An Elliott Clock along with the retailer's name Parkhouse & Wyatt, Southampton, the silvered chapter ring with black Roman numerals and trefoil hands, the light oak case with silvered bun feet and a chrome bezel, 22.5cm high, 30cm wide, 12.5cm deep
Lot 417
Haselbech Oak light oak dresser, the upper section with three glazed doors, the base with three doors above cupboards, width 153cm, depth 46cm, height 203cm.Condition report:There is some noticeable discolouration to various parts of the top half. The central top door does not close fully. One drawer is a bit stiff. The drawers have dovetail joints. Generally sound. Please see additional uploaded images.
Lot 2103
A set of six (4+2) Ercol Windsor stick-back dining chairs with upholstered seat cushions. All six chairs are in very well presented condition and show little signs of use or wear. No visible splits or repairs are apparent, besides one single chair which is beginning to split at its top. Another single chair has some scuffs to the back rest, several have light edge-knocks, likely from movement around a table. The cushions would benefit from a clean, but again are presentable.
Lot 1000
Manner of Sir Peter Lely (1618-1680) oil on canvas - Portrait of a Noblewoman, 75cm x 64cm, in gilt frameAs to the age of the work it is possibly of the period, or early 18th century. The canvas has been lined, however many decades ago. There is the inevitable re-touching visible under a UV light. The frame is a fairly modern copy. Overall a good presentable portrait that is ready to hang. Please see further close-up images at www.reemandansie.com
Lot 1014
John Frederick Herring (1815-1907) oil on canvas - Farmyard with horses ducks and chickens beside a pond, signed, 28cm x 34cm, oval, in glazed gilt frame Very good presentable condition. Under a UV light there is evidence of overpainting particularly around the trees on the left side and also the roof of the shelter, otherwise good overall. The mount and frame are later.
Lot 1024
Peter De Wint (1784-1849) oil on canvas - Stacking Hay, label verso, 41cm x 56cm, in gilt frame Basically good presentable condition and ready to hang. Various areas of overpainting and restoration visible under a UV light - see further images at www.reemandansie.com. Provenance: a local private client.
Lot 1025
William Calcott Knell (1830-1880), pair of oils on canvas - 'Wreck in the Channel' and 'A Summers Morning in the Downs', each titled and signed verso and dated 1877, 20.5cm x 41cm, in gilt frames Neither works have been re-lined; squally seas has bitumisation particularly to the sea lower edge as seen in the images. The other work has some areas of overpainting visible under a UV light. The frames are probably original with some repairs in places. Further images at www.reemandansie.com
Lot 1120
18th century Flemish School, oil on canvas laid on board - St. Peter and the Cockerel, 70cm x 59cm, in walnut veneered frameThe board that the canvas has been attached to is not completely flat, particularly in the lower right corner. There is some evidence of overpainting visible under a UV light. Some losses to the veneer on the frame.
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