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Click here to subscribeA pair of early Victorian cast iron occasional tables, with later circular black granite tops, foliate scroll underframes and plinth feet, Diam. 1ft 9in. H.2ft 4in.CONDITION: Both tops are later and suffer from varying degrees of light surface scratching, underframes with old black paint, a little dirty and worn at the bases.
§ Cecil Rochfort D'Oyly-John (1906-1993)oil on canvas'Rapallo, Italy'signed, inscribed verso, Stacy Marks labels verso17 x 23in.CONDITION: Oil on original canvas in honest untouched condition, would benefit from a light clean, a little fine craquelure in the centre of the paint of the archway, housed in a white painted frame with Stacy Marks and Frost & Reed labels verso, one dated 1953.
After Hendrik Gerritsz Pot (Dutch c. 1650-1657)oil on canvasThe Miser14 x 12.25in.CONDITION: Oil on canvas relined 20 - 30 years ago or so, canvas remains tight, varnish a little dirty, signs of one or two retouches in the background above his head and a little light craquelure in the lower right corner, one or two light surface scuffs and scratches, housed in an ornate giltwood and gesso frame, no labels verso.
William Oliver (1823-1901)oil on boardYoung women in a gardensigned27.5x 22in.CONDITION: Oil on board in honest untouched condition, may benefit from a light clean as there are a few tiny white paint flecks upon it, signed lower right, housed in possibly the original gilt gesso scroll frame, no labels verso.
Attributed to Pieter van Bloemen (1657-1720)oil on canvasAn encampment in an Italianate landscape26.5 x 32in.CONDITION: Oil on canvas relined within the past 10 - 20 years or so, canvas remains tight, paint rather dirty, with a fine but stable craquelure through much of it, one scuffed scratch on the right at 4 o'clock beside the horseman in the red jacket, further light markings showing above in the trees and a very light surface dent in the left side grey horse, with other small marks in the trees above, otherwise a hint of old stretcher marks showing on the left and signs of retouching around the margins, no sign of any signature, housed in a later gilt frame which has small losses to the corners, no labels or inscriptions verso.
An F. W. Elliott Golden Jubilee clock, modelled in the style of a late 17th century bracket clock, with ormolu mounted ebonised case, matted square dial and movement striking on four gongs, supplied by Garrard & Co with original fitted case and winding key, height 12in.CONDITION: One or two tiny nicks to the front top of the case and further light scuffing across the bottom but overall in good original untouched condition, silvering to the chapter ring slightly oxidised, no other faults noted, comes with various original paperwork including certificate numbered 96 of 100.
Attributed to Eugene Boudin (1824-1898)oil on canvasFisherfolk along the Breton coastbears signature13.5 x 17.5in.CONDITION: Oil on original canvas, paint looks rather dirty, stretcher marks showing particularly down the right side, a little light surface scuffing but nothing of any note, signature and dated '95 in the lower right corner, housed in a later frame, label verso for the Medici Society, traces under the tape of a Christie's stencil number.
James Ely of London. A Regency mahogany longcase regulator, with 10 inch circular silvered dial, movement with anchor escapement and iron and brass pendulum H.6ft 7in.CONDITION: Case of a mid to light brown mahogany tone, slightly lighter around the dial and top of the trunk door and elsewhere, old splits running to the left of the bezel near the escutcheon, some fine cracks running down the right hand side of the trunk, a diagonal crack running upwards into the case from beside the top right corner of the trunk door, minor denting and scuffing throughout, two horizontal cracks running from the right side of the box base, dial scuffed and oxidised, hands look original, movement complete and thought to be going but not tested, comes with pendulum that has lost the cross T bar at the top of the ribbon but otherwise looks original, working trunk key, working key for bezel lock and a squared cast iron weight.
§ Willem Dolphyn (1935-2016)oil on panel'Lady Pon Pon, 5 years old'signed and dated 20068 x 12in.CONDITION: Good honest untouched condition, one or two tiny dirt marks and very light surface scuffs, but essentially good order, may benefit from a very light clean, housed in an ebonised and silvered frame, label verso for W H Patterson Ltd.
A 19th century Swiss Nicole Freres table musical box, with movement playing five interchangeable 15 inch cylinders, each playing eight airs, retailed by Asprey in 1990, width 44in. depth 24in. height overall 39in.CONDITION: Excellent fully restored condition, overhauled by Asprey in 1990 and at that date sold for £13,500. Main case and table below all in good restored condition, one or two small dents, knocks and scratches commensurate with light use and occasional accident but overall very good, movement in excellent clean condition, base plate is numbered 52211, comes with original key and five play cards listing the eight airs played by each cylinder.
Jan Jacob Spohler (1837-1923)oil on wooden panelWinter landscape with figures on the icesigned6 x 9.25in.CONDITION: Oil on old oak panel in honest untouched condition, looks rather dirty and would benefit from a clean, a few light surface scuffs and scratches, signed lower left, housed in a later gilt frame, old typed labels verso.
A pair of 19th century French Empire style ormolu mounted mahogany fauteuils, with cherub and lyre decoration, padded backs and seats, dolphin arm terminals and sabre legs, W.1ft 11in. D.1ft 8in. H.3ftCONDITION: Both chairs of good rich dark mahogany colour and fair state of polish, ormolu mounts are crisp and complete on both chairs, light wear to the tops of the arms and minor scuffing around the feet, later brown velvet upholstery.
Robert Pansart (1909-1973). A reverse painted mirrored panel, depicting two figures dancing around a central ribbon entwined tree, central panel 4ft 2.5in x 4ft 3.25in., with matching marginal panels, 5ft 6.5in. x 8in.CONDITION: All of the mirroring is oxidised with spotting showing throughout and some fine streaks and light scratches to the back, painted areas in good order, tiny chips to the extreme top corners, equally tiny chipping around the corners of the marginal panels.
An unusual Victorian Pontypool toleware purdonium, with cast iron loop handles and cast iron tripod foot, painted throughout with flowers on a pale gold ground, W.1ft 7in. D.1ft 4in. H.2ft 2in.CONDITION: Overall in very good condition, a little light wear and some light craquelure to the flowers on the top with minor rubbing to the paintwork around the edges, interior looks to be original - painted pink with further floral sprays, the faux tassel drops, loop handles and base are all painted in a dark matted gold finish.
After Claude Michel Clodion (French 1738-1814). A bronze group of two Bacchantes and a putto, height 35in., on a rouge royal marble column, total height 6ft 2.5in.CONDITION: A little dusty but otherwise in very good condition, an even light to mid chocolate brown patination throughout, stands upon a thin plywood base and then a red and black marble pedestal, overall height 6ft 1in.
Russian School c.1920two oils on cardTheatre scene with smoker's watching from a box, and a restaurant scene with diners querying the bill,both indistinctly signed10 x 12in. and 9.5 x 13.5in.CONDITION: Theatre scene rather dark and dirty, varnish probably discoloured, indistinctly signed and dated Restaurant scene a little dirty with a few small paint flakes and some light surface scuffing, no labels or inscriptions verso
Attributed to Kenneth Center (1903-)oil on canvasPortrait of a Lady wearing a fur collared coat, resemblance to Georgette Heyer29 x 24.25in.CONDITION: Oil on original canvas in honest untouched condition, would benefit from a light clean but no other faults noted, not signed, housed in what looks to be the original gilt gesso frame which now has a few small losses, old Sotheby's labels verso. Provenance; From the Studio of Frank Brangwyn.
A 19th century Dieppe carved ivory crozier, thought to be a copy of a 13th century example, and profusely decorated with foliate scrolls, Gothic motifs, scenes from the Life of Christ and the Apostles and a coat of arms centred with cart wheels and rampant leopards, length 46in.CONDITION: Of a light caramel colour but for one ivory joint at the top and the light ivory ferule to the base, old cracks running inside the top scroll and one or two minor dents elsewhere, a hairline crack running to the upper left of the central armorial but overall looks to be in very good condition.
§ Frank Wootton (1911-1978)oil on canvas'Alfriston Church from a Buttercup Meadow'signed and inscribed verso21.5 x 26in.CONDITION: Good honest untouched condition, canvas remains tight, paint might benefit from a light clean but no other faults noted, housed in the original fabric lined gilt frame which is a little dirty.
Attributed to Giovanni Battista Cipriani (1727-1785)pencil and sepia chalkA mother and her children8 x 5.5in.CONDITION: Paper is undulating so thought not to be laid down, paper slightly discoloured to a cream / light buff tone, strength of image remains good, no sign of any inscription, housed in a washline mount and slim gilt frame, attribution in pencil verso.
A WWII Military Cross group of seven to Major Leonard Elliot Dickson, CBE, MC, Glasgow Highlanders Light Infantry, awarded the MC during the advance on Bremen and LangwedelCONDITION: All medals housed in a recent display case, therefore we have not been able to access them but all look to be in good clean condition, comes with three printed sheets giving the full details of the recipient and seperately boxed miniatures which lack the miniature MC.
Antique two seater sofa with green upholstery. 146cm wide x 78cm high x 82cm deep Condition report: Sofa in sound overall order. Would appear to have possibly been a drop end at some stage and has been later converted so that it has a fixed arm. Some scratching and marks evident to the feet (see photographs). Covering is later but in sound order. Would benefit from light cleaning
Group of five Doulton Lambeth stoneware to include a pair of vases, teapot, matching hot water pot and a jugCondition report: The teapot and lid have some nibbles and small chips, and the lid has a hairline on the bottom rim. One of the spill vases has a light hairline on the rim. The small jug has an old rivet repair to the handle and a small chip to the footrim. The lid of the large jug is a replacement.
19th Century English porcelain (possibly Minton) part desert service with pate sur pate decoration on pink groundCondition report: One of the twin handled dishes has some hairlines. The other has a small chip to the footrim. The single-handled dish has a crack on the rim. The plates have light hairlines on the rims. Some gilt wear and staining commensurate with age.
Two large Victorian green glazed Parian Bacchus jugs, and various other Parian ware jugs and vesselsCondition report: The cane ware jug is missing its lid. The bamboo tripod vase has a reglued chip. One light blue jug has a reglued handle. Small jug has a restored rim chip. One green jug has a restored foot to one of the cherubs, and the other has a rim chip and a missing cherub foot. A few other small chips.
Netsuke eines Mannes mit Laterne aus Elfenbein JAPAN, signiert Seishu, spätes 19.Jh. H. 3,6 cm Provenienz: Aus einer bedeutenden süddeutschen Privatsammlung AN IVORY NETSUKE OF MAN WITH A LANTERN, Japan, signed Seishu, late 19th century, in company of a small dog, wearing prayer beads over his ears and holding the rope of straw sandals, eyes of the dog inlaid with light horn - Property from an important South German private collection
Schale aus hellgrüner Jade mit Blüten als Handhaben CHINA, Ming-Dynastie B. 18,3 cm Provenienz: Ehemals aus einer alten Berliner Privatsammlung, vor 2007 erworben - Kleine Bestoßungen, kurze Sprünge A LIGHT GREEN JADE BOWL WITH BLOSSOM HANDLES, China, Ming dynasty - Provenance: Former old Berlin private collection, acquired prior to 2007 - Few short cracks, slightly chipped
Im Stil von Wang Duo (1592-1652) CHINA, ca. 17. Jh. 124,5 x 57,8 cm Gelehrtenstudio unter einer Felsklippe. Hängerolle, Tusche und leichte Farben auf Seide. Signatur: "Gemalt von Wang Duo aus Mengjin." Zwei Siegel des Künstlers: "Siegel des Wang Duo" (Wang Duo zhi yin), "Juesi". Nicht original. Drei Sammlersiegel: "Hengyun shanren zhencang" u.a. Provenienz: Aus einer alten norddeutschen Privatsammlung, in den 1920er Jahren in Schanghai gesammelt - Altersspuren, Knickfalte In the Style of Wang Duo (1592-1652), Scholar's Studio Beneath a Cliff, China, ca. 17th ct., Hanging scroll, 124,5 x 57,8 cm, ink and light colors on silkSignature: "Painted by Wang Duo from Mengjin." Two seals of the artist: "Seal of Wang Duo" (Wang Duo zhi yin), "Juesi". Not genuine. Three collector's seals: "Hengyun shanren zhencang" etc. - Wang Duo, style name Juesi, was president of the Board of Rites and a well known calligrapher and landscape painter. His landscapes follow the monumental style of the masters of the Northern Song period. This painting with an almost vertical steep cliff and done mostly in ink washes is characteristic for his style - Property from an old North German private collection, assembled in Shanghai in the 1920s - Minor wear, fold
Exzellente Deckelvase aus Jade mit Shou-Charaktern CHINA, Qianlong-Periode H. 20,2 cm Provenienz: Aus einer bedeutenden süddeutschen Privatsammlung, zwischen 1950 und 1987 gesammelt - Wenige winzige Bestoßungen, schön erhalten AN EXECPTIONAL VERY PALE GREEN JADE VASE AND COVER, China, Qianlong period, of rectangular section rising from a splayed foot to high shoulders and a waisted neck, flanked by a pair of mythical beast handles, the body carved in relief with differing stylized shou characters in seal script, the stone of a very pale light green tone with minor russet veins - Provenance: Important South German private collection, assembled between 1950 and 1987 - The present vase is particularly noteworthy for its fine quality of jade stone. The process of its carving on the exterior and the hollowing of the deep interior would have entailed a significant amount of wastage of the prized stone, making this vase an exceptionally prized object. As such, it would have probably adorned the interior of one of the imperial palaces or the home of a high-ranking official - Very few very tiny chips at the cover edges
Wang Du CHINA, ca. 17./18. Jh. B. 50,6 cm Fächermalerei mit Landschaft mit Gelehrten. Tusche und leichte Farben auf goldgefleckten Papier. Signiert, Siegel 'Wang Du zhi yin'. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Wang Du, Landscape with Scholar's Retreat by a Stream, China, ca. 17th/18th ct., an painting, 15,5 x 50,5 cm, ink and light colors on gold speckled paper. Signature by the artist: "In autumn of the .you year (paper damaged) painted for Mister Yuweng, Wang Du." One seal of the artist: "Wang Du zhi yin" - Provenance: Old and important European private collection - Wang Du, style name Qingxi, was from Jiaxing in Zhejiang province. He was a painter of landscapes and flowers active in the Qing dynasty. This fine fan painting is done in the classic literati style of the 17th and 18th centuries. It is executed with quite wet ink and broad, dynamic brush strokes and finely colored. It reminds one of Wang Jian (1598-1677), one of the famous 'Four Wang' of the Qing dynasty
Chang Ying (tätig in 1. Hälfte des 17. Jh.) CHINA, datiert 1646 B. 51,2 cm Fächermalerei. Herbst in den Bergen mit Fluss, Tusche und leichte Farben auf goldgeflecktem Papier. Signiert und datiert, ein Siegel Kexue. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung CHANG YINGH (active in the 1. Half of 17th century), Autumn Mountains by a River, China, dated 1646, Fan painting, 16,5 x 50 cm, ink and light colors on gold speckled paper. Signature by the artist: "In summer of the bingxu year (1646) painted in the Chan Monastery in Haining, Changying." One seal of the artist: "Kexue" - Provenance: Old and important European private collection - Chang Ying alias Kexue, active in the 1. half of 17th century, monk and painter and was equally famous as Zhao Zuo (active ca. 1610-1630) and was ghostwriter of Dong Qichang (1555-1636), from the late Qing dynasty man fand Chang Ying could be another painter Li Zhaoheng (1592-after 1664, also alias Kexue). In according to the handed down works sign. "Chang Ying" or "Li Zhaoheng" from the same period, they should be two painters
ZWEI ANONYME MALEREIEN KOREA/JAPAN. 19./20. Jh. 27x50/76x50 cm Tempelanlage in den Bergen, Tusche und Farben auf Seide. 29,3 x 58 cm. Unter Glas gerahmt. Dazu Querrolle mit einer Kopie von 15 Illustrationen einer Rolle zum Heike monogatari. Tusche und leichte Farben auf dünnem Papier, 27,3 x 1200 cm (Gesamtlänge), Holzkasten Provenienz: Aus einer württembergischen Privatsammlung, zwischen den 1950er Jahren und 2000 gesammelt - Altersspuren TWO ANONYMOUS PAINTINGS, Korea/Japan, 19th/20th ct., one with a mountainous landscape, ink and colours on silk, framed and glazed. 29,3 x 58 cm, the other a horizontal scroll with 15 illustration after a Heike Monogarari scroll, ink and light colours on thin paper, 27,3 x 1200 cm, wooden box - Property from a Wuerttemberg private collection, assembled between the 1950s and 2000 - Traces of age
Zhu Qin CHINA, Qing-Dynastie 122 x 66 cm R. Gänse. Tusche und Farben auf Seide, unter Glas gerahmt. Provenienz: Ehemals aus einer alten europäischen Privatsammlung, vor 1990 gesammelt, dann Privatbesitz Frankfurt - Kleinere Altersschäden und Fehlstellen, etwas restauriert Zhu Qin, Pair of Geese and Peonies, China, Qing dynasty, framed under glass, 122 x 66 cm, ink and light colors on paper. Signature by the artist: "Moyu Zhu Qin". Two seals of the artist: "Zhu Qin", "Shanyin renshi". One collector's seal - Provenance: Former old European private collection, assembled prior 1990 - Private property Frankfurt - Minor damages and restorations due to age
Feine Schale aus hellgrüner Jade in Blütenform im Moghul-Stil mit seitlichen Handhaben CHINA, 18.Jh. B. 22,5 cm Provenienz: Aus einer bedeutenden süddeutschen Privatsammlung, zwischen 1950 und 1987 gesammelt - Wenige sehr kleine Bestoßungen A FINE CARVED LIGHT GREEN MUGHAL-STYLE JADE BLOSSO-SHAPED BOWL WITH TWO HANDLES, China, 18th ct. - Provenance: Important South German private collection, assembled between 1950 and 1987 - Very few tiny chips, good condition
Tuschwassergefäß in Form eines schleichenden Fabeltieres aus hellgrüner Jade CHINA, 18./19.Jh. L. 8,2 cm Provenienz: Aus einer Berliner Privatsammlung, vor 2000 erworben - Holzstand - Minim. Altersspuren A LIGHT GREEN CARVED JADE WATER CONTAINER IN SHAPE OF A MYTHOLOGICAL ANINMAL, China, 18th/19t ct. - wood stand - Provenance: Berlin private collection, acquired prior to 2000 - Very minor traces of age
Im Stil von Wang Yu (tätig ca. 1700-1750) CHINA, datiert 1740 85 x 39,2 cm Hängerolle, Tusche und Farben aus Papier. Lange Inschrift des Künstlers mit Signatur und Datierung, drei Siegel "Wang Yu zhi yin", "Dongzhuang nongyin" etc., ein Sammlersiegel. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung - Altersspuren In the Style of Wang Yu (active ca. 1700-1750), Autumn Landscape, China, dated 1740. Hanging scroll, 85 x 39,2 cm, ink and light colors on paper. Long inscription by the artist, signed: "In the tenth month of the gengshen year of the Qianlong period (1740) painted in the Zhanyu Pavilion for the old friend Xiehui as a present, Dongzhuang caoyi Wang Yu" . Three seals of the artist: "Wang Yu zhi yin", "Dongzhuang nongyin" etc. One collector's seal - Provenance: Old and important European private collection - Wang Yu, style name Dongzhuang, was from Taicang in Jiangsu province. He studied landscape painting with Wang Yuanqi (1642-1715) and this painting shows clearly the influence of this famous master. It also shows characteristics of the Yuan master of literati painting, Huang Gongwang (1269-1354), as is stated by the painter himself in his inscription
Sehr feines Okimono-Netsuke eines Affen und zwei Junge aus Buchsbaum JAPAN, signiert Hideo, 2. Hälfte 19.Jh. H. 3,2 cm Provenienz: Aus einer bedeutenden süddeutschen Privatsammlung A FINE BOXWOOD OKIMONO NETSUKE OF A MONKEY AND YOUNG, Japan, signed Hideo, late 19th/20th ct., the parent animal cuddling a sibling, while another small monkey stands on its back, eyes of light horn or double inlaid - Property from an important South German private collection
Qian Du (1763-1844) attr. CHINA, datiert 1813 84,5x27,5 cm,R. Darstellung des Lebens von Lin Bu im Berg Gushan, Tusche auf Papier, unter Glas gerahmt. Zwei Aufschriften, signiert und datiert 1813, Siegel. Provenienz: Ehemals Sammlung Heide Grebner (1958-2013), in den 1980'er-Jahren gesammelt - Altersspuren, etwas berieben Qian Du (1763-1844), attr., Spring Landscape with Scholar in a Garden, China, dated 1813, Framed under glass, 64 x 27 cm, ink and light colors on silk. Two long inscriptions by the artist with signature: "Painted in the style of master Liuru (Tang Yin, 1470-1523), in autumn of the guiyou year (1813) by Shumei Qian Du". One double seal: "Qian Du". Second inscription on the left, also dated autumn 1813. Two seals of the artist: "Shumei", "Qian Du" - Provenance: Former collection of Heide Grebner (1958-2013) collected in the 1980's - Qian Du, style name Shumei, was from a wealthy family from Hangzhou. After his family lost its wealth he had to make his living by selling his paintings in Hangzhou. He developed a very peculiar style of his own with very fine and meticulous brushwork following Wen Zhengming (1470-1559). The painting shows the characteristics of his style - Traces of age, wear
Feine blütenförmige Ding-Schale mit leicht cremefarbener Glasur CHINA, Song-Dynastie, 11.Jh. D. 16,6 cm Provenienz: Aus einer alten süddeutschen Privatsammlung, zwischen 1979 und 1992 gesammelt, diese Schale erworben bei Anne Roselt Köln am 21.6.1985 - Winzige Bestoßung am Rand, sonst schön erhalten A FINE LIGHT CREAM GLAZED BLOSSOM-SHAPED DING BOWL, China, Song dynasty, 11th ct. - Provenance: Old South German private collection, assembled between 1979 and 1992, this bowl was bought from Anne Roselt Cologne, 21.6.1985 - A similar bowl is published by Treagar 'Die Keramik der Song-Zeit', pl. 40, 62 a+b - Tiny chip to rim otherwise fine condition
Fein geschnitzter Felsen aus Jade auf einem Stand aus Hartholz CHINA, 18.Jh. H. 11,6(19,7)cm Provenienz: Aus der Sammlung von Friedrich und Ruth Boss, zwischen 1911 und 1938 in China gesammelt - Sehr kleine restaurierte Bestoßung am Stegrand A FINE CARVED LIGHT GREEN JADE BOULDER ON A FINELY CARVED HARDWOOD STAND, China, 18th ct. - Property from the collection Friedrich and Ruth Boss, assembled in China between 1911 and 1938 - Very small restored chip
Pinselwascher aus hellgrüner Jade in Form einer Blüte mit Magnolienzweigen CHINA, Ming-Dynastie B. 16 cm Provenienz: Aus einer bedeutenden Berliner Privatsammlung, laut Aufzeichnungen bei Galerie Ruth Schmidt während der Ausstellung Orangerie Berlin 1982 für DM 3200.- erworben, Sammlungsnummer 242 - Kleine Bestoßungen teils etwas poliert A LIGHT GREEN BLOSSOM-SHAPED CARVED JADE BRUSHWASHER WITH MAGNOLIA BRANCHES, China, Ming dynasty - Property from an important Berlin private collection, according to records bought from Gallery Ruth Schmidt, Berlin during the Orangerie exhibition 1982 for DM 3200.-, collection no. 242 - Few small chips, partly slightly polished
Zhao Zuo CHINA, 17.Jh. B. 53,8 cm Fächermalerei. Gelehrtenklause zwischen Bäumen. Tusche und leichte Farben auf goldgflecktem Papier. Siegel Wen Du. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Zhao Zuo, Scholar's Cottage Among Trees, China, 17th ct., Fan painting, 18 x 53 cm, ink and light colors on gold speckled paper. On the right one seal of the artist: "Wen Du" - Provenance: Old and important European private collection - A large grass thatched cottage is depicted beside a rock and above dense trees. It is empty and open to the garden and waits for the scholar to sit inside and enjoy the beautiful scenery. Only after a second look a very tiny drawn boy servant is discovered carrying a book from the cottage to his master who must sit somewhere else among the rocks and trees. A very fine painting done with broad brushstrokes and wet ink in an almost impressionistic manner
Im Stil von Luo Mu (1622- nach 1706) CHINA, Qing-Dynastie 134 x 54,8 cm Herbstlandschaft mit Gelehrtenstudio, Hängerolle, Tusche und leichte Farben auf Papier. Aufschrift und Signatur des Künstlers: "Studierstube in dichten Weiden. In Nachahmung eines Gemäldes des Mönches Juran (tätig ca. 960-185) der Sung-Zeit, Fanniu Luo Mu im Fenglin-Studio in Xining". Zwei Siegel des Künstlers: "Fanniu" u.a. Provenienz: Ehemals aus einer alten europäischen Privatsammlung, vor 1990 gesammelt, dann Privatbesitz Frankfurt - Etwas berieben, kleine Restaurierungen In the Style of Luo Mu (1622- after 1706), Autumn Landscape with Scholar's Study, China, Qing dynasty, hanging scroll, 134 x 54,8 cm, ink and light colors on paperInscription and signature by the artist: "Study Room in Dense Willows. Imitating a painting of the monk Juran (active ca. 960-185) of the Sung dynasty, Fanniu Luo Mu in the Fenglin-Study in Xining". Two seals of the artist: "Fanniu" etc. - Provenance: Former old European private collection, assembled prior 1990 - Private property Frankfurt - Luo Mu, style name Fanniu, was a noted landscape painter from Ningdu, working in Nanchang in Jiangxi province. His landscapes are done with broad brushstrokes in dark, wet ink. This painting is done in the characteristic style of Huang Gongwang (1269-1354) - Minor wear, minor restorations
Chen Jing (tätig 2.Hälfte 18.Jh) CHINA, datiert 1769 47 x 32 cm Hängerolle, Tusche und leichte Farben auf Papier, Signatur und Datierung, zwei Siegel: "Chen Jing", "Yufeng". Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Chen Jing (active second half of 18th century), Scholar's Retreat by a River, China, dated 1769. Hanging scroll, 47 x 32 cm, ink and light colors on paper. Signature by the artist: "In summer of the jichou year (1769) painted after a picture by Xuetang (Chen Jiru, 1558-1639) for friend Xiaomei, Qingli Jing". Two seals of the artist: "Chen Jing", "Yufeng" - Provenance: Old and important European private collection - Chen Jing, style names Qingli and Yufeng, was a landscape painter from Tianjin. He did landscapes in the style of the famous Yuan master Huang Gongwang (1269-1354) whose characteristics can also be detected in this painting
Signiert Mei Qing (1623 -1697) CHINA 19 x 21,8 cm Albumblatt. Tusche und leichte Farben auf Papier. Signiert Qing, Siegel Laoqu. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Signed Mei Qing (1623 -1697), Lonely Boat in Autumn, Album leave, 19 x 21,8 cm, ink and light colors on paper. Seven word poem by the artist with signature: "Qing". One seal of the artist: "Laoqu" - Provenance: Old and important European private collection - Mei Qing, style names Qushan and Laoqu, was from Xuancheng in Anhui province. He was the youngest and most talented of the so called 'Masters from Anhui'. After failing in the jinshi-examination, he became a poet and later began to paint. He was a friend of the famous monk painter Shitao (1630 - ca. 1710) with whom he travelled in the Huangshan Mountains. Like him he developed an eccentric painting style of bizarre forms and expressive brush lines. This album leave is in contrary to most of his paintings very calm and lyrical
Damenjacke aus geschnittenem Seidensamt mit bestickten Ärmelstreifen, 'weitao' CHINA, späte Qing-Dynastie L. 108 cm Provenienz: Aus einer norddeutschen Privatsammlung, zwischen 1980 und 2005 gesammelt - Kanten partiell berieben, Altersspuren A DARK PURPLE VELVET JACKET OF A LADY WITH EMBROIDERED ARM SLEEVES, China, late Qing dynasty, black silk velvet with partly cut loop pile, making the pattern. Medallions with fenghuang birds above peonies. Original sleeve bands preserved. Spherical gold plated brass buttons with loops. Embroidered and woven garment borders appliquéd. Lining: Light blue silk damask - Provenance: North German private collection, assembled between 1980 and 2005 - Wear to edges, traces of age
Im Stil von Qian Gu (1508-1578) CHINA, datiert 1570 und 1571 82,8 x 28,4 cm Hängerolle, Tusche und leichte Farben auf Papier. Links Signatur und Datierung, zwei Siegel "Qian shi Shubao", "Shubao", rechts Aufschriften. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung In the Style of Qian Gu (1508-1578), Scholar Strolling in an Autumn Grove, China, hanging scroll, 82,8 x 28,4 cm, ink and light colors on paper. On the left signature by the artist: "Painted in the gengwu year of the Longqing period (1570), Qian Gu" . Two seals of the artist: "Qian shi Shubao", "Shubao". On the right two inscriptions by Wang Zhideng (1535-1612) and Wen Jia (1501-1583) - Provenance: Old and important European private collection - Qian Gu, style name Shuqing, was a student of Wen Zhengming (1470-1559) and his landscapes in the literati style are greatly influenced by him. He was a brilliant painter and poet and his works were much sought after in Suzhou especially after the death of Wen Zhengming
Jiang Qian (1525-nach 1604) CHINA, 16./17. Jh. 24,7 x 26 cm Albumblatt. Tusche und leichte Farben auf Papier, zwei Siegel "Hongqiao", "Jiang Qian yin)". Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Jiang Qian (1525-after 1604), Scholar's Study Beneath Pine Trees, Album leave, 24,7 x 26 cm, ink and light colors on paper. Two seals of the artist: "Hongqiao", "Seal of Jiang Qian" (Jiang Qian yin) - Provenance: Old and important European private collection - Jiang Qian (1525-after 1604), style name Hongqiao, was from Jinling (today Hangzhou). He was the son of the Zhe School master Jiang Song (ca. 1500). Because he lived as a recluse at the Rainbow Bridge (Hongqiao) in Suzhou, he used 'Hongqiao' as his style name. In his landscape painting he followed masters of the Yuan literati tradition like Wang Meng (1308-1385)
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