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Click here to subscribewith fluted sides, in fitted red leather-covered casethe case 10.5cm wideThe lighter stamped underneath. There are some scratches and dings to the surface overall. The lighter strikes properly when used but does not light, presumably due to a lack of fluid. There are some scuffs to the case.
shaped oblong and with easel back, the front of the mount with light blue guilloche enamel, with brass easel back, the timepiece with Arabic numerals10cm wideMarked on back with maker's mark and further stamped 'Sterling Silver'. There are no English hallmarks. There is some scratching to the enamel, consistent with age and use. The dial with staining marks in parts and scratches. Movement winding smoothly and in going order.
(calibre 600) manual wound lever movement signed and numbered 19082338, adjusted to two positions, black dial with Arabic luminous numerals, snap-on back stamped inside with maker's mark Omega Watch Co and numbered 14757 61 SC, Omega strap and Omega steel buckle, with Omega service case34mm wideCase with light surface scratches, case back outer edges with minor dents, crown with Omega logo, Omega strap and buckle have been replaced, dial has been totally restored but to a high standard, hand setting correctly and winding smoothly, movement in going order.
(calibre 1342) quartz battery driven movement signed and numbered 43621535, silvered dial with baton markers, date aperture, tonneau shaped case, back cover with sea horse Seamaster emblem and numbered 1342, Omega stainless steel bracelet with a deployant clasp numbered ST.1340.328, with Omega booklet35mm wideCase and bracelet with light surface scratches, dial is clean, movement not tested with a new battery, movement not working.
(calibre 960) manual wound lever movement signed and numbered 38402104, white dial with Arabic numerals, seconds dial, snap-on back stamped inside with maker's mark Omega Watch Co and numbered 121 1740 47mm wideCase with light surface scratches, dial is clean, hand setting correctly and winding smoothly, movement in going order.
An Unusual Gilt Brass and Onyx Strut Timepiece, retailed by Edward & Sons, Glasgow & London, circa 1890, light grey veined onyx case with engraved scroll gilt brass dial surround, rope twisted design outer borders, back strut with retailer's signature, 2-1/2-inch silvered Roman numeral dial, single barrel movement with a platform lever escapement, 21cm highOnyx outer edges with minor chips in parts, brass bezel is discoloured and one dent, dial is discoloured, movement is winding smoothly and in going order, with the original platform escapement.
Howard & Sons Ltd: An Early 20th Century Deep-Seated Armchair, recovered in light grey fabric, with feather-filled squab cushion above a plain seat, on square tapering forelegs with castors, the rear leg stamped and numbered 1965 568365cm by 85cm by 86cmThe frame is structurally sound and the upholstery is good. The front-right leg has a split/repair (as photographed). The chair is still structurally sound.
Shah Savan RunnerNorth West Iran, circa 1910The field with a column of stars enclosed by borders of polychrome stepped flowerheads and wide guard stripes420cm by 95cmBoth ends with fabric strip sewn to reverse. Selvedges complete. Pile fair but some areas of light wear. There are two small areas where fabric has been sewn to the back to support tiny areas of weakness. Cut and shut (reduced in size).#.
Afshar RugSouth East Iran, circa 1920The pale blue abrashed field with three medallions surrounded by tribal devices enclosed by flowerhead borders flanked by barber poles 158cm by 122cmOne end complete, other end with one/two rows of knots missing on outer guard, stripe with tiny reweave, approximately 2 by 2cm in one corner, selvedges complete, pile fair/light wear in some areas, couple of small old repairs
J* Fletcher (19th / 20th century)Pause on the road, country girl and gentleman in conversation at a cottage doorOil on canvas, 75cm by 126cmIn an overall fairly poor state of preservation. Relined which is coming adrift at the outer edges of the original canvas with various losses and abrasions to edges. Canvas is slightly loose in general. Covered in a thick layer of dirt and discoloured varnish. Circular hole to canvas above trees approx centre no more than 3-4mm across. Further loss above and left. Scratch to upper part of canopy of trees, upper left-hand side. Small loss/damage between the two figures at approx knee level roughly 4cm from standing gent. Further essentially vertical area of paint loss below the horse's stomach. behind upper right hand front leg. Further small loss between legs of same grey horse in general. Small losses/scratches to lower stomach of back Chesnut horse and midpoint of back leg. Further losses and scratches within lower right-hand corner in background immediately behind ducks etc. Repair with associated retouching visible by eye above the horse's head within the foliage. Not examed with a UV light, a.f.
Edmund Aubrey Hunt (1855-1922) AmericanFigures in a Middle Eastern street lined with market stallsSigned, watercolour and gouache, 19cm by 28cmTwo evident original pencil edge marks along lower edge. Possibly executed on a tinted paper, however areas of exposed/less worked paper show a deep ochre tone and probably the result of additional staining and discolouration. Some evidence of fairly light bleaching to colour as the blue of the draped cloth left hand side foreground and the red of the turbans worn by the figures immediately right of this would seem reduced as well as the signature etc... Small amount of tiny dark coloured flecks to centre foreground which would appear to be contemporary to execution. No evidence of cockling. Not examined out of the frame. Provenance: Private Collection, North Yorkshire
Robert Hills (1769-1844)Donkey herdsmen and cattle on a wooded country laneSigned and dated 1811, pencil and watercolour, 42.5cm by 31cmEvidence of fairly light time staining to sheet which is visible within the less worked or exposed areas of paint within the sky to upper left hand corner. Some general fading to integrity of pigments. Some possible deterioration to surface lower left hand side edge and corner. No evidence of cockling, not examined out of the frame.
Arthur Longlands Grace (19th century)"Picking a Winner"Signed, inscribed verso, oil on canvas, 69.5cm by 90cm Provenance: Cooling Gallery, London; John Noot, Broadway, July 4th, 1991, for £7,950In an overall good and original state of preservation, light surface dirt and discoloured varnish. Some minor imperfections to extremities and pinhole evident lower right. Possible small amount of retouching or strengthening to some sporadic outlines and definition of timbres to ceiling. The lower part of the legs, the central legs to the gate leg table, a few minor dashes to the boot of the gentleman seated on the far right-hand side, and one or two minor retouches elsewhere. Otherwise in a good and stable state of preservation.
James Webb (1825-1875)The Bass RockSigned and dated (18)72, oil on panel, 22cm by 35cmGlazed. Some relatively light surface dirt and discoloured varnish. There is relatively notable craquelure in an essentially vertical arrangement, mostly contained to the sky and which is slightly more concentrated to the right hand 50%. No losses apparent but one or two areas beginning to look slightly precarious. Paint slightly thin in places, especially upper left hand corner. Nothing to determine under a UV lamp but this may not be conclusive. Otherwise in a stable and presentable state of preservation. Not examined out of the frame.
Follower of George Morland (1763-1804)Rustic at thatched cottage doorBears signature and date 1792, oil on canvas, 42cm by 52cmIn a restored condition. Relined, cleaned and revarnished. Some surface dirt and discoloured varnish now in evidence. Some flattening to original surface as a result of the restoration process. It is likely that the signature and date has been strengthened/added. Little to determine in the way of further retouching/restoration under a UV light but this does not proclude the possibility. Surface dirt and discoloured varnish. Areas of fine stable craquelure. Some minor rubbing/abrasions to edges. In an overall stable state of preservation.
After Sir Alfred Munnings KCVO PRA RI (1878-1959)"Off to Market"Oil on canvas, 59.5cm by 98cmAccording to a biro inscription to top stretcher the painting was cleaned July 30th 1980 by Butchers, Norwich, Norfolk. Retains good surface and impasto. Some light surface dirt and discoloured varnish now in evidence. Slight stretcher shadow and exceptionally minor buckle to upper right hand corner. Otherwise in a broadly good and stable state of preservation.
Attributed to William Powell Frith RA (1819-1909) Lady in a forest Signed, oil on canvas, 33cm dia. (oval) Various patches to reverse of canvas as per image. Small tear to canvas with associated patch to reverse, upper left-hand side (upper right-hand side front). Light surface dirt and discoloured varnish. Slight stretcher sahadow. Areas of fine stable cracquelure. Likely retouching/strengthening to the ladies shoe and darker folds at the lower reaches of the skirt bar left-hand side. Tiny retouches to darker tone within the leaves resting on the foreground, left-hand side. Likely retouches to the shadows running along the pink jacket, right-hand side. Essentially V-shaped patch of retouching within the background immediately above her outstretched right hand arm and wrist approx 2-3cm which is visible by eye. The paint is slightly thin in places most notably under her outstretched right arm possibly the result of an old clean? Small amount to retouching to cracquelure around her knee.
Manner of Simon Pietersz Verelst (1644-1721) DutchStill life of variegated Tulips, Roses, Poppies and raspberries arranged in a glass vase on a stone ledge in a feigned niche oil on canvas, 59.5 by 39.5cmIn an overall good and stable state of preservation. The painting is enclosed to the reverse and is likely of fairly recent age. Some surface dirt and discoloured varnish. Small amount of isolated cracquelure to upper left-hand corner and some stable cracquelure of a more vertical nature within and around the arrangement of flowers in a broadly good and stable state of preservation. Not examined with a UV light.
Oliver Ommaney (b.1954) Harbour scene Signed, inscribed and dated 1986, oil on board, together with a companion example by the same hand depicting a landscape with buildings, 14.5cm by 29cm (2)Harbour Scene - Covered in a layer of dirt and discoloured varnish. The board is slightly loose in the frame and in its dropped down position a fine horizontal line of slight abrasion/gilt? can be seen along approx 75% of the top edge approx.3-4mm from inner gilt slip. Otherwise in a broadly good state of preservation. Landscape with buildings - Covered in a layer of dirt and discoloured varnish. There are a couple of linear horizontal marks approx. 3mm away from the gilt inner slip mostly contained to the top edge left hand side. Otherwise in a broadly good and original state of preservation. Frames in a broadly good state of preservation with the odd light stain to both of the fabric inserts, possibly discoloured glue or adhesive to reverse?
Harold Frank Wallace (1881-1962)Stag and Hind in heather landscapeSigned, gouache, 34cm by 49.5cmIn an overall good state of preservation. Executed on a coloured sheet. some possible light time staining but colours appear bright and true. No evidence of cockling. Not examined out of the frame.
Philip Rickman (1891-1982)Grouse in flight above a burnSigned, watercolour, together with a further watercolour likely by the same hand of Grouse in flight above a Moorland, 37cm by 27cm and 36.5cm by 51.5cm respectively (2)Upright example - general staining to mount. Some less pronounced time staining to sheet which is evident within the less worked areas of the sky in particular. Small-sized flecks of brown-coloured debris trapped between glass and surface mostly to the upper right-hand corner. Colour depth is broadly good but slightly tempered by affirmation staining. Some very slight cockling. Not examined out of the frame. The horizontal example - staining, foxing general poor state of repair to mount. Some time staining to sheet which is more concentrated around the edges of white gouache delineating the white clouds. Cluster of tiny-sized brown specks mostly between the two groups of birds in flight within the widest part of white clouds but not exclusively. Odd tiny brown-coloured fleck of debris elsewhere (mostly contained to mount). Some overall reduction to colour. Mostly a result of time staining with some light fading but colour depth remains reasonable to possibly good.
Steve Harley + Cockney Rebel, Timeless Flight 12" white label YAX 5045-1 / 5046-2, hand written track details to the labels, the inner sleeve written Timeless Flight Cockney Rebel, in folding outer sleeve. (1)Lots 1001-1043 have been consigned by Steve Harley, singer and frontman of 1970s group Cockney Rebel, whose number one hit ‘Make Me Smile (Come Up and See Me)’ has been covered at least 120 times and appears on soundtracks as diverse as The Full Monty, Lego Rock Band, and a Marks & Spencer’s advert.The collection includes stage costumes, vinyl, backstage passes, souvenir brochures and Harley's own script for the 1986 Andrew Lloyd Webber musical of The Phantom of The Opera.Vinyl in good condition. Needs cleaning. With one or two light surface scratches, wouldn't think it would affect play.
Steve Harley + Cockney Rebel, a collection of 12" vinyl to include The Best Years Of Our Lives (Factory Sample Not For Sale), , Human Menagerie (Factory Sample), The Psychomodo (Factory Sample), Greatest Hits, The Best Of, Best Years Of Our Lives C/W Tumbling Down (ltd edition sleeve Factory sample sticker to label), Candidate (no sleeve), Timeless Flight (Factory Sample) and Heartbeat Like Thunder. (9)Lots 1001-1043 have been consigned by Steve Harley, singer and frontman of 1970s group Cockney Rebel, whose number one hit ‘Make Me Smile (Come Up and See Me)’ has been covered at least 120 times and appears on soundtracks as diverse as The Full Monty, Lego Rock Band, and a Marks & Spencer’s advert.The collection includes stage costumes, vinyl, backstage passes, souvenir brochures and Harley's own script for the 1986 Andrew Lloyd Webber musical of The Phantom of The Opera.All need cleaning.Best Years: Side 2 scratch from run off to approx. 1cm from outside edge at 2 o’clock, light surface scratches to both sides.Human Menagerie: vinyl very good.The Psychomondo: vinyl very good.Greatest Hits: Sealed.Heartbeat like Thunder: Very light surface scratch, otherwise very good.Timeless Flight: Approx 4cm scratch at 11 o’clock side 2, wouldn’t affect play, otherwise good.Best Years single: Light scratches generally fair.Best of: Side 2 approx 3cm scratch from run off at 6 o’clock, overall good.Candidate: Approx 4cm scratch at 1 o’clock on side 1 from run off. Vinyl has sweated in plastic sleeve and left marks on the surface, overall fair-good.
Bob Dylan, Blood On The Tracks, Original Master Recording, Ultradisc One-Step Pressing by Mobile Fidelity Sound Lab, 2 LP box-set, limited edition no. 5210/9000. (1)Very light surface scratch to side 1 at 9 o’clock, with another nearer the outer edge.Side 3 with very light scratches to outer edge and at 6 o’clock; probably caused by sleeve rub and would not affect play.Side 4 with approx. 4cm light scratch at 4 o’clock to outer edge.Overall very good.
Paul Simon / Simon And Garfunkel, a collection of LP's and 12" singles to include Graceland x2 Japanese pressing P-13311 & 925447-1, Still Crazy After All These Years x2 Japanese pressing SOPO 102 & Audiophile pressing HC 43540, Collected Works CBS 66508, One-Trick Pony P-10895W, Greatest Hits, Etc. CBS 1007, So Beautiful Or So What HRM 32837 2 (sealed), Stranger To Stranger 0888072397811, In The Blue Light 19075841451 (sealed), Hearts And Bones P-11436, The Body In The Bubble x2 W 8509 & 920 615-0, Graceland 920 682-0, Diamonds On The Soles Of Her Shoes 920 643-0, Under African Skies 920 765-0, Sounds Of Silence CBS 32020 and Bridge Over Troubled Water x2 50th Anniversary KCS 9914 & Audiophile pressing HC 49914. (19)
Jazz/Folk/Counry/Blues, a large collection of LP's to include John Denver - Live In London, Jimmie Rodgers - 110 Collections box-set, Gary Burton & Stephanie Grappelli - Paris Encounter, Fats Waller - Handful Of Keys, Johnny Mathis - I'll Buy You A Star, Jack Elliott - Country Style and Jackie And Roy - The Glory Of Love (Japanese pressing) etc. (180)Mosaics: Sleeve very good, some very light creases, spine good, vinyl and inner very good.Songs for my Father: Sleeve creases to edges, light ringwear, light wear to corners.Down Another Road: Creases to sleeve, mostly bottom right corner, light ring wear, some shelf wear, vinyl and inner very good.
Jazz/Country - a collection of LPs to include Ed Trickett, Gently Down the Stream with Time, Turning Toward the Morning and The Telling Takes Me Home, Eddie Davis - The Eddie "Lockjaw" Davis Cookbook, Eddie Condon - Chicago Style, L Johnson & His Clodhoppers, Red Hot Breakdown, Duke Ellington Greatest Hits, The Dave Brubeck Quartet, Eurasia, Davy Graham Folk Blues & Beyond, Don Shirley Piano Perspectives, Della Reese 'Della', Chet Baker & Strings - self titled (audio file pressing), Charlie Poole & The Highlanders, Great Original Recordings 1927-29 and Charlie Patton - Founder of the Delta Blues (approx 140) (some duplicates, different pressings)LK4649 x 6 – one with stickers to sleeve and label No.93181 with eli.com invoice £156.00, most with light scratches and spindle but generally good or above condition; two being at least very good. Audiophile K1BRINELP-1 X1 (sealed)LC4649 limited edition No. 167/500
Bob Dylan, a collection of LPs to include Passed Over And Rolling Thunder PAKRL2982, Blood On The Tracks audio file pressing, Columbia HC43235, Planet Waves ILPS2961, A Rare Batch Of Little White Wonder Joker SM3844/2, Gas Light Tapes 3 LP box set 9022/3, Band Of The Hand MCAT1076, The Usual from the Original Motion Pictures Sound Track 6511486 (handwritten note: Does not contain They Killed Him, It Was Drifting too far from the shore instead, The Saturday Evening Post Toasted Records 1923, a Hard Rains Gonna Fall, Platinum 24065, Blowing In The Wind LP2215551, The Dylan Clash Session (white & black labels track 7 side 2 overprinted in blue yodel No. 4) Historical Archives Vols. 1&2, and Life Sentence RZ004 (plain blue & yellow labels) (14)
Rag-Time/Blues/Jazz, a large collection of LP's, to include Blind Lemon Jefferson - 1926-29, Woodie Guthrie - Poor Boy, Bessie Smith - Nobody's Blues But Mine, Big Bill Broonzy - Do That Guitar Rag 1928-1935, Bill Clifton - Going Back To Dixie, Blind Blake - 1926-1931 The Accompanist, Blind Boy Fuller - 1909-1941 Death Valley, Steeleye Span - Please To See The King, Shirley & Dolly Collins - Love Death & The Lady, Barbra Streisand - Stoney End and Anita O'Day - In Tokyo '63 (Japanese) etc. (approx. 180 some duplicates / different pressings)All as catalogued. Down in the Village: Sleeve good, wear at corners, spine good, small tear at bottom corner of opening, vinyl very good.Ronnie Scott: Light creases to edges of the sleeve, light wear at corners, scratch to back, wear at opening. Vinyl light spindle wear but overall very good.
To be sold on behalf of the Ukraine Crisis appeal. Fotheringay - Fotheringay, ILPS 9125 A//2 / B//2, pink Island white i label, B4 Denny credit the gate-fold sleeve with Fotheringay credit, together with four Wishbone Ash LP's to include WishBone Four, There's The Rub, Front Page News and Argus. (5)Cover is slightly wavy from damp. Inner sleeve present though a little foxed. Watermarks and several light surface scratches.
The Beatles, The Beatles (The White Album), No.0041838, Apple PCS 7068 YEX 709 - 1/10 - 1/ 11 - 1/ 12 - 1, with black inners, prints and poster in top opening gate-fold sleeve. (1)Side 1 with light scratches at 3 and 9 o’clock.Side 2 with approx. 10cm scratch from 4-6 o’clock and several other light scratches.Side 3 with two large scratches at 9 and 11 o’clock; not deep but noticeable.Side 4 light surface scratches.Overall fair to good condition.
Led Zeppelin, Led Zeppelin II, UK 1st pressing Atlantic 588 198 red and maroon label with The Lemon Song credit, 588 198 A2 B2, housed in a Led Zeppelin I 588 171 Stereo sleeve, with turquoise lettering and grey line, together with Physical Graffiti, Swan Song SSk 89400 A1/B5/C1/D1. (2)Led Zep II in Led Zep I sleeve as per description.Led Zep vinyl heavily scratched both sides, poor sleeve with cellophane lifting at corners, creases to edges and wear to corners, light ring wear.
To be sold on behalf of the Ukraine Crisis appeal. A collection of assorted LP's, mainly 1960's/70's to include The Beatles - With The Beatles, UK 1st pressing XEX 447-1N / 448-1N Money Jobete credit and Gotta misspelling (large tear across sleeve front), Heinz - Tribute To Eddie, Fleetwood Mac - Rumours & S/T, Golden Earring - Moontan, Thin Lizzy - Jailbreak, Emerson, Lake & Palmer - Tarkus, Yes - Relayer, Supertramp - Crisis? What Crisis?, Jethro Tull - Living In The Past, Black Sabbath - Sabbath Bloody Sabbath, Bachman-Turner Overdrive - Four Wheel Drive, The Zombies - Odessy And Oracle, Barclay James Harvest - Octoberon, Everyone Is Everybody Else & Gone To Earth, The Pentangle - Solomon's Seal, Reflection, Basket Of Light & Cruel Sister, Fairport Convention - History Of (ribbon of but present) & Nine and Deep Purple - Deepest Purple etc. (approx. 110)
A Linn Sondek LP12 Transcription Turntable, with Linn Akito arm, serial no. LP12 030854, boxed together with a Linn Sondek Lingo Power Supply, boxed. (2)No cartridge.Prespex cover not attached but hinges are present.Some knocks and scratches to wooden frame, mainly front left corner and back edge.Has not been tested.Cover with light scratches.
3 Leica-Objektive und Visoflex IIILeitz, Wetzlar/Canada. 1) Elmar 4/9 cm, Nr. 1137627, versenkbar. Sehr frühes Tele aus dem Erscheinungsjahr der Leica M3, um 1954. Putzspuren auf Frontlinse, innen sehr leichter Belag. Mit beiden Deckel. (3-/3-) - 2) Elmarit 2,8/135 mm Nr. 2011515, um 1963, erste Version. Mit Punktlicht Glas sauber. Mit Rückdeckel. (3/3) - Und: 3) Visoflex III mit Elmar 3,5/65 mm, Nr. 2122233, um 1965. Mit Punktlicht Glas sauber. Mit Einstellschnecke 16464K. (3/3+) Start Price: EUR 200 Zustand: (-/-)3 Leica Lenses and a Visoflex III UnitLeitz, Wetzlar/Canada. 1) Elmar 4/9 cm, no. 1137627, c. 1954, collapsible, very early tele from the year the Leica M3 was released, with both caps, cleaning marks, light fog. (3-/3-) - 2) Elmarit 2,8/135 mm no. 2011515, c. 1963, first version, with back cap, clean glass under point light. (3/3) - And: 3) Visoflex III with Elmar 3,5/65 mm, no. 2122233, c. 1965, with focusing device 16464K, clean glass under point light. (3/3+) Start Price: EUR 200 Condition: (-/-)
100 Polyphon- und Regina-Platten mit 39,8 cm Durchmesser, um 1900Mit folgenden Nummern und Titeln: 1004 Wiener Blut - 1006 Ich bete an die Macht der Liebe - 1007 Boccaccio - 1008 Grasmücken - 1011 Der Troubadour - 1015 Rosen aus dem Süden - 1022 Martha - 1031 Des Sommers letzte Rose - 1032 Der Lindenbaum - 1034 Nun danket alle Gott - 1040 Glocken von Corneville - 1043 Faust Walzer - 1044 Schatzwalzer - 1045 Der lustige Krieg - 1060 Pariser Einzugsmarsch - 1068 La Belle - 1071 The Cossacks' Ride - 1072 Air de Louis XIII - 1073 Freischütz - 1096 Kennst du das Land - 1097 Polonaise - 1099 Frühlingslied - 1122 In Good Humor - 1146 Der Prophet - 1158 Mondschein auf der Alster - 1178 Devil's March - 1180 Feinsliebchen - 1219 Glöckchen im Thale - 1229 Carmencita - 1243 Henry IV - 1257 Liberty Bell - 1272 Ich bin ein Preusse - 1277 Unter dem Doppeladler - 1278 Nach dem Balle - 1290 Des Jahres letzte Stunde - 1310 Wing Dance - 1312 Nachtgeister - 1334 Düppeler Schanzen Marsch - 1355 Huntsmen's Chorus - 1375 Cloister Bells - 1387 Petersburger Marsch - 1398 Hipp, Hipp, Hurrah! - 1415 The Mikado - 1428 Der Trompeter von Säckingen - 1440 Beim Souper - 1462 Aufforderung zum Tanz - 1472 Verlorenes Glück - 1525 Tuborg - 1532 Bienenhaus Marsch - 1562 Olsanka - 1573 I don't want to play in your Yard - 1579 Lied des Postillons - 1592 Weisst du Muatterl was i träumt hab! - 1652 Leota Waltz - 1654 Rule Britannia - 1657 The Geisha - 1800 De Paris à Londres - 1801 Die Lindenwirtin - 1802 Wenn die Blätter leise rauschen - 1803 Vöglein im Tannenwald - 1806 Harre meine Seele - 1807 Vogelgezwitscher - 1808 Der Rattenfänger - 1810 Hochzeitslieder - 1840 Le Palais de Glace - 1879 Lead, kindly light - 1880 Miserere from Il Trovatore - 1944 Edelweiss Clide - 1958 A Russian Love Song - 1961 Ich weiss ein Herz für das ich bete - 10015 Die Zauberflöte - 10030 Verlorenes Glück - 10062 Auf den Wellen - 10131 Ach Ernst - 10176 Ach wie ist's möglich dann - 10217 Carmencita - 10220 Zigeuner Marsch - 10266 In lauschiger Nacht - 10314 Zwei dunkle Augen - 10317 Pariser Leben - 10341 Ach Hedwig, Hedwig - 10356 Papa - Mama - 10457 Hiawatha - 10498 Anona - 10507 Die lustige Witwe - 10530 Die Dollarprinzessin - 10541 Der fidele Bauer - 10544 Mädel klein Mädel fein - 10571 Die Dorfmusik - 10981 The Flower of Italy - 11007 A Love a Lassie Song - 11368 Hello, Hawaii, how are you? - Der kreuzfidele Kupferschmied Liebestraum - Theresen Walzer - Stille Nacht, heilige Nacht - Ballsirenen - Radetzky March - Song of Virgin Mary - Der Zigeunerbaron. - Teilweise etwas rostig, jedoch alle Platten in gut spielbarem Zustand. Start Price: EUR 350 Zustand: (3-4/2-3)100 Polyphon and Regina 15 ¾ in. Discs, c. 1900Please see German title list. - Partially rusty, but all in good playable condition. Start Price: EUR 350 Condition: (3-4/2-3)
Leica M Nah-Summicron 2/5 cm, um 1957Leitz, Wetzlar. Nr. 1512340. Bei Punktlicht innen schwacher Belag bemerkbar, sonst sehr guter Zustand. Mit "Nahbrille" SDPOO, erste Ausführung, mit Frontdeckel und Plexidose. Start Price: EUR 300 Zustand: (2-/3)Leica M Close-Up Summicron 2/5 cm, c. 1957Leitz, Wetzlar. No. 1512340, with close up attachment SDPOO, first version, with front cap and plexi case, point light reveals some fog inside lens, otherwise good condition. Start Price: EUR 300 Condition: (2-/3)
Triplex und Delta1) Hüttig AG, Dresden. Triplex, Nr. 31098, für 13 x 18 cm, dreifacher Auszug, roter Balgen, Wechseloptik mit Hüttig Doppel-Anastigmat Lloyd 6,8/180 mm in frühem Compound-Verschluß, funktioniert teilweise. Zierliche, stabile und leichte Kamera in schönem Zustand! (2-3/3) - Und: 2) Dr. Krügener, Frankfurt. Delta, für cm Platten und Filme 8 x 10,5 cm, mit dunkelrotem Balgen, Optik mit seltener Gravur "Dr. Krügener’s Extra-Rapid-Aplanat Jenenser Glas" in Verschluß Bausch & Lomb Automat, funktioniert teilweise. Rückwand nicht zu öffnen, sonst: (3/3) Start Price: EUR 220 Zustand: (-/-)Triplex and Delta Cameras1) Hüttig AG, Dresden. Triplex, no. 31098, for 13 x 18 cm, triple extension, red bellows, changeable lens with Hüttig Doppel-Anastigmat Lloyd 6,8/180 mm in early Compound shutter, works partially. Petite, stable and light camera in fine condition! (2-3/3) - And: 2) Dr. Krügener, Frankfurt. Delta, for 8 x 10,5 cm plates and films, with dark-red bellows, lens with rare engraving "Dr. Krügener’s Extra-Rapid-Aplanat Jenenser Glas" in Bausch & Lomb Automat shutter, partially working, back cannot be opened, otherwise: (3/3) Start Price: EUR 220 Condition: (-/-)
Musikautomat "Lochmann's Original Nr. 172", um 1902Hersteller: Original Musikwerke Paul Lochmann, Leipzig. Für Blechplatten Ø 62 cm, 160 Töne im Doppelkamm und 12 Klangröhren (alle Kämme komplett!), Münzbetrieb, helles Nußbaumgehäuse und Unterschrank, verglaste Tür mit goldenen Ornamenten, Gesamtmaße 89 x 44 x 206 cm. Mit 15 Platten. - Restauriert, exzellent spielender Zustand! - Literatur: Bowers, "Encyclopedia of Automatic Musical Instruments", S. 114. - Außerordentlich selten! Start Price: EUR 6500 Zustand: (2-3/1-2)Lochmann's Original No. 172 Coin-Activated Disc Musical Box, c. 1902Original Musikwerke Paul Lochmann, Leipzig. For 24½ in. discs, 160 teeth in duplex comb and 12 tubular chimes (all combs complete), light-walnut case with base cabinet, glazed door with gilt decoration, overall size 35 x 17½ x 82 in., with 15 discs - Restored, excellent playing condition! - Literature: Bowers, "Encyclopedia of Automatic Musical Instruments", p. 114. - Extraordinary and rare model! Start Price: EUR 6500 Condition: (2-3/1-2)
Leica Summicron-M 2/35 mm, um 1991Leica, Germany. Nr. 3555051. Das Leica-M-Objektiv schlechthin, hier in sehr gutem Zustand! Glas sauber unter Punktlicht. Mit Gegenlichtblende 12524, beiden Deckeln und Köcher. Es wird viel über "Boukeh" geschrieben, dieses Objektiv kann es! Start Price: EUR 1400 Zustand: (2-/2)Leica Summicron-M 2/35 mm, c. 1991Leica, Germany. No. 3555051, with 12524 lens hood, both caps and case, glass clean under point light, overall good condition. Start Price: EUR 1400 Condition: (2-/2)
3 Objektive für Leica M39 und ZubehörLeitz, Wetzlar. 1) Elmarit 2,8/90 mm Nr. 1657583, um 1959. Schraubgewinde M39. Nur knapp über 2000 Stück gefertigt. Mit Punktlicht unter Frontlinse eine schwache Wischspur, sonst sauber. Mit Frontdeckel. (3-/3+) - 2) Summaron 3,5/3,5 cm Nr. 1305862, um 1955. Innen bei Punktlicht mit etwas Belag, sonst sehr schönes Exemplar in Original-Plexi-Objektivbehälter. (2-/3) - 3) Summar 2/5 cm Nr. 353986, um 1937, innen trüb. (3-4/3-4) - 4) NOOKY/16500 Naheinstellgerät für Elmar 5 cm. (3/3) - 5) Universalsucher VIDOM, verchromt. (3/3) - 6) Winkelsucher WINTU, letzte Ausführung. (3+/3+) - 7) Leicameter MR Nr. 05921. (3/3) - 8) Kugelkopf 14110, wie neu. - 9) Objektiv-Adapter IRZOO. - Und: 10) 2 x UVa-Filter E39 und 2 Kunststoff-Kupplungsringe für M. Start Price: EUR 400 Zustand: (-/-)3 Leica M39 Lenses and AccessoriesLeitz, Wetzlar. 1) Elmarit 2.8/90 mm no. 1657583, c. 1959, screw-mount M39, with front cap, one of just 2000 units produced, point light reveals light cleaning marks, otherwise good. With front cap. (3-/3+) - 2) Summaron 3.5/3.5 cm no. 1305862, c. 1955, point light reveals some fog inside, otherwise a very clean example in the original plexiglass lens case. (2-/3) - 3) Summar 2/5 cm no. 353986, c. 1937, some internal fog. (3-4/3-4) - 4) NOOKY/16500 close-up device for Elmar 5 cm. (3/3) - 5) VIDOM universal viewfinder, chrome. (3/3) - 6) WINTU angle finder, last version. (3+/3+) - 7) Leicameter MR no. 05921. (3/3) - 8) Ball head 14110, near-mint. - 9) IRZOO lens adapter. - And: 10) 2 x UVa filter E39 and 2 plastic coupling rings for M. Start Price: EUR 400 Condition: (-/-)
Leica M Elmarit 2,8/90 mm und Tele-Elmar 4/135 mmLeitz, Wetzlar. Unter Punktlicht-Betrachtung beide Optiken sauber. 1) Elmarit 2,8/90 mm Nr. 2045191, um 1964. Mit Gegenlichtblende 12575, letzte Ausführung, und beiden Deckel. (2-/2) - 2) Tele-Elmar 4/135 mm Nr. 3415688, um 1968. Feingerändelter Entfernungsring. Nicht das gesuchteste M-Objektiv, aber hier in einem sehr schönen Zustand! Mit Rückdeckel, Gegenlichtblende 12575 und Deckel 14033, Köcher (mit Gebrauchsspuren) und Schachtel. (2/2) - Und: 3) 3 Filter E39 in Chromfassung. Start Price: EUR 240 Zustand: (-/-)Leica M Elmarit 2,8/90 mm and Tele-Elmar 4/135 mmLeitz, Wetzlar. 1) Elmarit 2,8/90 mm no. 2045191, c. 1964, with lens hood 12575, last version, and both caps. (2-/2) - 2) Tele-Elmar 4/135 mm no. 3415688, c. 1968, finely knurled focusing ring, with body cap, lens hood 12575, cap 14022 and case (worn) in maker’s box, lens in unusually good condition! (2/2) - And: 3) 3 filters E39, chrome. - Both optics with clean optics when viewed under point light. Start Price: EUR 240 Condition: (-/-)
Leica Elmarit-M 2,8/28 mm, um 1987Leitz, Canada. Nr. 3426011, Front- und Rücklinse außen sauber, innen mit Punktlicht betrachtet sehr schwacher Randbelag an Vordergruppe, sonst neuwertiger Zustand. Lange Zeit einer der besten 28er im M-System! Mit Gegenlichtblende 12536, beide Deckel, Köcher und Schachtel. Start Price: EUR 500 Zustand: (2-/2-)Leica Elmarit-M 2,8/28 mm, c. 1987Leitz, Canada. No. 3426011, with lens hood 12536, both caps, case and box, front and back elements clean on the outside, very faint edge fog on the inside front element when viewed with point light, otherwise fine condition. Start Price: EUR 500 Condition: (2-/2-)
Bolex H 16 EL, um 1975Bolex, Schweiz. 16mm-Filmkamera für Filmrollen bis zu 120 m. Antrieb: Elektromotor. Ausschnittkontrolle über Reflexprisma. Eingebauter Belichtungsmesser. Objektiv: Vario-Switar 2/12,5-100 mm. - Dabei: Transportkoffer mit Bedienungsanleitungen und elektrischem sowie optischem Kleinzubehör. - Elektrische Funktionen ungeprüft. Start Price: EUR 600 Zustand: (2/2)Bolex H 16 EL Camera, c. 1975Bolex, Switzerland. 16 mm film camera for up to 120 m film rolls, with electric motor, section control via reflex prism, built-in light meter and Vario-Switar 2/12.5-100 mm lens. - In addition: Transport case with operating instructions and small electrical and optical accessories. - Electrical functions of camera and outfit untested. Start Price: EUR 600 Condition: (2/2)
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