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Lot 3024
(x) Great Britain— 2/- blue, plate 1, KA-LB, block of four, lightly cancelled with multiple c.d.s., some split and strengthened perfs, some light creasing, otherwise fresh and fine. Spec. J118(1), £1,400. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3049
(x) Great Britain— £1 green overprinted "specimen" type 9, some light creases, otherwise fresh and fine with large part original gum. S.G. 212s. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3128
(x) British LevantBritish Field Office in Salonica1916 ½d. to 1/- set of eight, very fine mint, the 9d. with hinge remainder. Each with light Stanley Gibbons h.s. on reverse. S.G. S1-S8, £1400. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3148
(x) Ceylon1857-59 watermark Large Star, 4d. dull rose, clear to large margins on three sides, just cut into at foot, small part manuscript cancellation and generally light oval of bars. Good colour and fine. B.P.A. Certificate (1967). S.G. 4, £4,500. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3316
(x) MalayaStraits Settlements1904-10 KE $500 purple and orange, overprinted "specimen" (Type D12a), large part original gum, very light surface soiling, minor toning on reverse, otherwise fine. S.G. 169s, £4,000. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3347
(x) Nauru1935 Silver Jubilee 2d. orange horizontal marginal strip of three, variety imperforate at left, light gum bend affecting left-hand stamp, large part original gum, fresh and fine. S.G. 41. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3350
(x) New Brunswick— 10c. red (perfs cut-off) bisected diagonally and tied by light oval of bars on 1860 (5 Nov.) entire from W.O. Salmon River to Hopewell, showing despatch and arrival datestamps on reverse; the entire a little soiled and with some other lesser faults. S.G. 17a, £600. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3438
(x) Rhodesia1910-13 Double Heads7/6d. carmine and blue and 7/6d. carmine and light blue, part to large part original gum, fresh and fine. S.G. 160b-161. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3449
(x) Rhodesia— Die III perf. 14, shades to £1 black and deep violet, including 2/6d. pale blue and pale bistre brown, 3/- chestnut and light blue, 7/6d. maroon and slate black, large part original gum, fresh and fine. S.G. 255-279b. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 3494
(x) Seychelles1895 1c. Imperforate Colour TrialsLight green, with country name hand-painted, a marginal copy initialled in red ink, on small piece. A 1c. value was never issued. Photo provenance:De La Rue, November 1976Cdr. Malcolm Burnett, April 1978Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 62
BG - Élizabeth GAROUSTE (Née en 1949) & Mattia BONETTI (Né en 1952) Paire d`appliques "Flamme", 1990, formant conques découpées et nervurées en bronze doré, à patine rousse à la base. Signature d`un cachet "BG". A pair of "Flamme" patinated and gilt bronze wall light, 1990. Haut. 39 cm - Larg. 23,5 cm - Prof. 21,5 cm Height. 15 1/2 in. - Width. 9 1/4 in. - Depth. 8 1/2 in. Bibliographie : Chloé Braunstein-Friegel, "Les années Staudenmeyer, 25 ans de design en France", Éditions Norma, Paris, 2009, p. 361.
Lot 74
Mario TORREGIANI Spectaculaire applique murale, à structure rectangulaire en métal laqué blanc soutenant une succession de dix plaques d`acier pliées formant composition géométrique laissant filtrer la lumière. A spectacular wall light, white lacquered metal structure, ten steel lampshades. Haut. 90 cm - Long. 191,5 cm - Prof. 14,5 cm / Height. 35 1/2 in. - Length. 75 3/8 in. - Depth. 5 3/4 in.
Lot 111
FONTANA ARTE Grand plafonnier métallique circulaire présentant une structure en métal laqué ivoire, bordée d`un large jonc en métal brossé maintenant une grande coupe en verre dépoli. A circular brushed metal frame ceiling light, frosted glass shade. Haut. 15 cm - Diam. 75 cm / Height. 7 7/8 IN. - Diam. 29 1/2 in. Bibliographie : Catalogue "Fontana Arte Illuminazione" modèle reproduit sous le n° 1447.
Lot 143
Ingo MAURER (né en 1932) & ÉDITION M Suspension, "Uchiwa", circa 1973, grand modèle, structure circulaire en rotin accueillant quatre couronnes de feuilles de gingko stylisées, formées, chacune, d`une structure en éventail tendue de papier de riz, fins cordages d`attache, cache-bélière formé d`une section de bambou. An "Uchiwa" hanging light, circa 1973, large model, rattan circular structure. Haut. moyenne 128,5 cm - Diam. 64 cm / Average height. max 50 5/8 in.- Diam. 25 1/4 in.
Lot 146
Alvar AALTO (1898-1976) Suspension Golden Bell "A330", dessinée en 1937, formant cloche à ressaut conique, en laiton patiné, découpée d`une galerie en bordure, intérieur laqué vieil ivoire. An "A330" patinated brass Golden Bell ceiling light, designed in 1937. Haut. de la cloche 22 cm - Diam. 19 cm / Height. 8 5/8 in. - Daim. 7 3/8 in. Historique : Modèle réalisé pour le restaurant "Savoy" à Helsinki en 1937. The golden bell lamp was deisgned by Alvar Aalto in 1937 for the Savoy restaurant in Helsinki. Bibliographie : Thomas Kellein, “Alvar & Aino Aalto design - Collection Bischofberger”, Hatje Cantz, 2005, p. 178.
Lot 148
Hans Agne JAKOBSSON (XXe) Grande suspension à six lumières, présentant une structure sphérique en bois formée de lames circulaires maintenues par des montants formant arcs de cercle à gradins, structure centrale métallique laquée blanc maintenant les douilles et six ailettes horizontales, hampe supérieure, cache-bélière en perspex blanc. A large six light wood, lacquered metal and perspex ceiling light. Haut. max réglable 150 cm - Diam. 61 cm Height. Max. 59 in. - Depth. 24 in. Bibliographie : Clémence & Didier Krentowski, "The complete Designer`s lights : 1960-1990", Édition Galerie Kréo, JRP/Ringier, Zürich 2012, variante du modèle reproduit p. 112.
Lot 152
Oscar TORLASCO & LUMI (Éditeur) Suspension à structure en métal chromé, présentant une sphère animée de lentilles de verre de taille différente, hampe supérieure cylindrique, cache-bélière cloche. A chromed metal and glass lense ceiling light. Haut. 90 cm - Diam. 41 cm / Height. 35 3/8 in. - Diam. 16 1/8 in.
Lot 156
SALVI & REGGIANI (Éditeur) Paire de grandes appliques lumineuses carrées, modèle "468", dessin de 1970, présentant un ensemble de lames formant effet de tressage animé de demi-cylindres en relief formant cache-ampoule. A pair of square "468" wall lights, design of 1970. Haut. 58,5 cm - Larg. 58,5 cm - Prof. 16 cm Height. 23 in. - Width. 23 in. - Depth. 6 1/4 in. Bibliographie : Carlo Vannicola, Paolo Cortopassi, Paolo Palma, "Italian Light 1960-1980 : One Hundred Lamps from the Cortopassi Collection", Édition Alinea, Florence, 2004, modèle reproduit p. 94.
Lot 159
BARBERINI & GUNNELL "ORIGAMI" Suite de deux bouts de canapé à structure formée de plaques en épais verre cristallin, dont l`assemblage en biais forme effet optique en rendant palpable l`effet de pliage. A set of two cut glass "Origami" side tables. Haut. 55 cm - Long. 55 cm - Prof. 40 cm height. 21 5/8 in. - width. 21 5/8 in. - DEPTH. 15 3/4 IN. Historique : L`intention des artistes est d`associer à la simplicité du pliage, jusque-là réservée au papier, la transparence du verre. La mise en œuvre très spectaculaire nécessite de trancher en biais d`épaisses plaques de verre, parfois dans plusieurs directions sur une même arête. Lorsque l`assemblage est terminé, c`est la densité du verre qui restitue pleinement l`effet de pliage. The inspiration for ORIGAMI came from the observation of a simple piece of paper which, being folded a few times according to an antique Japanese technique, transforms into complex and delicate figures of innate fascination and beauty : the origami. The idea starts off with the concept of taking advantage of the resistance of glass appreciating its optical lightness with the intent to unveil the similarity between the complex art of origami and the workmanship of glass showing its magic transparency. Both, paper with its light sense of touch and opacity and glass with its physical heaviness and transparency present contrary features but have also a strong attribute in common : the concept of lightness. The table ORIGAMI was created as a result of this theory. Every sheet of glass is cut at a different angle and therefore creates the brilliant shine of a diamond.
Lot 166
Gaetano SCIOLARI (xxe) Grande suspension, structure métallique formant architecture futuriste, composée de plaques d`acier poli et d`éléments géométriques en acier, maintenues par des cabochons carrés en altuglas animés de baguettes de laiton. An architectural steel and altuglass ceiling light. Haut. 99 cm - Larg. 60 x 65 cm height. 39 in. - width. 23 5/8 x 25 5/8 in.
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534338 item(s)/page