A stripped walnut writing table,18th century, Italian, the moulded rectangular top above two banks of drawers, raised on square cabriole legs terminating in hoof feet,97cm wide65cm deep73cm highCondition ReportRe-finished. Repaired splits to top, with traces of old woodworm damage throughout. General knocks and surface wear throughout. Joints tight and solid. Drawers run smoothly. Overall appears in fair cosmetic order with general wear, light damage and repair commensurate with age and use. In good structural condition and ready for use.
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A carved wooden form in the manner of Dame Barbara Hepworth,of recent manufacture, pierced with a single eyelet, raised on an ebonised wooden plinth, 10cm wide7cm deep36cm highCondition ReportGeneral light surface wear and some small scratches. General light wear to plinth. Overall appears in good cosmetic condition.
A Regency rosewood penwork table, early 19th century and later, the pictorial penwork top on slender outsweeping supports and a platform base,41cm wide34cm deep70.5cm highCondition ReportThe top likely associated and appears to have originally formed part of a pole screen. Splits to top with minor scuffs and blemishes. General light knocks and wear to supports. Some slight looseness and wobble in joints.
A pair of silver three-light candelabra,by Mappin & Webb, London 1921, the central light and two reeded branches with foliate engraved sockets, each raised on a square tapering column, on a loaded square spreading base, with presentation engraving and County Borough of Grimbsy crest,39cm high (2)Condition ReportThe sockets underneath the removable branches are dented. Clean, but with surface scratches throughout. The presentation engraving commemorates the marriage of John Herbert Tate (former Mayor of Grimsby in 1913).
A buttoned-leather high-back wing chair, probably late 20th century but incorporating 19th century elements, with studded detail and raised on turned baluster front supports terminating in brass caps and castors, 100cm wide 65cm deep 127cm highCondition ReportA little bit of movement in wings, but overall the joints are fairly sound. General wear, some light marks and scratches to leather. General knocks, marks and wear to frame and supports. Wear, tarnish and discolouration to brass. Overall appears in good structural and cosmetic condition, with a tiny bit of wear commensurate with age and use. Ready to use.
A Charles X mahogany guéridon, c.1825, French, the circular marble top with a moulded edge, above a plain frieze, and raised on a lobed column and a square base, terminating in lion paw feet, 100cm diameter 72cm highCondition ReportLight wear, scratches and small nibbles to marble. Some splits and lifting to veneer. Fading and discolouration throughout. Some small splits, chips, knocks and losses to base. One foot a little loose.
An Islamic-style oak octagonal table by Liberty & Co.,c.1900, the moulded top raised on pierced supports in the Gothic taste, bearing a paper label beneath,52cm wide46cm highCondition ReportGeneral light surface wear, knocks and scratches to top. Some small splits, fading, knocks and wear to supports. Joints solid. Overall in fair cosmetic and structural condition and ready for use.
A set of ten plaster intaglio displays,of recent manufacture, each of octagonal form, containing approximately thirty variously shaped examples depicting gods, philosophers and mythical scenes, on a mirrored background,38 x 38cm (10)Condition ReportKnocks, scratches and wear to frames. Some dirt, small chips and losses to intaglios. Some dirt, dust and light surface scratches to glass frames. Ready to hang.
A pair of grand tour bronze urns by the workshop of Benedetto Boschetti, mid-19th century, Italian, each body decorated by trailing ivy and gadrooned detail, set between a pair of ram head handles, on a spreading circular base stamped 'B. BOSCHETTI ROMA', raised on a black and serpentine marble plinth,19cm wide15cm deep39cm high (2)The workshop of Benedetto Boschetti, active c.1820-1870 on the Via Condotti in Rome, was well known for the high quality of its works 'after the antique'. The workshop had a strong reputation and, in 1856, S Bonfigli noted that 'The establishment is particularly conspicuous for its great variety of marble works, bronzes etc' (A González-Palacios, 'The Art of Mosaics', 1982, p.166) and the works produced were highly sought after by the young and wealthy 'grand tourers' of the 19th century. Considered ‘the most eclectic virtuoso and certainly the most visionary of all the marmorari', Boschetti himself is recorded as having won a prize medal at the Great Exhibition in London in 1851, and a bronze 'Augustus Caesar' from his workshop was exhibited at the 1876 Centennial Exhibition in Philadelphia. Condition ReportOne has sustained a bit of damage in transit, resulting in the upper part of the marble plinth becoming detached, as well as the body of the urn having come unscrewed from its base, with the screw threaded - both of these issues could do with professional attention in order to rectify them. That said, both stand properly and no damage is visible when standing. Otherwise, both with general light knocks and surface wear. Some chips and knocks to corners and edges of marble plinths. Small crack to the damaged marble plinth. General wear commensurate with age and use.
A grand tour patinated bronze bust of Lucius Verus,19th century, on an integral square plinth, 19cm wide14cm deep39cm highCondition ReportGeneral light rubbing and surface wear. One or two small knocks, including two marks to the chest. Overall appears in good cosmetic and structural condition.
A patinated bronze of Marcus Aurelius,20th century, depicted on horseback, on a marble base,26.5cm wide9cm deep22cm highCondition ReportBased on the Roman original in the Capitoline Museums, Rome. Lacking signature, stamps or foundry marks. Crack to one leg. General light surface wear, scratches and rubbing to patina. Some minor chips to edges and corners of marble. Overall appears in fairly good structural and cosmetic condition.
An ebonised and parcel-gilt console table, late 19th century, the rectangular top above an egg-and-dart moulded frieze, with caryatid supports and a mirrored back, raised on a shaped plinth base,172cm wide55cm deep101cm highCondition ReportVeneer appears to be stained to resemble ebony. Some small chips, knocks and losses to ebonised veneer. Scratches and marks to top. Areas of retouching to the gilding. Breaks and losses to caryatids, both with right arms/ hands loose. Old cracks, breaks and repairs to both figures. Some light foxing and mottling to plate. Backboard looks to be original. A small amount of wobble in joints. Overall in fairly sturdy structural condition other than the figural supports, but could do with some cosmetic attention.
A rosewood and brass-mounted chronometer bracket clock, mid-19th century, by Charles Wieland, numbered '752', the silvered dial engraved 'Chas Wieland Commercial Road, London', with a seconds dial, the case with a raised top and pineapple finial, side carrying handles, on ball feet, dial 12.5cm diameter40.5cm high,with a metal-mounted pine case,with a brass carrying handle and baize-lined, 29cm wide47cm high (2)Condition ReportWinding hole cover scratched, with winding key, clock and box key. Some splits to the case, with general light knocks and wear commensurate with age. Ticks when wound at time of condition reporting, however we are unable to guarantee that this represents full working order. We would recommend inspection by a professional. Please see additional photos of case, face and movement for further reference.
A pair of Regency-style breakfront bookcases,late 20th century or later, white painted, each with an upper section mounted with glass shelves, over a two-door grille-fronted cabinet,126cm wide40cm deep247cm high (2)Condition ReportBoth on wheels, which make them a little predispositioned to leaning backwards when not against a wall. Loss to one top corner. Some dirt, marks and stains to paint and fabric elements. General knocks, dings, surface wear and scratches. Mirrored back is not glass but some sort of film. Light surface wear to glass.
A Regency-style gilt-brass electrolier, first half of the 20th century, with an urn-shaped column and ram head detail, the body supporting six branches, with a lobed terminal,71cm diameter48cm highCondition ReportGeneral light surface wear and scratches commensurate with age and use. In need of professional installation prior to use. Overall appears in good cosmetic condition.30.11.22 PAT passed.
After Barbara Anne Townshend'Groups of Figures, from Cuttings in Black Paper, designed and executed by Miss Barbara Anne Townshend', published by Edward Orme, Bond Street, January 1, 1808, pl. 1, 2, 4, 5, 6, and 7engravings of silhouettes by M Dubourg, depicting family groups in pastoral scenes16 x 23cmeach within a gilt frame with verre églomisé mount, 32.5 x 39.5cm (6)Provenance: The Estate of Jasper Gibbons Grinling, late of The Old Vicarage, Helions Bumpstead, Essex.Condition ReportSome discolouration.Some light foxing to all.Plate 2 with a mark/rub to middle right.Plate 7 is noticeably darker than the others.Frames worn.
2003 Land Rover Discovery 4.0 V8 GS Automatic. Registration: AV52 FNA. Mileage: 78,620. - Finished in light metallic green with grey cloth interior - MOT until 31 July 2023 With alloy wheels, air conditioning with dual climate control, cruise control, electric windows and mirrors, power steering. Land Rover CD stereo system, remote central locking, alarm and immobiliser system. Tow bar with electrics, full service history, long MOT until 31st of July 2023, excellent condition for year being a low mileage example. To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows: Saturday 3rd of December: 10am-2pm Monday 5th of December : 9am-5pm Tuesday 6th of December from 9am - Our buyers premium on all cars, motorbikes and scooters is 10% + VAT - We encourage any interested parties to inspect the vehicle on our viewing days and prior to sale on Tuesday 6th December 2022 to satisfy themselves on the car's condition, please check our buying terms and conditions for cars and bikes available online or via email - Transportation options may be available, please contact us for a quote - Please call 01483 223101 to speak to one of our auction specialists for further information
2002 BMW 318i SE Automatic. This BMW 2.0Litre 318i SE automatic was first registered on the 1st of March 2002 and it is finished in the very desirable colour combination of silver with an immaculate light grey cloth interior, which has been fully valeted prior to listing the car. The car drives very well and at only 98,500 miles from new, it represents a modern classic with plenty of exciting miles of road ahead. Especially since the car has just benefitted from a fresh 12 months MOT - which expires on the 28th of September 2023. The automatic box doesn't skip a beat and is absolutely perfect for any distance - from short trips out to long trips on the motorway.To note, the car also comes with the desirable number plate, shown in the pictures - P8 WJL, which holds value by itself. To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows: Saturday 3rd December: 10am - 2pm Monday 5th December : 9am - 5pm Tuesday 6th December from 9am Our buyers premium on all cars, motorbikes and scooters is 10% + VAT. - We encourage any interested parties to inspect the vehicle on our viewing days and prior to sale on Tuesday 6th December 2022 to satisfy themselves on the car's condition, please check our buying terms and conditions for cars and bikes available online or via email. Transportation options may be available, please contact us for a quote.
RACKHAM, Arthur ... illustrator. Little Brother & Little Sister, mounted colour plates (no creasing), light grey cloth with title within a contrasting coloured title rubbed at corners and spine slightly frayed at the head of the spine. Inner hinges weak with the webbing showing, light browning in places, small worm track well away from text, and the artists signature coming through the paper due to the porous nature of the paper stock used.. Limited edition of 525 numbered and signed by the artist. Worth restoring as contents clean with no signatures or other markings. Constable, 1917. * the additional extra plate not present
HELLER, Joseph - Catch-22 : org. red cloth lettered in gilt, binding fresh and clean although light foxing along the page edges, dust wrapper slightly grubby on the back flap, minor edge wear with a small amount of loss, not price-clipped, and no markings or inscriptions, 8vo, first English edition, 1962 .
HEYLYN, P - Cyprianus Anglicus : or, the History of the Life and Death, of the most Reverend and Renowned Prelate William ... full calf rebacked, folio, title-page printed in red and black, London, 1671. With - HEYLYN, Peter - Ecclesia Restaurata; or, the History of the Reformation of the Church of England ... Cont. panelled calf well rebacked. Folio. Title-page lightly soiled with torn lower margin with loss of a few letters, light staining also, mainly affecting margins. Possibly missing after Kkkk2. 1670.(2)
SOWERBY, James - British Mineralogy : or Coloured Figures Intended to Elucidate the Mineralogy of Great Britain : Five volume set. 550 hand coloured plates. Volume one text pages 5, 31, 43, 208 damaged with loss of some text, also causing damage without loss to plates 2 and 13. Volume four text pages 9, 13, 19, 23, 27 damaged with loss of some text, also plates 305, 314 damaged without loss. Volume five text pages 21, 23 damaged with loss of some text, also plate 411 very slight damage. Otherwise in clean condition with a hint of light off-setting (as usual). Full calf rebacked, 8vo, 1804-17.* there for sold with all faults with five damaged plates, not subject to return
HODGSON, W. Earl - Trout Fishing : frontispiece, 6 colour plates of flies. Original pictorial cloth, 8vo. light foxing. A & C. Black, first edition, 1904. With - How to Fish a treatise on trout and trout-fishers. First, 1907. With - An Angler's Season. First, 1909. With - Salmon Fishing. 1920, reprint.(4)
CARD GAME : The Geography of England and Wales, Accurately Delineated on 52 Cards. Including the Boundaries, Extent, Products, Manufactures &c of each county. With directions for playing an entertaining game. Published Sept. 26th. 1799. Fifty Two numbered and lettered maps to each county. In original light blue paper covered slipcase with large oval shaped title label. With a single printed broadside sheet containing the rules, which is in a very fragile state. * the game itself in very good condition. With two other incomplete books.
Graham Oakley [b.1929]-Once Upon a Time, A Prince's Fantastic Journey, p.8,'I think we've found Aladdin's magic lamp';'At that moment there was a terrific flash of light and, glancing back, we saw a very surprising thing. For the rest of the day Prince Alfred was rather quiet'., :-two, both signed, watercolour, pen and ink drawing heightened with white, 12 x 8.5cm & 13 x 19cm, unframed. [2]
JUVENILE : The Holiday Spy; being the Observations of Little Tommy Thoughtful, on the Different Tempers, Genius, and Manners, of the Young Masters and Misses ... Contemporary Dutch floral wrappers, light soiling and corners creased a little worse toward the end. J. Harris, (successor to E. Newbery), 100 x 60 mm, 1804.
An assortment of part tea sets including 19th century Sunderland and Royal Copenhagen. Condition Report: Royal Copenhagen: One handle has been re-attached, another has a hairline crack to the handle. Uneven rim, discolouration and residue to the bowl. At least three saucers have hairline cracks and other with chips to the edges (one substantial example). Light pitting to the glaze, some wear and rubbing consistent with age and usage. Colours bright. None of the wavy lines have diamond scores through them.
A modern oak extending dining table. With additional leaf to inside, raised upon square supports, L90cm x D90cm x H78cm Condition Report: Overall in good condition. Some light scratches and wear consistent with age and usage. Opens and closes smoothly. Structurally sound, no obvious breakages or repairs.
A pair of 20th century Noritake porcelain vases. Decorated with country scenes by a lake, twin handled, H29cm Condition Report: Overall in good-very good condition. Some light wear and scratches consistent with age. Small areas of pitting, colours bright. No apparent cracks, chips or restoration.
A Swedish glass Malcolm Sutcliffe studio bowl and a frosted glass figure of a polar bear. The bowl decorated with dolphins with textured details, signed to base, H10.5cm, the polar bear, H7.5cm Condition Report: Bowl 10.5cm high, 15.5cm wide. Signed 'Malcolm Sutcliffe' to the base. Bowl is overall in very good condition. No apparent cracks, chips or restoration. Some light scratches and wear. No obvious repairs.
A 20th century wall mirror. Of rectangular form, with black painted wooden frame, 50cm x 81cm Condition Report: This item appears to be late 20th century. Generally in good condition. Some small knocks to the frame and light scratches consistent with usage. Some spots of discolouration to the glass, spots of tarnishing to the metal. No apparent cracks, breakages or restoration. Still hangs.
A 20th century woven rug. The central panel featuring a floral medallion surrounded by birds and foliage, on a brown ground in red borders, cream tassels, 135cm x 223cm Condition Report: Rip and hole near one corner of the rug, measuring approximately 10cm in length. Opposite corner has a tear through it's edge. Discolouration visible in places, caused through previous use and exposure to light.
Chinese School, 19th CenturyStudies of flowers including peonies and camellias and butterflies in flightA set of twelve within ebonised and gilt decorated framesWatercolours on pith paper 20 x 32cm (7 13/16 x 12 9/16in).12Footnotes:Provenance: Berkshire Furnishings, WiltshireChinese pith pictures represent a particular moment in the relationship between China and the European countries she was beginning to trade with. At the beginning of the 19th century access to the country for traders was limited, with Canton (Guangzhou) on the Pearl River in South China being the only port open to foreign merchants. As demand for Chinese products (notably silk, porcelain and tea) grew, an influx of ships and their crews descended on Canton.Enter pith pictures; a light, bright and easily transportable memento produced by Canton based artists specifically for the ordinary sailor or ship's mate wanting to take back a small token of their travels. Traditionally bound in albums in thematic groups, the most popular subjects included flowers, birds, boats, and traditional costume. Although albums do exist, they are now more commonly displayed in framed groups, as can be seen in the following examples collected by Tara Elliot. Often erroneously called rice paper paintings in English, the pith was cut directly from the inner spongy cellular tissue of the small tree Tetrapanax papyrifer, native to southern China and Taiwan, before being cut into thin sheets ready for painting. It had historically been used to make artificial flowers and for Chinese medicine. In studios, artists thickly applied gouache to the translucent surface, thus creating a raised and slightly textured effect with brightly coloured pigments. These studios flourished between the 1820s and 1860s, with an estimate that there were about thirty shops selling pictures near the foreign quarter of Canton by 1835. After the First Opium War (1839-1842) when China was forced to cede Hong Kong to Britain, more ports were opened up to foreign trade thus leading to Canton losing its position as the centre of pith painting and export. Additionally, as photography became more popular and widespread it replaced pith pictures as the chosen medium for souvenirs. As such, the following Lots serve as important emblems of early 19th century trade between China and the world.For further information on this lot please visit Bonhams.com
Sebastiano Ricci (Belluno 1659-1734 Venice)Alexander and DiogenesOil on canvas 104.5 x 137.8cm (41 1/8 x 54 1/4in).Footnotes:Provenance:Probably purchased in Florence circa 1880 and by family descent until offeredSale, Sotheby's, London, 9 December 1987, lot 23Sale, Christie's, London, 10 July 1992, lot 57, where purchased by the late present ownerLiterature:A. Scarpa, Sebastiano Ricci, Milan, 2006, cat. 563, ill. fig. 457The present work depicts Alexander the Great meeting Diogenes, an encounter that is said to have taken place in Corinth.The philosopher and cynic Diogenes of Sinope is seated beside the barrel in which he lived having renounced all his possessions in favour of a simple and natural life. Alexander, King of Macedonia, is shown standing in sumptuous regal attire and accompanied by his attendants. When Alexander, who admired Diogenes, approached him and said, 'Ask of me what thou wilt and thou shalt have it' to which the philosopher replied, 'Stand out of my light'. Sebastiano Ricci is known to have painted four versions of the subject of Alexander and Diogenes (see: J. Daniels, Sebastiano Ricci, 1976, pp. 61, 92, 119, 140).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A collection of salmon and trout rodsComprising two salmon rods: a three piece Hardy 15'4' Graphite Salmon Fly rod, #10, no. BE15693, in cotton Hardy's bag; and a three piece Hardy 15'4' Graphite Salmon Fly rod, #10, no. J/Q, cotton Hardy's bag;A variety of trout rods: a two piece Hardy Graphite 8' rod, #5/6, with System 2 reel; a pair of unnamed glassfibre 8 1/2' rods, #5/6, with Super Light Magnesium 56L reels and lines; a two piece 8 1/2' fibreglass rod, #6, with Intrepid Rimfly reel; a Hardy Graphite Smuggler De-Luxe seven piece rod, #6, no. IFK113977; a Hardy split cane 2 piece rod, 260 cm, no E7695; a Hardy 9' trout rod, #6, with Hardy 'The Viscount' MkII 130 reel; a three piece Hardy 'The Alnwick Greenheart Rod', 9';A collection of Spinning rods: a pair of Daiwa 5' spinning rods; a two piece spinning rod, possibly Hardy, with black and red whipping; a Fenwick Eagle II 6 1/2' graphite spinning rod; a Hardy Fibalite Spinning rod, 8 1/2', 7/8lb; a Hardy Fibalite Spinning rod, 10'; a Rod Box glassfibre spinning rod, otherwise unmarked;Together with five assorted rod sections and tips (some broken) various cotton rod bags, a red-handled trout net and a blue plastic adjustable travel rod box (Qty)For further information on this lot please visit Bonhams.com

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534338 item(s)/page