NIXON, Richard. 1999 Victory Without War, FIRST ed., SIGNED by author, Howe bookplate, near-fine with a light age toning to d.j. and slight bumping, New York: Simon and Schuster, 1988._ANDREOTTI, Giulio. Lives - Encounters with History Makers, SIGNED author's dedication to Howe at ffep, Howe bookplate, Andreotti was an Italian politician and served as Prime Minister, spotting at head of text-block, a few spots fore-edge, a little rubbing at head of d.j. otherwise fine, London: Sidgwick & Jackson, 1988._HERZOG, Chaim. The Arab-Israeli Wars, SIGNED author's dedication to Howe at ffep, a little toning at text-block edges, v. light rubbing/bumping at d.j. spine, London: Arms and Armour Press, 1984._MARTENS, Wilfried. Europe: I Struggle, I Overcome, SIGNED author's dedication to Howe at title page, Martens served as Prime Minister of Belgium, near-fine with small spotting at edge, Belgium: Centre for European Studies, 2008 (4) From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.
We found 534310 price guide item(s) matching your search
There are 534310 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
534310 item(s)/page
DA VINCI, Leonardo. Codice Trivulziano, ltd ed. 130/199, 'espressamente stampato per Sir Geoffrey Howe', convincing facsimile of Leonardo's notebook in genuine pigskin, with accompanying book, both housed in Morocco covered clamshell case, book fine with light spotting at text-block edges, facsimile notebook fine, case has spotting at imitation text-block edges, Milano: Arcadia, 1980 From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.
RABAN, Ze'ev (Illust.); Gur Aryeh. A Palestinian Appreciation of Energy, Devotion and Loyalty in the Days of Struggle for Liberation of Mankind, The Book of Job, manuscript on 105pp, 107 vellum leaves, illuminated with numerous watercolour illustrations, rubricated capitals and vignettes with protective tissue-guards. 4to (28 x 22cm), lavishly bound in crushed morocco with precious metals, studded with carved ivory plaques, rubies, spinels and hardstone with filigree clasps, central engraved presentation plate on lower board, "This Gift Book is Presented to Colonel Albert Gedo [Guido] Bonn, Military Cross, by Simon Diskin Esquire and Family at Jerusalem in the Holy Land, Anno Domini MCMXLII". The book is entirely manuscript, i.e. completely written & illustrated by hand. There are 16 plates, and 44 illuminated capitals with vignettes, giving a total of 60 colour illustrations. Very well-preserved, clean & bright, some light wear to covers, housed in an olive-wood box. Jerusalem: Designed & Executed by Gur Aryeh & Raban, December 1942 ❧ Brigadier Albert "Bertie" Guido Bonn, CBE, MC, MICE (1889-1962), was Chief Engineer (Airfields) Middle East during World War Two. His two sons were killed in the Second World War, and evidently no expense was spared in the production of this important and breathtakingly beautiful manuscript ❧ Ze-ev Raban (1890-1970) was a leading painter, decorative artist, and industrial artist of the Bezalel school, and was one of the founders of the Israeli art world. In 1921, he participated in the historic art exhibition at the Tower of David in Jerusalem, the first exhibit of Hebrew artists in Palestine, which became the first of an annual series of such exhibits. He designed the decorative elements of such important Jerusalem buildings as the King David Hotel and the Jerusalem YMCA, and also designed a wide range of Jewish religious objects. The book illustrations of Raban are a good example of his eclectic mix of European and Oriental style Submission Reference No.: K6QR4CRZ
MOSS, Robert. Moscow Rules, SIGNED author’s dedication to Howe at half-title page, Howe bookplate at ffep, connection to Howe through Cold War/terrorism, near-fine, London: Hodder and Stoughton, 1985._CONQUEST, Robert. The Harvest of Sorrow, presented to Howe by ‘the Ukrainian community during your visit to Bolton’, Howe Bookplate front paste down, near-fine, London: Hutchinson, 1987._BEAMISH, Tufton & HADLEY, Guy. The Kremlin’s Dilemma, SIGNED author’s dedication to Howe at half-title page, good with a general toning/age, London: Collin’s and Harvill Press, 1979._JEFFERY, Keith. MI6 The History of the Secret Intelligence Service 1909-1949, FIRST ed. SIGNED by author and the Chief of the Secret Intelligence Service, Howe bookplate at ffep, good with a general toning, London: Bloomsbury, 2010._WRIGHT, Peter. Spy Catcher, Howe bookplate, some spotting in places, New York: Viking, 1987._HENDERSON, Paul. The Unlikely Spy, Howe bookplate, with annotation by Howe, spotting at text-block edge, London: Bloomsbury, 1993._KEEGAN, John. The Face of Battle, author’s dedication to Howe at half-title page, some light toning, London: Book Club Associates, 1978._HORNE, Alistair. How Far From Austerlitz?, SIGNED by author, Howe bookplate, near fine with unclipped d.j., London: Macmillan, 1996._CURTEIS, Ian. The Falklands Play, SIGNED author’s dedication to Howe, paperback, London: Hutchinson, 1987._HASTINGS, Max and JENKINS, Simon. The Battle for the Falklands, SIGNED author’s dedication to the Howes, good with some spotting head of text-block, light toning edge of untrimmed d.j., New York: W. W. Norton & Co., 1983._GRAHAM, John [Major General John Graham]. Ponder Anew, ltd ed. 70/300, SIGNED author’s dedication to Howe, Howe bookplate, fine with v. light toning to text-block edges, Staplehurst: Spellmount, 1999_BARR, James. Setting the Desert on Fire, paperback, SIGNED author’s dedication to Howe, London: Bloomsbury, 2007 (12) From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.
BAKER III, James A. The Politics of Diplomacy, FIRST ed., SIGNED author's dedication to Howe at title page, Howe bookplate, some light spotting at text-block edges, New York: G. P. Putnam's Sons, 1995._ISAACSON, Walter and THOMAS, Evan. The Wise Men, Howe bookplate, page corners turned by Howe at personal points of interest, rubbing/wear at d.j. edges, New York: Simon and Shuster, 1986._HOPPER, Kenneth and HOPPER, William. The Puritan Gift, SIGNED author's dedication to Howe at title page, Howe's page markers at personal points of interest, near fine, New York: I. B. Tauris, 2008._SHULTZ, George P. Turmoil and Triumph, FIRST ed., SIGNED author's inscription to Elspeth Howe at ffep, near-fine with slight marking at text-block edges, New York: Charles Scribner's Sons, 1993._MEYER, Christopher. DC Confidential, SIGNED author's dedication to the Howes at ffep, Howe's page markers at places of personal interest, near-fine with slight dirt spots, London: Weidenfeld & Nicolson, 2005._DASH, Samuel. The Untold Story of Watergate, SIGNED author's dedication to the Howe's at ffep, Dash was a lawyer who became famous as Counsel for the Senate during the Watergate trial, some spotting around edges of text-block, toning to d.j., New York: Random House, 1976._HOWARTH, David and HOWARTH, Stephen. The Story of P&O, Howe bookplate, near-fine with some toning at spine and rubbing to slipcase, London: Weidenfeld and Nicolson, 1986._Survey of London, volume XIV: The Parish of St. Margaret, Westminster, 4to, Howe bookplate, some toning at edges, London: B. T. Batsford, 1932._KING, Geoffrey. The Traditional Architecture of Saudi Arabia, 4to, SIGNED author's dedication to Howe at ffep, scarce, near fine, v. light spotting head of text-block, London, I. B. Tauris, 1998._ Georgia O'Keeffe. Art and Letters, 4to, tipped-in Signed gift inscription from James A. Baker III on US Seal headed paper, Howe bookplate, light spotting at edges, New York: NYGS, 1989._ KENNEDY, J. F. Profiles in Courage, no d.j., some toning/rubbing: London: Hamish Hamilton, c. 1956._HARVEY, Robert. Global Disorder, Howe's page markers at personal points of interest, near-fine, London: Constable, 2003 (12) From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.
THATCHER, Margaret. The Path to Power, FIRST ed. SIGNED by author, Howe bookplate, internally bright, light spotting at head of text-block, slight marking fore/foot edge, unclipped d.j. a little bumped, London: Harper Collins, 1995._YOUNG, Hugo. One of Us - A Biography of Margaret Thatcher, SIGNED author's dedication to Howe, Howe bookplate, some annotation (underlining) by Howe, a general age toning to text-block with some light spotting at head, some light bumping/rubbing to d.j. edges, London: Macmillan, 1991._CAMPBELL, John. Margaret Thatcher Volume One: The Grocer's Daughter, Howe bookplate, underlining by Howe, spotting at head edge, slight bumping to d.j., London: Jonathan Cape, 2000._GILMOUR, Ian. Dancing With Dogma, Howe bookplate, some underlining by Howe, spotting and toning at edges, d.j. with light bumps, London: Simon & Schuster, 1992._THATCHER, Margaret. The Downing Street Years, FIRST ed. SIGNED by author, Howe bookplate, some underlining by Howe, light spotting at head edge, some handling marks fore/foot edge, d.j. slightly bumped, internally bright, London: Harper Collins, 1993._JENKINS, Simon. Accountable to None, author's SIGNED dedication to Howe, Howe bookplate, near-fine, London: Hamish Hamilton, 1995._YOUNG, Hugo and SLOMAN, Anne. The Thatcher Phenomenon, authors' SIGNED dedication to Howe, Howe bookplate, with underlining by Howe throughout, v. light toning and shelf-wear, London: BBC, 1986._JOHNSON, Christopher. The Grand Experiment - Mrs. Thatcher's Economy and How it Spread, author's SIGNED dedication to Howe, Howe bookplate, no d.j., Boulder: Westview Press, 1991._SHEPHARD, Gillian. The Real Iron Lady, author's SIGNED dedication to Howe, near-fine, London: Biteback, 2013 (9) From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.
TOLKIEN, J. R. R. The Two Towers, First ed., Fifth Impression, unclipped d.j., original cloth with gilt lettering, a light toning, map as new, d.j. with some rubbing/marking at edges, toning at spine, solid copy, London: George Allen & Unwin, 1957._The Fellowship of the Ring, First ed., Fifth Impression, d.j. from sixth impression, original cloth, slight rubbing head/foot of spine, some offsetting ffep, internally good with light stain bottom corner, some toning at edges, map as new, d.j. unclipped with some chipping at head, toning/rubbing at spine, London: George Allen & Unwin, 1956 (2)
ROWLING, J. K. Harry Potter and the Goblet of Fire, First Edition, SIGNED by the author in bold blue ink on dedication page, loosely-inserted "golden ticket" for the Books Etc signing at the 02 Centre, Finchley Road, London on 19 July [2000], plus original purchase receipt for the same. Octavo, hardback with unclipped dust-jacket, internally very good, appears unread, usual light toning to paper, a few light scuffs to edges of text-block, binding tight & square, jacket bold & vibrant with slight discolouration verso, a very good example. London: Bloomsbury, 2000
GAY, John. Fables by the Late Mr. Gay, attractive contemporary full-calf with red Morocco title-plate, 2 parts in 1 volume, internally bright with charming engravings accompanying the fables, some offsetting at prelims, some bumping/rubbing at extremities, London: R. Tonson et al., 1767._JUNIUS [pseudonym of Philip Francis]. The Letters of Junius, 2 volumes, later sympathetic half-calf, stipple portrait engravings, London: J. Goodwin, 1812. (2) _JUNIUS [pseudonym of Philip Francis]. The Letters of Junius, attractive contemporary full calf with red Morocco title plate, book plate ‘John Holcomb, New Cross 1799’, some offsetting at endpapers/leaves edges, internally bright and solid, some cracking at joint, light bumping, Edinburgh: J. Mundell & Co., 1796._HUET, P. D. Commentarius, later full-calf, some toning but internally bright, Amsterdam: Henricum du Sauzet, 1718._The Iliad of Homer Translated by Alexander Pope, 3 volumes (complete), attractive full-calf with gilt lettering and pattern at spine, vol. 1 front board detached along top of joint, internally very bright with occasional spotting at ends, some bumping/rubbing at extremities, London: F. C. & J. Rivington, 1817. (3) _HORACE, Arte Poetica, Portuguese edition, full-calf, triangle trimmed off edge of title page, internally bright, bumping/rubbing at extremities, Lisbon: 1794 (9)
PRATCHETT, Terry. The Colour of Magic, FIRST EDITION, SIGNED & INSCRIBED BY THE AUTHOR, 8vo, publisher's green cloth lettered in gilt, dust-jacket with publisher's overlay, 205pp. Internally very well-preserved & bright, a few very pale marks/stains in places but otherwise appears almost unread, one small black spot on rear endpapers, gutters showing slightly at title, incredibly faint dust spots to edges of text-block, dust-jacket remarkably well-preserved & bold, incredibly light pushing/wear to spine edges/corners, binding tight & square, cloth very good, a couple of surface marks at lower edges, slight bumping around spine/corners, overall an excellent example of this scarce title, especially rare signed, Gerrards Cross: Colin Smythe, 1983 ❧ An excellent and very scarce SIGNED example of the first Discworld novel Provenance: The vendor purchased the book upon its release, having enjoyed the first two serialised episodes of The Colour of Magic on BBC Radio 4’s Woman’s Hour in 1983. She had some difficulty sourcing a copy, but eventually managed to order one directly from the publisher with assistance from her local library in Portsmouth. A receipt for this order, probably from publishers Colin Smythe, was kept as a bookmark by the vendor, hence its inclusion here. The vendor and her husband both started PGCE teaching courses at Bristol University in 1990. The vendor's husband became a science teacher at Wood Green School, Witney, Oxfordshire, and was present when Terry Pratchett visited the school to do some readings for the classes, c. 1992, which is where he got the book signed & dedicated by the author to his wife, i.e. our vendor
YEW, Lee Kuan. The Singapore Story, SIGNED author's inscription to Howe at title page, Howe bookplate, Kuan served as the first Prime Minister of independent Singapore and is considered one of the most significant politicians of the 20th century, v. slight rubbing at extremities, light spotting at head of text block, slight dirt marks fore/foot, otherwise bright, well-preserved unclipped d.j., Singapore: Prentice Hall, 1998._YEW, Lee Kuan. From Third World to First, SIGNED author's inscription to Howe at title-page signed 'Harry' which was Kuan's birth name, Howe bookplate, a little spotting/toning at edges, slight dirt mark foot edge, internally v. bright, unclipped d.j. well-preseved, New York: Harper Collins, 2000 (2) From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.
HENDERSON, Nicholas. The Private Office Revisited, author's SIGNED dedication to the Howe's, a little light spotting head edge, near-fine, London: Profile Books, 2001_CONGDON, Tim. Keynes, The Keynesians and Monetarism, author's SIGNED dedication to Howe, near-fine, Cheltenham: Edward Elgar, 2007._KILBY, Mike. Man at the Sharp End, author's SIGNED dedication to Howe, Howe bookplate, near-fine, Lewes: The Book Guild, 1991._GILMOUR, Ian. Inside Right, author's dedication to Howe, some spotting/toning at edges, London: Hutchinson and Co., 1977._HENNESSEY, Peter. Whitehall, dedication signed by 4 names?, Howe bookplate, some pages folded by Howe as markers, some marking/bumping at edges, London: Secker & Warburg, 1989._JENKINS, Clive and SHERMAN, Barrie. The Collapse of Work, dedication from author, spotting at head edge, London: Eyre Methuen, 1979._The Conservative Opportunity, ed. John Patten and dedication from him to Howe, some sections marked by Howe, some marking/rubbing, London: Macmillan, 1976._THOMAS, Hugh. Ever Closer Union, dedication from author, near fine, London: Hutchinson, 1991._MARSH, David. The Euro, dedication from author to Howe, fine, New Haven: Yale University Press, 2009._TEMPEST, Paul. The Future of the Bank of England, dedication from author to the Howes, some toning to d.j., Newport: Medina, 2011._GALBRAITH, John Kenneth. Money, signed by author, spotting at edges, London: Andre Deutsh, 1975._DICKIE, John. Inside the Foreign Office, SIGNED dedication to Howe, near-fine, London: Chapmans, 1992 (11) From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.
ROWLING, J. K. Harry Potter and the Goblet of Fire, SIGNED FIRST EDITION, 8vo, hardback, internally very good & bright, some pulling at inner gutters in places, some tiny marks to endpapers, binding with pronounced shelf-lean, creasing to spine & joints, dust-jacket good with some very light creasing, printed in Glasgow by Omnia, London: Bloomsbury, 2000 Provenance: The book comes with a copy of the original owner's statement, 'I am writing this note to confirm that the enclosed copy of Harry Potter & the Goblet of Fire by J. K. Rowling has been in my family's possession since it was published. It was signed by the author at the Edinburgh Book Festival in St. Andrews Square, Edinburgh. We were very lucky to get tickets as her audience was only 500 people! She used to live very close to my family's home in Edinburgh - about 200 metres away.'
TOLKIEN, J. R. R. The Fellowship of the Ring, second ed., second impression, 1967._The Fellowship of the Ring, second ed., third impression, 1968._The Two Towers, second ed., first impression, 1966._The Return of the King, second ed., first impression, 1966. Good set, some light toning, each has unclipped d.j. with some rubbing/chipping at extremities, bookplate at front paste down on The Return of the King, London: George Allen & Unwin. (4) _TOLKIEN, J. R. R. Pictures of Tolkien, FIRST ed., with slipcase, 33 x 31cm, London: George Allen & Unwin, 1979._TOLKIEN, J. R. R. The Fall of Numenor, deluxe ed. with slipcase, fine copy, London: Harper Collins, 2022 (6)
SELDON, Anthony. The Foreign Office, 4to, author's SIGNED dedication to Howe, slight spotting at head edge, d.j. a little bumped, London: Harper Collins, 2000._McINTOSH, Ronald. Challenge to Democracy, author's SIGNED dedication to Howe, light spotting at head edge, London: Politico's, 2006._SELDON, Arthur. The State is Rolling Back, author's SIGNED dedication to Howe, Howe bookplate, near-fine, London: E & L Books, 1994._GOODHART MP, Philip. Referendum, some toning/marking, London: Tom Stacey ltd., 1971._GILDER, George. Wealth & Poverty, author's SIGNED dedication to Howe, a light toning at edges, London: Buchan & Enright, 1982._BUTLER, Sir Michael. Europe More Than a Continent, Howe bookplate, annotation (underlining), London: Heinemann, 1986._QUIN, Joyce. The British Constitution, author's SIGNED dedication to Howe, near-fine, Bishop Auckland: Northern Writers, 2010._PATTEN, Chris. The Tory Case, author's SIGNED dedication to Howe, paperback, general age tone, London: Longman, 1983._RADICE, Giles. The New Germans, author's SIGNED dedication to Howe, near-fine, London: Michael Joseph, 1995._Political Thought From Plato to NATO, intro. by Brian Redhead and with a SIGNED dedication from him to the Howes, some annotation by Howe, a general toning and small ink stain, London: BBC, 1984._YOUNG, Hugo. This Blessed Plot, author's SIGNED dedication to Howe, Howe bookplate, some pages marked by post-it notes and underlining by Howe, near-fine, London: Macmillan, 1998._HENDERSON, Nicholas. The Private Office, author's SIGNED dedication to Howe, Howe bookplate, some light spotting at edge, London: Weidenfeld & Nicolson, 1984._ATKINSON, Rodney. The Emancipated Society, author's SIGNED dedication to Howe, Howe bookplate, near-fine, Newcastle upon Tyne: Compuprint, 1988._KYNASTON, David. The Chancellor of the Exchequer, signed dedication from Keith Stainton and the Sudbury and Woodbridge Conservative association, light rubbing at d.j. extremities, Lavenham: Terence Dalton, 1980 (14) From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.
Lyonstown Stud, in two volumes (Race & Stud Records, Pedigrees), tall 8vo (30.5cm), finely bound in full crushed morocco lettered in gilt, all edges gilt, well-preserved, clean & bright, a few pages with light folds to extreme corners, else fine, housed in a scuffed slipcase, Kingston-upon-Thames: Victoria, 1985 ❧ Believed to be on of only six copies, two of which were apparently given to HM Queen Elizabeth II
Mr Brainwash (French 1966-), 'Time Change', 2018, unique oil and collage on canvas, signed recto, signed and dated verso, bearing the Artists unique ID number verso; canvas: 40.5 x 51cm; 52 x 61cm inc frameARR canvas: 40.5 x 51cm; 52 x 61cm inc frame In very good/artists condition No rips or tears to the canvas No signs of paint loss or restoration There is some light waving/creasing to the canvas and discolouration verso, this is due to the fact the work has been produced on a recycled canvas There is some minor wear/lift to the corner of the collage section on the right, likely due to materials used/artists condition This work has been framed in an ornate frame by the artist/to the artists specification.
Bridget Riley (British 1931-), 'About Lilac', 2007, screenprint in colours on wove paper, signed, dated, titled and numbered from an edition of 75, sheet; 80 x 49cmARR †* This lot is to be sold outside of the auctioneers margin scheme, VAT will be added to the hammer price. In very good condition No visible knocks, tears or creases to the sheet Very light markings to the upper left hand section of the sheets white border, visible upon close inspection This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Joan Miro (Spanish 1893-1983), 'La Melodie Acide', 1980, three lithographs in colours on wove paper, all numbered 774/1500 in pencil, bearing the Artist's signature to the plate; sheets: 33 x 25cm each; 51.5 x 43.5cm in mount (3)ARR sheets: 33 x 25cm each; 51.5 x 43.5cm in mount (3) In good condition No tears to the sheets Very light hand creases to upper edge of left and right images (as pictured) Minor wear to the upper edge of the right sheet (as pictured) and some very minor markings to the backgrounds of all sheets, visible upon close inspection All works have are attached to white mounts, leaving all corners and edges of the sheets visible There are markings around the mounts, these are away from the prints The works are not framed.
Banksy (British 1974-), 'Morons', 2006, screen print in colours on Arches paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cm (framed)ARRProvenance: This work is accompanied by a Pest Control Certificate of Authenticity sheet: 56 x 76cm (framed) Provenance: This work is accompanied by a Pest Control Certificate of Authenticity In very good condition No visible knocks or tears to the sheet There are very soft handling creases shown to middle right hand edge, upper left hand section and middle lower edge of the sheet. These are visible in raking light and upon close inspection There are some extremely minor 'speckles' to the sheet, visible upon very close inspection and potentially from time of production This work has been framed in a black frame with a white mount This work has not been examined outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity
Connor Brothers (British Duo), 'Hope (Orange)', 2022, giclee with silkscreen varnish on wove paper, signed, dated, and inscribed PP in pencil, the main edition was 75; sheet: 75 x 50cmARR sheet: 75 x 50cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition There are some light markings to the sheet verso, these are not visible recto This work has been stored flat and has not been framed.
Yoshitomo Nara (Japanese 1959-), 'Cosmic Girls: Eyes Opened/Eyes Closed', 2008, two offset lithographs in colours on smooth wove paper, from an edition of 500, each with the artist's copyright stamp, published by BALTIC Center for Contemporary Art, Gateshead; sheets: 72 x 52cm (2) (framed)sheets: 72 x 52cm (2) (framed)In good condition No visible knocks or tears to the sheets There are a few minor handling creases to the sheet and some light waving Both works have been framed 'edge to edge' in individual wooden frames These works have not been examined outside of the frames.
Suanjaya Kencut (Indonesian 1994-), 'All In Home', 2022, screenprint in colours on wove paper, signed and inscribed AP aside from the main edition of 100; sheet: 76.2cm x 58.4cmsheet: 76.2cm x 58.4cmIn very good condition,No knocks or tears to the sheetDeckled edges in good conditionMinor crease to the lower right hand section and minor handling crease to the upper left hand edge of the sheetSome light markings around the border of sheet and extremely minor imperfections to corners, only visible upon close inspectionThis work is stored flat and has not been framed.
Banksy (British 1974-), 'CND Soldiers', 2005, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 350 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARR sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In very good condition No knocks, tears or creases to the sheet A light border of discolouration to the extreme edges of the sheet, potentially due to prior mounting/framing Numbering and signature are clear Various 'marks' across the paper, these are markings of the paper used and are not damage Framed in a wooden frame, this work has been examined in and outside of the frame. Provenance: Accompanied by a Pest Control Certificate of Authenticity.
Arjen (Dutch 1960-), 'An Eye To The Future', 2022, fine art print on pigment paper, signed and numbered from an edition of 175; sheet: 60 x 60cmARR sheet: 60 x 60cm In good condition No knocks or tears to the sheet There are some handling creases to the sheet, most prominent around the sheets border in raking light There is minor wear/creasing to all corners of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Charming Baker (British 1964-), 'Half Pint (Gold)', 2009, Silkscreen varnish and Lascaux gold over archival ink giclee printed on Somerset satin, signed and numbered from an edition of 50, published by Jealous gallery, sheet; 59 x 66 cmARR sheet; 59 x 66 cm In good condition No tears to the sheet There is some light creasing across the lower edge of the sheet and to all corners, and to the middle left hand edge/section of the sheet Minor wear around the sheets edges and some light markings to the border and to the sheet verso, visible upon close inspection This work has been stored flat and has not been framed.
Ed Ruscha (American 1937-), 'A Particular Kind Of Heaven', 1983, Fine Arts Museums of San Francisco exhibition poster; sheet: 61 x 92cmsheet: 61 x 92cmIn very good conditionNo knocks or tears to the sheetLight handling crease to the left side of the sheet, visible upon close inspectionThis work has been stored flat and has not been framed.
Cy Twombly (American 1928-2011), 'Three Notes from Salalah Poster', 2008, offset lithograph in colours on wove paper, from an unknown edition, published by Gagosian Gallery; sheet: 76 x 56cmsheet: 76 x 56cmIn good condition No visible knocks or tears to the sheetSome light handling creases to the sheet, visible upon close inspection Some staining/marks to the sheet, believed to be from the time of production and not considered damage Deckled edges in good condition This work has been stored rolled and has not been framed.
Pure Evil (British 1968-), 'Double Exposure (pink/blue)', 2013, unique hand-finished screenprint in colours on 300gsm Fedrigoni Paper, signed and numbered 1/1 in pencil, 98 x 83 cm including frame ARR 98 x 83 cm including frame In very good/artists condition No visible knocks, tears or creases to the sheet There is some very minor wear around the edges/corners of the sheet, visible upon very close inspection Some light markings to white section/border of sheet, likely from time of production This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Connor Brothers (British Duo), 'Tell Him I Was Too Fucking Busy - Or Vice Versa', 2019,hand-finished giclee with silkscreen varnish on wove paper, signed, dated, and inscribed AP in pencil, aside from the main edition; sheet: 122 x 76cmARR sheet: 122 x 76cm In very good/artists condition No knocks or tears to the sheet Light creasing to the lower edge of the sheet and some minor waving visible in raking light Deckled edge in good condition Minor markings to the sheet verso, these are likely to have been from the time of production This work has been stored flat and has not been framed.
Yoon Hyup (Korean 1982-), 'In The City', 2023, UV pigment print with silkscreen varnish on 410gsm Somerset Tub-sized paper, signed and numbered from an edition of 200 in pencil, published by Avant Arte; sheet: 66 x 52.4cmsheet: 66 x 52.4cmIn very good condition No knocks, tears or creases to the sheetSome very light handling marks around the edges of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
David Hockney (British 1937-), 'Royal Academy Exhibition Posters (4), 2021, a set of four offset lithographs; sheet: 76.2 x 50.8cm (each) (4)In overall good conditionTop left sheet - Wear and tear along the left hand edge, including a small tearTop right sheet -Edge wear to the bottom right hand edge of the sheetHandling creases can be seen in raking light, predominantly along the bottom edgeBottom left sheet - Two extremely minor creases to the bottom corners, visible upon very close inspectionHandling creases can be seen in raking lightBottom right sheet - Minor edge wear along left edge of sheetStored rolled, not framed
George Condo (American 1957-), 'Untitled', 1989, three etchings on Hahnemühle paper, all signed and numbered 14/55 in pencil, published by Pace Prints, New York; sheets: 32.5 x 25.2cm each (3) sheets: 32.5 x 25.2cm each (3) In good condition No visible knocks or tears to any of the sheets There are some light handling creases shown to the sheets and some waving to the right hand edge of the first image (as pictured) A couple of very light markings shown to white borders and verso, visible upon close inspection These works have been stored flat and have not been framed.
Bob Dylan (American 1941-), 'All Along The Watchtower', 2018, limited edition print on 300gsm Somerset paper, signed and numbered from an edition of 495 in pencil; sheet: 44.5 x 73cmsheet: 44.5 x 73cmIn very good condition No visible knocks or tears to the sheetOne very light crease to the left hand side of the sheet and very minor crease to the upper edge, visible upon close inspectionExtremely minor mark to the right hand section of the sheet verso, this is not visible rectoDeckled edges in good condition This work has been stored flat inside its original slipcase and has not been framed.
Jerkface (American 1982-), 'It's A Me (Variant)', 2023, archival inkjet on 300gsm Entrada rag paper, signed and numbered from an edition of 8 in pencil; sheet: 61 x 61cm (framed)sheet: 61 x 61cm (framed)In very good condition No visible tears or creases to the sheetThere is some light wear to the upper/lower edge and lower right-hand corner, visble upon close inspection Very light marking to the right-hand side of the sheets white borderThis work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visibleThis work has not been examined outside of the frame.
Endless (British), 'Lily Vuitton (Gold Edition)', 2017, mixed media with acrylic and spray-paint on 300gsm art paper, signed and numbered from an edition of 15 in black ink; 67 x 69cm inc frameARR 67 x 69cm inc frame ARR In very good condition No visible knocks or tears to the sheet Some light markings around the sheets white border Deckled edges in good condition This work has been framed in a black frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Takashi Murakami (Japanese 1962-), 'DOB (White), 2004, offset lithograph in colours on wove paper, signed, dated and numbered from an edition of 300; sheet: 69 x 69cm (framed) sheet: 69 x 69cm (framed) In very good condition No visible knocks, tears or creases to the sheet Very light mark to the upper right hand corner of the sheet and some minor 'matter' to the upper edge of the sheet, visible upon close inspection This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Tracey Emin (British 1963-), ‘Further Back To You’, 2014, Polymer Gravure on 300gsm Somerset paper, signed, titled, dated, and numbered from an edition of 150 in pencil; sheet: 41.5 x 50.5cmARR sheet: 41.5 x 50.5cm In very good condition No knocks, tears or creases to the sheet Potential light colour variation around the border of the image, likely to be from time of production This work has been stored flat and has not been framed.
Martin Whatson (Norwegian 1984-), 'Tiger', 2017, stencil, spray paint and marker on canvas, signed and numbered from an edition of 10 verso; canvas: 30 x 30cmARR canvas: 30 x 30cm In very good/artists condition No rips or tears to the canvas No signs of paint loss or restoration Some light markings across the upper section of the canvas, potentially from the time of production No apparent issues.
David Shrigley & Joan Cornella (Collaboration), 'Vote', 2022, a complete set of eight screenprints in colours on wove paper, with title page and original foam lined wooden box, signed by both artists and numbered from an edition of 125 to the title sheet, all prints numbered from an edition of 125 in pencil, published by AllRightsReserved; sheets: 32.4 x 46.4cm each (8)ARR sheets: 32.4 x 46.4cm each (8) In very good condition No visible knocks, tears or creases to any of the sheets Very light markings to the bottom middle sheet verso (as pictured), visible upon very close inspection and not visible recto These works have been stored flat inside their original box.
Robert Indiana (American 1928-2018), 'Book Of Love', 1996, offset lithograph on fine art paper, signed, dated and numbered in roman numerals from the edition of 50, sheet; 66 x 50.8 cmsheet; 66 x 50.8 cmIn very good condition No visible knocks, tears or creases to the sheetExtremely minor imperfections to right hand corners and lower left hand extreme edge of the sheet, visible upon very close inspectionThere are a couple of very minor 'speckles' to the lower right section of the sheets white background, and very light markings verso This work has been stored flat and has not been framed.
Banksy (British 1974-), ‘Flag (Silver)’, 2006, screenprint on silver cheomalux paper, numbered from an edition of 1000 in black pen verso, published by Pictures On Walls; sheet: 50 x 70cmARR sheet: 50 x 70cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In good condition No visible knocks or tears to the sheet There is some light waving to the sheet, this is mainly seen in raking light and is due to the nature of material Minor crease/indent to the left hand section of the sheets black background, visible upon close inspection Some light scratches to the black background of the sheet, only visible upon very close inspection This work has been framed 'edge to edge' in a black frame This work has not been examined outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Stik (British), 'Standing Figure (UK Big Issue)', 2013, a complete set of four offset lithographs in colours on paper, all signed in black ink; sheets: 57 x 19cm each (4)ARR sheets: 57 x 19cm each (4) In good condition No knocks or tears to any of the sheets There are some light creases shown to all of the sheets A few very minor markings verso, visible upon close inspection Two horizotal folds to each of the sheets, as originally issued These works have been stored folded and have not been framed.
Connor Brothers (British Duo), 'Tell Me Beautiful Untrue Things', 2016, giclee, screenprint, acrylic, and oil on wove paper, signed, dated, and inscribed AP; sheet: 112 x 66cmARR sheet: 112 x 66cm In very good condition/artists condition No knocks, tears or creases to the sheet Slight waving to the sheet can be seen verso in raking light Minor indendations can be seen across the sheet recto, this is most likely due to the acrylic & oil elements of the work and is not considered damage Minor markings verso, most likely from time of production Stored flat, not framed
Banksy (British 1974-), 'Golf Sale', 2003, screen print on paper, numbered from an edition of 750 in pencil, published by Pictures On Walls; sheet: 34 x 48cmARRProvenance: This work is accompanied by a Pest Control Certificate of Authenticity. sheet: 34 x 48cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In good condition No tears to the sheet There are some light handling creases, visible down the left hand edge and to the right hand section of the sheet, most prominent in raking light Some light markings shown to the left hand edge of the sheet, and some very light markings verso Light rubbing to the screenprinted area, this is frequently seen across this edition Extremely minor wear to the corners/extreme left hand edge of the sheet, visible upon close inspection There is some skimming/tape residue to the sheet verso visible on the four corners and upper edge, this is due to previous framing This work has been stored flat and is not currently framed. Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Stik (British 1979-), 'Don't Panic', 2013, offset lithograph in colours on wove paper, signed in black ink; sheet: 60 x 42cmARR sheet: 60 x 42cm In very good condition No knocks, tears or creases to the sheet Very light markings to the white border, visible upon close inspection Two horizontal and one vertical fold to the sheet, as originally issued This work has been stored flat and has not been framed.
Group of four 19th century Japanese ukiyo-e woodblock prints including:Utagawa Yoshitsuya (Japanese, 1822-1866). Two prints depicting the horse race at the Fujimori temple in Kyoto. From the series "Tokaido no uchi (The Stations of the Tokaido Road)," ca. 1863.Kawanabe Kyosai (Japanese, 1831-1889). Depicting the Shomei Gate in Kyoto. From the series "Tokaido no uchi (The Stations of the Tokaido Road)," ca. 1863.Kawanabe Kyosai (Japanese, 1831-1889). Depicting Noh players on stage. Possibly from the series "Tokaido no uchi (The Stations of the Tokaido Road)," ca. 1863.(Sheets) Height ranges form 13 1/2 in to 13 3/4 in; width ranges from 9 in to 9 1/2 in. (Matted, each) height: 20 in x width: 14 1/2 in.Condition: All sheets have been trimmed. There are small holes, mainly along the edges, of each sheet. The sheets are toned. There are some areas of light soiling. All sheets are hinged to a non-acidic matboard backing along the upper edge of the verso. All works housed between non-acidic mats. None are framed.
French carved wooden wall bracket or shelf in the style of Louis XIV, 20th century. With gilt finish and a grey marble top, carved in the form of floral and foliate shapes.Height: 22 in x width: 22 1/2 in x depth: 12 1/4 in.Condition: There are losses to the gilt throughout along with flaking to the gilt decoration. Large cracks present: one along the front extending downwards from the top and through the front shell motif; a large crack running horizontally through the top shelf and the lower decoration; one extending from the top shelf downwards along the right side. Boreholes throughout the interior of the shelf. No major cracks to the marble. Minute chips along the edge. Light scratches to the top.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese woodblock print titled "Itoigawa nite: Asa (At Itoigawa in the Morning)" depicting a snowy mountain rising behind a lakeside village. Signature and title block-signed/impressed along the lower margin indicating a posthumous printing. Red seal in plate in the lower left corner of the image.Height: 10 1/2 in x width: 15 1/2 in.Condition: The colors are bold and bright. The sheet is toned. There is mat burn around the perimeter of the work. Some areas of foxing throughout, mainly in the sky. No major tears, losses, or restorations. A few light handling marks. Two small pieces of framing tape affixed to the verso. The work is not framed.
Frederique Morrel (French, 20th/21st century). Needlepoint tapestry taxidermy chair or bench depicting a wolf, 2016. With applied fur tufts along the cheeks, ears, and tail. There are woven designs throughout including fruit, foliage, and floral motifs. Signature, date, and label affixed to rear right paw reading "Hand Re-Made in France" and "PieceUniquePiece"; marked along the underside with a stamp reading "le chiffre d'amour d'apres J.H.Fragonard."Height: 31 in x width: 14 1/2 in depth: 60 in.Condition: There are no major losses or restorations. There is light wear along high points of contact including the edges of the armrests. Some loose threads throughout, particularly along the roundest contours of the haunches, torso, and legs. Light wear along the feet.
Warren MacKenzie (American, 1924-2018). Studio pottery fluted ceramic bowl. Stoneware in an amber celadon or ame glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 5 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There is crazing throughout. There are no signs of restoration under UV light.
Utagawa Hiroshige II "Shigenobu" (Japanese, 1826-1869). Woodblock print on paper titled "Zojo-ji Temple in Shiba" from the series "Famous Edo Sites." Depicting a view of the temple with a stream of visitors.Sight; height: 8 in x width: 13 in. Framed; height: 17 1/2 in x width: 22 1/2 in x depth: 1 1/4 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded and the sheet is toned. Areas of foxing throughout. Staining visible, likely from old tape along the verso. There are a few creases throughout and undulation. Framed under glass; light wear to the frame. Not inspected out of frame.
Robert Maxwell (American, b. 1929) for Earthgender, United States. Large hand-thrown and mid-century modern studio pottery ceramic planter vase or cachepot, 1960s to 1970s. With ribbed texture throughout along an unglazed, earthenware surface. Incised "R Maxwell" along the underside.Height: 11 in x diameter: 12 1/2 in.Condition: There are no major breaks, losses, or restorations. Watermarks and some discoloration along the interior. Due to the nature of the material, it is difficult to discern whether the irregularities in the texture along the exterior are original to the artistic process; however, the minute divets are consistent throughout and are not necessarily chips. Light debris gathered along the interior.
Chinese late Qing silk civil official's rank badge, fifth rank, depicting a silver pheasant. The bird is surrounded by apocryphal symbols and a red sun above striped white and gold. The edges with alternating shou symbols and bats.Height: 11 3/4 in x width: 12 in.Condition: The embroidery is in overall good condition. The colors are somewhat faded. A few loose threads along the edges. No major stains. A few light spots of discoloration.
Electroplated silverplate serving dish with lid, liner and base. The dish with ornate feet, handles and final. Marked EP at the finial holder when removed, and finial marked EP with other marks. Likely James Deakin & Sons, Sheffield, England.Length: 14 in x height: 8 in. Gross weight: 2857.3 g.Condition: Plate is wearing off in several places including the feet, nicks, small dents and light scratches throughout. Some tarnishing and accretions.
Pierre-Eugene-Emile Hebert (French, 1828-1893). Bronze sculpture depicting the Greek sea goddess, Thetis, ca. 1890. She is shown with a shield, seated atop a column, fastening armor to her shins. Throughout the sculpture there is tremendous detail, including her intricately carved hairline and sprawling robe. There are also horses and scenes of battle represented along the borders of the shield. Signed along the base of the bronze.Height: 16 in x width: 7 in x depth: 5 in. Weight: 12 lbs 1 oz.Condition: There are no bends, breaks, losses, or restorations. Some patination along the polished edges of the bronze base. Light wear to the underside of the wooden base. There are four felt tabs affixed to the underside of the wooden base.
Chinese lacquered rosewood side chair, 19th century. With curved back splat, single-panel wood seats, and stretchers resting on square legs and plain feet.Provenance: The Oriental Impression, Ltd, St. Louis, Missouri, 1985; Private Minnesota CollectionHeight: 40 1/2 in x width: 20 1/2 in x depth: 16 in.Condition: The chair is structurally sound and stable. All of the pieces are still attached. Some separation to the joints throughout. To the back stretcher bar, there are some splits, chips, and several minute holes. Light wear to the feet. Some small chips and scratches throughout the piece.
Warren MacKenzie (American, 1924-2018). Studio pottery altered ceramic bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 3/4 in x diameter: 10 in.Condition: Overall there are no visible chips, cracks, losses, or restorations. There is a glazing flaw along the top rim measuring approx. 1/2 inch in length, visible in the lot listing. Light wear throughout.
Loading...-
534310 item(s)/page