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Lot 242
William Watson (1831-1921)The meetsigned and dated 'W. Watson 1860' l.l., watercolour35 x 51.5cmCondition Reportoverall: 56.5 x 71.5cmLight time staining with a small pin hole to the lower right corner. A further small hole/ scuff to the centre of the top edge and a light abrasion above the tree, upper right. Not viewed out of glazed frame.
Lot 274
William Mark Fisher RA (American-British, 1841-1923)Working in the gardensigned 'Mark Fisher' l.r., oil on canvas44 x 61cm, unframedCondition ReportThe canvas has been lined resulting in slight damage to the edges, please see images. Light surface dirt. Under UV light no retouching is visible.
Lot 157
English School, mid-19th centuryPortrait of a young boy and girl in a wooded landscapeoil on canvas61 x 51cmCondition Reportoverall: 82 x 70cmCraquelure and light surface dirt. Slight discolouration with white specks to the lower right corner. Not examined under UV light, for a full report please contact the department.
Lot 162
Sir George Reid PRSA (1841-1913) Portrait of William Holman Hunt, half-length, in a grey coat signed with monogram u.l., oil on canvas 63 x 48.5cm Provenance: Sotheby's, London, 16 December 1987, lot 209. Exhibited: The New Gallery, Summer Exhibition, 1904. The oil sketch for this painting was bequeathed by the artist to Aberdeen Art Gallery and Museums in 1913, accession number ABDAG008237. Born in Aberdeen, Sir George Reid started his career as a lithographer, before moving to Edinburgh in 1862 to study at the Trustees' Academy. Gaining the support of the Aberdeen collector, John Forbes White, Reid travelled to Holland in 1866 to study under the landscape and genre painter, Gerrit Mollinger. Around this time, he became a close friend of the realist painter Jozef Israels. Returning to Scotland in 1869, Reid started producing landscapes and portraits influenced by both Dutch and French contemporary painting. He was elected president of the Royal Scottish Academy in 1891. Holman Hunt entered the Royal Academy Schools in 1844 where he met Millais, who was to become his closest friend. In 1848, he was a founding member of the Pre-Raphaelite Brotherhood, and was adherent to Pre-Raphaelite principles throughout his life; his paintings include The Hireling Shepherd, 1852, and The Light of the World, 1854. During the 1870s/80s, Hunt became increasingly isolated artistically, his later work concentrating on religious themes informed by successive visits to the Holy Land. He published his autobiographical 'Pre-Raphaelitism and the Pre-Raphaelite Brotherhood' in 1905. He died on 7 September 1910 and was buried in St Paul's Cathedral. Condition Reportoverall: 97 x 83cm. The painting is executed in oil on a canvas support which is unlined. The canvas tension is slightly slack and there are minor undulations across the painting. The paint layers are in a very good condition overall. Drying cracks have formed in the red paint passages, which would have occurred as the paint layer dried, revealing the lighter ground below. The painting has a thin varnish layer which is semi-glossy and well saturating the paint layers below. Rubbing to the top and left edges. There is an area of cracking to the centre right quarter above the sitter's shoulder, please see images.
Lot 295
Anatoliy Demenko (Ukrainian, b.1979)'Frolicking in the Field'signed 'Demenko' l.c., also signed, inscribed in Cyrillic and dated '1923' verso, oil on canvas50.5 x 60cmCondition ReportOverall: 60 x 69cmIn good condition and ready to hang. Unexamined under UV light, for a full report please contact the department.
Lot 214
Follower of Clarkson StanfieldBringing in the catchbears signature l.l., oil on canvas37 x 57.5cmCondition Reportoverall: 60 x 80cmCraquelure with stretcher mark visible to the top edge. Some discolouration with small spots and speckles of surface dirt to the sky. There is some dirt to the reverse of the glazing but this is not in contact with the work. Unexamined out of the glazed frame or under UV light, for a full report please contact the department.
Lot 176
Alfred Vickers (1786-1868)A shepherd and flock in an extensive wooded landscapesigned and dated 'A. Vickers 1859' l.l., oil on canvas46 x 92 cmCondition Reportoverall: 62 x 106.5cmCraquelure and light surface dirt. The canvas has been laid down on board. The work has slipped slightly in the frame and due to this there is a strip of discolouration and some rubbing visible to the top edge.
Lot 70
Circle of Francis Hayman (c.1708-c.1776)Portrait of a lady, half-length, in a white dress with blue bowoil on canvas, feigned oval37 x 30.5cmCondition ReportThe painting is executed in oil on a canvas support which has an early lining. The canvas tension is stiff and the picture is in plane. There are a few scattered losses to the paint layer. In localised areas the fine age cracks are slightly lifting. Wear and abrasion is evident in the sitter’s hair. Under ultraviolet light numerous, finely handled strokes of overpaint are visible in the background, probably covering abrasion. The varnish is dull and slightly yellowed with a thick layer of surface dust present.
Lot 164
French School, late 19th centuryPortrait of a lady, three-quarter-length, in a blue ballgown and holding a fanpastel36 x 26cmFormerly attributed to Paul Drevet.Condition Reportoverall: 49 x 39cmIn some areas the pastel has lightly transferred to the glazing. Some small dirty marks (possibly light surface abrasions) to the background, please see images. Unexamined out of frame.
Lot 216
P... Duhamel (French, late 19th century)A monkey with a drumsigned 'P Duhamel' l.l., oil on canvas40.5 x 32.5cmCondition Reportoverall: 46 x 39cmStretcher marks. Some areas of touching up visible, corresponding to several patch repairs to the reverse, please see images. The work is loose in the frame. Unexamined under UV light, for a full report please contact the department.
Lot 63
Circle of Jonathan Richardson (1667-1745)Portrait of a lady, half-length, in a gold dress and blue wrapbears initials 'TH' l.l., oil on canvas, feigned oval76 x 73.5cmCondition Reportoverall: 100 x 86cmRelined and restored. Craquelure with rubbing to the bottom edge. Under UV light, there is some retouching visible, mainly to the edges. There appears to be repaired damage in the top left corner and a repaired tear to the left of the sitter's head.
Lot 224
Circle of Charles Hunt (1803-1877)'Returning from the Fair'inscribed with title on the stretcher verso, oil on canvas49.5 x 72.5cmCondition Reportoverall: 75 x 97cmLight surface dirt with some small scuffs and abrasions. The sky has a slightly yellow hue. Under UV light there is extensive restoration visible to the figures and foreground, with some further spots of retouching to the sky.
Lot 293
Boris Sporykhin (1928-2020)A reclining male nudesigned in Cyrillic and dated '50' l.r., pencil49 x 67.5cmCondition ReportOverall: 61 x 79cmDiscolouration to the paper with staining (watermarks?) to the top edge. Light creasing and a small brown stain to the extreme left edge. Please see images.
Lot 143
Anglo-Chinese School, 19th century The three-masted clipper 'Macduee' off the coast with a junkoil on canvas53 x 66cm, unframedProvenance: The Estate of the Late Malcolm Frazer.Condition ReportCraquelure with light surface dirt. A small loss to the bottom left edge. Not examined under UV light, for a full report please contact the department.
Lot 27
Florentine School, 19th centuryMadonna and Childoil on canvas27.5 x 20.7cm, in the original carved giltwood frame, surmounted by a crown on scrolling leaves and flanked by cherubim, 78cm highCondition Reportoverall: 77 x 42cmCraquelure. Some small losses and scratches to the face of the child. A scratch to the upper lip of the Madonna, please see images. Not viewed out of glazed frame. Unexamined under UV light, for a full report please contact the department.
Lot 208
Hermann Bahner (German, 1867-1938)A beach scene with a fishing boat unloading the catch, with a figure on horsebacksigned and dated '1923/ H. Bahner' l.r., inscribed in German verso, oil on canvas44.5 x 61.5cmCondition Reportoverall: 57.5 x 74.5cmStretcher marks and light surface dirt. Unexamined under UV light, for a full report please contact the department.
Lot 191
David Bates (1840-1921)A lakeland viewsigned 'David Bates' l.r., oil on canvas35.5 x 53.5cmCondition Reportoverall: 47.5 x 65.5cmCraquelure in places with light surface dirt. The back of the canvas has been covered with fabric and is not visible. Unexamined under UV light, for a full report please contact the department.
Lot 166
English School, c.1880A sleeping beautybears signature 'Albert Moore' l.r., watercolour20 x 28cmCondition ReportOverall 53 x 47cmSome light foxing and time staining with some discolouration to the edges where the work has been previously framed. The work has an acidic mount and has not been examined out of the glazed frame.
Lot 222
Robert Thorne Waite RWS (1842-1935)Haymakers crossing a pond in a horse-drawn cartsigned 'R Thorne Waite' l.r., oil on panel12 x 35cmProvenance: With David Messum, Beaconsfield, Bucks.Condition Reportoverall: 45 x 22cmThere are two very tiny losses either size of the signature, but in otherwise good order. Under UV light no restoration is apparent.
Lot 213
English School, 19th centuryA river landscape with figures and a boat in the foreground, a ruined castle beyondoil on canvas91.5 x 142cmCondition Reportoverall: 111 x 162cmThe canvas has been lined. Craquelure with light surface dirt. Unexaminded under UV light, for a full report please contact the department.
Lot 62
Circle of Mary Beale (c.1633-1699)Portrait of a young gentleman, half-length, in a black coat and white tasselled collaroil on canvas, in a painted octagonal surround68 x 55cmCondition Reportoverall: 81 x 68cmNot viewed out of the frame, but likely an old relining. Craquelure. Restoration visible to the background, please see images. Small losses with surface abrasions to the lower centre. Spots and speckles of surface dirt. UV light shows retouching to background and clothes but little shows up under uv light on face. A light scratch to his nose and light abrasians elsewhere. Please see additional condition images.
Lot 102
Attributed to Jean André Rouquet (Swiss, 1701-1758)Portrait of a gentleman, bust-length, wearing a red coat and cap miniature on enamel, oval4.5 x 5.5cm, in a gilt-metal frameCondition ReportA few nicks to glass. Some dirt and dust under glass. A small scratch to his right shoulder. A light scratch to the left side of background. A light brown mark to his forehead.
Lot 277
â–´ Josef Jost (Austrian, 1888-1969)A rabbi readingsigned 'Josef Jost' u.r., oil on canvas26.5 x 21cmCondition ReportOverall: 46 x 41cmLight strecher marks starting to emerge. Some small abrasions to the canvas which may have been overpainted to the top edge. Unexamined under UV light, for a full report please contact the department.
Lot 125
Circle of Henry Pether (1800-1880)'Newstead Abbey'inscribed with title verso, oil on canvas42.5 x 54.5cmCondition Reportoverall: 55 x 68cmRubbing to the edges with some light surface scuffs. There is a small black spot in the sky and it is unclear if this is original, please see images. Unexamined under UV light, for a full report please contact the department.
Lot 99
Attributed to Andrew Plimer (1763-1837)Portrait of a lady, bust-length, in a white lace dress and white headscarfminiature on ivory, oval5.2 x 4.2cm, in a gilt-metal frame with blue enamel borderIMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: Q1ZYLQZK.Condition ReportGlass and miniature are a little loose in frame. A very thin horizontal brown mark to lower right side across material from head scarf. Some tiny light brown marks elsewhere. Presents well.
Lot 35
Manner of Sir Peter Paul RubensBacchus;A satyra pair, oil on panel16 x 14.5cm (2)Condition Reportoverall: 25.5 x 24cmBoth paintings are executed in oil on small wooden panel supports. The panels are in a good condition overall. The thin paint layers have areas of loss following the horizontal woodgrain and in localised areas the paint is slightly raised. Areas of loss have been retouched, the overpaint has darkened over time, particularly evident around the head of the Satyr. The overpaint lies beneath the varnish which has yellowed with age. The varnish layer on the Satyr has an uneven surface texture making the painting problematic to read in normal light. There are small scuffs and scratches across the surface of both works.
Lot 250
â–´ Malcolm Coward (b.1948)'Sunrise Warren Hill'signed 'M Coward' l.l., oil on canvas36 x 46cmProvenance: With Sally Mitchell Fine Arts, Newark.Condition Reportoverall: 51 x 61cmIn good condition. Well presented and ready to hang. Not viewed under UV light, for a full report please contact the department.
Lot 253
English School, 19th centuryPerchoil on canvas30.5 x 43cmCondition Reportoverall: 41 x 54cmCraquelure with undulations to the canvas and rubbing to the edges. Some light surface abrasions, and a small loss to the tail of the fish on the lower right. Unexamined under UV light, for a full report please contact the department.
Lot 148
Manner of George RomneyPortrait of Mr Jack, half-length with folded arms, in a brown coat and white stock;Portrait of Mrs Jack, half-length, in a gold-trimmed white dressa pair, oil on canvas, oval66 x 54cm (2)Condition Reportoverall: 75 x 63cmWe believe the works to be 19th / 20th century. Unlined with light craquelure in places. Spots and speckles of light surface dirt. Under UV light the gentleman has a 1.5cm area of retouching to his cheek. Small areas of retouching to his shoulder, under his chin and on his collar. The lady has small areas of retouching to her hair, her right shoulder, her dress, and few place in the background. Overall they present well. No major obvious condition issues to frames.
Lot 196
Ernest Charles Walbourn (1872-1927)A young woman feeding birds beside a stream, a church and cottage beyondsigned 'Ernest Walbourn' l.r., oil on canvas61 x 92cmCondition Reportoverall: 76 x 107cmCraquelure in parts which is unstable in the sky resulting in areas of flaking and tiny losses, please see images. The back of the canvas is boxed with paper. Seen under uv light - the lower left fluoresces - suggesting there may be retouching although this doesn't seem apparent in natural light.
Lot 194
Thomas Smythe (1825-1906)A woman and child collecting kindling in an open landscapesigned 'T. Smythe' l.l., oil on canvas35.5 x 53.5cmCondition Reportoverall: 51 x 69cmCraquelure. The back of the canvas is boxed with paper. Unexamined out of glazed frame or under UV light, for a full report please contact the department.
Lot 38
English School, early 17th centuryPortrait of a gentleman, bust-length, in a white and gold doublet with lace collarinscribed with initials 'I.W.' l.l., oil on canvas52 x 42.5cm, unframedCondition ReportCraquelure with surface scuffs and abrasions. A white scratch and small loss at the top of the sitter's head, please see images. Further small losses to the bottom edge. The canvas has been relined. There is a diagonal line in the canvas in the upper left corner. Under UV light there is extensive restoration to his doublet and around the edges. There are spots of retouching to the face, beneath the nose and around the eyes. It appears that a thick layer of varnish has been applied which may obscure further restoration. There is thinning to the paint particularly around the sitter's hair, which may be a result of overcleaning.
Lot 116
Louis Haghe (1806-1895), after David Roberts RA'General View of the Island of Philae, Nubia';'Cairo, Looking West';'The Great Temple of Aboo Simble, Nubia';'Grand Portico of the Temple of Philae, Nubia'four hand-coloured lithographs from 'Egypt and Nubia' published by F G Moon, London, between 1842 and 1849image 36 x 51.5cm and similar (4)Condition Reportoverall: 54 x 71.5cmLight foxing and time staining to the margins of 'The Great Temple of Aboo Simble, Nubia' and 'Grand Portico of the Temple of Philae, Nubia'. Unexamined out of glazed frames.
Lot 75
English School, 18th centuryPortrait of a bearded man, half-length, seated at a writing table, with a letter and quill penoil on canvas75 x 63cmCondition Reportoverall: 89 x 69cmCraquelure with stretcher marks and undulations to the canvas. Rubbing and losses to the edges and bottom right corner. A repaired 10cm x 5cm L shaped tear to the hand and a further small repair to the right of the nose. Not examined under UV light, for a full report please contact the department.
Lot 72
Follower of Thomas GainsboroughPortrait of a lady, believed to be Elizabeth Arbuthnot, half-length, in a white dress with flowers and ribbons, and flowers in her hairoil on canvas72.5 x 63cm, unframedCondition ReportCraquelure and light surface dirt. Not examined under UV light, for a full report please contact the department.
Lot 206
Attributed to Joseph Walter (1783-1856)A West Indiaman heading out to sea, possibly near Avonmouth in the Bristol Channeloil on canvas66 x 92cmCondition ReportOverall 97 x 122cmThe canvas is lined with fine craquelure and some discoloured restoration is apparent to the right of the sky, would benefit from a light clean. Unexamined under UV light, for a full report please contact the department.
Lot 5
Domenico Piola (Italian, 1627-1703)'La Pentecoste'pen and ink and wash heightened with white24.5 x 16.5, unframedCondition Reportoverall: 45.5 x 28cmTime staining and foxing. Light creasing to the top edge. The corners of the work have been stuck down to a sheet of paper behind. The work is also stuck down in the centre of the right edge where there is a glue (?) stain to the front of the work. Some dirty marks and smudges to the border around the work, please see images.
Lot 92
Dutch School, 17th centuryPortrait of gentleman, half-length, in a black coat, holding a letter dated '1617' u.r., oil on copper12.7 x 10.3cmCondition Reportoverall: 19.2 x 17cmSome unevenness to the surface with light surface abrasions. From viewing in daylight it would appear there is retouching to coat and background and lower right corner. Overall I think the face looks mostly original. Bloom from varnish means UV light is not particularly effective but there appears to be old retouching lightly showing through to areas of background.
Lot 202
Follower of Lai Fong of CalcuttaThe ship 'Dunsyre'oil on canvas laid down on panel35 x 50cmProvenance: With Montpelier Interiors, Rye, East Sussex.Condition ReportTwo horizontal splits to panel have been repaired on the back. Panel is a little loose in frame. Overall discolouration of varnish, yellowy in tones. Surface dirt. Pin hole to lower left edge. Paint loss to lower right edge and lower right corner. Seen under uv light. Tiny areas of retouching to lower areas. Please see additional images
Lot 262
J... D... Morris (19th century)Dogs ratting in a barn;Dogs in a cottage interiora pair, signed 'J. D. Morris' l.r., oil on canvas51 x 76cm (2)Condition Reportoverall: 62 x 86cmThere are some small dirty marks to the reverse of the glazing but works themselves appear to be in good order. The canvas is boxed. Not examined out of glazed frames or under UV light.
Lot 290
â–´ Harold Clayton (1896-1979)A vase of flowers on a stone ledgesigned 'Harold Clayton' l.r., oil on canvas51 x 61cmProvenance: With Frost & Reed.Condition Reportoverall: 76 x 66Unlined. A very faint superficial scratch to the background upper right and to centre right. Light scuffs but presents well overall. Under UV light no retouching shows.
Lot 252
A Roland Knight (19th century)A pike surfacingsigned 'A. Roland Knight' l.r., oil on canvas40.5 x 61cmCondition Reportoverall: 58 x 77cmScuffs and light scratches. Small losses in places along the bottom edge, to the centre of the right edge and the top right edge, please see images. Light surface dirt and rubbing to the edges. Not viewed under UV light, for a full report please contact the department.
Lot 192
Peter Graham RA ARSA (1836-1921)A coastal landscape with sheep on a cliff signed ‘Peter Graham’ l.l., oil on canvas 101 x 153cmExhibited: London, 1886, no. 211.Condition Reportoverall: 141 x 193cmThe painting is executed in oil on a canvas support which has been lined. The canvas is in plane and the paint layers are in a good condition. There is a network of cracks across the surface where the white ground is starting to show through, but these are stable and secure. Localised areas of overpaint are well matched to the original. The varnish is clear, even and semi-matte. A few brown spots to surface but overall it has been cleaned. Under UV light, there are small areas of retouching.
Lot 142
English School, 19th century'The Empress of London, 1813 tons, E. J. Hamor(?) commander, entering Hong Kong Harbour, August 28 1872'inscribed, oil on canvas41.5 x 54cm, unframedProvenance: The Estate of the Late Malcolm Frazer.Condition ReportCraquelure and light surface dirt. A small rip with some loss of paint to the lower left corner. Further small losses to the lower right edge. Light surface scuffs and cracking along the stretcher line top right. Not viewed under UV light, for a full report please contact the department.
Lot 265
â–´ John Trickett (b.1952)A fox in the snowsigned 'John Trickett' l.r., oil on canvas61 x 50.5cmBorn in Sheffield, Trickett was a professional football player and a fork-lift truck driver, before finally realising his dream of becoming an artist. A self-taught painter, he is best known for his realistic depictions of hunting scenes with dogs, deer and birds, and is now considered one of the prominent dog portraitists in Britain.Condition Reportoverall: 76 x 66cmWell presented and ready to hang. Not examined under UV light, for a full report please contact the department.
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