Edward Weston (1886-1958), an influential American photographer known for his contributions to modern photography and his focus on capturing the essence of everyday objects and landscapes through a precise and artistic lens.Key points about Edward Weston and his work:1. **Sharp Focus and Precision:** Weston was known for his technical mastery and ability to achieve remarkable detail and sharpness in his photographs. He paid meticulous attention to composition, lighting, and form.2. **Still Life and Nudes:** One of his significant bodies of work includes his still life photographs of everyday objects such as peppers, shells, and vegetables. He also gained recognition for his nudes, which he approached with a sculptural sensibility.3. **Group f/64:** Weston was a founding member of Group f/64, a collective of photographers who championed a straight approach to photography, emphasizing sharp focus and clear detail, often achieved through smaller apertures.4. **Landscape Photography:** Weston captured the landscapes of the American West, often depicting natural forms and scenes with a unique perspective. His landscapes focused on the patterns and textures found in nature.5. **Imogen Cunningham and Modern Photography:** Weston was friends with fellow photographer Imogen Cunningham, and their artistic relationship influenced each other's work. They were both instrumental in shaping the development of modern photography.6. **West Coast Aesthetic:** As part of the West Coast modernist movement, Weston's work often reflected the unique aesthetic and approach of photographers on the Pacific coast of the United States.7. **Influence:** Edward Weston's work continues to be admired and studied by photographers and artists for his innovative approach to form, composition, and light.8. **Legacy:** His photographs are celebrated for their timeless quality and his ability to transform ordinary subjects into objects of beauty and contemplation.Edward Weston's contribution to photography's artistic evolution, his dedication to technique, and his pursuit of elevating the everyday to the realm of art have left a lasting mark on the medium. His legacy endures through his body of work and his impact on subsequent generations of photographers.Measures 6.3 x 5.75.Printed circa 1940s.
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Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he moved to New York City and became an art director and graphic designer. He built a reputation in graphic design that led to receiving New York Art Director's Club Awards. His posters for The New York Times were exhibited by and formally entered into the permanent graphic design collection of The Museum of Modern Art. In mid-career he became a self-taught explorer in fashion photography who played light and shadow against skin and fabric to not simply dramatize the clothes, but exalt the body as well. His images reflect his strong sense of design in a style and manner both classic and contemporary. He elicits from his subjects images of intense eroticism and sensuality that convey both an innocence and candor uncommon in their warmth and beauty and sense of the human ideal. His photographs have appeared in such diverse publications as American Vogue, Harper's Bazaar, Playboy, Essence, Interview, and Men's Bazaar Italia. His books include "Ken Haak's Private Collection," "Summer Souvenirs," "Sleeping Beauties" and the illustrations for the exercise book "Working Out." (Rosehill Press, 122 E. 30th St. New York, NY).Printed circa 1980s.Measures 5.4 x 8.2.
Paul Cézanne (1839–1906) was a French Post-Impressionist painter whose work laid the foundation for the transition from 19th-century art to the revolutionary styles of the 20th century. Born in Aix-en-Provence, France, Cézanne's artistic career began in the mid-19th century, and he played a crucial role in the development of modern art.Cézanne's early works were influenced by Impressionism, but he eventually moved away from its emphasis on capturing fleeting moments and light effects. He developed a unique style that focused on geometric forms, spatial relationships, and the manipulation of color and perspective.Some of Cézanne's well-known paintings include "Mont Sainte-Victoire," "The Card Players," and "Still Life with Apples." His landscapes and still lifes are celebrated for their exploration of form, structure, and the use of color planes, which would become foundational elements of Cubism and other modern art movements.Cézanne's approach to painting had a profound impact on artists such as Pablo Picasso and Georges Braque, who later developed Cubism. Despite facing initial rejection and criticism, Cézanne's work gained recognition in the later years of his life, and he is now considered one of the most influential figures in the history of art. His innovative techniques and emphasis on form over color had a lasting impact on the trajectory of modern art.
The MD 500 is a family of light utility civilian and military helicopters produced by MD Helicopters, Inc. (formerly McDonnell Douglas Helicopter Systems). The MD 500 series includes a range of variants, and it is known for its agility, versatility, and reliability. Here are some key features and information about the MD 500:1. **Variants:** - The MD 500 series includes various models and configurations, each designed for specific roles. Notable variants include the MD 500 Defender, MD 530F, and MD 520N.2. **Design:** - The MD 500 is a light, single-turbine engine helicopter with a five-bladed main rotor. It typically has a distinctive, streamlined appearance.3. **Roles:** - The MD 500 series is used in various roles, including civilian applications such as law enforcement, emergency medical services (EMS), and corporate transport. Military versions are often used for reconnaissance, light attack, and training.4. **Performance:** - The MD 500 is known for its agility and high performance. It has a reputation for being a nimble and responsive helicopter, suitable for a range of missions.5. **Cabin Configuration:** - The cabin configuration of the MD 500 can vary based on the specific model and purpose. Some variants have a two-seat cockpit, while others may have additional seating or equipment for specialized missions.6. **Law Enforcement:** - The MD 500 is a popular choice for law enforcement agencies worldwide. It is often used for police patrol, surveillance, and other public safety missions.7. **Military Applications:** - Military variants of the MD 500 are utilized for roles such as light attack, reconnaissance, and training. The MD 530F Defender, for example, is a military version equipped for armed scout and light attack missions.8. **NOTAR System:** - Some models in the MD 500 series feature the NOTAR (NO TAil Rotor) system, which replaces the traditional tail rotor with an enclosed, variable-pitch fan. This system enhances safety, reduces noise, and improves performance.9. **Production History:** - The MD 500 series has been in production for several decades, with continuous updates and improvements over the years. It has gained popularity in both civilian and military markets.10. **Civilian Applications:** - In the civilian sector, the MD 500 is utilized for tasks such as aerial surveying, utility work, and private transportation.The MD 500 series has proven to be a versatile and enduring helicopter platform, serving various missions across different sectors. Its compact size, agility, and adaptability make it well-suited for a wide range of applications.Measures 15 x 4 x 9.
Edward Henry Potthast (1857–1927) was an American Impressionist painter known for his cheerful and colorful beach scenes, depictions of leisure, and outdoor genre scenes. He was born on June 10, 1857, in Cincinnati, Ohio.Key points about Edward Potthast include:1. **Artistic Training:** Potthast received his early artistic training at the McMicken School of Design in Cincinnati. He continued his studies in Europe, particularly in Munich, Germany, where he was exposed to European art movements.2. **Impressionism:** Potthast was influenced by Impressionism, a movement that emphasized capturing the fleeting effects of light and atmosphere. His work often featured loose brushstrokes, vibrant colors, and an emphasis on the play of light.3. **Beach Scenes and Seascapes:** Potthast became particularly known for his beach scenes and seascapes, which often depicted families, children playing, and people enjoying leisure activities by the shore. His beach scenes are characterized by a sense of joy and relaxation.4. **Summer Resorts:** Many of Potthast's paintings showcased scenes from popular summer resorts, including those along the Atlantic coast. His ability to capture the carefree spirit of summer contributed to the popularity of his work.5. **Exhibitions and Recognition:** Potthast exhibited at major art institutions, including the National Academy of Design and the Art Institute of Chicago. His works received positive reviews, and he gained recognition for his contributions to American Impressionism.6. **Cincinnati Art Club:** Potthast was a member of the Cincinnati Art Club and later became associated with The Ten American Painters, a group of progressive American artists who broke away from traditional exhibition practices.7. **Teaching Career:** In addition to his painting career, Potthast taught at the Art Academy of Cincinnati. He shared his knowledge and passion for art with aspiring artists.8. **Legacy:** Edward Potthast's legacy lies in his ability to capture the simple pleasures of life, especially those associated with summer and leisure. His paintings continue to be celebrated for their charm, vibrant color palette, and the sense of nostalgia they evoke.Edward Potthast passed away on March 9, 1927, in New York City. His works are held in various museums and collections, and his contributions to American Impressionism are recognized as part of the broader artistic landscape of the late 19th and early 20th centuries.Measures 30 x 40 (image), 34.5 x 44.5 (framed).Sold "after" Potthast.
The M1 Carbine is a lightweight, semi-automatic rifle that was widely used by the United States military during World War II, the Korean War, and beyond. Here are some key features and details about the M1 Carbine:1. **Design and Origin:** The M1 Carbine was designed as a lightweight alternative to the larger and heavier M1 Garand rifle. It was developed by firearms designer David Marshall Williams.2. **Caliber:** The M1 Carbine was chambered for the .30 Carbine cartridge, which is a light, high-velocity round.3. **Action:** It featured a gas-operated, semi-automatic action, allowing for a faster rate of fire than traditional bolt-action rifles.4. **Magazine:** The standard magazine capacity was 15 rounds, although higher-capacity magazines were also available.5. **Weight and Length:** The M1 Carbine was notably lighter and more compact than the M1 Garand, making it suitable for support troops, officers, and other personnel who required a more maneuverable firearm.6. **Sights:** It had adjustable iron sights, with a rear aperture sight and a protected front sight.7. **Bayonet Lug:** The M1 Carbine had a bayonet lug for attaching a bayonet.8. **Wooden Stock:** Many early models had a wooden stock, and later variants could feature synthetic stocks.9. **Wartime Use:** The M1 Carbine saw widespread use during World War II and the Korean War. It was popular among troops who needed a compact and lightweight rifle for various roles.10. **Post-War Use:** The M1 Carbine remained in service beyond the Korean War and was used by various military and police forces. It also became a popular civilian firearm.11. **Collector's Item:** Due to its historical significance and popularity, the M1 Carbine is a sought-after collector's item, and original military-surplus rifles are often sought after by firearms enthusiasts.The M1 Carbine played a significant role in mid-20th-century military history and is known for its versatility and ease of use. Like all firearms, the ownership, use, and transfer of M1 Carbines are subject to legal regulations, and individuals should be familiar with applicable laws.Non-firing replica.35.6 length.5 lbs.
A Queen Anne figured walnut and possibly yew wood chest of drawers, early 18th century, with a moulded and cross-banded veneered top, over two short and three long graduated drawers, divided by ovolo mouldings, and set on turned bun feet, with panelled sides, 99cm high, 96cm wide, 56cm deep Overall a pretty well balanced example, with consistent light coloured walnut veneers, replaced handles and escutcheons It has been suggested that some elements of this chest may be yew wood, Further images are included.
A Regency silver wine funnel and stand, hallmarked London 1805, makers mark for John Emes, in three parts, the bowl shaped funnel, with removable spout section, reeded rim and engraved with a light vine border, includes belt loop; also with a well hallmarked stand, conforming dished form (hallmarks on the funnel are fairly rubbed), 16cm high, stand 10cm diameter, 151g (3)
A Regimental George III silver teapot, hallmarked London 1784, by William Tutton (Tweedie), of oval lobed form, with flush hinged lid, pineapple finial, slender spout and wood side handle, lightly engraved with flower heads and repeating borders, the body with crest for ‘Somerset Light Infantry’, inscribed ‘JELLALABAD’. The Regiment has an interesting history and were part of the force that finally defeated Bonnie Prince Charlie at the battle of Culloden in 1746, 25cm, 425g (gross)
A fine Scottish Point to Point silver presentation square salver, hallmarked Glasgow 1925, of deep dished form with four feet, all with individual hallmarks, the centre engraved with two armorials for the Lanarkshire and Renfrewshire Hunt, and inscribed ‘Light Weights’, 30th March 1926…’, 26cm wide, 1190g see previous lot for second related salver
A good quality Mappin & Webb 'Prince's Plate' silver-plated four-piece tea and coffee service - oval with half gadrooned decoration and ebonised composite handles, the coffee pot 23.75 cm high, in very good condition; together with a silver plate on copper two-light candelabra, with reeded scroll arms and floral, scroll and pineapple borders, 28 cm high, plating worn; and a pair of silver-plated sauce boats. (7)
A set of six Adderleys 18th century 'Bow' Quail pattern octagonal plates - 1920s-30s reproductions of the 18th century originals by the Bow factory, red printed and impressed factory marks, 23 cm diameter, one with chip to corner, one with chip to underside.* Condition: Four in good condition, with just light gilt wear. One with small chip to one corner and one with larger chip to underside on one corner.
A small collection of brass ware - including an antique brass bath tub rack, 65 cm long, a/f; an early 20th century brass oil lamp with repoussé foliate and scrollwork decoration, with glass chimney, reservoir dented; a small Edwardian brass fire fender with lappet decoration, 47 cm long; a brass, china and mahogany double-light switch with connecting bar; and a cast brass horse coat hook. (5)
A Canon EOS 40D 10.1 MP Digital SLR camera kit - with EF-S 17-85mm f4-5.6 IS USM lens, with battery and charger, EOS shoulder strap, original box and manual, the camera in working order, the lens with autofocus issue; together with a Sigma 18-50mm f2.8 EX DC Zoom lens with Canon mount (in good working order).* Condition: The camera body and lenses are all in very good physical condition, with evidence of only light use. The camera functions well with the Sigma lens fitted and both lenses are clear of haze dust or fungus - they are very clean. The Canon lens does function but the autofocus function struggles to focus when the lens zoom is used beyond approx. 33-35mm, which is apparently a common issue with this lens - manual focus remains functional.
A small collection of Royal Crown Derby Old Imari 1128 pattern - comprising a milk jug, 9.6 cm high; a teacup and saucer, the cup 10.2 cm diameter; and a coffee can and saucer; together with four Royal Crown Derby hexagonal trinket boxes; and a Crown Staffordshire coffee can and saucer.* Condition: All of the Royal Crown Derby pieces are in VG condition with no damage - the large saucer has a spot of blue glaze to the underside of the rim, which looks like a chip in the photos, but is not damage. A few tiny light scuffs to the gilt. The Crown coffee can has a hairline crack to the saucer and some gilt wear, notably to the handle.
A pair of gilt antique style mirrored candle wall sconces - in the 18th century style, the single arm with foliate nozzle, 34 cm high; together with a similar larger wall light, electrified, by Deknudt Decora of Belgium, 50 cm high; a carved giltwood floral and foliate wall bracket, 25.5 cm high; and a carved giltwood scrolled wall bracket with floral swag, 39.5 cm high. (5)
A small collection of vintage retro bar ware - including an electric cast metal Worthington E light-up sign, 17 cm high; a JPS pottery jug; a commemorative Bell's Whisky decanter; a plastic Gilbey's London Dry Gin jug; and an ice bucket; together with a small group of miniature fishing floats.
Maze Living outdoor chairs x 2, upholstered in light grey, together with matching outdoor pouffe with black metal frame and legs + 4 tropical design cushions. Chairs 90cmW x 82cmH x 90cmD Pouffe 85cmW x 85cmD x 42cmH. 1 chair has a very small tear to front RHS just above the leg. See photograph. No other visible tears to fabric on chairs or pouffe, some marks. Very good overall condition.
A three-piece porcelain candelabra and candlestick garniture - late 20th century, the four-light candelabra decorated with flowers (one branch with repair), the candlesticks with seated putto, blue printed factory marks, the candelabra 28.5 cm high; together with a similar pair of slightly smaller porcelain candlesticks (one with repair). (5)
A collection of 1940s-60s cameras - mostly 35mm, including an AGFA Optima III S; a Yashica D twin-lens reflex camera; two AGFA Silettes (one original, one Type 2 with Sixon light meter); a Braun Paxette; a Carl Zeiss Jena Werra; a Zeiss Ikon Nettar 120 folding bellows camera; three Kodak Retinette 1B; a boxed Ensign Selfix 16-20 folding bellows camera; a Halina 2000; a Kodak Cresta 3; together with accessories including light meters; a Kodak Brownie Flasholder 4; an Aires Tele-Attachment Lens 8cm; etc.
Maze Living outdoor chairs x 2, upholstered in light grey, together with matching outdoor pouffe with black metal frame and legs + 4 tropical design cushions. Chairs 90cmW x 82cmH x 90cmD Pouffe 85cmW x 85cmD x 42cmH. Condition: 1 chair has a small tear to front RHS just above the leg. See photograph. No other visible tears to fabric on chairs or pouffe, some marks. Very good overall condition.
Five diecast Austin Mini models - comprising two 1960s Corgi Toys Minis - a red 225 Austin Seven Mini and light blue 226 Morris Mini Minor (F-G); a Vanguards VA 02525 Mini Cooper Smoke Grey (M, box VG); and two by Oxford Diecast 'On The Road', comprising a light blue Minivan and a green Mini Pick Up with tonneau (M, boxes VG).
A large, good quality Kashan style hand-knotted wool rug - probably mid-20th century, the central eight lobed floral medallion on an ivory field with all over floral and foliate polychrome decoration, within a buff floral and foliate meander border and conforming light blue and red guards, 372 x 273 cm.
A mid-century 18ct white gold and diamond Rolex ladies Art Deco style wristwatch - the 28 x 14.5mm case stamped 'R.W.C. Ltd', with chased foliate borders and single cut diamonds to the lugs, the silvered, Arabic dial fronting a Rolex Prima 15 jewel movement, manual wind, with black silk and 9ct white gold strap.* Condition: Does wind and run briefly, but soon stops. Silvering to dial tarnished and has some surface scratches. Case good with just light scratching - diamonds all secure and original. Probable old soldered repair to a split to crown side of case.
A Georgian-style tan leather and walnut porter's chair - the shaped, hooded back with brass studded leather panels, enclosing a buttoned leather seat back, scroll arms and loose squab cushion, raised on square tapered legs, 85 cm wide, 160 cm high, 87 cm deep.* Condition: In good condition overall. The structure is very solid with no movement. No repairs. The leather is in good order, with no fading and just age related light cracking to the seat cushion and curved edges of the hood, but this is to be expected and is not at all unsightly. There are no rips, tears or splits to the leather. A few minor scuffs and scratches. All buttons present and securely attached.
DALI, SALVADOR (1904-1989), 'Gala', 925 Silberrelief, 20. Jh., weiblicher Rückenakt: Dalis Lebensgefährtin in Lichtquadraten stehend, sowie perfekte Illusion: Portrait Abraham Lincoln bei Zunahme der Entfernung vom Betrachter zum Bild, u. re. der Mitte signiert, HxB ca. 22x17 cm (ca. 38x33 cm mit Rahmen), Alters- und Beriebspuren. VERSO Zertifikat mit Signatur und Nummerierung '783'. Mit Rahmen vor gebräuntem und hinter transparentem Plexiglas. Teilweise Kratzspuren und Flecken. Kaufrechnung anbei.| DALI, SALVADOR (1904-1989), 'Gala', 925 silver relief, 20th century, female nude from behind: Dali's companion standing in squares of light, and perfect illusion: portrait of Abraham Lincoln increasing the distance from the viewer to the painting, signed lower right of center, hxw approx. 22x17 cm (approx. 38x33 cm with frame), signs of age and wear. VERSO certificate with signature and numbering '783'. With frame in front of browned and behind transparent plexiglass. Partial scratches and stains. Purchase invoice enclosed.
ILARIO 9-tlg Konvolut Fahrzeugmodelle im Maßstab 1:43, bestehend aus grünem MB 710SS 1929 Cabrio; roter MB 680S Rennsport 1927; blauer Roadster Farina Cad 452 A V16; schwarzer MB 540K Cabrio Norrmalm; dunkelblauer T57SC Roadster Corsica sowie ein hellblauer T57SC Roadster Corsica; dazu 3 Rennwagen von Minichamps, je in Orig. Verpackung, Boxen mit Lagerspuren, sonst guter Erhalt.| ILARIO 9-piece collection of vehicle models in a scale of 1:43, consisting of green MB 710SS 1929 convertible; red MB 680S racing 1927; blue roadster Farina Cad 452 A V16; black MB 540K convertible Norrmalm; dark blue T57SC Roadster Corsica and a light blue T57SC Roadster Corsica; plus 3 racing cars from Minichamps, each in original packaging, boxes with storage marks, otherwise in good condition.
CHROMES/ILARIO 7-tlg Konvolut Fahrzeugmodelle im Maßstab 1:43, LIMITIERT! bestehend aus schwarzem HS-K6 Brandone Cabriolet, limitiert auf 170 Stück; hellblauem Talbot Lago T150 Roadster, limitiert auf 135 Stück; schwarzer Bug T57S Atlantic, limitiert auf 50 Stück und einem schwarzem Voisin C15 Roadster, limitiert auf 170 Stück sowie ein hellblauer Phantom Experimental 17EX Torpedo Close, je in Acrylbox mit Orig.-Umverpackung und auf dem zugehörigen Sockel befestigt. Dazu 2 Minichamps Oldtimer von Horch.| CHROMES/ILARIO 7-piece collection of vehicle models in a scale of 1:43, LIMITED! consisting of black HS-K6 Brandone Cabriolet, limited to 170 pieces; light blue Talbot Lago T150 Roadster, limited to 135 pieces; black Bug T57S Atlantic, limited to 50 pieces and a black Voisin C15 Roadster, limited to 170 pieces and a light blue Phantom Experimental 17EX Torpedo Close, each in an acrylic box with original outer packaging and attached to the corresponding base. Plus 2 Minichamps vintage cars from Horch.
Orientteppich. 'BIDJAR'/INDIEN, 20. Jh., ca. 350x253 cm. Das Mittelfeld, das ein schwarzes Zentralmedaillon mit entsprechenden Eckfüllungen auf hellrotem Grund zeigt, ist mit einem Herati-allover Muster überzogen. Die schwarze Hauptbordüre ist mit einem Schildkrötmuster durchgemustert. Alters- und Gebrauchsspuren, besch. Erworben in Bayern in den 1990er Jahren zum Kaufpreis von umgerechnet ca. 4000.-€.| Oriental carpet. 'BIDJAR'/INDIEN, 20th century, approx. 350x253 cm. The central field, which shows a black central medallion with corresponding corner fillings on a light red ground, is covered with a Herati all-over design. The black main border is patterned throughout with a turtle design. Signs of age and wear, damaged. Acquired in Bavaria in the 1990s at a purchase price of approx. 4000.-€.
MASTERPIECES OF ART - "The Christmas Edition", 999 Silber, 2011, eine Silbermünze der Cook Inseln 2011, 3 Unzen (93,3 g.) 999 Silber, mit der Darstellung in authentischen Farbauftrag "Die Anbetung der Hirten" von Charles LeBrun und 17 rahmenden Swarovski Steinen in hellblau UND Hochbleikristall-Schneeflocke aus dem Haus Swarovski mit Bohrung zum Aufhängen (mit Echtheitszertifkat), limitierte Auflage von 1.689 Exemplaren.| MASTERPIECES OF ART - "The Christmas Edition", 999 silver, 2011, a 2011 Cook Islands silver coin, 3 ounces (93.3 g.) 999 silver, featuring the authentic colour-work "The Adoration of the Shepherds" by Charles LeBrun and 17 framing Swarovski stones in light blue AND high lead crystal snowflake from the House of Swarovski with hole for hanging (with certificate of authenticity), limited edition of 1,689 pieces.
Linhof Technika 13 x 18 cm Ausrüstung, ab 1938Linhof, München. 1) Technika 13 x 18 cm, Nr. 3364, mit Schneider Symmar 5,6/180 mm, Verschluß lange Zeiten träge, mit Mattscheibenrückteil und 6 Kassetten mit Planfilm-Einlagen. (3/3) - 2) Schneider Tele-Xenar 5,5/360 mm, Glas unter Punktlicht sauber, Compound-Verschlußzeiten stimmen, auf Linhof-Platine. (2-/2-) - 3) Schneider Componon-S 5,6/150 mm, auf Linhof-Platine. (3/3) - Und: 4) Componon-S 2,8/50 mm und Minolta E-Rokkor 4,5/50 mm. (3/3) Start Price: EUR 180 Zustand: (-/-)Linhof Technika 13 x 18 cm Outfit, 1938 onwardsLinhof, Munich. 1) Technika 13 x 18 cm, no. 3364, with Schneider Symmar 5.6/180 mm, focusing screen back and 6 cassettes with sheet-film holders, slow shutter speeds stick. (3/3) - 2) Schneider Tele-Xenar 5.5/360 mm, on Linhof plate-holder, glass clean under point light, Compound shutter times accurate. (2-/2-) - 3) Schneider Componon-S 5.6/150 mm, on Linhof plate holder. (3/3) - And: 4) Componon-S 2.8/50 mm and Minolta E-Rokkor 4.5/50 mm. (3/3) Start Price: EUR 180 Condition: (-/-)
Hypergon 9 cm, um 1925C.P. Goerz, Berlin. Nr. 629705, Serie X, für 2 Blenden 22 und 32 (Gravur in alten Blendenwerten 48 und 90), Glas unter Punktlicht außen sauber, innen etwas Staub, Version ohne Sternblende. - Dabei: Replikas des Blendenhalters aus Messing für die Stolze‘sche Sternblende, des Wegklapp-Hebel und des Anschraubring. - Sehr seltenes und gesuchtes Weitwinkel-Objektiv mit verzeichnungsfreiem Bildwinkel. Start Price: EUR 200 Zustand: (3/3)Goerz Hypergon 9cm Lens, c. 1925C.P. Goerz, Berlin. No. 629705, series X, for 2 stops 22 and 32 (values 48 and 90 according to the older German calculations engraved here), version without rotating stops, exterior optics clean under point light, interior with some minor dust. - In addition: Replica brass stop-holders for rotating stops, folding lever and the screw-on ring. - Very rare and sought-after wide-angle lens. Start Price: EUR 200 Condition: (3/3)
Nikon SP, ab 1957Nippon Kogaku, Japan. Nr. 6212595, Tuchverschluß läuft, Entfernungsmesser genau, Kamera mit einer Umbau-Eigenart - auf Wunsch des Vorbesitzers wurde die Sicht durch den Weitwinkelsucher (28/35 mm) von innen gesperrt, vermutlich zur Reduzierung der Reaktionszeit für spontane Photos und um sich nur auf einen einzigen Sucher zu konzentrieren. Mit Nikkor-H.C 2/5 cm Nr. 617842, Glas unter Punktlicht sauber. Mit Original-Verkaufsschachtel, am Boden noch ohne Nummer-Einträge. Hervorragende Anwenderkamera. Start Price: EUR 400 Zustand: (3/2)Nikon SP Camera, 1957 onwardsNippon Kogaku, Japan. No. 6212595, with Nikkor-H.C 2/5 cm lens no. 617842 and original un-numbered box, rangefinder accurate, optics clean under point light, an excellent user camera. - Note: The camera has been subject to an unusual conversion; at the request of the previous owner, the view through the wide-angle viewfinder (28/35 mm) was blocked from the inside, presumably due to loss of reaction time for spontaneous photography and to heighten concentration on the single viewfinder. Start Price: EUR 400 Condition: (3/2)
Leica IIIc K Kugellager, um 1943/45Leitz, Wetzlar. Leica IIIc, grau, Verschluß kugelgelagert, ohne auf Verschlußtuch aufgedrucktes "K", Nr. 390130 K, mit Leitz Xenon 1,5/5 cm Nr. 491270 D.R.P., unter Punktlicht nur unbedeutender, sehr schwacher Belag sichtbar, im grauen Leder-Bezug an der Seite rechts ein etwa 2 cm langer, kaum sichtbarer Riß. Sehr schön erhaltene Kamera. Start Price: EUR 800 Zustand: (3+/3)Leica IIIc K Ball-Bearing, c. 1943/45Leitz, Wetzlar. No. 390130K, grey paint, with ball-bearing shutter, the usual printed "K" on the shutter curtain absent, with Leitz Xenon 1.5/5 cm lens no. 491270 D.R.P., very faint film visible on glass under point light, approximately 2 cm barely visible hairline crack in the grey vulcanite on the right. A very well-preserved camera. Start Price: EUR 800 Condition: (3+/3)
Kinofilmprojektor "F.H. 66", um 1950Frieseke & Hoepfner, Erlangen. Kino-Theatermaschine für 1200m-Spulen in zwei Feuerschutztrommeln. Antrieb durch Motor oder Handkurbel, Lichttonabtastung, vor das Projektionsobjektiv kann wahlweise für die Projektion von Cinemascope-Breitwandfilmen ein Möller-Anamorphot eingeschwenkt werden. Im Lampenhaus die vielfach verstellbare Original-Kohlebogenlampe mit großem Hohlspiegel. Bei dieser "F.H. 66" handelt es sich um eine seltene sogenannte Linksmaschine. Wenn im Vorführraum als Ergänzung statt einer zweiten Rechtsmaschine eine Linksausführung gegenüberstand, durfte ein Filmvorführer beide Maschinen bedienen. Die strengen Feuerschutzbestimmungen der Nitrofilm-Zeit verlangten pro Rechtsmaschine einen Vorführer. - Die "F.H. 66" galt wegen ihres Designs und ihrer soliden Ausführung als der Rolls-Royce unter den Kinoprojektoren. Bei der Markteinführung war in der Fachpresse zu lesen: "Der neue Projektor ist keine der üblichen Metallkisten. Er gleicht eher einer Plastik des Bildhauers Henry Moore." - Blickfang für das Foyer eines jeden Film-, Kino- oder Technikmuseums. - Elektrische Funktion nicht geprüft. Start Price: EUR 1400 Zustand: (2/2)F.H. 66 Cinema Film Projector, c. 1950Frieseke & Hoepfner, Erlangen, Germany. For 1200-meter reels in two fireproof drums, hand-turned or with motor-drive, light tone scanning, with original multi-adjustable carbon arc lamp with a large concave mirror in the lamp house and Möller anamorphic lens that can be moved in front of the projection lens for Cinemascope widescreen films, electrical functions untested. - Note: This "F.H. 66" is a rare so-called left-hand machine. If there were a left-hand version in the projection room instead of a second right-hand machine, a projectionist was allowed to operate both machines. The strict fire protection regulations of the Nitrofilm era required one projectionist per right-hand machine. - The "F.H. 66" was considered the Rolls-Royce of cinema projectors because of its solid design and construction. At the market launch, the trade press reported: "The new projector is not one of the usual metal boxes. It is more like a sculpture by the sculptor Henry Moore." Start Price: EUR 1400 Condition: (2/2)
4 optische Instrumente von Carl Zeiss, Jena, um 19651) Binokulares Auflichtmikroskop, Nr. 378959, Okulare 25x, seitliche Beleuchtungseinheit, Höhe 36 cm. - 2) Kollimator, zur Erzeugung von Licht mit annähernd parallelem Strahlengang, Länge 42 cm, in Kasten. - 3) Mikroskop, Nr. 1955, auf schwerem Fuß, Höhe 29 cm. - Und: 4) Photo- und Projektionszubehör für Zeiss-Mikroskope, in Kasten. Start Price: EUR 180 Zustand: (3/-)4 Optical Instruments by Carl Zeiss, Jena, c. 19651) Binocular reflected light microscope, no. 378959, eyepieces 25x, side illumination unit, height 14 in. - 2) Collimator, for producing light with an almost parallel beam path, length 16 ½ in., in box. - 3) Microscope, no. 1955, on heavy base, height 11 3/5 in. - And: 4) Photographic and projection accessories for Zeiss microscopes, in box. Start Price: EUR 180 Condition: (3/-)
4 optische Instrumente, um 19601) Modell 570 Stereo Star Zoom Microscope, American Optical Company, 0,7x bis 4,2x, montiert an schwerem Stativ. - 2) Askania Winkelnormal, Prüfgerät für 90?, 45? und 0?, in Holzkasten. - 3) Okular für Vermessungsinstrument, ohne Herstellerangabe, in Holzkasten. - Und: 4) Auflichtmikroskop, R. Fuess, Berlin, Tubus seitlich verschiebbar, Höhe mit Stativ 29 cm. Start Price: EUR 120 Zustand: (2-3/-)4 Optical Instruments, c. 19601) Model 570 Stereo Star Zoom Microscope, American Optical Company, 0.7 to 4.2x, on heavy tripod. - 2) Askania angle standard, testing device for 90?, 45? and 0?, in wood case. - 3) Eyepiece for surveying instrument, without maker’s name, in wood case. - And: 4) Reflected-light microscope, R. Fuess, Berlin, tube can be moved sideways, height with stand 11 2/5 in. Start Price: EUR 120 Condition: (2-3/-)
Leica IIIg, Summarit und Proximeter, um 1959Leitz, Wetzlar. Leica IIIg Nr. 956115, Filmtypen-Schildchen auf der Merkscheibe fehlt, Verschluß und Entfernungsmesser genau, mit Summarit 1,5/5 cm Nr. 951594, Feet-Skala, nur unter Punktlicht innen Belag sehbar, dazu ein recht seltenes Proximeter II von Hermann Schneider, Hamburg. Start Price: EUR 500 Zustand: (3/3)Leica IIIg Camera, Summarit Lens and Proximeter, c. 1959Leitz, Wetzlar. Leica IIIg no. 956115, with Summarit 1.5/5 cm lens no. 951594, feet scale, film type label on the disc missing, shutter and rangefinder accurate, light interior fog visible under point light. With very rare Proximeter II by Hermann Schneider, Hamburg. Start Price: EUR 500 Condition: (3/3)
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