A pair of French gilt-bronze twin-light wall appliques, Of Louis XVI style, first half 20th century, Each with a ribbon-tie and swag backplate supporting a pair of fluted branches, the backplates - 77cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Condition Report: Good overall condition with only minor wear. One appliques has a small loss/cast fault at the top edge. The wires run inside the branches and a qualified electrician should examine the lot before use.
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A moulded polychrome and figural pottery tile, Qajar revival style, 20th century, An enthroned ruler and his courtiers feasting, flanked with attendants, the border with simplified strapwork, restored, 21.5cm square Condition Report: The edges and corners are chipped. This tiles is broken, repaired and restored from at least three breaks. The break lines are filled and repainted. A minute area of repaint can also be noticed to the upper edge, close tot he upper right corner. A U. V light inspection reveals the yellow render as bright fluorescent yellow suggesting the use of modern pigments. So do the whites of the pillars, weapons, vessels.
A set of four wrought iron three-light wall appliques, Made to order for George Farrow, second half 20th century, With tapering nozzles on foliate scroll wall mount, 58.8cm high, 14cm wide; together with a pair of similar wrought iron floor standing lamps, on knopped stem and tri-form base, 137cm (142) excl. fitment (114cm); and a metal floor-standing lamp stand, with detachable crown surmount on a knopped and twisted stem on a tri-form base, 166cm high (7)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A pair of French gilt-bronze twin-light wall appliques, Of Louis XVI style, late 19th century, Each with a ribbon-tied backplate issuing branches entwined with leaves and flower buds, the backplates - 57cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Follower of François Boucher, French, 1703-1770, portrait of a young woman holding a white dove, Portrayed half-length and wearing a light blue drape, the hair adorned with strands of pearls, pastel on paper, 77.1cm high, 61.6cm wide (portrait), 133cm high, 91cm wide overall including giltwood and gesso Louis XVI style frameFootnotes: Note: The present pastel, which shows a young woman 'en déshabillé', rendered in soft clouds of pale, delicate colour, recalls the works of leading Rococo painter and draughtsman François Boucher. Known for his elegant portraits and genre scenes, which were often inspired by mythological characters and narratives, Boucher's compositions were not only popular with his royal and noble patrons, including the King's mistress, Madame de Pompadour (1721-1764), but also with larger audiences, as his compositions were widely circulated as prints and illustrations. The contemplative female subject depicted here is reminiscent of the central figure in Boucher's 'Toilette of Venus', held in the collection of the Metropolitan Museum of Art, New York (20.155.9).
A large polychrome ochre and cobalt blue moulded pottery tile, Tehran, Qajar Iran, c.1880, Depicting Bahram Gur showing off his prowess by pinning the hoof of a gazelle to its ear with an arrow, watched by Azadeh, the borders with dense black scrollwork, on white ground, 33.5 x 46.5cmCondition Report: The corners and edges of this tiles are in very good condition. Under U. V light, the border shows some minute areas of repaint. The rest of the tile render dull colours except for the horse of the upper left female rider. Its torso comes out as light blue under a greyish layer, perhaps suggesting an earlier retouching.
A pair of French ormolu figural three-light candelabra, After a model by François Rémond, of Louis XVI style, late 18th / early 19th century, Each modelled with a Classical maiden holding aloft carnation branches with flowers and buds, on white marble cylindrical plinths mounted with swags, 88cm high (2)Provenance: From the David Weill Collection, according to vendor records.Footnotes: Note: H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, Munich, 1986, vol. I, p. 283, fig. 4.14.4, cites a drawing for a candelabrum with classically draped maiden supporter holding a cornucopia from the catalogue of the marchand-mercier Dominique Daguerre from circa 1785. Differences in the drapery and pose of the figures demonstrate the popularity and diversity the design enjoyed through the late 18th and 19th centuries. A set of four related candelabra in the Wallace Collection have been attributed in part to the ciseleur-doreur François Rémond (F-142-5, F146-7).
Four square moulded figural pottery tiles, Qajar Iran, c.1880 and later, Each representing a mounted hunter hawking, amidst floral and vegetal motifs, a palace or fortified city in the background, three tiles - 15cm square; the fourth - 15.5cm square (4)Condition Report: Some chipped corners and minimal losses and, or, fritting to the edges. One tile with its lower left corner repaired and restored, also showing repaints. Another with its lower right corner lacking. It also shows a larger loss to its lower edge. As expected in Qajar glazed potteries, the tiles show some light craquelures, minor occasional inclusions and some dullness to the pigments, especially the aubergine colour.
A polychrome moulded equestrian pottery tile, Tehran, Qajar Iran, c.1880, The rider reaching for and feeding a simurgh, amidst floral sprays, buildings in the background, a raised floral register above, mounted, 33.8 x 24.5cmCondition Report: A U. V light inspection reveals scattered fluorescent areas suggesting occasional repaints. Those areas are mostly noticeable are on the building, the head of simurgh and its wing, the rider, some floral sprays, the buildings, the register above, especially to the left. The edges render a dull green colour overall. The reverse of the tile could not be examined as it is fitted with a mount.
A large framed hemispherical moulded polychrome figural pottery tile, Tehran, Qajar Iran, c.1860, An interpretation of the Safavid ruler Shah Abbas, 1571-1629, receiving the Mughal ambassador Khan Alam in 1618AD, flanked by two standing courtiers, rows of seated courtiers in the foreground, the border with tight scroll works, on white ground, framed, 43cm high, 53cm wide Condition Report: This tile is repaired and restored from at least two breaks. The Y break line starts to the left of this tile's apex to then run through the central row of courtiers to the left of the viewer. It affects the head of the left hand side ruler, the standing attendant behind him and the full row of courtiers. The other branch of the break affect the other standing attendant. The break line is filled and repainted affecting all those areas. A part of the lower border might have been entirely replaced and thus also repainted. It shows a much brighter white under U. V light. The unaffected part of the tile shows very minor repaint. The frame has also been repaired. Please note the frame was not removed to prepare this condition report.
Two rectangular figural pottery tiles, Iran, 20th century, Each painted with a mounted rider in a landscape feeding a simurgh, one on against a green field, the other against a light blue field, on white ground, 32 x 23 each (2)Condition Report: Rider against green field :The corners and edges are in fair condition. The lower edge is fritted, shows some losses and misfiring faults. The glaze shows light craquelures. It is pitted overall. A U. V light inspection reveals the tile is broken, repaired and restored form one break. The break lines runs in an L shape, affecting the rider's face and the simurgh's body.Rider against light blue field :The corners and edges are in good condition. A U. V light inspection reveals some drips under the glaze. This lot is in fair condition overall.
A square moulded polychrome pottery tile in the Iznik style, Qajar Tehran, Iran, c.1890, The blue, turquoise blue, aubergine, pink and yellow painted decoration consisting of a central serrated foliate medallion in bloom issuing wide scrolling floral tendrils, on white ground, 32 x 34.5cmCondition Report: The edges and corners do not show any obvious damages. Under U. V light two areas of repaint appear : the first to a flower and serrated leaf to the lower left corner, the other to a serrated leaf to the lower right corner. Und U. V some speckle of fluorescence can be seen scattered across the surface.
A French gilt-bronze eight-light chandelier, In the manner of André-Charles Boulle, by Lacarrière frères & Delatour, Paris, dated 1888, With Bacchic term figures flanking a vase above female masks and friezes depicting bows and quivers, supporting foliate scroll arms, signed Lacarrière frères & Delatour - Paris 1888, approx. 88cm high, 91cm diameterLiterature: Ottomeyer, H. and Pröschel, P., Vergoldete Bronzen, Vol. I, p. 52, fig. 1.6.6.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Footnotes: Note: The fonderie Lacarrière was first established in 1825 at 3 bis, rue Ste-Elisabeth, Paris, specialising in gas lighting fixtures. By 1875 the company had transformed to Lacarrière Delatour, et Cie., under which name they cast and chased a chandelier designed by Corboz for the new Opéra, Palais Garnier.
A near square moulded pottery tile in the Iznik style, Qajar Tehran, Iran, c.1860, The decoration consisting of an oversized floral spray composed of blue tulips, carnations and roses, on white ground, 34 x 31cm Footnotes: Note: A comparable tile panel is in the Islamic Arts Museum Malaysia (2008.3.1) Condition Report: The edges and corner are in very good condition. There is a small loss to the lower edge. Another can be seen to the near centre of the left edge. A U. V light inspection reveals a minimal area of repaint to the aubergine serrated leaf to the actual left of the tulip. this lot is in very good condition overall.
A square moulded polychrome pottery tile, Tehran, Qajar Iran, c.1880, A seated ruler flanked by attendants, within a strapwork medallion, amidst a dense floral field, on white ground, 21.5cm square Condition Report: This tile presents as clean overall. The upper right corner is chipped. the edges show some minor losses and light fritting. This lot is in good condition overall.
A pair of Chinese spinach jade table screens and a similar archaistic vessel and cover, fang ding, Late 20th century, The screens carved in relief with Daoist immortals amid clouds above crashing waves, 30cm high, 20.5cm wide, on wire inlaid wood stands, the vessel carved in high relief to the body with chilong dragons raised on pierced and carved phoenix form legs, 26cm high (3)Condition Report: Light wear, and some very minor nicks to the edges of the carved decoration, but nothing significant to mention.
A pair of French ormolu twin-light wall appliques, In the manner of Jacques Caffiéri, possibly third quarter 18th century, Each backplate of naturalistic form issuing scrolled entwined branches terminating in rocaille nozzles and drip-pans, the backplate - 39cm high (2) Footnotes: Note: Designed in the Louis XV 'pittoresque' style popularised by Juste-Aurèle Meissonier and Nicolas Pineau, these wall-lights are in the manner of the sculpteur, fondeur et ciseleur du roi Jacques Caffiéri (1678-1755).
A framed Iznik style pottery tile panel, Kutahya, Turkey or Europe, early 20th century, The cobalt blue, turquoise blue and red painted decoration consisting of curled leaf medallions issuing swaying serrated leaves, hanging palmettes above and below, on a white ground, visible - 74.5 x 43.5cm; framed - 83 x 52.5cm Condition Report: Some tiles shows some light losses and fritting to their edges. Some corners lightly damaged with losses and chips. Under U. V some areas of repaints are noticeable to the blue medallions and the white grounds. Some blisters rendering a yellow tinge are also visible under U V. Please note the frame was not removed to prepare this condition report.
A pair of French ormolu chenets, Of Regence style, 19th century, Each mounted with a dragon, probably associated and possibly earlier in date, on a shaped moulded base centred by oval portrait plaques of Apollo and Venus, on acanthus-wrapped scrolled feet, 29.5cm high, 26cm wide (2)Footnotes: Note: With C scrolls, flowers, foliage and spread-winged dragons or chimera, the design of these chenets share ornamental elements and movement depicted in an engraving dated 1724-1750, by François Roumier (1701-1748), now in the Victoria & Albert Museum (E.2428-1909) as well as a design by Nicolas Pineau (1684-1754), in particular a drawing of a wall-light, in the Kunstbibliothek, Berlin, published in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, vol. I, Munich, 1986, p. 66, fig. 1.9.19.
An Iznik-style polychrome pottery tile panel, Kutahya, Turkey or Europe, 20th century, Mounted in pairs, a simplified flower within a blue, light blue and bole red eight pointed star, a foliate lobed medallion above and below, on a field with scrolling tendrils bearing red tulips, green saz leaves, hyacinths, on white ground, mounted, 20 x 40cm each (2) Condition Report: The edges and corners appear in fair condition with minimal losses and fritting. One tile repaired and restored from at least one break. Another with two marked hair cracks, perhaps a break. The pigments are tarnished and dulled, the white pitted in places. Some surface scratches and minimal losses. Two tiles with impact mark to glaze. Please note the tiles are mounted excluding the possibility of any further inspection that could reveal any damages to the lot's surface, reverse or both.
A turquoise and cobalt blue floral tile panel, Multan, North India, 19th century, The painted decoration consisting of a large elegant floral spray under a floral lobed arch, the spandrels with large flowers, on white ground, old inventory label to lower edge reading MUL88 084B, mounted, 63 x 20.4cm Condition Report: This panel is composed of two tiles. The edges, borders and corners show some losses, fritting and cursory restorations. The white field shows some scattered minute repaints under U. V light. The tiles are backed rendering any further inspection impossible without dismantling this lot.
Follower of Nicolas de Largillière, French, 1656-1747, portrait of a lady holding a floral sprig, Portrayed half-length, wearing a lace-trimmed light blue dress, the hair powdered and adorned with jewels and flowers, with armorial and inscription FRANCOISE D'AUBIGNE / MARQUISE DE MAINTENON upper right, oil on canvas, oval, 68.7cm high, 54.3cm wide (portrait), 94cm high, 79cm wide overall including gilded composition Lebrun style frame
Two rectangular polychrome pottery tiles, Iran, 20th century, A mounted hunter carrying an antelope on his back returns from the hunt, one in green garb, galloping in a mountainous landscape, the other in blue garb, amidst oversized floral motifs, 24.5 x 37.5cm each (2) Condition Report: In green garb :The edges show some losses to the paste and glaze. As expected with Qajar and post Qajar ceramic, the glaze shows some craquelures. In blue garb :The edges and corners are in good condition. Under U. V light there does not seem to any significant damages to this tile. The pigments render a yellow-ish tinge overall.
A moulded turquoise and cobalt blue glazed tile panel, Multan, North India, late 18th / early 19th century, Two tiles, each with a decoration consisting of large trefoil painted with elegant floral lobed medallions, the spandrels with leafy motifs, on white ground, mounted end to end to form a central floral quatrefoil, inventory label to edge reading MUL88 080, inscription in pencil to the reverse, 25.5 x 66cm Condition Report: The corners and edges show some restorations and repainted areas. The edges of the moulded trefoils show some light losses and fritting. One tile, and especially its trefoil's border is extensively repainted. Other areas of repaint to the trefoils' turquoise blue borders, the dark blue field around the floral lobed medallions and the spandrels can be noticed. Under U. V some cracks that may have formed during the manufacture and/or firing appear sharply.Both tiles are mounted together, end to end. The mount prevents any further condition inspection.
After Giambologna, Italian, c.1529-1608, an Italian bronze model of Venus after the Bath, Late 18th / early 19th century, The standing figure towelling herself dry, on a later siena marble base, the bronze - 21.2cm high; overall - 25cm high Footnotes: Note: The present lot is one of several versions of Venus after her bath by Giambologna and is one of his most sought-after compositions. Giambologna’s rendering of the female nude in a variety of poses are among the most admired in all of European sculpture. He reinterpreted classical statues in light of Michelangelo’s studies in contrapposto and figura serpentinata. The present lot demonstrates his desire to create models that could be admired from every vantage point. The beauty of the curving nude back of Venus is given equal attention to the front of the semi-nude.
An Ilkhanid style lustre painted cobalt and turquoise moulded pottery tile, Qajar Iran, 19th century, Of rectangular form, the main lower register with scrolling vine around the powerful figure of a dragon with head turned over its shoulder, a band of bold palmette vine above and simple band below, probably intended as a replacement tile for the architectural complex of Takht-Sulaiman (c.1270AD), the summer royal palace of the Ilkhanid ruler Abaqa (r.1265-82) located in north-western Iran, 35.5 x 37cm Footnotes: Note: This is a 19th century replacement tile of one of a well-known series of tiles depicting dragons that are thought to come from the complex at Takht-i Sulayman. This attribution is on the basis of a group of tiles, very probably from the same moulds, that were decorated in the lajvardina technique, a number of which were found there (The Arts of Islam, exhibition catalogue, London, 1976, no.388, p.259). A well-published lustre example is in the Victoria and Albert Museum (Linda Komaroff and Stefano Carboni (eds.), The Legacy of Ghengis Khan, exhibition catalogue, New York, 2002, cat.100, ill.p.95). A further example was sold from the collection of Charles Gillot in our Paris saleroom, 4 March 2008, lot 4. A very close example to the tile the above was modelled on was sold at Christie's 5 October 2010, Lot 116 and a partial tile with the same design is in the David Collection Copenhagen (Inv. no. Isl 191). Condition Report: The corners and edges are clean safe for two small losses near the upper right and upper left corners. This tile is broken, restored and repaired form one break to its upper left corner. The restored break line is visible from the reverse. Under U. V the tile gives a dull rendering overall suggesting it may have been coated to attenuate any reflection when inspected under ultraviolet light. However, a minute repaint can be noticed to the middle of the upper edge.
James, M.R. "Ghost Stories of an Antiquary" Edward Arnold 1915, 9th impression, grey cloth with black titles and red rules, inked inscription inside front board, Pardoe, Rosemary (ed) "Tales from Lectoure" pamphlet [2006] cover ills by Nick Maloret, Asquith, Cynthia " When Churchyards Yawn..." Hutchinson & Co. 1931, black cloth, silver titles to backstrip, inked inscription dated 1931 on ffep., Jerome K. Jerome "Told After Supper" The Leadenhall Press 1891, ills Kenneth M. Skeaping, hinges cracked and binding loose, pictorial red cloth, Dale, Harrison (ed.) "Great Ghost Stories" Herbert Jenkins 1931 , green cloth, black titles, "More Ghost Stories "Herbert Jenkins 1932, green cloth, gilt and blindstamped titles, de la Mare, Walter "Broomsticks & Other Tales" designs by Bold, Constable & Company Limited 1925, light brown cloth, gilt titles to backstrip and Benson, E.F. "The Room in the Tower and Other Stories" Alfred Knopf 1929 , Eichenberg, Fritz ( ills.) "Tales of Edgar Allan Poe", Random House, 1944, green cloth, Sayers, Dorothy L. ( ed.) "Great Short Stories of Detection, Mystery and Horror" Victor Gollancz, 1928, black cloth, red titles, "...Second Series" 1931. "....Third Series " 1934 and other related volumes including Folio Society (2 boxes)
Architectural Interest - Daubeny, Ulric "Ancient Cotswold Churches" Cheltenham Ed.J. Burrow & Co. Ltd., numbered 315 (of 500) signed by the author/artist, plates, book plate for Frances Lady Daresbury inside front board, deckle edges, brown cloth with black titles, "The Architectural Journal being the Journal of the Royal Institute of British Architects, Vol XVIII Third Series 1911" photographic ills, slight foxing, book plate on ffep, light brown cloth with gilt rules and titles, shelfwear and other related vols (1 box)
Three WWII 'Military' open face keyless pocket watches. Comprising; 'Elgin Nat' l Watch Co. U.S.A.' a chrome plated example with a black dial with luminous and white Arabic numerals, spade hands, subsidiary seconds at 6 and signed Elgin, marked on the back with a War Department broad arrow and 'G.S MK. II' over '32219', the bezel marked 'A32219', 51mm three piece screw case, the movement numbered '41375178', not ticking but set-hands functioning; together with Cyma, GSTP (Government Standard Trade Pattern) steel cased watch, the light cream dial with Arabic numerals and a subsidiary seconds dial at 6, the case back with the Ward Department broad arrow, 'G.S.T.P.' over 'M69396', 52mm diameter three-piece case, numbered inside '019529' over '6546', Cyma 15 jewel movement no.390015, Ref. 775, the movement ticking & set-hands functioning; together with another Swiss example with a yellow dial, the 51mm diameter case worn away on a the back
A silver small capstan shaped inkwell and other items. The silver inkwell with a detached lid engraved 'J.N. Archer Houblon 4th June 1918', the base engraved 'From his Personal staff in Manchester on Tank Engine Production', hallmarks for A & J Zimmerman Ltd, Birmingham 1917, 9cm diameter overall, loaded; a silver-plated round milk jug and sugar bowl; a brass candle stick; and a brass chamber stickNote; A wedding gift to the vendor' grandfather John Archer Houblon.His obituary states 'Durinb the First World War, when it was necessary to arrange for rapid production of a specially designed, light-weight internal combustion engine as a propelling unit for the first tanks, he rendered valuable service to the Ministry of Munitions in co-ordinating the efforts of some of the principal engine manufacturers.
A cultured-pearl single row necklace and a pair of matching stud earrings. The necklace of seventy cultured-pearls graduated approx. 5.4mm to 8.7mm diameter, strung on a marcasite oval cluster clasp stamped 'Sterling'; the stud earrings of matching round beads approx. 7mm diameter on gold posts indistinctly stamped '375(?)'; in the original 'Mikimoto Pearls' black-leather case and with an unmarked black-velvet pouch Condition Report: Good very-light-cream rose colour, good lustre and orient, Surface about Pique 1. Would benefit from resrtinging as only the first four beads at each end are knotted. The clasp is not by Mikimoto simply stamped 'Sterling'
A collection of contemporary glassware and a Delft vase. The glassware comprising two sets of green and red drinking glass, three hand blown striped vases and one other. Max. H28cm. The Delft vase numbered '3036', decorated with flowers and having a fluted rim, H21cm Condition Report: Generally in a good condition for their age, no chips, cracks or restoration. Some light surface scratches.
60s/EARLY 70s UK 7" DEMOS. Fantastic pack of 12 x hard to source original 7" demos from the 60s/early 70s. Artists/titles/cat. numbers are Captain Beefheart And The Magic Band - Too Much Time (K 14233 - Ex+ or archive condition record showing very few marks indeed!), The Beach Boys - God Only Knows (CL 145459 - VG+ a few light surface marks) and Good Vibrations (CL 15475 - please note in G condition), The Playground - At The Zoo (MGM 1351 - VG) and I Could Be So Good (56-4019 - VG+), The Arbors - I Can't Quit Her (CBS 4379), Kenny Everett (Deram DM 245), Rod Stewart (6086 002), Bob Dylan (US, 4-44069), Jacke Thackray, Norman Greenbaum and Family (K 14196). Condition elsewhere can range from VG to Ex+.
ELO/JEFF LYNNE - LPs. So Fine selection of 9 x LPs from ELO and Jeff Lynne. Titles are The Electric Light Orchestra (including UK original SHVL 797 'The Gramophone Co Ltd' label rim text - Ex/VG and US copy UAS-5573 - VG+/VG+), E.L.O. 2 (UK original SHVL 806 - VG/Ex), On The Third Day (inc. UK K 56021 and UAG 30091), A New World Record (UAG 30017), Discovery (JETLX 500), Armchair Theatre (WX 347, Lynne) and Xanadu (JET LX 526 w/insert).
STEELY DAN - CAN'T BUY A THRILL LP (EMIDISK ACETATE). A lovely acetate here - Steely Dan - Can't Buy A Thrill (Emidisk Acetate) in VG+ condition with some hairlines and light surface marks, none fo which are feelable. The centre label has the tracklisting and '40' written in pencil on side 1.
JOHN LENNON - LP RARITIES PACK. A superb pack of 2 LPs by John Lennon. Titles include Two Virgins (613012, 1968 UK pressing on Apple. Comes with die-cut black paper inner sleeve. SAPCOR 2A-1/ 2B-1 matrix. Record is VG+, has a couple of light paper marks. Laminated uncensored sleeve is VG+, has some light laminate lifting along the spine edge) & Unfinished Music No.2: Life With The Lions (ZAPPLE 01, 1969 UK pressing on Apple. A-1/ B-1 matrix. Labels are bright and clean. Printed inner sleeve is Ex. Record Ex. Laminate sleeve Ex).
ALEXANDER "SKIP" SPENCE - OAR LP (CS 9831 - CANADIAN ORIGINAL PRESSING). A lovely original pressing of Oar by Canadian musician Alexander Spence. (CS 9831, Canadian original pressing, 1969). The record is in Ex condition with just a few light surface marks - the centre labels are clean and crisp. The sleeve is in VG+ condition with light creasing/ wear to the edges/corners and a hole punched through the top right corner.
DAVID BOWIE - HUNKY DORY LP (ORIGINAL UK FRONT LAMINATED PRESSING - RCA VICTOR SF 8244 - NO GEM SLEEVE). Great Bowie rarity with this original UK 'front laminated' copy of the classic 1971 LP. The sleeve (very first printing with front laminate and no 'Gem' logo to the reverse) is in VG condition showing some minor creasing around the edges and partial seam splits on the top and bottom edges; this with care can be repaired. The record (orange labels, 5E/5E matrix endings) is in VG+ condition with some light surface marks though no heavier feelable scratches. Housed with cool I'm With David Bowie Aren't You? sticker.
PULP - THIS IS HARDCORE LP (UK ORIGINAL - ISLAND RECORDS ILPSD 8066). A beautiful original UK pressing of This is Hardcore, 1998 6th studio LP by Sheffield indie-Britpop legends Pulp (ILPSD 8066, includes printed inner sleeves and insert. The records both have bright, clean labels and are in superb Ex+ condition. The gatefold sleeve is VG+ condition, some light creasing to the top left corner and a couple small patches of shelf wear in the middle of the top edges, not split).
YARDBIRDS/ANIMALS - LP COLLECTION. Well presented pack of 5 x LPs from Yardbirds and The Animals. Titles are Yardbirds - Five Live Yardbirds (UK original, Columbia mono black/blue labels 33SX 1677 - glossy VG+ record a few light and minor surface marks/Ex lovely sharp original front laminated flipback sleeve, a little pen to the reverse) and The Animals - Animalisms (unboxed Decca LK 4797 - VG/VG og flipback), The Animals (Columbia UK original mono black/blue labels, 33SX 1699 - VG+/VG), Ark (SP 70037 - Ex+/VG+) and Before We Were So Rudely Interrupted (2314 104 - Ex/Ex).
TITUS GROAN - TITUS GROAN LP (UK ORIGINAL PRESSING - DNLS.3012). An original UK pressing of Titus Groan's self-titled LP from 1970. (UK original pressing, DNLS.3012, Dawn, 1970). The record is in Ex condition with a few light scuffs/ surface marks. The orange centre labels are bright and clean. The sleeve is in VG+ condition with some light ring/ edge wear.
THE ROLLING STONES - LET IT BLEED LP (COMPLETE ORIGINAL UK MONO COPY - DECCA LK 5025). Well presented complete original UK mono copy of the famed 1969 LP from The Stones. The record (unboxed Decca labels, LK 5025 P-1A/P-1A machine stamped matrix endings) is in VG condition showing some light surface marks and one light though feelable scratch roughly half way through A1. Complete with the original poster in very clean Ex condition, the complete catalogue booklet in Ex condition and the original red lyric mono inner in VG condition showing creasing. The original stickered Full Color Rolling Stones Poster Included sleeve is in clean Ex condition showing a few minor creases though absolutely nothing heavier and without any rips, tears or seam splits. The spine is in sharp, clean and fully legible order.

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