modelled standing nude beside a tree trunk with a lizard climbing, mounted on a squared base with ebonised pedestalthe bronze 15.5cm highCondition: A patch to his shoulder blade, some surface wear and light scratching. Screwed through base to affix to more modern plinth base.Footnote: The prototype for this bronze is the 1st-2nd Century Roman Apollo Sauroctonos, now in the Louvre, which in turn is based on a renowned lost original by the ancient Greek sculptor Praxiteles. The lizard may represent a form of impurity which Apollo is about to remove, although it has also been suggested that Apollo, in his role as Sun God, is rousing the animal from its winter hibernation.
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the fold over cross banded tops decorated with central classical urn motif within a foliate cartouche as well as grapes and vines, opening to a green baize lined interior, on square tapering legs 72 x 91.5 x 45cmCondition report: some light scratches to tops commensurate with age, some small areas of repair to edges and legs, spotting to baize, general overall condition good
Portrait of George, 1st Lord Lyttelton (1709-1773) inscribed with the name of the copyist and the date 1913 on the reverse oil on canvas 75 x 62cmFootnote: After the original by an unknown artist in the National Portrait Gallery.Condition report:Oil on canvas which is unlined with an art supplier stamp for Winsor and Newton on the reverse. The canvas is in plane with adequate tension. One of the stretcher keys has fallen behind the lower stretcher bar. There is a light bloom across the surface. Several paint losses.Unglazed. The frame is broken and needs attention.
Portrait of a gentleman in his study signed or inscribed right of the sitter's chair 'Clausel 1842 / Peinture encaustique lustrée' oil (possibly encaustic) on canvas 86 x 71cmFootnote: Provenance: From the collection of Hubert Faure (1919-2020), Albany, Piccadilly, London Alexandre Clausel is better known as a pioneer photographer in Troyes where he was born, though he seems to have spent his childhood in Toulouse and Palmiers. He is recorded also as a painter, particularly in his earlier years, and as having worked in the encaustic medium. He is known to have exhibited at the Paris Salon in 1842, the year of this painting.Condition report: Oil on canvas – possibly encaustic – which means wax is involved in the mixture. The canvas is unlined, the tension is slack and there are undulations across the surface. The paint layer has a network of age and impact cracks across the surface, some of which are slightly raised. There are a few localised areas of darkened overpaint around the mirror on the wall. The varnish is even, glossy and clear. There is a light layer of surface dust. There is some wear and abrasion to the gilded surface of the frame.
Gathering flowers signed lower left 'Louise de Guimard' oil on canvas 46 x 31cmFootnote: Provenance: From the collection of Hubert Faure (1919-2020), Albany, Piccadilly, LondonCondition report: Oil on canvas which appears to be lined. The canvas has good tension and is in plane. The paint layer is stable and secure. There are fine touches of overpaint covering cracks and small areas of the dresses. The varnish is slightly yellowed but even and semi-glossy. There is a light layer of surface dirt. The frame is in a good condition with a few small chips and losses to the gilding.
A Winter landscape with figures skating on a frozen river signed lower right with a monogram 'ADD' oil on panel 44 x 57cmCONDITIONPaint layer is stable. There appear to be three slight horizontal indentations in the panel near the windmill. A light layer of surface dirt. Under UV, very minor retouchings - please see photos. The frame appears to be in good condition with no obvious knocks or chips.
'The Woodman' - A Figure on a wooded roadway at sunset oil on canvas 46.5 x 70cmFootnote: Provenance: According to an inscription on the reverse bought at Mr Harman's auction (Spelmans) about 1883 for £20 According to an inscription on the reverse of the stretcher, Graham Cotman in 1941 declared the presenting painting to be by J J Cotman. The reverse of the stretcher bears labels of Messrs. W. Boswell & Son, one with a Norwich 'Tombland' address and the other a 'London Street' address.Condition report: Oil on canvas which has been lined. The paint surface has an uneven texture with fine wrinkling in light passages loosely following the canvas weave, possibly caused by shrinkage in the support. The darker passages have a lumpy, uneven texture with some raised areas lifting away the canvas below. There are fine touches of overpaint covering cracks. In the sky the overpaint appears broader. The varnish is thicker in the dark areas of the painting. The surface has a semi-glossy finish and a layer of surface dirt. The frame is in a god condition with a few small losses to the gilding.
Porte-Monnaie Round Coin Purse and Astropill Bag Charm/Key Holder,Louis Vuitton, c. 2013,Both in monogram canvas with gold tone hardware, the Astropill charm with push red light feature, (2)Condition Grade A-Coin purse 9.5cm diameter, Charm 9.5cm high, Includes dust bags and boxesFor further information on this lot please visit Bonhams.com
A Trinity house copper ships light, with glazed triangular panels (glass damaged) and hinged access cover. Together with another light fitting. Approximate weight 86Kg.Saleroom Notice:Please note the estimate in the catalogue has been printed in error. The correct estimate is £500- £700Condition Report: The measurements are: 125cm highapproximately 50cm diameter around the middle partCondition Report Disclaimer
An original 1960's travel poster, Fly to Canada by B.O.A.C in glazed and ebonized frame. Approximately 76cm by 51cm.Condition Report: Unexamined out of glazed frame. Heavy creasing to the lower right edge and corner. Light surface dirt throughout and some evidence of handling creases. Condition Report Disclaimer
An original 1960's travel poster, Fly to Great Britain by B.O.A.C in glazed and ebonized frame. Approximately 76cm by 51cm.Condition Report: Unexamined out of glazed frame. Light surface dirt and handling creases throughout especially to the lower edge and upper right edge. A few patches of discoloration and staining. Condition Report Disclaimer
A well engineered 3 1/2 inch gauge model of a 2-6-2 LNER Class V4 tender locomotive No 3401 'Bantam Cock', the model built to the LBSC design as described in 'Mechanics 1945-46. This was based on one of Gresley's two prototypes and used for light branch line duties. The silver soldered copper boiler with fittings including steam pressure gauge, water sight glass, regulator and other usual fittings. The chassis having twin outside cylinders with 1.125 inch bores, Walschaerts valve gear, bright-work motion, axle pump and safety valves. The six-wheel tender with coal compartment and fitted hand operated water feed pump. The model finished in traditional green and black lined livery with fitted handrails and vacuum hoses with LNER transfer to tender side. Overall length 114cm.Boiler History: No boiler history available.
A 5 inch gauge private owners seven plank coal wagon built by Bath Wagon Works. 'The Bath Light and Coker Company Bath', painted and sign written by Bill Hall with working brake gear, detailing, sprung axle boxes, buffers and couplings. Having opening side doors.Provenance: The Hewell and Tardebigge model steam railway collection.
An exhibition standard approximate 1 inch scale model of the first steam fire engine built for New York City in 1840, to the designs of an English engineer Paul Rapsey Hodge. The engine is self propelled but steerage was by a leading horse. The model was researched and built by the late Mr Russ Titford of Essex from a water colour held by the Science Museum Picture Library. The model with cylinders fitted to the sides having connecting rods to the large rear driving wheels and finished in light blue, black and red livery. The model was exhibited at The National Model Engineer Exhibition, Alexandra Palace 2017. Condition Report: Approximately 12 to 14 inch in length Condition Report Disclaimer
VINTAGE FURNITURE PARCEL, FOUR ITEMS to include a light oak card index bank of four drawers, 24.5cms H, 32.5cms W, 41cms D, a single drawer example, 17cms H, 21.5cms W, 63cms D, Victorian mahogany swing toilet mirror having shaped supports and base, 69cms H, 60cms W and a two-tier Edwardian side table with shaped top and under-tier shelf, 68cms H, 60cms W, 44cms D
A GILT BRASS AND WEDGWOOD POTTERY MOUNTED CLOCK GARNITURE C.1870-80 the French brass drum eight day movement striking on a gong, the circular enamelled dial with Arabic numerals and signed 'J. W. Benson, 25 Old Bond Street, London', in an architectural case applied with Neo-Classical green jasper plaques and leaf wrapped columns, together with a pair of conforming three-light candelabra and a pair of vases with lids, with pendulum and winding key (5) 44cm high
A PAIR OF CUT-GLASS AND GILT BRASS TWIN-LIGHT CANDELABRA C.1820 each with a swirl nozzle and a detachable sconce above an urn shape socket and a dished drip-pan hung with drops and lustres, with rosette and lappet scroll arms, with a flowerhead finial, on a spiral ribbed baluster stem (2) 35.9cm high, 31cm wide
*Edward Bawden RA (1903-1989)'Tyger! Tyger! burning bright in the forests of the night...'linocut, signed, inscribed with title and numbered 17/50 in pencil23.5 x 65cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. A light abrasion to paper on "T" of first Tyger. Some very light foxing/staining visible on margins.
*Bridget Riley CH (b.1931)'Coloured Greys 1'screenprint in colours, signed, inscribed 'Coloured Greys', dated '72 and numbered 44/125 in pencilsheet 74.5 x 69cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of frame. Discolouration to paper at extreme edges. Very light time staining to print overall. Dirt on perspex framing the work. A few flecks of dirt on the paper itself. A tiny indent to the paper in the margin lower right. Scratch to perspex bottom right.
*Paula Rego RA (Portuguese-British, b.1935)'Baa Baa Black Sheep', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A light wave to the paper. A couple of light dots of foxing in the margins. Thunderbugs under the glass. Not seen outside of glazed frame.

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534338 item(s)/page