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Lot 65
An Art Deco walnut and bird's-eye maple cocktail cabinet,probably by Epstein, of semicircular form, the top opening to reveal a bird's-eye maple interior with a mirror back, with three shelves to the back and the inside of the cupboards, with chrome rails, over a glass surface with two glass-mounted slides, raised on a further reeded cupboard enclosing a shelf, on a plain plinth,122cm wide70cm deep160cm highCondition report: Some knocks to the edges. Some areas filled and touched up - around the cupboards, doors and the edges. One area with damage and lifting to the left door - split to the reeded area. Light to the top cupboard. Failed PAT test.
Lot 114
A scratch-built model fairground,20th century, consisting of a large Ferris wheel, a dragon ride, a cakewalk, shooting range and fairground games, all decorated in polychrome paint, mechanised and electrified,the Ferris wheel 140cm highCondition report: The lights on the Ferris wheel do not light up.We think 1:10
Lot 119
An Ercol light elm studio settee/daybed,mid-20th century, with spindle supports to either end and a low raised back,206cm wide80cm deep70cm highCondition report: Some scratches to the top and edge of the back. No label. Seat and back fair overall condition. Straps all appear good. Minor scuffing to the edges of the frame and to the base of the feet. Additional photos added.
Lot 121
*Timothy Marwood (1954-2008)Seven studies for 'Thomas the Tank Engine and Friends'all signed and dated between 1992-1996, pen and ink and gouachelargest 12.5 x 15cm (7)*Artist's Resale Right may apply to this lot. Condition report: Not viewed out of glazed frames. Some with very light spots of foxing and some with very light dirty marks.
Lot 173
A 1984 Tokai Korina Flying V electric guitar, serial number 30****2, of conventional 'V' form with the Korina body in a varnished finish with yellow metal hardware and a black scratch plate, complete with original hardcaseCondition report: Light surface scratches and knocks.Heavier checking to the points of the 'V', but not too bad.Pick up selector a little temperamental, otherwise the electrics are fine.Overall well looked after.
Lot 257
*William Marshall (1923-2007), a facet bottle vase, in a light celadon glaze with cut sides with green spots, impressed artist's monogram,31.5cm highProvenance: The Trevor Coldrey Collection.*Artist's Resale Right may apply to this lot.Condition report: No issues - the shoulder a little dirty.
Lot 196
Postcards, P2-P4, including RP, six-light limousine with chauffeur, 1920s, (1), motoring in Italy, 1920s (2), child on beach with large Farnell Felix, probably photographer's prop, dated 1924 (1), Old Basing house ruins and village (8), Stonehenge (1), laying clay pipe drain in Taunton (1), sporting bicycle (1), Sketty Park (1), and others including Kirchner (1), puzzle cards and ceremony commencing Lutyens' uncompleted Liverpool Cathedral, 1933 (apx. 40)
![* Zdzislaw Ruszkowski [1907-1990]-Climbing The Stairs; Mrs Ash and Katherine,:-signed bottom rightoil on canvas, 108 x 84cm.*](https://cdn.globalauctionplatform.com/baae710a-b0d6-4f46-a517-ac1a00cef8e8/e94b6e7a-5667-49c6-a949-ac3d00f370a1/468x382.jpg)
Lot 479
* Zdzislaw Ruszkowski [1907-1990]-Climbing The Stairs; Mrs Ash and Katherine,:-signed bottom rightoil on canvas, 108 x 84cm.* Notes Exhibited. Leeds City Art Gallery and Temple Newsam House.* Biography Ruszkowski was born in 1907 in Tomaszow, Poland and grew-up influenced by his father, also a painter. Later influences were Van Gogh, Cezanne and the Old Masters such as Titian and Rembrandt. In 1935 Ruszkowski went to live in Paris, where he became closer to the work of Cezanne and the countryside around Aix-en-Provence in the south of France. In 1939 he stayed in Versailles, but the threat of war in Europe affected his enthusiasm to paint and in 1940 he left France for England to serve with the Polish army based in Scotland until 1944. Ruszkowski's preoccupation with light assumed a major influence in his work from the mid-50s and large areas of dark shadow are used to achieve contrast, form and expression. Light also plays a constructional role in his paintings and transitions from shadow to light have defined shape and colour. There is an artist's Catalogue Raisonne produced by Michael Simonow.
Lot 622
A late 19th century Copeland porcelain 'Star of India' dessert plate: reputedly from a service made for Queen Victoria, the ivory ground centre with the Star of India, motto 'Heaven's Light Our Guide' and the Royal cypher, the rim with a band of heraldic-style flowerheads and ribbon tied foliage in raised enamels, date code for August 1891, factory mark lacking, 25cm diameter.
Lot 638
A Royal Worcester cabinet plate by Charley Baldwyn: painted with five swans in flight amongst reeds and grasses on a light blue ground, the rim with four reticulated panels divided by panels of swallows and gilt foliage, unsigned, puce factory mark and date code for 1905, 22cm diameter [interior cracks].
Lot 12
An antique metal gas hanging lamp with four stained glass panels together with a further light fitting with opaque glass shade CONDITION REPORT: The lantern is 20cm high by 19cm deep and 19cm wide. Including the hanger the height is 74cm. This has previously been wired but now has no bulb or wires in it. The glass panels are somewhat loose.
Lot 449
Four large gilt metal ceiling lights and a further drop and mall light fitting CONDITION REPORT: The four lights each have minor losses. Typically missing one or two of the larger droplets, plus 2 or 3 of the smaller drops. The other light fitting also appears to be missing some drops, although there are some loose ones in the box.
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