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Click here to subscribeBueche-Girod ladies 9ct gold manual wind wristwatch, on integral 9ct gold bracelet, London 1978Condition Report:Approx 57.6gm (excluding movement), movement functioning, light mark to dial, bracelet non magnetic, case diameter = 2.5cm (excluding crown), bracelet length = 19cm bracelet good condition
18ct gold three stone round brilliant cut diamond ring, total diamond weight approx 1.95 caratCondition Report:Approx 2.3gm, size N-O, principle stone approx 0.85 carat, each side stone approx 0.55 carat, diamonds bright good colour approx H-J, approx VS-SI1 clarity, eye clean, couple of light coloured inclusions to stones - only visible at certain angles under 10x loop, shank evidence of re-sizing, well presented ring
A collection of Bluebird Toys, Vivid Imaginations, Trendmasters and Origin Products Polly Pocket toys including Beauty Case Playset, Polly Pocket Pizzeria, Light-Up Magical Mansion Playset, Nursery School, Polly's Beach Cafe etc. Together with a Bluebird Toys Mighty Max Ape King playset and other mixed plastic toys and parts (a/f, parts missing or damaged, some discolouration)
Joyce TURNER (1920-2020) Refractions Oil on board, signed, inscribed to verso, 45 x 60cm. Frame size 49 x 64cm.The piece would benefit from a light clean, as there is dist and a number of marks on the surface of paint (please see additional images). There are also a number of scratches to the surface, the largest is present along the top edge of the piece (please see additonal images), this measures 25cm in length.
Padraig MACMIADHACHAIN (1929-2017) Boats in Harbour, Cornwall (1995) Oil on canvas, signed, further signed, inscribed and dated to verso, 25 x 31cm, frame size 39.5 x 44.5cmProvenance: From the personal collection of Juliet Gould. This oil is in excellent condition but for some old paint chipping beneath the signature. It might benefit from a light clean. It has an elegant later frame.
Henry Scott TUKE (1858-1929) Portrait of Philip Harvey (1883) Oil on panel, initialled and dated 1883, 30.5 x 20.5cm. Frame size 40.5 x 30.5cm.This oil is in the Tuke register (R27) He gave it to the sitter in 1884 and it comes to us from the estate of a descendant of the sitter.Henry Scott Tuke (1858-1929) arrived in the fishing town of Newlyn in 1883. Taking residence in Trewarveneth Street, Tuke's studio was owned by local fisherman and sail maker Philip Harvey. A small yet practical space, the studio remained as a sail loft storing Harvey's equiptment whilst also in use by the artist. This lent itself well to Tuke's artistic practice as the everyday life of the area inspired him greatly, as it did with the fellow artists of the Newlyn School. This panel is in excellent condition with no sign of splitting. Under uv light no obvious signs of restoration can be seen. We have added further images and details of provenance
Bernard Howell LEACH (1887-1979) Wooded landscape Etching, initialled and dated '18 within the plate, plate size 15 x 20cm.Foxing is present in the bottom right corner of the piece and along the the top edge (please see additional images). The paper is sligthly buckled. Light foxing is also present within the image.
Henry Scott TUKE (1858-1929) Shipping off Falmouth (1894) Oil on canvas, lined, signed and dated (Oct 29th) 1894, 30 x 55cm. Frame size 44 x 69cm.This oil is in gallery-ready condition, it is clean and under uv light there is no sign of repair or re-touching.We have in our archive, pages from a prewar exhibition catalogue. We believe the present oil to be listed as one of three works belonging to Mrs Bishop.
Fred YATES (1922-2008) Plant Sale Oil on canvas board, signed, 20 x 25.5cm (35 x 40cm)Provenance: From the personal collection of Juliet Gould.The thirteen paintings in this collection were purchased directly from the artists during Juliet Gould's time running a gallery in Fowey and then Mevagissey. The Juliet Gould gallery was established in 1991 in Fowey. At the time Fred Yates had a home in North Street, Fowey and was a generous contributor to the gallery. After six years in Fowey, the gallery moved to Mevagissey where Yates gave a one man show. This was supplied with a mixture of existing paintings and a group of new work, delivered wet and just in time for the opening. The gallery continued for another 6 years and gradually acquired the other paintings. This oil is in excellent condition. A few tiny drying cracks are noted but these are minor and don't affect the stability. It may benefit from a light clean.
Joanne SHORT (1967) Strawberry Cream Sea, St Mawes Oil on canvas, signed, inscribed to verso, 29.5 x 29.5cm. Frame size 43 x 42.5cm.The work would benefit from a light clean as there is some dirt present on the surface (please see additional images). The frame needs a little attention (please see additional image) as there has been some seperation between the layers.
Romi BEHRENS (1939-2019) Wild Flowers Oil on board, signed to verso, 43.5 x 31cm. Frame size 51.5 x 38cm.This oil is in very good condition, there is no sign of damage and no restoration. Excellent stable condition. It may benefit from a light clean and it deserves a more distinguished frame.
Joyce TURNER (1920-2020) Balance Oil on board, signed, further signed and inscribed to verso, 51 x 61cm. Frame size 68 x 78cm.There is a small mark present in the top left hand corner of this piece (please see additional image). The frame would benefit from a light clean (please see additional images).
Norman CLARK (1913-1992) Family Day by The Sea Oil on canvas, signed, 62 x 76cm. Frame size 84 x 98cm.There are a number of light abrasion marks present on this piece (please see additional images). Along with this there is some slight buckling to the canvas. A photograph of the back of the painting has now been included. A Bonhams label can be found to verso.
Dame Laura KNIGHT (1877-1970) Portrait of Fryn Tennyson Jesse Oil on canvas, signed, 61 x 51cm (frame size 82 x 72cm)A captivating, early portrait by Dame Laura Knight. Although undated, the low pompadour hairstyle, blouse and black ribbon at the neck, would all indicate a date of circa 1910.The sitter has been the subject of much speculation and the previous owner of this work spent considerable time researching the identity of this fair-cheeked young lady with the soulful eyes, satisfying himself and Cornish art historians Austin Wormleighton, Melissa Hardie and Alison Bevan that it was very likely to be of the criminologist, journalist and author Fryn Tennyson Jesse (1888-1958).Tennyson Jesse, a great-niece of the poet Alfred, Lord Tennyson, arrived in Cornwall in 1907 and attended the Forbe's School of Painting in Newlyn. She lodged at Myrtle Cottage with Dod Procter (nee Shaw) and the other members of the 'Myrtage Set' and took an active part in the bohemian ways of Newlyn and Lamorna. Laura Knight described Fryn's 'slender graceful looks' and the journalist and writer Dame Rebecca West said she was 'one of the loveliest girls of her time'.She fitted in well in Cornwall, was intelligent and witty and it was here that she discovered her passion for the written word, encouraged by her great friend Elizabeth Forbes for whom she wrote a play. She also edited Forbes’ journal ‘The Paper Chase’. Prior to the war, she suffered a grisly and debilitating accident when she caught her hand in the propeller of a plane and subsequently underwent amputations and multiple surgeries. She travelled to New York where she had false fingers fitted. However, the lasting damage seems to have been that she became addicted to morphine, which she took to ease the pain during the months after the accident.Despite this, she continued to travel widely and excelled in her writing career; she was one of the first female war correspondents and became a prominent and prolific journalist, criminologist, playwright and novelist, who accomplished a great deal and was widely praised and celebrated in her lifetime.Fryn was a remarkable woman and this portrait of her is a rare and exciting discovery. This oil is in excellent restored condition. Under UV light a little filling of craquelure can be seen
Jock MCFADYEN (1950) Spud (the 'Canal' series, 1991) Lithograph, signed, inscribed and numbered 40/50, image size 61 x 48cm. Frame size 82 x 63cm.Provenance: Abbot and Holder London, subsequently purchased from St Ives Society of Artists. There is some light yellowing present on the edges of this piece (please see additional images). Other than this the piece appears to be in good condition, it has not been examined out of the frame.
Bryan PEARCE (1929-2006) Chianti Oil on paper laid onto board, signed, 38.5 x 57cm. Frame size 43 x 61cm.Provenance: Purchased 2018, Sotheby's London. The Scottish Gallery, Edinburgh, where acquired by a previous owner in 1959. Exhibition: Edinburgh, The Scottish Gallery, Guy Worsdell, Shearer Armstrong, Bryan Pearce, 25th May - 6th June 1959, cat. no.44. Illustrated on page 86 of the catalog. This oil appears to be in excellent clean condition. It has not been examined out of its glazed frame. Photographs of the piece in natural light have now been added.
SILVER MOUNTED UMBRELLA AND TWO MOURNING PARASOLS the umbrella handle modelled as a duck's head with silver bill and collar, one parasol with handle cased in silverQty: 3Duck handle in overall good condition. One eye is missing. Some light wear and scratches. Additional images now available.
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