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Lot 184
A Henredon for Ralph Lauren Polo oval extending dining table, plain frieze, one extra leaf on a fluted column support and quadruped base, 76 h x 216 w (extended) x 163 d cm, 165 cm w closed. Condition: a sliver of veneer missing from base, light scuffs from ordinary use, see extra photos. Note: this lot can be collected, by arrangement, from a property in Virginia Water, GU25
Lot 185
A Ralph Lauren Polo mahogany chest of drawers with black marble top, frieze drawer, ring-turned handles on stepped feet, 99 h x 134 w x 60 d cm. Condition: light scuffs from ordinary use, otherwise in very good condition. Note: this lot can be collected, by arrangement, from a property in Virginia Water, GU25
Lot 186
A Ralph Lauren Polo flame mahogany armoire with twin doors revealing a shelved interior, carved supports with drawer under, 216 h x 143 w x 67 d cm, in very good condition with light scuffs from ordinary use. Note: this lot can be collected, by arrangement, from a property in Virginia Water, GU25
Lot 201
A selection of lithographs, maps and illustration from the 1856 expedition to Japan under the Command of Commodore M C Perry, United States Navy to include: Japanese Rice Mill, Bridge and Causeway at Lew Chew, Reception at the Castle of Shui, Napha from Bamboo Village and approx. 95 others, all unframed, mounted, most with light foxing
Lot 220
Florence Mabel Hollams SWA (Mrs C L Fox) (1877-1963) PRIMROSE, signed, oil on panel, 32.5 x 45 cm, dated 1933 Condition: The picture is in good overall condition. The paint on the panel is good with little sign of wear or damage. There are splashes on the left-hand side and light splatters of emulsion pain on the bottom right-hand side, see photos. Note: ARR may apply to this lot.
Lot 10
Waxham Piscina oil on canvas 54 x 38cm Footnote: Gerard Stamp lives and works in Norfolk. He went to school under the shadow of Norwich Cathedral, where he developed a passion for drawing and painting architecture. After art college Gerard followed a career in London’s design and advertising industry before focusing full time on painting. Using light, atmosphere and detail Gerard strives to convey the feeling of a place, and what Ruskin called the “golden stain of time”. He has had multiple exhibitions in Norfolk and London including Spirits in Stone, a series of architectural portraits; Twelve Churches celebrating the Churches Conservation Trust’s 40th anniversary, and Conquest at Norwich Castle (alongside paintings by his artist hero, John Sell Cotman). His work is in private collections around the world including those of Dame Judi Dench, the Duke of Bedford, HRH The Prince of Wales and HM The Queen.
Lot 17
Golden Bough II oil on brass 18 x 24cm Footnote: “Drawing on the spot intensively is the groundwork of all that I later paint. It feeds on the specifics of particulars: tree, field, angle, light and shadow; alert to the weathering of the year; a vital initial response to the seized moment.” Having read English at Oxford, Kate trained at Camberwell and Falmouth Schools of Art. She has exhibited regularly ever since, particularly in London and East Anglia but also internationally. Her work can be found in numerous public and private collections in the UK and abroad.
Lot 24
Atmosphere 8&9 watercolour and pencil on Japanese paper each 28 x 22cm, unframed Footnote: 'This set of simple landscape drawings are of minimum gesture that I hope convey a dream-like quality of space, place and light occasionally found when walking the Norfolk creeks at times of extreme high atmospheric pressure'.
Lot 35
Bales at Hardley, August 2019 pastel on paper 58 x 76cm Footnote: Cornelia is a landscape painter based in East Anglia. She trained at Byam Shaw, and Chelsea School of Art. Her work, often the same subject depicted in different seasons, is a direct response to the changing colours, light and weather across the seasons, and is created outside in the plein air tradition.
Lot 47
Holme Beach oil on canvas 15 x 20cm Footnote: Lorraine’s paintings draw strongly on the sense of space, light and atmosphere that she finds in the empty, isolated panoramas of the Wash and of the North Norfolk coast. "The challenge facing me as an artist is to remake on canvas the monumental yet momentary and fluid qualities that I encounter in these environments and their natural phenomena. I paint in the studio, from memories and recollected impressions and from sketches and photographs taken in the field. My approach is reflective, intuitive and often subliminal. I apply, remove and re-apply paint in the very flexible and physical manner that oil paint allows. I work over time, repeatedly layering paint and building up the surface of the painting until I have achieved a specific sense of place or atmosphere. I often seek to balance isolation and absence with a sense of harmonious calm and stillness. The paintings involve a pursuit of things that are indistinct, elusive and ever-changing. I strive for paintings with a liquid, viscous quality where ambiguities of surface and reflection and of depth and distance can combine to convey the ambiguities of land, sea and sky”
Lot 1025
Banksy (b.1973)"Trolleys"Signed and numbered 510/750, with the publisher's blindstamp, Pictures on Walls, London, screenprint in colours, 2007, 56cm by 76cmProvenance: Red House Gallery, Harrogate P.O.WThis work has been authenticated by Pest Control with a Certificate of Authentication to followBansky began his career as a street artist in Bristol in the 1990s working predominantly with stencils from the late 90s. His work became instantly recognisable in Bristol and London and steadily grew a huge following. His works of political and social commentary have appeared on streets, walls and bridges around the world. Recently a Banksy painting depicting MPS as chimpanzees in parliament sold for £9.9 million pounds in a London auction held by Sotheby's."Trolleys" or "The Trolley Hunters" was originally released in 2006 as part of the Los Angeles edition for Banksy's "Barely Legal Show". The first edition of "Trolley Hunters" was unsigned and numbered out of 500. The UK release of "Trolleys" was at Pictures On Walls in 2007 in three different forms - an edition of 750 signed colour prints, 500 unsigned white prints and 150 signed white prints.Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Has been float mounted and the paper has a deckled edge. There is some very light surface dirt and debris trapped under the glass to the mount. Not examined out of the frame.
Lot 328
A 1930's oak bookcase cabinet by Robert John Anderson of Edinburgh, the rectangular top over two open shelves and a pair of cupobards, raised on a plinth base. 111cm by 91cm by 29cm Note: Robert John Anderson studied at the Edinburgh College of Art. After graduating in the 1920s he set up a bespoke furniture making business, before training as a school teacher. His designs reflect an interest in the early Modern Movement and the work of Betty Joel, while interesting features, such as the light box in the secretaire, convey the bespoke nature of his output.
Lot 242
A group of three small rugs, comprising a flat weave rug with seven camels to the red, cream, and black field, surrounded by stylised floral motifs, 197 by 99cm, a small red ground prayer mat, with dark blue medallion, cream, green, and light blue floral decoration, 75 by 65cm, and small rug with orange ground surrounded by a wide cream and yellow floral border, 140 by 84cm. (3)
Lot 395
A collection of eleven LP records to include Jancis Harvey signed , From the Darkness Came Light - Helen Reddy, I am Woman and Grand Funk Live Album - Motown Chartbusters Vol - Bob Dylan The Times They Are a Changing - Stevie Wonder Innervisions - Olivia Newton-John Music Makes My Day - Elton Johns Greatest Hits Volume II - Jane Fondas Workout - The Detroit Emeralds - Stevie Wonder Hotter Than July
Lot 429
A collection of 4 x 35mm cameras to include two Nikon F65 cameras serial no 3087036 and 2358602 both with Nikon AF Nikkor 28-80mm lenses - A Nikon AF F801 camera serial no 2186475 with Nikon AF Nikkor 35-70mm lens checked with batteries, appears to function all light display - A Nikon AF Nikkor 70-300mm lens, a Minolta Dynax 8000i serial no 12237212 with Minolta Zoom 35-80mm lens - some damage to case at front of battery compartment otherwise cameras appear clean but missing batteries so functions not checked - with manuals
Lot 2040
Piero Fornasetti (1913-1988): A Cotton Jar and Cover, circa 1960's, printed with flowers within gilt bands, factory mark FORNASETTI MILANO MADE IN ITALY, 18cm; and A Tobacco Jar and Cover, printed with tobacco leaves and pipes within gilt bands, factory marks FORNASETTI MILANO MADE IN ITALY CREAZIONE PER Ti.vi.emme, 14cm (2) .Surface wear and light scratches.
Lot 2052
Marcel-André Bouraine (French, 1886-1948): Girl with Hoop, A Bronze Figure, circa 1925, modelled as a nude holding a hoop, on a variegated marble base, signed A Bouraine, stamped under right foot 189, 45cm See illustration .Casting joints are visible to the arms and lifted leg, water splashes and dirt, otherwise with light surface wear indicative of age. Base is damaged. Hoop is split.
Lot 137
GRAEME WALLACE, IMPENDING STORM (CLAN CUNNINGHAM BY LOCH LOMOND) print on paper, signed in pencil on the mount and numbered 3/4 Mounted 47cm x 87.5cm overall, along with nine others, including First Snow, print on paper, signed in pencil on the mount and numbered 3/4, mounted, 47cm x 87.5cm overall, First Snow 2, print on paper, signed in pencil on the mount and numbered 4/4, mounted, 47cm x 87.5cm overall, Impending Storm, print on paper, signed in pencil on the mount and numbered 1/4, mounted, 47cm x 87.5cm overall, Impending Storm 3, print on paper, signed in pencil on the mount and numbered 4/4, mounted, 47cm x 87.5cm overall, Tranquility, print on paper, signed in pencil on the mount and numbered 2/4, mounted, 47cm x 87.5cm overall, Tranquility 4, print on paper, signed in pencil on the mount and numbered 4/4, mounted, 47cm x 87.5cm overall, Impending Storm 2, print on paper, signed in pencil on the mount and numbered 2/4, mounted, 47cm x 87.5cm overall, First Snow, print on paper, signed in pencil on the mount and numbered 1/4, mounted, 47cm x 87.5cm overall and Last Light, print on paper, signed in pencil, limited edition 4/4, mounted, 47cm x 89cm overall (10)
Lot 150
A large Victorian silver trophy cup, Thomas Bradbury and Sons, London 1880, Neoclassical twin handled urn form, cast and chased with acanthus lappets to the lower body and pedestal foot, the angled handles with Greek guilloche and bead bands, later inscribed for the County of Oxford Army Cadet Force Challenge Cup and Athletic Cup, 6th Oxford Battalion 1947, 39.5cm high, 75.87ozt note: 6th Oxford Battalion was the Home Guard battalion of the OBLE (Oxford & Buckinghamshire Light Infantry)
Lot 20
A Chinese silver five light candelabrum, Wang Hing, Hong Kong circa 1900, the lobed circular base embossed with panels of flora and fauna, including prunus, chrysanthemums, ducks, storks and dragon, the central prunus decorated and ball knopped column with three cast and chased dragons supporting four further branched dragons with torch sconces, all on three cast demon mask bracket feet, 46cm high, 65.42ozt
Lot 266
A platinum brilliant-cut diamond single-stone ring, with tapered shoulders, estimated diamond weight 0.75ct, H-I colour, SI clarity, hallmarks for Birmingham, ring size N1/2, 4.5gConditionOverall good conditionDiamond very bright and livelyA few, mostly light feathers and crystals towards the girdleBand slightly worn, may require polishing
Lot 159
BESPOKE TEAK HI-FI CABINET fitted with Marantz amp, JVC cassette deck, Lenco turntable ETC and pair of encased speakers, believed Wharfedale (3)I have plugged it in.The lights on the tape deck work and the tape player plays, unfortunately I do not have any tapes or vinyl to test.The small blue light on the amp turns on and the turn table moves.Not sure what the speakers sound like, nothing to play.
Lot 2
STUDIO 6G & HARVEY GUZZINI: TWO 'BUD GRANDE' MODEL 3029 CEILING LAMPS, caramel acrylic shades, one with rise and fall cord, 34cms diam. (2)Regarding the ceiling shade, chrome is a little rusty in places, all plastic present.There are no cracks or breaks. Chrome is stuck down, looks re-glued, looks a little messy.The other light, the rise and fall does not work. It looks like it is missing the top white cover, which covers the chrome piece.Again there is glue residue where the chrome has been glued down. (not as messy as the other)There are no cracks or breaks.
Lot 25
REPRODUCTION GEORGIAN-STYLE MAHOGANY BONHEUR DU JOUR, with superstructure of drawers and cupboards, on a serpentine fronted and leather inset top above frieze drawer, square tapering legs, 92cms wideHeight at the back – 98cm’sWidth – 91cm’sDepth – 55cm’sHeight to leather top – 77cm’sKnee height to under drawer – 623cm’s There is some bad restoration work on one side regarding the veneer. There is also veneer missing on the front right corner.There is some light general wear to the top, few little marks to the leather, nothing major, no rips or tears, leather looks good.There are a few scrapes on the legs, no major damage, feels nice and solid, no wobble.The two front drawers look good, slide well, no damage, handles present.Regarding the top section. One drawer is missing a handle and the two side cupboards have wear around their handles. (see photographs) no other damage.
Lot 5
ROBERT HEAL FOR STAPLES: A LADDERAX TEAK MODULAR LOUNGE UNIT, 201 x 277 x 40cmsThere is some staining and light surface scratches to most surfaces.The drop-down cupboard is missing keys and does not want to stay closed. the hinges look good.The slide cupboard, both doors slide well and the interior good.The slide rails all feel good, no damage. There are some paint spots on some of the rails and there is a stopper missing off one foot.
Lot 75
VICTORIAN MAHOGANY ROCOCO-REVIVAL DRESSING SCREEN, three graduated folding leaves with glazed top sections above inset green floral brocade panels, 191cms highThere is very light general wear, a few very light scratches.No damage, chips or restoration.All glass looks good.All fabric looks good.
Lot 80
MODERN KASHMIR FIGURED WALNUT DINING SUITE, comprising extending dining table with extra leaf 216 x 116 (extended), eight chairs including tow armchairs and breakfront sideboard 152 x 54 x 100cms, all with floral carved cusped medallion and border ornament (10) Condition Report: minor fading to table topWhen the table is closed the dimensions are: Height – 76cm’s, Width – 117cm’s, Length - 161cm’sWhen the table is extended, the length is increased to 216cm’sThe table does not wind, it just pulls apart and pushes together.There is general wear. The table does have some small sections of fading (see photos) and a few very light surface scratches. Structurally solid, no major damage.Three of the chairs feel a little wobbly when sat on, two carvers and the other three feel ok. All cushions look a little dirty.The sideboard, again light general wear. Light surface scratches to top. All drawers and cupboard doors open and close nicely.
Lot 3077
ARCHIBALD KNOX (1864-1933) A LIBERTY & CO TUDRIC PEWTER CANDLESTICK, NO.023, of squat form with broad quatrefoil drip tray, above a domed circular base cast in low relief with stylised leaves. 12.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Stands upright, does not wobble. Small split to drip tray (see image). Light surface wear commensurate with age and use
Lot 3082
ARCHIBALD KNOX (1864-1933)A LIBERTY & CO TUDRIC PEWTER TULIP VASE, NO. 029, with sinuous bifurcated handles, stamped '7/ TUDRIC/ 029'. 24.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Various dents/bruises to underside of base. Stands upright, does not wobble. Hairline crack to inside shoulder of one handle. Minor dent to top rim. Light surface scratches and tarnishing
Lot 3111
ATTRIBUTED TO CHARLES FLEETWOOD VARLEYAN ARTS AND CRAFTS ENAMEL BOX, cylindrical, the cover centred by a circular enamel plaque depicting a blossoming tree in a landscape, within a surround with the motto 'SWEETS TO THE SWEET', unmarked but tests as silver. 6.2cm diameter, 4.2cm high, 2.3 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Enamel plaque slightly loose in lid fitting. Minor nicks/dents to base and top rims. Light surface bruising, scratches and tarnishing commensurate with age and use
Lot 3129
GERALD BENNEY (1930-2008) AN ELIZABETH II SILVER MUG, London 1971, large, of tapering cylindrical form, the chased bark-effect outer edge with plain rim and handle, gilded to interior. 13cm high, 15.4 troy ounces Note: Gerald Benney was one of the most outstanding goldsmiths of the 20th Century. With works being continuously produced for over fifty years, from private commissions to mass production. Born in Hull, Yorkshire, in 1930, Benney received many commissions from the Royal Family and was the first craftsman to hold four Royal Warrants simultaneously: from HM The Queen, Queen Elizabeth The Queen Mother, the Duke of Edinburgh and the Prince of Wales.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks very clear and well spaced. Minor dent to top rim and handle edge. Stamped 'GERALD BENNEY LONDON' to base. Light surface scratches commensurate with age and use
Lot 3140A
LOUIS VUITTON SOLOGNE SHOULDER BAG, in monogrammed canvas with light tan trim and shoulder strap, 27cm by 18cm by 8cm, with original box, and dust bag. The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In good condition, some light pen marks to the inner canvas lining of the flap. One small scuff to the canvas front left hand side. Strap, buckle and zip in good order. Shoulder strap pad unused. Box complete with dust cover and well used tissue paper.
Lot 3145
ARCHIBALD KNOX (1864-1933)FOR LIBERTY & CO, A PAIR OF CYMRIC SILVER AND ENAMEL CUFFLINKS, of oval form, with whiplash scroll motifs filled with blue green enamel, chain linked to bar backs, hallmarked with maker's mark for Liberty & Co, Birmingham 1906, stamped 'Cymric', 2.5cm by 1.6cm, 9.4 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The cufflinks are in good condition, there is some chipping to the clear surface glaze noted to both cufflinks, but there are no losses noted to the coloured enamel itself, overall light surface wear consummate with age. Condition report made 150221.
Lot 3146
AN ART NOUVEAU SILVER AND ENAMEL PENDANT ON CHAIN, BY CHARLES HORNER, designed as a shaped circular plaque with reserves enamelled in blue-green and purple tones, suspending an enamelled drop, the pendant connected by two trace chains to an enamelled triangular-link, to a trace chain necklace, maker's mark for Charles Horner, Chester 1910. Pendant measures 3.8cm by 2.5cm, chain length 40cm, 8.5 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The necklace is in good condition with light surface wear, the enamel is in good condition with no noted loss or damage. Condition report made 260121.
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