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Lot 565
SIXTEEN LILLIPUT LANE SNOW COVERED SCULPTURES, all with deeds except where mentioned, comprising boxed 'Lead Kindly Light in Winter' (illuminated cottages), boxed 'Little Donkey At All Saints' (2008 Christmas Special), six from Snowed Christmas/Christmas Snowed, boxed 'Happy Tolly Days', boxed 'Blencathra', boxed 'Christmas Punch', two boxed 'Christmas Bakery' and 'Frosty Fun' (no deeds or box), three from Christmas Collection 'St Joseph's Church', 'Hollytree House' and 'Cranberry Cottage', 1993 Annual ornament 'Robin Cottage', boxed 'Winter Last in line' (Exclusive to H. Samuel) and three boxed from British collection 'Slate Cutters in Winter', 'Wassail Lodge' and 'Here We Go Round' (16) Condition Report N o apparent chips, cracks, or signs of restoration to any of the houses in this lot. 'Lead Kindly Light in Winter' has discolouration snow - just starting to yellow. Also 'Holly Tree House' and 'Cranberry Cottage'. This discolouration is not obvious unless compared to other houses with 'Bright White' snow
Lot 583
THREE VINTAGE LEATHER COVERED MEDICAL CASES WITH DRAWERS FITTED TO THE INTERIORS, the lid interiors with expanding pocket, two cases marked to the interiors 'Bell & Croyden, Wigmore St, London' and 'Down Bros and Mayer & Phelps, London', approximate largest size 47.5cm x 16cm x 29cm (3) Condition Report No contents are inside these cases, most of the drawers themselves are present. Bell & Croydon case has handle missing off the middle drawer and light scuffing to the interior. 'Down Bros' case has two drawers and space for a third drawer or alternative use
Lot 591
A ROYAL DOULTON 'WINTHROP' PATTERN TEA SET, comprising tea pot, milk and sugar, bread and butter, six cups, six saucers and six tea plates (22) Condition Report Minimal signs of usage. Non apparent inside of teapot has light discolouration. All items 1st quality. No apparent rubbing or damage to the gilding
Lot 648
A QUANTITY OF ROYAL WORCESTER 'EVESHAM' PATTERN DINNER AND COOKWARE, including eleven dinner plates, eight cups and saucers, seven soup bowls, wavy hors d'ouvres dish, two rectangular dishes, four oval dishes in two sizes, etc (over seventy pieces, gilding worn to some and chips) Condition Report Scratching to the glaze of the dinner plates, serving dishes, side plates. Wear to the gilt rims on most items. Chip to one saucer and gravy boat saucer. Soup bowls have light signs of usage, also the souffle dish and Hors d ouevres platter. These items are some what dirty
Lot 104
Dennis Lyall (American, B. 1946) "Sylvan Dell Riverboat" New York City. Signed lower right. Original oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 32c Sylvan Dell Riverboat stamp issued August 22, 1996. In 1787, John Fitch built the first experimental steamboat in America, but it wasn't until the early 1800s that the first commercial steamboat was designed. Robert Fulton, an American inventor, engineer and artist, changed America's waterway transportation system with the debut of the 150-foot-long vessel he called simply "Steamboat." The boat was powered by two 15-foot-diameter side-wheel paddles, driven by a single-cylinder condensing steam engine. In August 1807, the vessel took its first trial voyage, a 150-mile run between New York City and Albany. Traveling at an average of 4.7 mph, Fulton made the trip in 32 hours, a vast improvement over the typical cargo carrying sailing sloop's four day trip. After making a few improvements, Fulton began steaming commercially in September 1807. Every fortnight, he would complete three round trips on the Hudson River, carrying passengers and light freight. In the winter of his steamboat's first year, Fulton improved his vessel, fitting guards over the paddle wheels, beautifying the passenger quarters and enlarging the hull. These modifications significantly improved the boat, and in 1808 Fulton registered it as "North River Steamboat of Clermont." The press referred to the vessel as the "Clermont." Fulton's successful enterprise led to a 150-year booming steamboat industry. The painting features the Sylvan Dell on the East River in New York. It was one of five ships owned and operated by the Harlem & N.Y. Navigation Company. Image Size: 14.5 x 12.5 in. Overall Size: 16.75 x 14.5 in. Unframed. (B15437)
Lot 111
Don Balke (North Carolina, B. 1933) "Mockingbird and Magnolia" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood commemorative cover for Balke's Birds and Flowers of the 50 States, cancelled December 10, 1985. Mockingbirds start tuning up in late January and reach their vocal peak in spring, singing almost any hour of the day or night. The light of the rising moon often provides the cue for this bird's most rapturous song. Quiet during the August molt, they return to singing form in the fall. At this time the females deliver a soft but beautiful song, usually from the seclusion of a bush. Mockingbirds were sold as cage birds in the South, a practice which has been stopped. Today, the Mocker is a familiar sight around Mississippi's parks. When perched, this bird displays its gray back and white underparts. The Magnolia of the South is the most spectacular flowering tree in this country. Always green, and shaped like a pyramind, it may grow to a height of one hundred feet, with a trunk four feet thick. The long oval leaves are leathery and glossy. At the end of almost every branch the leaves form a green background for the immense white flowers, which often expand to a width of ten or twelve in. The fragrant blossoms have six to twelve waxen petals and three sepals which look like extra petals. Magnolia trees bloom in spring and early summer, although a tree will sometimes produce a few beautiful flowers in the autumn. Image Size: 11 x 12.75 in. Overall Size: 19.25 x 21 in. Unframed. (B09835)
Lot 239
Howard Koslow (1924 - 2016) "Space Exploration - Mercury w/ Mariner 10" Signed lower right. Original Acrylic painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the United States 29c Mercury wtih Mariner 10 stamp issued October 1, 1991. Launched in November 1973, Mariner 10 reached Mercury in March 1974, initiating a series of observations that shed new light on the smallest planet. Mariner approached Mercury on three separate occasions through March 1975, coming as close as 200 miles to the planet's surface and sending back data and photographs that show a world with amazing contrasts. Mercury, it was revealed, has an ancient surface resembling the Earth's Moon, heavily scarred by meteorite impacts. One such crater, named Caloris, is more than 500 miles across. The planet is also characterized by a feature unique to the Solar System -- long, curved scarps (cliffs) that appear to be the result of compression on the planet's crust as it cooled. But on Mercury, cool is a relative term: the planet's surface temperature on the side facing the sun is 950?F. In contrast, Mercury's tenuous atmosphere of argon, neon and helium -- a trillionth the density of Earth's atmosphere -- retains virtually no heat on the planet's night side, with a resulting temperature of -350F. Mariner 10 also revealed that Mercury has a magnetic field, similar to that of Earth yet far weaker, and that the small planet's core is likely comprised of iron. This artwork shows the mosquito-like Mariner 10 as it passes close to the surface of Mercury, beaming back its priceless information to the ever-curious men of Earth. Image Size: 14 x 12 in. Overall Size: 19.75 x 17.75 in. Unframed. (B13252)
Lot 261
Lyle Tayson (American, 1924 - 2014) "Checkerspot Butterfly" Signed lower left. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 13c Checkerspot Butterfly stamp issued June 6, 1977. The family to which the Checkerspot belongs, genus Euphydryas, is found throughout the northern hemisphere, with eight species in Europe and six species in North America. There are no known tropical species. This Checkerspot is also known as the Baltimore because it carries the orange and black colors of Cecilius Calvert, Second Baron Baltimore, who is more universally known as Lord Baltimore. He was granted the colony of Maryland by King James I of England. This colony became the State of Maryland which still carries the orange and black of Lord Baltimore on its insignia. This type butterfly is widespread but individuals remain in one particular area, usually a wet meadow where its food plant, the turtle head, grows. The young larvae gather on the same plants, weaving a silken web around the tender young leaves of the turtle head. Here they remain and eat until autumn and hibernate through the winter. In spring the larvae separate and continue feeding until they become adults during May and June. The Checkerspot or Baltimore is an eastern butterfly and is found from southern Canada south to Georgia and Missouri. Scientists believe that butterflies' bright colors may dazzle predators and make it difficult to catch the butterfly. The bird or other predator probably sees some butterflies as bright flashes of light which vanish when the butterfly lights on a branch and folds its wings. Image Size: 17 x 16 in. Overall Size: 21.5 x 20.5 in. Unframed. (B05117)
Lot 262
Lyle Tayson (American, 1924 - 2014) "Butterflies" Signed lower left. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Combination Cover for the U.S. 13c Butterflies stamp issue of June 6, 1977. Thoreau said that the study of butterflies extends the limits of being in new directions, so that "I walk in nature with a sense of greater space and freedom. It suggests, besides, that the universe is not rough-hewn, but perfect in its details." A butterfly is among the most beautiful of creatures. There's so little structure or power to produce such a flash of light and color. Their color is partly dyes and partly diffraction of light and is similar to the colors seen on a wet oily street or in a rainbow. The colors, some brilliant and some subdued, protect the butterflies by letting them blend with their background, by advertising that they taste bad, by suddenly dazzling their pursuer, or by making them resemble a larger animal the pursuer fears. Butterflies have been seen at amazing heights by airplane pilots and far out to sea where they have landed on ships to rest during migrations. Most species eat plants, some eat insects, and some cross-pollinate the many flowers they visit. Some newly-hatched bachelor butterflies swarm around a mud puddle for days before beginning their search for a mate. There are species which like to fight, attacking birds, dogs, and people, often driving them away. Butterflies and the rest of nature were classified by Carl von Linne -- Linnaeus in Latin. His name is part of the scientific name of many butterflies, indicating that he named them first, for example, the pipevine swallowtail is Papilio philenor Linnaeus. Image Size: 17 x 16 in. Overall Size: 21.5 x 20.5 in. Unframed. (B05118)
Lot 4
Jesus Rafael Soto (Venezuelan, 1923 - 2005) Titled: "Cuadrado y Curvas Virtuales", 1979 from Sintesis series. Signed "Soto" on a label affixed to the reverse. Numbered: (14/110) Medium: Silkscreen on Plexiglas with metal rods. Jesus Rafael Soto was born in Ciudad Bolivar and studied at the School of Visual and Applied Arts in Caracas. During this period he became acquainted with Los Disidentes, a group of artists that included Alejandro Otero and Carlos Cruz-Diez. In addition to his fellow compatriots, Soto's work was influenced by Kazimir Malevich and Piet Mondrian. The main artistic tenets evinced in Soto's works are pure abstraction, vibrations, progressions and geometric rigor. They can be seen through the use of lines and superimposed squares in his sculptures, made with paint and a series of industrial and synthetic materials. He spent much time in Europe, becoming a key member of the Group Zero movement, which included such artists as Lucio Fontana, Gunther Uecker and Yves Klein. As a result, Soto's work also incorporates modernist concepts such as light, time, movement, color manipulation and space. All of these facets place him as an important figure within the Kinetic and Op Art movements. Dimensions: 19.25 x 19.25 x 4 7/8 in. (48.9 x 48.9 x 12.4 cm)
Lot 5
Jesus Rafael Soto (Venezuelan, 1923 - 2005) Titled: Ovalo en el rojo (de la serie Sintesis) Signed "Soto" on a label affixed to the reverse. Numbered: (23/110) Medium: Silkscreen on Plexiglas with metal rods. Jesus Rafael Soto was born in Ciudad Bolivar and studied at the School of Visual and Applied Arts in Caracas. During this period he became acquainted with Los Disidentes, a group of artists that included Alejandro Otero and Carlos Cruz-Diez. In addition to his fellow compatriots, Soto's work was influenced by Kazimir Malevich and Piet Mondrian. The main artistic tenets evinced in Soto's works are pure abstraction, vibrations, progressions and geometric rigor. They can be seen through the use of lines and superimposed squares in his sculptures, made with paint and a series of industrial and synthetic materials. He spent much time in Europe, becoming a key member of the Group Zero movement, which included such artists as Lucio Fontana, Gunther Uecker and Yves Klein. As a result, Soto's work also incorporates modernist concepts such as light, time, movement, color manipulation and space. All of these facets place him as an important figure within the Kinetic and Op Art movements. Dimensions: 15.25 x 15.25 x 4.75 in. (38.7 x 38.7 x 12.1 cm.) Condition: scratches to front pane of plexiglass
Lot 84
Including a miniature white overlay glass bottle, a miniature snuff bottle, a cylindrical form cloisonne enamel decorated in light blue snuff bottle and a pair of rare 19th century inscribed Sabah nut bottles (Similar bottles illustrated The International Chinese Snuff Bottles Society Journal Autumn 2014. Fig. 31, Pg. 30.- see last image)
Lot 88
Herb Kawainui Kane (American, 1928 - 2011) "Flowers of the Pacific - Vanda" Signed lower left. Original Acrylic painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Republic of the Marshall Islands 34c Watercraft Racing stamps issued April 6, 2001. A bouquet of colorful sails billows in the breeze creating beautiful patterns of color on the water as canoes, windsurfers, sailing dinghies and cruising yachts forge through the waves. Boating has been an important part of the culture for centuries. In ancient times, Polynesians built light-weight canoes for fishing and exploratory voyages. Since then, boating has remained vital to marine industries and has become an exciting recreational activity, with watercraft races held throughout the year. This artwork portrays a detailed image of a popular racing watercraft: Canoeing, Windsurfing, Cruising Yacht, and Sailing Dinghy. Image Size: 9.75 x 15.75 in. Overall Size: 17 x 22.5 in. Unframed. (B16926)
Lot 93
Arthur Singer (New York, 1917 - 1990) "Western Meadowlark and Oregon Grape" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the 20c Oregon: Western Meadowlark and Oregon Grape stamp issued on April 14, 1982. Western Meadowlark - In 1844, Audubon commented on the curious notes uttered by Western Meadowlarks along the upper Missouri River. He observed that although the species was known to members of the Lewis and Clark expedition, no one had taken the least notice of these birds since. Consequently, Audubon named the Western Meadowlark, Sturnella neglecta. Today the tag no longer fits. Kansas, Montana, Nebraska, North Dakota, Oregon, and Wyoming have picked Meadowlarks as their state birds. The Western Meadowlark unleashes a bubbling medley of rich, flutelike phrases that is well-known from the Great Pacific Ocean. Oregon Grape - The Lewis and Clark Expedition into the Northwest Territory is credited with bringing the Oregon Grape to the East where it has been grown and appreciated as an ornamental flower ever since. The Oregon Grape's lustrous, dark green, leathery leaves, pyramidal spikes of bright yellow flowers, and light blue grape-like fruits in early summer, make it effective for use in many garden situations. By autumn the fruit develops into grape-like bunches of bright purple berries. The fruit is edible, and sometimes jelly is made from it. The Oregon Grape (or holly grape as it is also called) was used by the Indians and early pioneers as food, medicine, and drink. Image Size: 13.75 x 11.75 in. Overall Size: 19.5 x 17.5 in. Unframed. (B05075)
Lot 96
Brian Sanders (British, B. 1937) "German Cruiser - Admiral Hipper" Original Oil on Canvas painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the Marshall Islands Battle of the Barents Sea 29c Admiral Hipper stamp issued December 31, 1992. Shortly after 7 a.m., the Admiral Hipper opened fire on the convoy and within hours had sunk the destroyers Achates and Onslow. As the German battleship Lutzow sailed into the midst of the merchantmen, two British light cruisers -- the Sheffield and Jamaica -- appeared on the horizon, fired on the Hipper and scored a direct hit. Vice Admiral Oscar Kummetz, the ships's commander, ordered his cruiser to withdraw. The Lutzow followed posthaste. Enraged by the fleet's failure, Hitler ordered it scrapped. A compromise introduced by the new Grand Admiral, Karl Donitz, ultimately saved Germany's navy. Image Size: 13.5 x 16.25 in. Overall Size: 17.5 x 20.25 in. Unframed. (B14034)
Lot 152
2001 Jaguar XK8 4.0 Coupe AutoMake: Jaguar Model: XK8Year: 2001Mileage: 75412VIN: 101362Configuration: Right Hand DriveRegistration: R1YRHTransmission: Auto Finished in dark metallic green with light grey leather interior, this car is described by the vendor as being in lovely condition. The mileage of 75,412 is warranted. It was retained by the first owners, husband and wife, until 2016 and has had two further keepers since including the vendor since 2017. The vendor advises that he purchased it to keep due to it's condition but is losing his garage space so has to sell it on. The private registration plate remains with the car. It's history file includes the replacement service book with many main dealer and specialist entries between 2001 and 2017, some of the entries are supported by service receipts. The many receipts are detailed and substantial dating between 2006 and 2020. It also comes with MoTs dating from 2005 until the present, 2016 bill of sale, handbooks and spare keys.
Lot 170
1969 Daimler V8 250 autoMake: DaimlerModel: V8 250Year: 1969Mileage: Contact AuctioneerVIN: 98751Configuration: Right Hand DriveRegistration: LK858GTransmission: AutomaticPLEASE SEE BELOW FOR VIDEO PRODUCED 15TH JULY BY ACA OF THIS CAR. One of ten cars offered from a private collection. Finished in Regency red with light grey leather interior, this car has been owned by the vendor's since 2010. The car was re-registered in 1988 suggesting it had been subject to a period of storage when it disappeared from the DVLA's records. It's history file contains MoTs dating from 1989 to 2010 when last issued, copy V5's dating from 1988, handbook, 2004 bill of sale, various receipts and documents. Some recommissioning is required.
Lot 225
1935 Morris 8Make: MorrisModel: 8Year: 1935Mileage: Contact Auctioneer1935 Morris 8Configuration: Right Hand Drive1935 Morris 8Registration: NJ77911935 Morris 8Transmission: Right Hand Drive918cc. One of ten offered from a private collection and part of a probate sale. It has been owned by the family since 2010 and has mostly remained unused. Some light restoration is required before use. Comes with green log book, current V5, some images and original handbook.
Lot 241
1954 BSA A10 Golden Flash 650Make: BSAModel: A10 Golden FlashYear: 1954Mileage: Contact AuctioneerVIN: 100199Configuration: Left Hand DriveRegistration: 588XVJTransmission: ManualThis bike has been completely refurbished over several years and is described as being in lovely condition throughout. It starts easily and we have been advised that everything works including the lights, horn, brake light and generator. An immobiliser has been fitted. Described by the vendor as a pleasure to drive in every way. It comes only with a current V5 and copy servicing information sheets. UK registered in 2020. Engine number BA 10 10307.
Lot 286
1975 Rolls Royce Silver ShadowMake: Rolls Royce Model: Silver ShadowYear: 1975Mileage: 19905VIN: 103076Configuration: Right Hand DriveRegistration: KKL704NTransmission: Automatic Finished in Silver Mink with light blue leather interior and burr walnut accents on the dash and door panels. This Rolls Royce was manufactured in July 1975 for export to Hong Kong where it is believed that it was delivered to a Colonial Consulate diplomat. In 1984 it was exported to the USA where it remained with the same family for many years. In 2019 a well known USA collector, especially of Rolls Royces, Bentleys and even Bugatti, purchased the vehicle to make a European trip with his young son. The car was prepared to be mechanically perfect in every way including ice cold air-conditioning. A trip was made through France, Portugal and Germany before coming to the UK on his return. The car was swapped with a Bentley Continental R that was returned to the USA. It is described by the vendor as a beautiful car that drives superbly. Over $11,000 of Bentley receipts between 2013 and 2017 document maintenance including the rebuild of the twin SU carburettors, new brake lines, coolant flush and oil change. It also comes with import, NOVA and copy US title documents, DVLA registration paperwork, build date letter from Bentley and recent MoTs. The vendor believes the mileage to be correct at 19,905.
Lot 2015
Collection of Circa 1930's and Later Chinese Brocade and Embroidered Jackets, Tops and Cheongsams, in various colours and designs etc (19) . Majority show a little wear, some rubbing to the silk, loose threads, some light staining, and various sizes. Turquoise jacket - size 32, light red stains to the back and fading. Burgundry brocade long sleeved jacket - size 12, slight wear and fading to the back of the collar. Green brocade jacket - staining to the lining and wear to the brocade. Modern short sleeve top - size 36, rubbing to the hem. Gold and orange jacket - staining and wear to the lining, staining to the brocade. Modern blue short sleeved top with buttons to the front, slight wear, size 36. Bright green jacket and yellow flowers - size 38, ok condition. Striped brocade jacket, some wear and discolouration to the shoulders, no belt. Blue sleeveless top - size M, loose threads. Jade green short sleeve top, size 36, slight wear. Cream silk jacket - size 34, some colours run. Gold sleeveless dress - size 36, slight wear. Green dress - wear to the collar, arms holes, seam open to the back at the waist. Black silk dress - slight wear. Blue short sleeve dress - fading to the shoulders and loose threads to the hem. Gold sleeveless cocktail dress - discolouration to arm holes and rubbing to silk. Red silk dress short sleeves - size 38, slight wear. Black dress - repair under one arm and slight wear. Green sleeveless dress - some wear.
Lot 2017
Assorted Circa 1930/50 Evening Wear and Separates, including a black grosgrain evening jacket with one button fastening and scalloped detail to the bust; a cream evening coat by Leshgold of London, with pearl and bead mounted collar and pockets (size 36); a Carnegie Model brown jacket with three quarter length sleeves in the wrap style, appliqued with brown bead flowers, two front pockets and collar trimmed with white grosgrain; a Carnegie London brown crepe dress with a faux wrap skirt, and a brown velvet trimmed shawl collar to the bodice with pleated detail (size 18); a black sheer floral flocked long sleeve jacket over a pink lining; Kings of Glasgow cream sleeveless dress with grosgrain mount to the shoulders and bust; Continentals Berkertex Overseas blue floral sleeveless shift dress, woven with metallic threads, bow to the reverse and low back; a Jeannie Brand jersey dress in floral design, elbow length sleeves, buttons to the waist and pleated skirt; gold/yellow straight skirt; Pierany Paris black and gold woven jersey type A-line skirt (10) . Black scalloped jacket - trim becoming loose to bust, fading to lining and slight wear. Leshgold jacket - couple of light stains to the front, and slight wear. Carnegie jacket - 42” bust - slight wear, missing belt and a button. Carnegie brown dress - slight wear overall. Black flocked jacket - 40” bust - slight wear overall. Kings of Glasgow dress - 35” bust - trim coming loose at back, centre seam at the back coming away, fading and general wear. Continentals dress - 36” bust -slight rubbing, especially under the sleeves. Jeannie Brand dress - 36” bust - no belt, slight wear overall. Gold skirt - 30” waist, alterations to the waistband, otherwise ok. Pierany Paris skirt - 29” waist - some loose threads.
Lot 2018
Assorted Circa 1930/40 Dresses, including Linda Leigh Model black crepe short sleeved dress with machine lace mount to the shoulders and wrap style bodice, black and lace trimmed sash hanging to the hip; black short sleeved dress with V-neckline, small bow appliques, peplum front to the skirt and fabric belt; pink and plum coloured flower head crepe short sleeved dress with ribbon ties to the neck, stylised detail to the waist with gathered peplum trim; Roecliffe & Chapman of Grosvenor Street light brown crepe dress with elbow length sleeves, pleated wrap style bodice, bead and sequin detail to one hip and lower sleeves, fabric belt; navy dress with multi pleated scooped neck, dropped waist, machine made trims to the bodice; black day dress with ribbed style fabric, low scooped neck with multi pleated lapels (6). Linda Leigh dress - belt missing, some wear overall, small mark to the back of the shoulder, could just be pulled threads, loose threads to bottom of sleeve holes, 40'' bust. Black dress - a few loose stitches around neckline, possibly some stitches removed, some staining to both sides of one sleeve and the other has fading overall, belt is worn, some patches on the back where the fabric has faded and hem has been alterered, bust - 40'' . Pink and plum dress - staining around the neck, side opening has some tears and loose threads, overall ok, bust ''34. Roecliffe and Chapman dress - faded areas and wear to the fabric, wear underneath both arms, one has a couple of small holes and the other has some appearing, 36'' bust. Navy dress - hole the size of a 50p piece to the back of the skirt, the hem has has a silk trim added and now worn, couple of light staining marks overall and loose threads coming from the lace trims, and fading to shoulders - 42'' bust. Black day dress - belt missing, a couple of small holes to front of the skirt near hem, and some on reverse, some wear overall, 36'' bust.
Lot 2019
Assorted Circa 1930/40 Dresses, including a For You by Blanes black wool short sleeved dress woven with dancing figures in cream; Berkertex Bond Street Designed by Hartnell black wool long sleeve shirt dress with buttons to the front; blue crepe style short sleeved dress, with a scooped and shaped neckline trimmed with white grosgrain; blue cotton short sleeved dress with buttons to the waist; purple crepe dress with a purple and cream floral mount to the neck (possibly later), applique trim to the top of the crepe, two patch pockets, fabric belt (5). Blanes dress - belt missing, slight rubbing and wear, three or four woven figures near the hem are stained a light blue colour, couple of small holes towards the hem, 34'' bust. Berkertex dress - 34'' bust - Slight fading and some wear. Blue crepe dress - some fading to both shoulders, stitched repairs to the darts at bottom of bodice and waistband on the front, slight wear overall, 36'' bust. Blue cotton dress - 40'' bust and slight wear. Purple dress - numerous red loose threads to the applique trim, staining/fading around sleeves and under arms, front of dress, button missing to the zip area, 28'' bust
Lot 2022
Circa 1940/50 Evening Wear, comprising a sleeveless shift dress in a blue and brown floral print with bow to the reverse; a brown metallic floral brocade shift dress with a pleated waistband; a Carnegie of London brown cotton shift dress with a cut work and embroidered floral mount (size 22); similar dress in blue by Riviera Model with shaped neckline; Brevise Model camel coloured boucle coat with large moulded buttons; pink brocade textured evening coat with two pockets and elbow length sleeves; Rodex silver and black patterned coat with collar, two large patch pockets; light brown Cherrys of London coat with long sleeves, one button fastening and detail to the back of the neck (8) . CR - Shift dress - 34” bust, appears to be in good condition. Brown metallic dress - 36” bust - a lot of loose threads and slight staining to the inside of the lining at the top and general wear. Carnegie brown dress - 42” bust, slight wear overall. Riviera Model blue dress - 38“ bust - slight discolouration under the arms, fading to the lining and discolouration. Brevise coat - 40” chest, fur trim to the collar is not original, and slight wear/rubbing to the jacket overall. Pink brocade coat - fading around the collar, several small holes to the lining, and some wear overall. Rodex coat - 48” bust - two buttons have staining, lining some fading and wear inside and around the neck area, some thread pulls. Cherry London coat - 43” bust, Lining is very stained especially to the back of the neck, overall slight wear.
Lot 2024
Assorted 1930/40 Jackets, Skirts and Shirts, including Dereta of London black ribbed long sleeved jacket; a green lace mounted top with elbow length sleeves; a London Made pale blue worsted wool jacket with long sleeves; grey jacket with long sleeves; navy D Notini of Callander jacket with long sleeves; Marshall & Snellgrove wool jacket in dark cream, pale pink and green with two faux pockets; a Laeta Ramage in Moygashel brown crepe long sleeve top with buttons to the back; a Lisscraft London brown crepe top with long sleeves, five small covered buttons to the waist, beaded trim to collar; a rust coloured wool straight skirt; a navy wool straight skirt with panel to the front; a green, pale blue and white woven wool skirt with pocket and fringed detail; a R W Forsyth Glasgow burgundy long sleeved top with inserted floral decoration and button fastening; a pale blue grosgrain jacket with three quarter length sleeves; light pink top with three quarter length sleeves and pockets to the hem; four shirts and tops including a Peter Simple of London (18). Dereta jacket - some wear to the lining and slight wear overall. Green lace top - slight wear overall. London Made jacket - lining has several small holes and fading, buttons are loose, small area of wear to the edge of the collar, some areas of wear overall. Grey jacket - slight wear to the outside, some fading and staining to the silk lining. Notini jacket - slight wear overall and slight discolouration to the lining. Marshall & Snellgrove jacket - pink lining has lots of wear and holes, rubbing and wear overall. L Ramage brown top, belt missing, some loose threads, slight rubbing and wear overall. Lisscraft top - small hole to the back and small part of sleeve seam open, slight wear and discolouration overall. Rust skirt - slight wear overall. Navy skirt - waistband has been altered. Green blue and white skirt - couple of loose threads and slight wear overall. Forsyth top - slight wear overall. Pale blue jacket - slight staining under the arms, loose threads around the edge of the collar and discolouration to the back of the jacket.
Lot 2025
Circa 1940/50 Suits and Separates, comprising Hector Rowe London blue and white checked wool skirt suit with a straight skirt and fitted jacket with navy velvet trim to the collar, cuffs, patch pockets to the front trimmed in velvet, and a single button fastening; Alexon Size Right green pure worsted wool skirt suit, with a straight skirt and fitted jacket with three button fastening, pockets to the front with a little detail; Gunther Jaeckel New York navy and white wool jacket with peter pan collar, three button fastening, two pockets to the breast and black silk ribbon tie; navy blue wool tailored jacket with two pockets, three button fastening; light blue jacket with stylish pockets, four button fastening; yellow wool straight skirt; a navy wool A-line skirt; grey straight skirt; eight short and long sleeved shirts including embroidered detail, machine lace mounts, in silk, cotton etc (16) . Hector Rowe jacket - 31” bust, waist 26”, condition slight wear and mainly rubbing to the velvet. Alexon green suit - 36” waist wear especially to the lining, 40” bust to the jacket, lining very worn and wool ok. Gunther Jaeckel, slight bobbling and wear to the wool, 39” bust. Navy jacket - some wear, thread pull to the collar, 36'' chest. Light blue jacket - on ebutton damaged, small hole to one of the lapels, slight fading to the lining, 40'' chest. Yellow skirt - 25'' waist, slight wear to the waist band otherwise ok. Navy skirt - 26'' waist - condition appears ok. grey straight skirt - 26'' waist, slight wear.
Lot 2026
Assorted Early 20th Century Gentlemen's Suits, Jackets, Waistcoats, Trousers etc, comprising OHM & Webster of Manchester cream cotton slacks; pair of similar cream linen trousers; Hardy Amies Designed Tailored by Hepworths two piece suit; Burtons Tailoring wool mix suit jacket; a Smart Alex brown pin stripe wool two piece suit; a St Michael grey pin stripe suit; Taste of London light blue two piece suit; various wool and other waist coats; Harrisons of Hamilton black jacket; Redmayne double breasted blue checked jacket; pair of brown wool checked trousers with turn ups, and another pair in navy pin stripe; navy wool jacket (22) . Condition mixed, slight wear overall
Lot 2030
Assorted Mid 20th Century Breeches and Work Smocks, including A & J Lambert Edinburgh dated 18.10.37 cream wool breeches, another pair of ribbed design dated 8.2.34, a brown/grey pair labelled Flights Ltd, New Burlington Street, London dated 1937, pair of Pytchley brown breeches, black wool pair and four other lighter weight pairs; Nine Cotton Work Smocks/Tunics, with button placket to the neck in brown, green, navy and light blue some are labelled, three ladies' work over dresses labelled Valbra Ltd and Trutex in brown and blue (qty). Breeches - mixed condition, some have little holes and wear, others in better condition. Tunics - show slight wear. Mens Breeches - A&J Lambert cream wool 27'' waist, couple small areas of wear. Another Lambert pair in cream rib, 28'' waist, slight discolouration. Black/navy wool - 382 waist, small hole and wear to the reverse. Cream wool pair - 35'' waist, repair to the leg panels, damage to the side of one of these, several small areas of wear to the reverse. Pale green ribbed cotton - 31.5'' waist, light stains, small hole to the reverse. Flights Ltd brown wool - 32'' waist, numerous tiny holes to the crotch and several holes to the reverse. Ladies Breeches - Adamsons Piccadilly - 26'' waist, zip to side, ribbed pale green cotton, some staining. Pytchley brown wool - 29'' waist, gents/ladies? - button fastening to each side, slight wear. Similar style pair in light brown canvas, with original card label, 30'' waist, couple of small stains. Brown wool - 27'' waist, holes to one hem and small holes to reverse.
Lot 2045
Assorted Circa 1950/60 Ladies' Day Wear, comprising Maurice Henri burgundy velvet two piece skirt suit, with red trim to the neckline; brown and white patterned cotton double breasted sleeveless dress and belt; Marcourt Originals Miami natural coloured linen short sleeve day dress, quilted floral detail to the neck appliqued with faux pearls and paste stones (belt missing); Polmarks Model brown crepe sleeveless dress with notch neck and faux shell top, three diamante type buckles to the bodice, (size 38); Jane & Jane by Susan Small brown woven short sleeve dress with cream silk geometric detailing to the skirt and sleeves (size 18); grey and cream slubbed striped sleeveless shift dress; light brown lace mounted short sleeve shift dress, with brown satin mount to the collar; Peter Mann Model brown lace mounted dress with shawl neck, short sleeves, A-line skirt with velvet trims; black and white open weave checked day dress, scoop neck, short sleeves, pleated skirt with large black button detailing; black long sleeve dress printed overall with red poppies and leaves, long sleeves, multi buttons to the front, matching necktie, inverted pleats to the front; Ladies Pride black dress with long sleeves, shawl neck with black velvet mounted collar, textured stripe, gathered skirt (size 38); Roy Lynn Model white lace mounted short sleeve top with buttons to the reverse (size 46); another similar in cream by Sybille Claymar (size 40) (13). Maurice Henri suit - 28'' waist, 36'' bust, slight rubbing to the velvet, slight mark where the sticker has been. Brown and white dress - 42'' bust, slightly discoloured and rubbing to the trim; Marcourt Originals dress - 36'' bust and slight wear. Polmarks Model - slight wear. Jane & Jane dress - slight wear. Grey and cream striped dress - 37'' bust, slightly discoloured under the arms - slight wear. Peter Mann dress - 36'' bust, some slight staining overall and under the arms, some wear to the lace. Black and white dress - 38'' bust, slight wear and discolouring, restitched under one arm. Poppy dress - 38'' bust and slight wear. Ladies Pride black dress - slight wear. Roy Lynn dress - slight wear. Sybille Claymar dress - slight wear.
Lot 2054
Mid 20th Century Day Wear, comprising Horrockses Fashions teal, white and light brown checked short sleeved dress, shawl neck collar, detail to the bust and belt; Horrockses Fashions pale blue cotton full length house robe printed with yellow flower heads and grey leaves, fabric belt (size 18); Maxlin Modern Maternity Wear short sleeved printed maternity shirt with Peter Pan collar, button front and pockets (size 38); Capsa grey cotton short sleeve shirt dress with collar and pleated skirt (size 18); Wetherall white full length gathered skirt; tartan check long sleeve shirt; Pastella green chiffon mounted long sleeve shirt with pearl buttons (size 36); Fairy Ring purple, green, blue and long sleeved shirt; four short sleeved tops including Clapholt Eastbourne, Ninette Swiss and Elise Whiteley (12) . Horrockses teal dress - staining under the arms, slight fading and wear. Horrockses robe - some yellowing, faded especially to the bodice, some brown spotting. Capsa dress - no belt and slight wear. Wetherall skirt - slight wear to the waistband, brown mark to the skirt and overall wear.
Lot 2073
Chanel Light Mauve Short Sleeve Dress, woven with metallic threads, shawl neck collar and faux scarf ends, fringed detailing to the hem, cuffs and edges (size 36); Chanel Wool Woven Jacket, in white, black, neon, green and pink, with elbow length sleeves, double breasted and scooped neck (size 36) (2) NB The brooch shown on the mauve dress is not included in the sale. . Mauve dress - couple of thread pulls to the front, slight bobbling to the reverse. Some loose threads and slight wear - see images. Woven jacket -
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