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Click here to subscribeRonald Stennett-Willson (1915-2009) for Wedgwood - An art glass vase, having cased floral trailing an iridescent decoration in tones of blue and green, etched monogram and with acid etched Wedgwood England mark verso, h.23cm Condition Report / Extra Information Single concentric scratch / scuffed line to outer edge of top rim.Some further light surface scratches, mostly to footrim.
Ronald Stennett-Willson (1915-2009) for Wedgwood - An art glass vase, having cased and trailing stylised flower head and stem decoration in tones of blue and white, etched monogram and acid etched Wedgwood England marks verso, h.25.5cm Condition Report / Extra Information Surface scratches to footrim.Further light scratches to body, including one long vertical scratch.
An Art Deco Czech cut glass perfume suite, comprising atomiser with chrome fitting, two perfume bottles with stoppers, and two perfume jars and covers, each of faceted form heightened with black glass overlay detail, the largest bottle h.12.8cm (5) Condition Report / Extra Information Atomiser - metalwork slightly tarnished, surface grubbiness and light surface scratches throughout.Tapering perfume bottle - 15x5mm low relief surface chip to one lower corner, other small chipped losses to edges, surface scratches (mostly to base).Circular perfume bottle - some nibbles to edges, small surface scratches (mostly to base).Circular jar and cover - 4x3mm relief chip to top of finial, further nibbles to edges, 3x1cm star crack to base, some surface scratches.Square jar and cover - long ground chip to underside edge of cover towards one corner (approx 15mm), further nibbles to edges (the largest approx 6x2mm), some scratches (mostly to base).
An Art Deco silver table cigarette box, having all-over engine turned exterior, with unfitted interior, stamped silver, 9.5oz, w.13cm Condition Report / Extra Information Slight 'smile' where cover meets with base (probably due to being dropped on point of left hand front cover).Light surface scratches to base.Otherwise good.
A late Art Deco silver cylindrical table cigarette dispenser, the undecorated cover with rise-and-fall action over body decorated with twin concentric bands of engine turned decoration, to swept base, with bakelite casing, maker Joseph Gloster Ltd, Birmingham 1952, h.11.5cm Condition Report / Extra Information Stands well.Rise & fall action good.Some light tarnishing and surface scratches.A generally good example.
Omar Ramsden (1873-1939) - A 1930s silver matchbox cover, the top depicting relief cast galleon on choppy seas within a fine double ropetwist pattern border continuous to edges throughout, undecorated back panel, with pierced side panels, London 1936, incised Omar Ramsden me fecit, 6 x 4.2 x 2cm Condition Report / Extra Information Very light tarnishing and handling wear only.Generally in good and original condition.
An early 20th century Newlyn School circular embossed copper dish, decorated with lighthouse and sailing boat within a harbour, surrounded by a pair of carp and various seashells, stamped Newlyn, dia.25cm; together with a Newlyn copper embossed ashtray, decorated with stylised fish, stamped Newlyn, w.11cm; and a further similar circular tray, dia.13.2cm (3) Condition Report / Extra Information Large Newlyn dish - light surface scratches and light handling wear throughout.Small Newlyn fish ashtray - general dulling to surface patina, some knocks and scuffs but generally good.Circular fish dish - some tarnishing and grubbiness throughout.
An Art Nouveau copper and brass casket, possibly Glasgow School, with all over raised and relief floral stylised decoration, partly enamel decorated top and strapwork brass detail, w.13cm, h.9cm, d.9cm Condition Report / Extra Information Stands well.Enamel with losses to both sides (mostly to smaller panelled areas).Ingrained residue to relief edges of enamel decoration.Cover site well on base.Some light scratches to right hand edge of cover.Some further scratches to body.Slight fold to right hand rear corner of cover (only noticeable from the back).Small bruise to cover.Has been recently polished.
A 1970s English teak bar by Turnidge, of angular form, having white laminate inset top surface, the panelled end with twin glazed sliding doors enclosing light, the rear with further twin sliding doors, shelves, and pair of panelled cupboard doors (one enclosing label), length 130cm, height to bar surface 98cm, depth of end panel 61cm
Calligaris - An Italian cherry wood long sideboard, circa 2000, having raised three quarter gallery over three central drawers, flanked by cupboard doors, with anodised metal handles, bearing Calligaris label Made in Italy to one end, h.74.5cm, w.210cm, d.49.5cm Condition Report / Extra Information Structurally sound.Very heavy and well made.Timber perhaps slightly faded and with some light surface scratches.Top drawer handle slightly loose.
dating: (1644-1911) provenance: China, Wooden structure composed of four pieces. A part the seat, the entire visible surface is covered with copper foils, completely enameled in polychrome with vases, books and floral motifs on a light-blue ground. Small parts missing. Lower part in wood, without covering. Very scarce. length 41 cm.
dating: 19th Century provenance: China, Wooden structure, the seat covered with light-brown silk, richly decorated with seams in silver thread and brown silk with floral motifs and symbols, four, silver studs, pierced and engraved. Front and back parts covered with ray-skin, with iron mounts engraved with geometrical motifs. Small parts missing and defects. Classic, iron stirrups. Lined saddle-pad, lateral parts of carpet type, with polychrome decorations. Damaged internal part. Very scarce. length 47 cm.
A limited edition Moorcroft pottery year plate for 2000 in the Birth of Light pattern, of circular form, designed by Emma Bossons, impressed mark verso, numbered 699/2000 and dated '98, dia.23cm; together with another limited edition Moorcroft pottery year plate for 2001 in the Hibiscus pattern, of circular form, designed by Nicola Slaney, impressed mark verso, numbered 597/750 and dated 2000, dia.23cm (2)
A Moorcroft pottery ginger jar and cover in the Harlequinade pattern, of shouldered baluster form, designed by Emma Bossons, impressed mark verso and dated 2003, h.16cm Condition Report / Extra Information Some very light markings/scratches where cover meets shoulder of base.Otherwise in good and original condition.
French violin from the Workshop of Leon Bernardel, labelled Fait Sous la Direction de Leon Bernardel Luthier ? Paris, also labelled Copie de J.Bte Vuillaume ? Paris, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Good French violin labelled Fait Sous la Direction de Leon Bernardel, Luthier ? Paris, also labelled Copie de J.B. Vuillaume ? Paris, the two piece back of fine curl with faint medium curl to the sides and head, the table of a broad width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm, with two nickel mounted violin bows, one stamped Dorfler, case
Good late 19th century German viola of the Neuner & Hornsteiner School, unlabelled, the two piece back of plainish wood with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a light reddish-brown colour on a golden ground, 15 1/2", 39.40cm, case
French violin by and labelled Charles Francois Charotte, Maitre-Luthier ? Paris, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm *This instrument is sold with a Certificat de Garantie from Georges Apparut dated 9th January 1940. The original Charotte bridge has also been retained
Violin labelled Ch.J.B. Collin-Mezin, Luthier 1922, Grand Prix-Exposition Universelle 1900, Paris, also signed to the inner back on the treble side and numbered 613, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Interesting 19th century violin bearing a damaged label inscribed ...S Szamara Keszitette Nemessanyi Samu Pesten 1876..., the one piece back of medium/fine curl with faint medium curl to the sides and the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Interesting mid 19th century violoncello, possibly English, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain widening to the flanks and the varnish of a light reddish-brown colour on a yellow ground, 29 1/4", 74.30cm
Bohemian violoncello circa 1930, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 30", 76.20cm, bow *This violoncello is sold with a purchase receipt from Tim Toft Violins dated 13th of December 1997
Good early 20th century German violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 30", 76.20cm, bow, hard case *This violoncello is sold with a purchase receipt dated 30th May 1980
Antoine Bouvard (1870-1956), 'Rio Prinli [?] and Grand Canal', Venice, oil on canvas, signed 'Bouvard' lower left, titled to gallery label verso and further inscribed 'Painting by A. Bouvard', in original gilt and composition swept frame, 9 x 12¼in. (23 x 31cm.) .* Provenance: With W. B. Simpson, 84 St. Vincent Street, Glasgow** Condition: Very good condition. Good original frame with original gallery label verso. Not lined. There is some possible light blue retouching just to the right of the first low building on the left hand side - this does not show under UV but is a little different in shade to the remainder of the sky.
John Syer, R.I. (British, 1815-1885), Figures on a track by the Avon Gorge with ships , oil on canvas, signed, 'J. Syer' lower left, in period gilt and composition frame with gadrooned border , 25½ x 35½in. (64.75 x 90.35cm.)* Condition: Would benefit from a clean. Not lined, canvas is well stretched and stable. Minor frame contact marks to margins. Examined under UV - tiny retouch visible to centre and a little light strengthening to trees at centre right margin.
Churchill, Sir Winston S., A History of the English Speaking Peoples, Vol. I-IV, pub. Cassell & Co. Ltd., 1st edition 1956-58, with dust jackets; together with 'The Second World War', Chartwell Edition, pub. The Educational Book Company, 1954, Vol. I-VI, original light blue calf with blue cloth boards, marbled end papers. (10)* Condition: HSEP: Very good overall. Bindings tight. Light toning to dust wrapper spines on vols. 3 & 4. Top and bottom of spines lightly bumped. Some foxing to all page edges and front free end papers and titles. Light pencil booksellers' marks to ffeps. WW2: Some fading to spines and vol.6 has fading to part of leather to front cover. Very light foxing to page edges and front free endpapers. All cloth boards have some pale speckled spotting.
An unusual dipped basalt ware bottle vase with cover, possibly Wedgwood, early 20th century, unmarked, the globular light blue body below a pink dipped flared neck with double ring collars and moulded rim, the capstan cover with ball finial, 10½in. (26.7cm.) high.* Condition: Very good condition. Tiny flake to end of plug on cover. A few tiny pale flecks in the biscuit paste from the making. No other damage or restoration.
An early 19th century mahogany window seat or stool, with scroll ends and button push moulding, raised on reeded legs, width 45insCondition Report: Wood worm holes evident to frieze of seat. Split to the roll. Some veneer loss to roundels. Some bruising and damage to reeding of legs. Some worm damage to seat ends. Various scratches and scores. Would benefit from light restoration. Maximum height 18.5ins.
Fairy Tales, by Hans Andersen, with illustrations by Kay NielsenCondition Report: spine scuffed top and bottom binding a little loose and scuffs to corners of front and back boards, very very light foxing. All plates present and in a condition commensurate with age and wear and have no damage.
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