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Lot 190
†ARTHUR DELANEY (1927-1987); oil on board, 'Manchester Street Scene', signed, 29.5 x 22cm, framed and glazed. Provenance: Complete with original bill of sale from Grenville Art Gallery Ltd for the sum of £2,750 dated April 4th 1992. Condition Report: Very light surface scratches and scuffing to the guilt frame. The image is in good condition with strong colours, no signs of fault.
Lot 199
†HELEN LAYFIELD BRADLEY MBE (1900-1979); oil on board, 'Aunt Mary meets a Bull', also with amusing watercolour verso 'Aunt Mary meets a Bull but she isn't afraid, she's got the umbrella which was really an old one of grandpa's', signed with fly monogram, 24 x 34cm, framed.Provenance: Frank Marshall 14th November 2006 for the sum of £19,500, previosuly purchased direcently from the artist.Condition Report: Very light wear and rubbing to the frame. The main image is presented well with strong colours come out there is a small rip to the brown paper on the back of the image just below the bull. Tiny gloss mark to top left bull under UV light.
Lot 28
MILITARY: A fine pair of Staffordshire Pottery Flatback Portrait Figures of Lord Raglan; & Marshal Arnaud, (ensuite with previous lot), all on horseback, painted in colours and titled, 19cm high (2) Field Marshal FitzRoy James Henry Somerset, 1st Baron Raglan, GCB, PC (30 September 1788 – 28 June 1855) was a critical figure in the Crimean War. It was his confused orders that are blamed for the disastrous and famous 'Charge of the Light Brigade'.
Lot 351
ANIMALS: A Porcelain Figure of a Cow, Chelsea Gold Anchor Mark; also a Staffordshire figure of a Fox, the nicely modelled cow standing before floral bocage with gold anchor mark to back, 11.5cm high; the fox walking proudly, 11.5cm high (2). The cataloguer is aware that Samson copied the works of Chelsea. While this appears to look authentic we are not dating or firmly attributing this piece without further research. We will update this description if further information comes to light.
Lot 110
GREYHOUNDS: Two pairs of Staffordshire Pottery Dogs, modelled as seated Greyhounds, mid 19th century, all similar on blue on white gilt lined bases, 15.5cm high (4). Condition report Pair of dogs with blue baes are in generally good condition, with no breaks or losses; The other pair are also in generally good condition, the right facing dog has light crackling in the glaze, this is original to firing and not of structural concern.
Lot 91
GREYHOUNDS: A rare Staffordshire Pottery Figure of a Greyhound, modelled as 'Pretender' (pair to previous lot), standing facing left, with light painted tan coat and collar, on leaf decorated and gilt titled base, 24cm high 'Pretender' was a celebrated Greyhound that took part in the Waterloo Cup, he was owned by a Mr Punchard, and as the young upstart was expected to win in 1862, however the pair to this piece M'Grath won the close fought race to win the 'Triple'. Condition report Pretender is in overall excellent condition. With good original painted decoration and no breaks or areas of concern. There is some slight pitting at the back at top of flank. This is original to the firing and not of concern.
Lot 90
GREYHOUNDS: A rare and splendid Staffordshire Pottery model of Master M'Grath, Triple Waterloo Cup Champion Greyhound, (1868,69 and 71), circa 1870, finely modelled standing, with a black coat and gilt collar, on a leafy backed grassy oval base, titled 'M Grath', 25cm high. Master M'Grath (or McGrath) was a legendary and popular Irish greyhound from Lord Lurgan's estate in County Armagh, Ireland. In the 1869 Waterloo Cup M'Grath competed in front of thousands and it was a close run thing. In the final course he was matched stride for stride by the Scottish bitch Bab-at-the-Bowster and snatched victory in a very tight finish. The dogs were celebrated in paintings and verse at the time and also by the ever industrious potters of Staffordshire. Condition report The figure is in generally good condition.. There is a slight blue smudge to the gilt lettering and also over the back, however this is from the original decoration of the piece. The leaves and shamrocks have a little loss to the paintwork. See additional images, There is a visible ridge at the dogs collar, this looks original to the piece however there is a slight area at the back of the head that may have had a repair as the gilt line is not consistent and the glaze is worn. This could be from regular handling or indicate a repair. UV light shows nothing of concern. Minor fleck of black paint lost to back of head and left ear.
Lot 107
GREYHOUNDS: Two pairs of Staffordshire Pottery Dogs, modelled as seated Greyhounds, mid 19th century, a slender well modelled pair of light coated greyhounds, or whippets, on gilt lined bases, 10 cm high; another similar pair with hares, 9.5cm high (4). Condition report One of the dogs on the oval base has a crack through the base and on legs, along with signs of repair and reattachment, and another has a chip to base.
Lot 109
GREYHOUNDS: Two pairs of Staffordshire Pottery Quill Stands, modelled as seated Greyhounds, mid 19th century, a pair with attentive head pose, 12m high; another crouching pair with light coloured buff coats, 9cm high (4). Condition report One figure has a considerable crack and losses to back.
Lot 18
CIRCUS: A very rare and historical Staffordshire Pottery Portrait Figure, modelled as Ellen Blight in the role of 'Death of The Lion Queen', circa 1850, Ellen the Lion Tamer, standing beside a maned lion, a large leopard leaping towards her, painted in colours and set on a gilt titled white oval base, 36cm high Refer: Harding Book 1, Page 32, Fig 49 Possibly one of the most well known and celebrated historical Staffordshire figures, Ellen Eliza Blight (1833-1850) at the age of 16 became a professional lion tamer. She tragically was killed by her own tiger mid way through her performance. Following her death Queen Victoria forbade any further similar shows at Windsor. This piece is sometimes referred to as Ellen Chapman, her predecessor. Most versions of this piece have the leaping beast decorated as a leopard and not a lion or tiger. (Ellen Blight is sometimes known as Ellen or Helen Bright). Condition report Generally in good overall condition. There is some light paint loss, most obvious on top of panthers head
Lot 367
EQUESTRIAN: Two Staffordshire Pottery Flatbacks, including a rare portrait of a Huntsman, possibly Lord Raglan, mid 19th century, the mounted hunter in uniform, and bearing up a fox, his hound below, 23cm high; also another smaller, the hunter mounted with a captured buck below, 19cm high (2) Refer: Harding Book 1, Page 255, Fig 919 Lord Raglan was an important military man during Crimean War. He fatefully ordered the 'Charge of the Light Brigade'.
Lot 59
ROYALTY: Two pairs of Staffordshire Pottery Equestrian Figures, including Royal portrait figures of Napoleon Bonaparte III and Eugenie, Empress of France, mid 19th century, both on horseback, decorated in colours, 26cm high; also a pair of portrait figures of Garibaldi and Colonel Peard, both white with gilt, orange saddle cloths and light green sashes, 32cm high (4) Refer: Staffordshire Portrait Figures, Gordon Pugh, C244, fig 37. Napoleon's Head restored. Condition report Napoleon's Head restored
Lot 206
c1961 GPO (Post Office) POSTER from the 'Please use your correct address' series: 'This is Stanton in the Cotswolds' by Ronald Dunlop (1894-1974) with small GPO logo in the bottom r/h corner. Size 36" x 28.5" (91cm x 73cm). In excellent condition with just a few light creases and a tiny nick at the top edge. Border shadows in the picture are not on the poster. [1]
Lot 354
Double sided Southern Railway Maps from 1928 featuring on one side the London and suburban districts. Also detailed is the Proposed new light railway from Sanderstead via Chelsham, Tatsfield to Orpington. On the other side the map details The Road to Sunshine. Maps varnished and mounted on hardboard, in as used condition, with wear around the edges commensurate with age.
Lot 655
A collection of oriental items to include ginger jars , satsuma plates etcBlue and white jar in good condition, no cracks or chips. Large firing crack to the shoulder. Wooden bung is stuck. Has a glue deposit (see pic)Light blue ginger jar - has very small chip to underside of cover.Red ginger jar - tiny rim chip to jar.Satsuma plates - wear to gilding (minor).
Lot 459
A single row of eighty-nine 5.3 to 8.2mm graduated cultured Akoya pearls, strung knotted to a 9ct yellow gold circular pearl cluster clasp with eight 3.5 and one 5.8mm pearls, pearls assessed as light cream colour with rose overtones, length 605mm, 27.3g, clasp hallmarked 9ct, Birmingham 1983, sponsor MVW
Lot 1322
A pair of contemporary cream leather upholstered and formed laminate framed swivel revolving armchairs, w.82cm, each with a matching footstool, w.50cm (4)Both chairs are in very good condition overall.Both with some light marks and wear to arms and head rests.Reclining mechanism works well.No rips or tears.
Lot 1010
Attributed to Mori Sosen (Japanese 1747-1821) - Two apes seated in a pine tree, ink on silk, signed, 84x41.5cm, accompanied by Stuart Dick, Arts & Crafts of Old Japan, published by TN Foulis Ltd, Edinburgh, 1923 (2)Overall in very good condition.Some light marks to the silk, but no rips or tears.Has been rolled at some point as mount shows signs of rippling.
Lot 641
7 Sammelbilderalben, Krug´s Fine Bakery Products - Sammelbilderalben, USA, um 1939/40/41 Hrg. Krug‘s Bakery; „The Wonder Ships Of Today“, vollst., mit Informationen zu den Schiffen und Farbbilder, u.a. Queen Mary, Excalibur, Queen Elizabeth, Nantucket Light Ship; Album „Airplanes Of America“, vollst., mit Informationen zu den Fliegern und Farbbilder, u.a. Piper Cub, Spirit of St.Louis, Winnie Mae, Bellanca Aircruiser; "Album of the World´s fair pictures", 1 Bild fehlt, mit Informationen zu den Gebäuden, u.a.Hall of Communications, New York City Building, Federal Area, Hall of Aviation; 2x Album "Our Navy", beide vollst., mit Informationen zu den Schiffen, u.a. North Carolina, U.S.S.Wichita, U.S.S.Mississippi, U.S.S.Butternut; Album "American Indian Chiefs", vollst., mit Informationen zu den Häuptlingen, u.a.Geronimo, White Swan, Chief Gall, Big Bear; "Album of old ships", 2 Bilder fehlen, mit Erklärugen zu den Schiffen, u.a.The Galleass, The Hulk, The Caravel, The Bugalet; dazu ca. 36 Blatt für Album Our Navy; Zust.3-4, stärkere Alters- u.Gebr.-spuren
Lot 1381
A George V period British Army Officer's Sword having a Shagreen grip, the knot with conical terminal and the insignia of the Durham Light Infantry to the guard, the nicely decorated 32 5/8" long fullered blade marked "Samuel Brothers Ltd., Outfitter, 65 & 67 Ludgate Hill, London, E.C." 38 5/8" long overall and complete with the associated tan leather scabbard. ****ALL WEAPONS MUST BE COLLECTED IN PERSON - NO POSTAGE. Proof of age will be required on collection which should be by prior arrangement.
Lot 1718
A rosewood and other woods Edwardian circular occasional Table, the cross-banded top with light and darkwood stringing having a central depiction with a goblet and a lidded ewer, raised on curved supports in turn with the legs united by a lower shelf with a shaded inlaid centre and small turned details to the edges, 30'' diameter x 27 1/4'' high.
Lot 1251C
Seven antique professionally produced Sepia photograph cards, six of ladies and one of a gent all in early dress, 4 1/8" x 2 1/2" approx. and by various studios including W.S. Davey, The Northgate Studio, Gloucester; Day & Electric Light Studios - Hellis & Sons, 160, High Street, Camden Town, NW, 30 Clapham Road SW, 49 Deptford Bridge, Greenwich, SE, 68 Fulham Road, SW and elsewhere. London; Williams & Williams, 56 Eign Street, Hereford, Bath, Bristol, Cardiff, Newport, Shrewsbury, Swansea and Pontypridd; Greetham, Commercial Road, Hereford; R.J. Houlson, Brecon Road, Abergavenny, Stephen Timothy, 155, Ystrad Road, Pentre; and Atkins & Lockyears, Newport, and two Postcard size Photographs, one of a young gentleman P.C. by Hemmings, Edgar St, Hereford, posted 8.45 pm Oc 15 1912 to Mrs. Jenkins, Aston Cottage, Colwall, Nr. Malvern - "I am on my way to your place. Hope to reach there tomorrow", the other Shelagh 4 years & 6 months taken down Abergavenny Market.
Lot 2508
Ernst FUCHS (1930 - 2015), 3 Radierungen, teils Altersspuren bzw Lichtschäden: Amazone, handaquarelliertes Unikat, signiert, Motivgröße: 9,7 x 10 cm; "Gefräß servi": ein Monster verschlingt eine schöne junge Frau, handaquarelliertes Unikat, signiert, Motivgröße 9,7 x 9,7 cm; Nackte Frau in Rückenansicht mit Adler in einer Landschaft, Aufl. 140/400, signiert, Motivgröße 17,5 x 15 cm / Ernst FUCHS (1930 - 2015), 3 etchings, some traces of age and light damage: Amazon, unique hand-coloured watercolour, signed, motif size: 9.7 x 10 cm; ‘Gefräß servi’: a monster devours a beautiful young woman, unique hand-coloured watercolour, signed, motif size 9.7 x 9.7 cm; Naked woman in back view with eagle in a landscape, edition 140/400, signed, motif size 17.5 x 15 cm
Lot 3052
Internationales religiöses Konvolut: Buddhistischer Donnerkeil, Attribut Buddhas, Bronze, L. 12 cm; Segenskreuz aus Äthiopien (Handkreuz) mit Intarsien aus Holz und Perlmutt, H. 18 cm; Koptisches Kreuz aus Kairo (von der koptischen Gemeinde in Kairo), Holz, H. 16 cm; Buddhistische oder Hinduistische Fabel?, auf Bambus, einzelne "Blätter" je 4 x 18 cm; Buddhistische Gebetsmühle mit Gebet im Inneren, Holz und Messing, 32 cm; Russische Ikone, Madonna, mit Oklad, Ende 19. Jh., 18,5 x 15 cm; Siebenarmiger jüdischer Menora-Leuchter, Messing, 23 x 24,5 cm; Chanukka achtarmiger Keuchter mit einem 9. Dienerlicht, 15,5 x 13 cm, Altersspuren. / International religious collection: Buddhist thunderbolt, attribute of Buddha, bronze, l. 12 cm; Blessing cross from Ethiopia (hand cross) with inlays of wood and mother-of-pearl, h. 18 cm; Coptic cross from Cairo (from the Coptic community in Cairo), wood, h. 16 cm; Buddhist or Hindu fable? on bamboo, individual ‘leaves’ each 4 x 18 cm; Buddhist prayer wheel with prayer inside, wood and brass, 32 cm; Russian icon, Madonna, with oklad, late 19th century, 18.5 x 15 cm; Seven-armed Jewish menorah candelabra, brass, 23 x 24.5 cm; Hanukkah eight-armed candelabra with a 9th servant light, 15.5 x 13 cm, traces of age.
Lot 3031
Barbara STEHR (1936), 5 Teile Keramik: große Platte mit abstrakten Mustern in Braun, Schwarz, Grün und Gelb, D. 51 cm; breite helle Vase, H. 20 cm; Vase mit braunem schmalem Schaft und gelber kugeliger Öffnung, H. 23 cm, kleiner Teller, D. 14 cm, kleine Vase in schwarz und vIolett, H. 9,5 cm. / Barbara STEHR (1936), 5 ceramic pieces: large platter with abstract patterns in brown, black, green and yellow, d. 51 cm; wide light-coloured vase, h. 20 cm; vase with brown narrow shaft and yellow spherical opening, h. 23 cm, small plate, d. 14 cm, small vase in black and violet, h. 9.5 cm.
Lot 2007
Albert SAVERYS (1886-1964), Landschaft mit Weiher und Bäumen im Morgenlicht, signiert sowie rücks. bez.: 't Brugge in Dag... 1914 Albert Saverijs, Öl/Karton, 34,5 x 43 cm / Albert SAVERYS (1886-1964), Landscape with pond and trees in the morning light, signed and inscribed on the reverse: ‘t Brugge in Dag... 1914 Albert Saverijs, oil/cardboard, 34.5 x 43 cm
Lot 6022
Robert STURM (1935-1994), Abstrahierter Kopf in schwarz und hellrosa-weiß, Terracotta, numm. auf der Unterseite, H 35 cm; Unbekannter Künstler, abstrakte Bronzefigur, H. 27 cm. / Robert STURM (1935-1994), Abstract head in black and light pink and white, terracotta, numbered on the underside, h. 35 cm; Unknown artist, abstract bronze figure, h. 27 cm
Lot 10009
Pallas Damenarmbanduhr, 585er GG, 29,55 g, Gebrauchsspuren. Helles Zifferblatt mit Stabindices, Uhr läuft an (Werk nicht geprüft), Altersspuren, eine Stelle auf der Rückseite minimal deformiert, L 19 cm / Pallas ladies' wristwatch, 585 GG, 29.55 g, signs of wear. Light-coloured dial with baton indices, watch runs (movement not tested), traces of age, one area on the back minimally deformed, l 19 cm
Lot 2080
Ferdinand LOYEN DU PUIGAUDEAU (1864-1930), Mädchen mit weißer Haube, einen Leuchter mit Kerze in den Händen haltend und auf den Schein des Lichtes schauend, signiert, Öl/ Holz, Tondo, Altersspuren, D 55 cm. In der Tradition niederländischer Künstler um Gerrit van Honthorst / Ferdinand LOYEN DU PUIGAUDEAU (1864-1930), Girl with a white bonnet, holding a candlestick with a candle in her hands and looking at the glow of light, signed, oil/wood, tondo, traces of age, D 55 cm. In the tradition of Dutch artists around Gerrit van Honthorst /
Lot 6028
Unbekannter Künstler, eckiges Standobjekt, unleserl. sign., Graphik mit hellem kubischem Objekt vor schwarzem Hintergrund, signiert "HOM", Auflage 23/70, dat. "71", 70 x 51 cm. / Unknown artist, angular standing object, illegible sign, graphic with light-coloured cubic object against a black background, signed ‘HOM’, edition of 23/70, dat. ‘71’, 70 x 51 cm.
Lot 5000
Goldscheider Wien. Stehende Tänzerin. Auf ovalem Sockel steht eine in einem Fransenschal gehüllte Tänzerin, Art-Déco, Goldscheider'sche Porzellanmanufactur und Majolikafabrik, Keramik, heller Scherben, farbig glasiert, Sockel in Craquelé-Technik, unter dem Sockel Werkstattsignet, unterglasurschwarzer Manufakturstempel mit "Made in Austria" sowie "Hand decorated" geprägte Modell-Nr. 5822/483/65 sowie handgemalt N 5. Auf dem Sockel Prägesignatur "Lorenzl". Die Darstellung zeigt warscheinlich die Tänzerin Dolores del Rio. Ein Stück des kleinen Fingers der rechten Hand fehlt, H 45 cm / Goldscheider Vienna. Standing dancer. A dancer wrapped in a fringed scarf stands on an oval base, Art Deco, Goldscheider'sche Porzellanmanufactur und Majolikafabrik, ceramic, light body, glazed in color, base in craquelé technique, workshop signet under the base, underglaze black manufactory stamp with "Made in Austria" and "Hand decorated", embossed model no. 5822/483/65 and hand-painted N 5, embossed signature "Lorenzl" on the base. The depiction probably shows the dancer Dolores del Rio. A piece of the little finger of the right hand is missing, h 45 cm
Lot 12018
Kleiner Deckenlüster von Christoph Palme, vergoldetes Messing mit zahlreichen farblosen Bleikristallen, innen umlaufend Träger für fünf Glühlampenfassungen, ca. 40 x 40 cm / Small ceiling chandelier by Christoph Palme, gold-plated brass with numerous colorless crystals, inside circumferential support for five light bulb sockets, approx. 40 x 40 cm
Lot 3068
Konvolut Keramik, teils Ansbach, 18. Jh., fünf Teller in unterschiedlichen Größen und Dekoren: großer Teller mit figürlicher Szene im Spiegel, D. 34,5 cm, min best. und rest.; großer Teller mit feinem Hellblauem Dekor und figürlicher Szene im Spiegel, D. 31 cm, Farbverluste am Rand sowie kleine Sprünge; kleiner Teller mit Architektur im Spiegel, D. 23 cm; kleiner Teller mit Obst im Spiegel, rücks. auf Etiekett bez. "Ansbach, 18. Jh.", D. 25,5 cm; Sternenförmiger Teller, D. 22 cm, Farbverluste am Rand, alle mit Altersspuren. / A mixed lot of ceramics, partly Ansbach, 18th cent, five plates in different sizes and decorations: large plate with figurative scene in a mirror, d. 34.5 cm, slightly dam. and rest.; large plate with fine light blue decoration and figurative scene in a mirror, d. 31 cm, paint loss to rim and small chips; small plate with architecture in a mirror, d. 23 cm; small plate with fruit in a mirror, marked "Ansbach, 18. Jh." on label to the reverse, d. 25.5 cm; star-shaped plate, d. 22 cm, paint loss to rim, all with traces of age.
Lot 3310
Orientteppich aus Seide. Galerie, 20. Jh., 300x70 cm. Der Teppich ist von hellbeiger Grundfarbe und mit geometrischen und floralen Musterelementen sowie mit dazwischen eingestellten Tieren durchgemustert. Alters- und Gebrauchsspuren, besch.| Oriental silk carpet. Gallery, 20th century, 300x70 cm. The carpet has a light beige ground color and is patterned throughout with geometric and floral design elements and interspersed animals. Signs of age and wear, dam.
Lot 3315
Orientteppich. 370x270 cm. Das hellbeigefarbene Innenfeld ist mit einem Schah-Abbas-Muster durchgemustert. Die cremerote Hauptbordüre zeigt ein florales Wellenmuster mit Palmetten und Lanzettblättern. Alters- und Gebrauchsspuren, fleckig, besch.| Oriental carpet. 370x270 cm. The light beige central field is patterned throughout with a Shah Abbas design. The cream-red main border shows a floral wave pattern with palmettes and lancet leaves. Signs of age and wear, stained, dam.
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