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Lot 234
An early 20th century amethyst and diamond cluster ring, the central hexagonal cut stone measuring approx. 14mm x 13mm, depth 7.79mm, surround by rose cut diamonds, open work setting, yellow metal unmarked, gross wt. 5.2g, size M. Condition - one diamond missing, otherwise fine, general wear including minor marks and scratches, light abrasions/nibbles to central stone.
Lot 247
A pair of Victorian Etruscan revival earrings, each formed as a Classical urn suspended on 'A' frame with central drop, length 54mm, unmarked, gross wt. 6.7g, with associated box. Condition - unmarked but likely high carat, general wear including light dings and scratches, possible old repair to each at the top of the 'A' (see images).
Lot 700
After Cornelis Cornelisz Van Haarlem, Dutch 1562-1638- Allegory of Fortune; brown ink and wash on paper, 28.6 x 44.3 cm. (unframed) Note: The present work is a direct copy of the engraving by Jan Harmensz. Muller (1571-1628) of Fortune Distributing her Gifts, itself a copy, executed in reverse, of the painting by Van Haarlem currently in the Musee d'Art et d'Histoire de Geneve.The sheet is stuck onto card at all four edges. Spots of foxing to the sheet in areas. Light creasing and tearing, particularly towards the edges, consistent with handling. Otherwise in fair condition overall.
Lot 701
Salvator Rosa, Italian 1615-1673- Men talking; etching, with artist's monogram within the plate, 14.8 x 19.4 cm.: After Dante Gabriel Rossetti, British 1828-1882- Study of a woman with flowers; lithograph, 33.5 x 24.5 cm.: John Cousen, British 1804-1880- Evening in the meadows, after Thomas Sidney Cooper; engraving, 18.5 x 25.3 cm.: British School, mid/late 19th century- Design for a stained glass window; pen and black ink, watercolour, and bodycolour on paper, inscribed 'Lavers Westlake / London' to the reverse of the card, 25.7 x 15.3 cm.: Italian School, 17th century- Allegorical figure; woodcut, 15.7 x 12.1 cm. (5) (part unframed) Rosa: Framed, mounted, and glazed. Unexamined out of frame. General scuffs and marks to the frame. Marks of surface dirt and possible very light foxing to the sheet. Rossetti: Browning and foxing to the sheet. Evening in the meadows: The print has been cut down and stuck onto card. Spots of foxing throughout the sheet. General dirty marks to the sheet. Stained glass window: The sheet is stuck down on card. Discolouration, foxing, and general dirty marks to the sheet. Allegorical figure: The sheet is stuck onto card at the upper corners. Discolouration to the sheet, alongside spots of foxing and possible light creasing. Otherwise in fair condition overall.
Lot 709
Sawrey Gilpin, RA, British 1733-1807- A hilly landscape with a lake and two figures; grey wash on paper, signed in pen and black ink 'S. Gilpin' (lower right), 15.2 x 21.5 cm. Provenance: with Abbot & Holder, London.; Private Collection, UK. The sheet lies flat in the mount. Evidence of very light and unobtrusive abrasions in areas, particularly towards the upper left of the sheet. A circular mark, approx. 1 cm., towards the right edge of the sheet. Possible minor spots of foxing in areas, alongside very light creases consistent with handling. No evidence of further creasing, or of tearing or water damage. Not examined out of frame.
Lot 710
George Cuitt Jnr., British 1779-1854- Landscape with figures by a stream, near Chester; pencil, ink, and wash on paper, 9.7 x 15.4 cm: British School, early 19th century- Bridge at Lecco; pencil, ink, and wash on paper, titled lower right, 11.4 x 16.9 cm: British School, mid 19th century- Cottage by a river; pencil, watercolour, and bodycolour on paper, 17.2 x 25.5 cm (3) George Cuitt: Framed, mounted, and glazed. Unexamined out of frame. General marks, light creases, and surface dirt. Possible browning to the sheet. Otherwise in good condition overall. Bridge at Lecco: Framed, mounted, and glazed. Unexamined out of frame. Evidence of significant discolouration and browning to the sheet, alongside dirty marks and possible spots of foxing. Otherwise in fair condition overall. Cottage by a river: Framed and mounted, missing glazing. Unexamined out of frame. The sheet is cockling slightly in areas. Some marks, surface dirt, and possible spots of foxing generally. In fair to good condition overall.
Lot 711
Sarah Grace Carr, British 1794-1837- The Bridge; pencil and brown ink on paper, inscribed and dated 'Maran Oct 12' (lower right), inscribed with the artist's name to the reverse of the frame, 22.7 x 34.4 cm. Provenance: with Thos Agnew & Sons, according to the label attached to the reverse of the frame. Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Discolouration and spots of foxing across the sheet. Very light cockling of the sheet within the mount. No evidence of further tears or creases to the sheet. Otherwise in fair condition overall.
Lot 715
Samuel Howitt, British 1756-1822- A gun with his dogs; each pencil and watercolour on paper, each signed 'Howitt' (lower right and lower centre), each 22.8 x 33 cm., a pair (2). Provenance: Private Collection, UK. The sheets lie flat in the frames. General discolouration/browning to the sheets. Minor spots of foxing in areas, alongside minor spots of foxing which have been cleaned in areas. Evidence of very light abrasions to the sheets in areas, and light creasing consistent with handling. No evidence of further creasing, or of tearing or water damage. Not examined out of frame.
Lot 721
Thomas Kelly, British act.1815-1830- The terror and flight of Buonaparte after losing the Battle of Waterloo; engraving, published at Paternoster Row, Feb 29 1816, 20 x 26 cm.: together with 10 further engravings on military subjects by Kelly: and an engraving of Field Marshal von Blucher, Prince of Wagstadt, by T. Wallis, published by T Kinnersley, 1814, 26 x 20 cm. (12) All framed and glazed, unexamined out of frames. Chips and scuffs to the frames generally. The glazing is broken on one of the works. General foxing, discolouration, and dirty marks to the sheet. Light creasing, cockling, and possible water damage to the sheets generally. Otherwise in fair to poor condition overall.
Lot 722
John Sell Cotman, British 1782-1842- Part of East Barsham House; and Thorp Chapel St Michael's Church in Coslany, Norwich; etchings, 30.5 x 22.8 cm. and 30 x 43 cm. respectively: Joseph Constantine Sadler, British 1780-1812- Cambridge from the Ely Road; and Prison and Castle from the Huntingdon Road; etching and aquatints with hand-colouring, each 25 x 30 cm.: Edward Goodall, British 1795-1870- Norwich, from Butter Hills; hand-coloured engraving, 12.6 x 15.2 cm.: George Walter Hagreen, British 1811-1866- King Street Gate, Outside; hand-coloured engraving, 12.8 x 16 cm.: Paul Gauci, British c.1800-c.1855- Norwich Cathedral; hand-coloured lithograph, 31 x 22 cm.: Charles Joseph Hullmandel, British 1789-1850- Cartmel Priory; lithograph, 20 x 30.4 cm. (8) All framed and glazed, all unexamined out of frame. Chips, marks, and scuffs to the frames. East Barsham House: Significant browning to the sheet generally, alongside spots of foxing. Thorp Chapel: Discolouration/damage to the sheet - possible water damage. Evidence of light foxing. Cambridge from the Ely Road: Significant browning/discolouration to the sheet, and spots of foxing. Prison and Castle: Significant browning/discolouration to the sheet, and spots of foxing. Norwich, from Butter Hills: Evidence of discolouration/browning to the sheet, particularly towards the edges. Possible light dirty marks/spots of foxing in areas. King Street Gate: Possible very light spots of foxing in areas. Norwich Cathedral: The sheet appears to be firmly stuck down. Spots of foxing to the sheet generally. Cartmel Priory: Spots of foxing across the sheet. Evidence of water damage to the edges. Otherwise in fair to poor condition overall.
Lot 725
James Holland, RWS, British 1799-1870- View of a water mill; watercolour heightened with scratching out on paper laid down onto the back board of a red leather album, now dismembered, possibly indistinctly signed with monogram 'JH[?]...R' (lower right), 32.7 x 21.7 cm., (unframed). Provenance: Collection of William Drummond.; Private Collection, UK. Note: For a not incomparable watercolour by the artist, see Dramas of Light and Land: The Martyn Gregory Collection of British Art Sale, Christie's, London, 24 March 2022, lot 51, 'A wooded river landscape, Wales'. Holland travelled widely on the Continent, and is particularly associated with Venice. The present watercolour likely dates to his 1850 tour of North Wales.The sheet is laid down onto the backing board. Spots of foxing in areas, particularly towards the upper section of the sheet. A horizontal tear approx. 1.5 cm. to the left edge, and another unobtrusive horizontal tear above this approx. 0.5 cm. Evidence of three unobtrusive diagonal tears, each approx. 1 cm., to the lower edge. Evidence of a light crease to the lower left corner. Light abrasions and creasing to the sheet generally, and particularly towards the edges of the sheet, consistent with handling. Colours appear fresh and bright and details are well-preserved.
Lot 728
British School, early 19th century- Portrait sketch of David Roberts, RA; pencil and watercolour on paper, indistinctly signed (lower right) and faintly inscribed 'David Roberts RA' (lower edge), 21.7 x 16.3 cm.: British School, early 19th century- Portrait sketch of John Martin; pencil on paper, 18.6 x 15.2 cm. (2) Note: The sketch of David Roberts appears to be a copy after the portrait of the artist by an unknown hand currently held in the National Portrait Gallery, London [NPG 1371]. Both works are framed, mounted, and glazed, and unexamined out of frame. General marks and scuffs to the frames. Evidence of discolouration and foxing to the sketch of David Roberts, alongside further dirty marks, creases, and possible repaired damage upper left. Light creasing, dirty marks, and spots of foxing to the sketch of John Martin. Otherwise in fair condition overall.
Lot 746
Thomas Collier, RI, British 1840-1891- View of the Suffolk Coast; pencil and watercolour on paper, signed 'Thos. Collier' (lower edge), 22.5 x 33 cm. Framed, mounted, and glazed. Unexamined out of frame. General scuffs, marks, and damage to the frame. The sheet lies flat in the mount. Possible light marks to the sheet generally. Otherwise in good condition overall.
Lot 765
Italian School, early 20th century- Harbour scene; pencil, watercolour, and gouache on paper, indistinctly signed (lower right), 54 x 37.4 cm. Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frames. The sheet lies flat in the mount. Evidence of discolouration/browning to the edges of the sheet. Possible light marks to the sheet in areas. Otherwise in good condition overall.
Lot 766
European School, mid-20th century- View of a house by a river; pencil, watercolour, and gouache heightened with white on paper, inscribed 'Availles-Limoas / Rabino' (lower right), 32 x 46.5 cm. Framed, mounted, and glazed. Unexamined out of frame. General scuffs, marks, and damage to the frame. Possible very light cockling to the sheet within the mount. Evidence of some light folds/creases to the sheet in areas, particularly to the lower left corner. General marks and dirt to the surface. Otherwise in good condition overall.
Lot 770
Eric Lundgren, Swedish 1906-1971- Landscape with trees; oil on board, signed (lower right), 46.4 x 61 cm. (ARR)Framed, and unexamined out of frame. General marks and scuffs to the frame. The panel sits well within the frame. The paint surface is stable on the support. Ingrained dirt and further dirty marks across the paint surface, alongside general light abrasions. Otherwise in fair to good condition overall.
Lot 786
After Paul Osborne Jones, Australian 1921-1998- Floral illustrations; offset lithographs, two, each signed within the plate (lower right), each 58 x 42.3 cm. (2) Each framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frames. Evidence of some light creasing to the sheets, alongside some scratches/abrasions in areas. Marks of surface dirt in areas. Otherwise in good condition overall.
Lot 787
European School, mid-20th century- Flowers in a vase; oil on canvas, signed indistinctly (lower right), 46.4 x 36 cm. Framed, and unexamined out of frame. General marks, scuffs and cracking to the frame. The canvas is secure on the stretcher and sits well within the frame. The paint surface is stable on the support. Very fine and settled craquelure in areas. Marks of a white substance right of centre. General further dirty marks and light abrasions to the surface. Otherwise in good condition overall.
Lot 162
A group of Chinese porcelain, 20th century, to include: a large baluster vase converted to a lamp base, decorated to the body with exotic birds and chrysanthemums and calligraphy to the other side, atop pierced and carved wood base, 50cm high excluding electrical fittings; two famille noir vases, one a high shoulder vase with exotic birds and flowers, 35.5cm high, the other a baluster vase with flowers, 30cm high; and a famille noir jar and cover decorated with flowers, with iron red character seal to underside, 25cm high (4) It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Each piece appears to be in overall good condition with light surface marks and pitting.
Lot 163
A group of miniature Chinese blue and white porcelain, 20th century, to include a baluster vase decorated with flowers, 9.5cm high, a globular panelled bowl decorated with branching flowers, 3.8cm diameter, and two trinket boxes, each decorated to the lid with an exotic bird perched in a tree branch, each 5.6cm diameter (4)A repaired loss to the rim of the vase. All pieces with crazing and light cracks to the underside.
Lot 287
After David Roberts, British 1796-1864-Church of the Holy Sepulchre (Jerusalem): InteriorColoured lithograph by Louis Haghe, 63 x 75.5 cmUnexamined out of frame. Securely in a frame with mount and glaze. Mild undulation to the sides of the lithograph. One crease to the lower centre of the mount. One crease to the lower centre of the print. Possible light foxing/surface dirt to the print. General surface dirt to the outside of the glaze. Otherwise, in good condition overall.
Lot 304
A French bronze bust of lady, cast by Barbedienne, third quarter 19th century, after the Antique, the interior with paper label F.BARBEDIENNE 30 Bt Poissonnière BRONZE D'ART, 11cm highProvenance: Works of Art from the Schroder Collection.The bust has a rich, dark brown patination overall. There is a light scuff to her left cheek. There are no further detractions to the lot.
Lot 355
A brass Rococo styled double inkwell, late 19th / early 20th century, the stand surmounted with a crouching dragon, 29cm long, 12cm high, together with a pair of brass Rococo styled four light candelabra, each with central stem and three branches, atop baluster stem and stylised base, each 39cm high (3)Heavily tarnished and with general surface wear consistent with age.
Lot 362
A brass table lamp, 20th century, the faux candlestick electrical fittings with large sconce atop baluster neck, the body with central support and tripod scrolling legs, atop circular stepped base, 82cm high overall, together with a brass six light chandelier, issuing from an urn form stem with pierced foliate decoration, with cut glass sconces, approximately 39cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
Lot 365
A French gilt-bronze twin-light candelabrum, late 19th century, converted to electricity, with tri-form base, 46cm high excluding fitment; together with a white metal oil lamp, late 19th century, converted to electricity, mark TW & S, modelled as a swan, with painted glass reservoir, 39cm high; a Chinese bronze table lamp, 23cm high; a small brass hanging lantern, 36cm high; and a gilt-bronze three-light wall applique, 20th century, the backplate 39cm high (5)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
Lot 371
Two pairs of Corinthian column table lamps, American, of recent manufacture, one pair with black marble columns atop plinth bases, the other pair with green marble columns atop stepped bases, each stamped 'AW EP', the tallest pair 57cm high overall (4)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Both sets of lamps appear to be in good condition, some light scratches and tarnishing to the metal mounts.
Lot 374
A pair of two light wall appliques, late 20th century, painted resin, in the form of three arrows about a central floral patera, each 45cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
Lot 376
A pair of gilt-bronze twin-light light wall appliques, second half 20th century, each with ribbon-tied tassel backplate supporting scrolling branches, 64cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report
Lot 381
A Continental glass six-light chandelier, first half 20th century, the open cage frame with applied flower-heads and hung with chains of facetted drops, 92cm high approx; together with a Continental cut-glass six-branch chandelier, first half 20th century, the scroll branches hung with facetted drops, 57cm diameter (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
Lot 395
The Collected Works of Charles Dickens, the Imperial Edition, original red cloth with gilt tooled upper board and spine and gilt lettering to spine, with illustrations by various artists, works comprising Sketches by Boz, The Posthumous Papers of the Pickwick Club, Oliver Twist, Nicholas Nickleby, The Old Curiosity Shop, Barnaby Rudge, Martin Chuzzlewit, The Christmas Books, Dombey and Son, David Copperfield, Bleak House, Hard Times and Master Humphrey's Clock, Little Dorrit, and A Tale of Two Cities, together with Charles Dickens: A Critical Study by George Gissing, London: The Gresham Publishing Company, 1903 (15)Only 15 of the 16 volumes in the series present, lacks Great Expectations. Spines are heavily faded, some with tears to the binding, some with staining, front and end pages with light foxing consistent with age.
Lot 400
A collection of novels and reference material on literature and history, to include: The International Library of Famous Literature, ed. Dr Richard Garnett et. al., twenty volumes, half bound in calfskin with marbled boards and end pages, London: The Standard, 1900, together with John Bunyan, The Pilgrim's Progress, twenty-first edition, later three quarter morocco bound with marbled boards and end pages and gilt tooling and lettering to spine, London: J. Clarke, 1724; Wallace Nutting, Furniture Treasury, two volumes, blue cloth bound with gilt lettering to upper board and spine, with protective case, New York: Macmillan Company, 1948; J. K. Rowling, Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows, first editions, London: Bloomsbury; and various others, approximately 37 books in totalInternational Library: spines are heavily worn revealing orange colour, some with splits. Most other volumes in good condition with light wear to dust covers and bindings
Lot 416
A set of brass jewellers' weights, held in a fitted wood case with a pair of tweezers, the case inscribed 'A.H.BAIRD EDINBURGH', together with a parcel scale with ounce measurements, 23.5cm high (2)The tweezers once had ivory tips which have since been removed. Some tarnishing to the scale, some light cracks and wear to the case.
Lot 42
A pair of silver plated three light candelabra, on knopped and foliate decorated stems and shaped bases, 48.5cm high; together with a silver plated basket with sunflower and fruiting vine border and swing handle, on circular foot, 30cm diameter; and a silver plated bowl on circular foot, 10cm high, 18cm diameter (4)Please refer to department for condition report
Lot 463
A gilt-brass clock garniture, by H. Luppens et decoration, flanked by five light candelabra, all on ebonised giltwood stands on bun feet, the enamel dial signed H. Luppens et Cie a Bruxelles (rubbed), the twin train eight day movement striking a bell, the backplate with lozenge for Medaille de Bronze S. Marti et Cie and stamped 10169, striking a bell, clock 52cm high total, candelabra 54cm high total (3)Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale.Please refer to department for condition report
Lot 525
Art Nouveau oak and glazed wall mounted bookcase, early 20th Century, formerly the top section to a larger bookcase, the leaded and stained doors with stylised floral motifs, with two shelves, 74.5cm high, 95cm wide, 26cm deep Overall general wear to include light scratches and scuffs to oak. Small crack to right hand glazed panel, lacking two brass shelf supports, some white paint to top surface
Lot 563
A French flame mahogany secretaire, 19th century, frieze drawer above fall front, enclosing fitted interior, and two cupboard doors enclosing shelf space, raised on plinth base, 149cm high, 109cm wide, 47cm deeplarge split to top, many large splits to side panels, back panel has had holes cut into it, large split to both doors, light scratches all over
Lot 91
A mixed group of Continental porcelain, of academic interest, 18th century and later, comprising: a Meissen dish decorated to the centre with ducks and a cockerel in a landscape with gilt foliate design border to the rim, blue crossed swords mark to underside, staple repaired, 13cm diameter; a Meissen figure of a dog standing upright and in aristocratic dress, atop a gilt scrollwork base, blue crossed swords to underside, 13.5cm high; a Meissen rectangular box and cover, decorated to the cover with stylised flowers and with curving gilt adorned finial, blue crossed swords with dot between the blades to the underside, 6.5cm x 13.5cm x 8.5cm; a Meissen blue onion pattern inkwell with blue crossed swords to the underside, 4cm high; a Meissen baluster vase with green foliate banding to the body and blue crossed swords mark to the underside, 10.2cm high; a Nyon cache pot and cover decorated with flowers within geometric purple banding, the cover with gilt flower finial, blue fish mark to the underside, 9.5cm high; a Berlin wrythern moulded teacup with ozier border and decorated with green figures and flowers with pink rim, blue sceptre to underside, 7.5cm diameter; a Dreyfous gilt metal mounted cache pot lacking a cover, decorated with floral sprays within blue diamond banding, 7.5cm high, a French Sevres style teacup and saucer by J. Etienne of Paris, decorated with floral swags and gilt and blue bordering and panelling, the teacup 6.2cm diameter; a French style baluster vase decorated with floral swags and gilt four dot motifs, 10.2cm high; a Dresden style moulded twin handle vase decorated with floral sprays with gilt everted rim, 17cm high; a grisaille panelled milk jug with gilt highlighted cartouches containing grisaille floral sprays, 11cm high; a blue dot decorated cache pot with cover (AF), 8cm high; two covers decorated in Meissen style, and one cover decorated in Sevres style (16)Most pieces with condition issues: staple repair to the Meissen dish, the J. Etienne teacup and saucer with repaired cracks, the Berlin teacup with hairline crack and small loss to the rim, the Meissen dog with restored snout, the Meissen vase with a loss to the rim, the Meissen inkwell with losses to the inside rim, other pieces with wear to the gilding and light surface wear consistent with age.
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