There are 534297 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeBrian Shields 'Braaq' FBA (1951-1997)Self portrait of the artist as a boy paddling on a shorelineSigned, pastel, 20.5cm by 29cmProvenance: Headrow Gallery, LeedsVery slight cockling to the paper. On buff paper. Some light surface dirt and debris trapped under the glass. Slight time staining to mount. Otherwise in good overall condition.Odd very minor chip to frame.
After Laurence Stephen Lowry RBA, RA (1887-1976)''People Standing About''Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 33.5cm by 49.5cmTime staining to the mount. Slight cockling to paper. Some light surface dirt and debris trapped under the glass. Slight time staining to the paper. The odd very minor sporadic foxing spot.Letters CLE
Paul Signac (1863-1935) FrenchSailboats before an islandInitialled, pencil and watercolour, 11cm by 20cm Provenance: From the estate of the artist Paul MazeThence by descent Slight cockling to the paper lower right corner. Time staining to the margin and in evidence to exposed areas of the paper. One large foxing spot left of centre of lower edge, mostly to the margin but a tiny bit into the image. The odd very small minor sporadic foxing spot in evidence, in particular to the lower left of the trees. Good colour depth. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
After Laurence Stephen Lowry RBA, RA (1887-1976)"Berwick-on-Tweed"Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 65cm by 63cm (unframed)Evidence of old tape down edge of left margin and to upper and lower right corners. Time staining to exposed areas of the margins. Some light surface dirt and tiny sized sporadic foxing in evidence, especially to the margins. The odd sporadic tiny spot within the image. Letters ADJ
Montague Dawson RSMA, FRSA (1895-1973)The avenue to Thoresby Hall, Nottinghamshire, seat of the de Manvers familySigned, oil on canvas, 55cm by 45cmProvenance: A gift from Lady ManversPainted by Montague Dawson for Lady ManversSold together with a letter from the artist to Lady Manvers dated 23rd October 1967Some very light surface dirt. Small repair/ over painting within the roots/path of the front tree (approx 1cm in size) and possible tiny repair left of centre of the painting. 0.5cm. White paint to the reverse in each of these places. Canvas slightly rubbed in places to outer edges. Areas where the canvas is showing through due to paint application. Surface scratch below centre of right edge approx 2cm in size.
Ken Howard OBE, RA, RBA, NEAC (1932-2022)"Spring at Oriel"Signed, dated (19)97, oil on canvas, 101cm by 120.5cmExhibited: Royal Academy Summer Exhibition 1997, no.6Provenance: Haynes Fine Art, BroadwaySold together with a certificate from Haynes Fine Art Some light surface dirt. The canvas is ever so slightly buckling upper left corner. Three brown marks where something has splashed onto the canvas, one below her knee, one within her skirt and one to the left of the radiator to the left of the rug and two tiny spots in this area. The odd minor chip or knock to the frame.
Maggi Hambling CBE (b.1945)"Red Head with Cat"Signed verso and dated (19)83, oil on canvas, 130cm by 96.5cmProvenance: Christie's South Kensington, 20th Century British Art, Thursday, 30th June 2005, Lot 0245AMarlborough Gallery, London Sold together with a letter from the artist relating to the picture. She noted that the work was painted when she lived in Battersea, that the sitter was a girlfriend at the time and that the cat was called Pavole. Some light surface dirt. An area of craquelure to the grey paint of the background just above the white and right of centre of her back, approximately 3cm in length, another to the paint below her chin vertically above her chest approximately 6cm in length. Very minor craquelure within the brown to the left of her knee. Possible shrinkage within the black paint lower right, this may be by design? See images.
Victoria Crowe OBE, DHC, FRSE, RSA, RSW (b.1945) Scottish"Image Toys"Signed and dated (19)72, gouache on board, 16cm by 17.5cmProvenance: Hawksworth Gallery, IlkleyDerek HyattGifted to Arthur Haigh A gift from Arthur Haigh to the present vendor in 1985Some very light surface dirt trapped under the glass. Otherwise in good overall condition.
David R Anderson (1884-1973) ScottishStill Life of Kippers, a lemon and a carafe of water Oil on board, 28cm by 35.5cmProvenance: Descent in the artists familySome light surface dirt. A few losses to the centre of the lower edge and to the right of this. Tiny loss to the plate above this. Loss upper right corner with associated paint cracking and lifting in this area. Larger loss approximately 0.5cm in size to the centre of the top edge with cracking and lifting in this area also with associated re touching. Crack to lower right corner and upper left side. Other sporadic areas of retouching throughout.
Norman Ackroyd CBE, RA (b.1938)"Woolstone Down"Signed, inscribed and dated 1981, numbered 59/60, etching, 37cm by 49.5cmSlight cockling to paper. Very slight time staining to the mount. Ever so slight time staining to the margin. The tiniest little brown sporadic spots in evidence to the upper margin, these may be by design? Some very light surface dirt and debris trapped under the glass. Not examined out of the frame.
Dame Elisabeth Frink CH, DBE, RA (1930-1993)"Green Man"Signed and numbered 42/70, with the Kip Gresham blindstamp, published by Chilford Hall Press, screenprint, 56.5cm by 53cmThe paper has a deckled edge. Slight time staining to the mount. Slight cockling to the paper. Very slight time staining in evidence to the exposed areas of the paper. The odd feint sporadic foxing spot, especially to the leaf above his ear, the one below his ear and two spots within the vine near his mouth. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Trevor Grimshaw (1947-2001)"Aqueduct"Signed and numbered 34/50, lithograph, 29.5cm by 39.5cmCockling to the paper. Some light surface dirt and debris trapped under the glass with the odd thunder fly. The odd sporadic minor foxing spot in evidence to the margins, some possibly pigment from the print? Not examined out the frame.
A Simon & Halbig bisque socket head doll, with brown glass sleeping eyes, open mouth, teeth, pierced ears, light brown wig, wood and composition jointed body, white lace dress, straw bonnet and black shoes, numbered 1079 6 1/2, 16" longGenerally good, chips at ear piercing holes, wear to paint above right ear. fire crack on right ear. Missing one finger.
A Schtzmeister & Quendt bisque socket head character doll, with blue glass sleeping eyes, open mouth, teeth, brown wig, mamma mechanism, bent limb composition body and blue dress, numbered 201 7, 15" longGenerally good. Line on back of head I do not believe to be a crack as cannot been seen inside the head with torch light. Seems to merely be a line on the surface.
A Tete Jumeau automaton, with bisque head and hands, blue glass paperweight fixed eyes, mouth moulded slightly open, pierced ears, blond wig, composition body and legs, red and gold dress, straw hat and hinged egg, clockwork operated arm and head movement, red Jumeau mark and numbered 4, 18 1/4" tallchip to left eye, minor hairline starting and ending on eye but only appeared to me under blue light, minor chip to one ear piercing. Hands appear to be a later replacement. Wiring linked to bottom of egg and right hand missing. Item in centre of egg missing.
A Tete Jumeau bisque socket head doll, with blue glass paperweight fixed eyes, closed mouth, brown wig, pierced ears, jointed wood body, silk cream and turquoise dress, matching bonnet and brown leather shoes, red marking to the back of the head, numbered 11, 26" longGenerally good. No visible issues with her head, checked under UV light. Mild chips to ear piercing holes. Some body wear, particularly to finger tips.
A Schoenau & Hoffmeister bisque socket head doll, with brown glass sleeping eyes, open mouth and top teeth, light brown wig, composition and wood jointed body, white dress and green shoes, numbered 1909 6, 2 1 1/2" longGenerally good, minor surface chips to head- away from her face. Loss of thumb tip.
ALFIE CONN OF RANGERS FOOTBALL CLUB MATCH WORN 1972 EUROPEAN CUP WINNERS CUP FINAL SHIRT, embroidered crest with inscription 'EUROPEAN CUP WINNERS CUP FINAL 1972', printed Umbro label, no. 8, size MNote: This is the most important Rangers F.C. shirt to come for auction to date. It was worn in the 1972 European Cup Winners Cup final vs. Dynamo Moscow, a game contested in Barcelona on the 24th of May. The eleven men of Rangers secured a historic 3-2 victory in front of a crowd of 35,000 fans, cementing their place in the canon of sporting achievement.It wasn’t the first time the club had reached the final of this competition, suffering narrow defeats in 1961 and 1967. This time however, they were resolute, seeing of Rennes, Sporting Club, Torino and Bayern Munich over eight games to reach the Camp Nou.Moscow opted for a defensive formation, with Rangers going out on the attack. This proved fruitful for the light blues, with wonder goals from Colin Stein and Willie Johnston in the first half putting them 2-0 up. Minutes into the second half a long-range kick from keeper Peter McCloy saw Johnston bag another, extending their lead to 3-0Moscow now had to go for it, and they did, when after sixty minutes they capitalised on a defensive error to make it 3-1. Things became even more tense when, with three minutes to go, the Russians scored again so that only one goal separated them. The eleven men of Rangers remained staunch however, holding out for the final minutes and securing one of the most iconic results in the club’s history. Now fondly remembered as the Barca Bears, this team continues to be a benchmark for success.This shirt was worn by Rangers F.C. hall of fame inductee Alfie Conn, a midfielder who was an integral part of the squad between 1968 and 1974. This is the first time a shirt from that game has come to auction, presenting itself as a rare opportunity to own one of the club’s most important relics.This shirt went from Conn to the Louden Tavern, where it was on display behind the bar for a number of years. It is now offered from a private collection of Rangers match worn shirts.
Ackroyd (Peter) Chatterton, one of 150 copies specially bound, 1987 § Hollinghurst (Alan) The Line of Beauty, 2004 § Chevalier (Tracey) The lady and the Unicorn, 2003, first editions, signed or with signed presentation inscription from the author to title or limitation page, original boards, last two with dust-jackets, some light creasing but otherwise fine copies; and 72 others, late 20th and 21st century fiction, 8vo (75)
NO RESERVE Barker (Pat) Noonday, signed by the author to title, 2015; Regeneration, 1991; The Ghost Road, jacket spine sunned, 1995; Another World, 1998; first editions, original boards, dust-jackets, some light creasing to spine ends, otherwise excellent and sharp copies; and 6 others by Barker, including a duplicate of Noonday, 8vo (10)
Loading...
