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Lot 130
An upright piano model 123KS by Ronisch in ebonised polyester case, numbered 212113, 151cm wide; together with matching stool Purchased J Reid Pianos, 184 St Ann's Road, Tottenham, March 2004 and sold together with copy of purchase receipt and Ronisch brochureCosmetically the piano appears in good condition with the odd light scratch or surface abrasion. The workings appear to be clean and sound however please note that we are not piano technicians and we respectfully request that you satisfy yourself or consult a specialist tuner/restorer to advise on the mechanics of the instrument prior to bidding.
Lot 178
Follower of Michiel Jansz van Mierevelt (1567-1641)Portrait of a Spanish Grandee wearing a white ruff and Milanese armour against a red curtain, oil on canvas, 87 x 69.5cm A bird symbol emblazoned on the sitter's left arm, possibly a representative of a family symbolA Cotswold Estate Has been lined, cleaned and restored. Possible old repaired tears to the lower left area. Minor cracking to the paint in the lower areas, ingrained and surface dirt. Some scuffing to the surface in the lower area. Not examined under UV light.
Lot 183
18th century English schoolPortrait of a young shepherd boy and his female companion, each with crook, a pair, oil on panels, 30 x 24cmA Cotswold Estate Boy - has horizontal split through centre of the panel. Girl - panel appears to have a join horizontally to centre, with associated cracking to the paint. Both have a few woodworm holes visible to the back, some minor flaking paint, fine cracking and retouching. Surface dirt and varnish discolouration. Not examined under UV light.
Lot 185
Circle of Michael Dahl (1656/59-1743)Portrait of a lady in a landscape setting, her left arm resting upon a ledge, oil on canvas, 127 x 102cm, unframed * Possibly a lady from the Fairfax family in YorkA Cotswold Estate Re-lined. Slight re-touching to neck/bosom area possibly covering two scratch marks. Two circular small repairs just above sitter’s left shoulder, (approx. 2 inch diameter). The odd nick to paint work and light surface craquelure. Otherwise generally okay.
Lot 186
Circle of Mary Beale (1632-1697/99)Portrait of a lady wearing a brown dress and blue cape in a landscape setting, oil on canvas, 127 x 104cm, unframed * Possibly a lady from the Fairfax family in YorkA Cotswold Estate Has been lined, cleaned and restored. Fine cracking to the paint throughout. Minor losses to the edges of original canvas, with scuffing and retouched paint loss. Surface dirt and discolouration to the varnish. Not examined under UV light.
Lot 188
18th century English schoolPortrait of Nathaniel Naxey Pattison (1761-1827) aged 28, wearing buttoned overcoat and white cravat, oil on canvas, 76 x 64cm, unframed * Nathaniel Pattison, a wealthy silk merchant who inherited the largest silk mill in Congleton, Cheshire from his Uncle Samuel Pattison and John Clayton A Cotswold Estate Has been lined, cleaned and restored. Some wear and scuffing to the edges (unframed). Fine cracking to the face and paler areas. Not examined under UV light.
Lot 233
After Federico ZuccaroPortrait of a lady, oil on canvas, 124 x 86cm, in carved giltwood frame The sitter was previously believed to be Mary Queen of ScotsCondition generally good. Re-lined but still fairly loose on stretchers. Light surface craquelure. Scattered dirt marks, the odd unassociated paint dot. Paint slightly then to arm and back of chair. Paint worn in small areas at edges of work where it meets the frame. Possible areas of re-touching. Frame with some knocks and losses and adapted to fit canvas.
Lot 331
Alfred de Breanski (1852-1928)'The Head of Loch Lubnaig', signed, signed again verso and inscribed with title, oil on canvas, 59.5 x 90cm The work is sold with both original and a later replacement frame and is also illustrated online in each frameNot lined. Condition appears generally good, has been cleaned. Some minor horizontal cracking to the paint in the sky and water areas. Not examined under UV light.
Lot 363
Follower of George Stubbs (1724-1806)A huntsman with pointer, oil on canvas, 61 x 74cmHas been lined, cleaned and restored. Some time cracking/crazing to paint with possible repaired horizontal split above dog’s head. Scuffing and frame abrasions to edges. Paint surface is flat and ‘canvassy’ in corner areas. Not examined under UV light.
Lot 405
Circle of Sir Henry Raeburn (1756-1823)'William Douglas 4th Duke of Queensberry (Old 'Q') (1724-1810)', oil on canvas, 68 x 55cm ovalRe-lined, cleaned and restored. Light scratch right of second button extending to lower region of hair area and a couple of further but shorter light scratches. No evidence of insect damage or woodworm.
Lot 454
English school (early 18th century)Portrait of a gentleman wearing powdered wig, buttoned red tunic and white stock, an armorial to the side, oil on canvas, 74 x 62cmRe-lined. Paint slightly thin to lower part of tunic. Probable small areas of re-touching. Varnish somewhat uneven when examining the work in a raked light.
Lot 465
Circle of John Varley (1778-1842)A couple in a mountain landscape, signed, watercolour, 17.5 x 26cm; another attributed to the same hand - View of Conway Castle, watercolour, 20 x 31cm; and three further various watercolours, all mounted but unframed (5)Taken from a portfolio of watercolours.Couple in mountain landscape – some light brown stains. Castle – tears and holes to lower right corner, minor light foxing, colours good.Beach – Some rubbing/wear to right edge, colours good.Small lake scene – faded, minor stains.
Lot 468
Dutch schoolSailing vessels at the entrance to a harbour, inscribed 'J van Noort fecit', pen, ink and grey washes, 34 x 50cm, unframedTaken from a portfolio of watercolours.Lightly foxed. Two small uneven tears approx.1cms to upper border and piece of paper secured from behind by tape. Approx 6 vertical light crease marks to sky area around centre. Scattered further light creases and dirt spots.
Lot 488
19th century in the manner of Frans van MierisA lady at candle light, inscribed verso 'Mieris Fiammingo 1860 Domini', oil on panel laid to board, 22 x 18cm oval, in carved giltwood frameQty: 1Fine cracking/crazing to surface. Area around sitters arm lightly ‘blistered/dark’, possibly strengthened. Varnish appears patchy in this area.
Lot 520
Henry de Cort (1742-1810)'View Nr Tehidy Gardens', signed and dated 1804, pencil and watercolour, 32 x 42.5cm Inscribed verso 'View near Tehidy Gardens Lord de Dunstanville, Cornwall, 1804, H D C del'Sheet is wrinkled, uneven. Small area of white repair to upper edge left. Light patchy brown staining and water stains to mount.
Lot 528
Orlando Norie (1832-1901)A mounted cavalry officer, signed, watercolour, 34 x 30cm, unmounted and unframedTear to edge right edge 2.5 inches, tape residue to lower edge and left and right edges. A couple of knocks/small tears in pavement area, light brown staining and foxing, marks from acidic mounts.
Lot 531
Alfred H. Vickers (1853-1907)River landscape, possibly Rochester on the Medway, with steam tug and schooner; and companion river landscape with ruins and cottages, signed, oils on canvas, a pair, 44 x 80cm (2)531(i) View with abbey re-lined and cleaned. Light surface craquelure. Slight loss of paint to upper edge and probably with small areas of re-touching. Might benefit from a light clean.(ii) View with paddle steamer re-lined and cleaned. Faint indent to canvas from stretchers behind and probably with small areas of re-touching.
Lot 560
John Newberry (b. 1934)Singapore river with Barges, signed, watercolour, 15 x 16cm; and four further Singapore views by the same hand - Islands from the beach, Changi Point, 15.5 x 20cm; Ships at Anchor, 14 x 18.5cm; Clouds from Changi Point, 14 x 20cm; and Two Islands, 13.5 x 18cm (5)All pictures in this lot appear to basically be in good condition with just a touch of light time staining. The mounts are grubby with scattered brown marks in a couple of them.
Lot 63
James Charles Armytage after Sir Edwin Landseer'The Chieftain's Friends', engraving, 22.5 x 25cm; and nine further similar (10)A collection of prints and engravings from Woodleys House, near Woodstock. For 141 years until January 2023 the much loved home to four generations of a branch of the Ponsonby family.Mainly in good clean, condition, well mounted and framed but with the following observations:Dog looking into cradle – slight crease top right in border.‘The Chieftain's Friends' – slight damp stain to upper border.Highlanders in shelter – grubby marks to border and light foxing.The pen, brush and chisel – one or two light foxing spots to border.
Lot 95
D Havell after Henry Salt'Ancient Excavations at Curli', etching in colours with aquatint, no. XIV published by William Miller, 46 x 60cm With Henry Southern Ltd, PiccadillyGrubby marks around title area. Scattered light foxing marks, some of which are probably on the inside of the glass. Otherwise generally good.
Lot 126
LIONELLO D'ESTE (1407-50), as Marquis of Ferrara (from 1441), Medal in old cast bronze, by Pisanello, Antonio Pisano (c.1395-1456). Obv: Portrait of Lionello d'Este wearing scale armour right, legend: LEONELLVS . MARCHIO . ESTENSIS . Rev: A mask of a triple faced child between two poleyns suspended from juniper branches, signed: OPVS . PISANI . PICTORIS .pierced otherwise only light wear on the highest points with dark and lighter patination, 67mm The triple-head is found on the shoulder-piece of King Alfonso’s armour in a drawing by Pisanello in the Louvre. Literature: Renaissance Portrait Medals. The Metropolitan Museum of Art Bulletin, Vol. 7, No. 3, March 1912, pp. 50-51.
Lot 21
λAttributed to Sir Thomas Lawrence PRA, FRS (1769-1830)Portrait miniature of Anne, Lady Ellenborough (1769-1843), wearing a white dressRectangular, in a gilt metal repoussé frame114 x 87mmSir Thomas Lawrence painted a portrait of Lady Ellenborough in c.1811, but was dissatisfied with it and failed to complete it (see K. Garlick, Sir Thomas Lawrence - A Complete Catalogue of Oil Paintings, 1989, p.183, no.270b). Lady Ellenborough wrote several letters to Lawrence in 1811 regarding the unfinished portrait, saying she 'had rather have the present picture reduced to the smallest size, than relinquish the idea of having it completely finished before she leaves town' (see George Somes Layard (ed.), Sir Thomas Lawrence's Letter-Bag, 1906, pp.74-83).Portrait miniatures by Lawrence are extremely rare, with only a few known to exist in private collections.Ivory Act registration number: F87E4HXCIvory appears structurally sounds with no apparent bowing or splitting. Slight yellowing to the background made apparent by a contrasting strip of brighter painting along the upper edge in correspondence to the frame. A little dust under the glass. Occasional very light hairline scratches, mainly one to the background upper right above the figure and a few by the column centre-left. A thin strip of very mild staining to the lower edge in correspondence to the frame. The figure is in good condition with no significant fading. The frame also in overall good condition.
Lot 254
John Lewis Reilly (1835-1903) after Thomas Gainsborough (1727-1788)The Blue BoySigned and dated John L. Reilly/1922 (to reverse)Oil on canvas66.3 x 46cm; 26 x 18inColours are slightly brighter in person than the image. Onan unlined Winsor and Newton canvas. Various light scuffs and scratches. There is a patch of discoloured restoration to the right of the sitter's head. Various minor surface marks and spots of dirt. In addition to the aforementioned area of restoration, there are some minor spots of retouching visible under UV light.
Lot 263
A pair of Regency design two-branch single light storm lanterns, on square marble bases, 16" highCondition:There are some bubbles in the glass shades along with some surface scratches too and small chips around the insides of the bottom sections of the glass shades.The lamp bases have some chips to the marble bases and some of the metal plaques are misshapen.
Lot 101
A collection of gentleman's and lady's wristwatches to include: A Jacques Lemans 1-1264 stainless steel 'Divine' chronograph with crystal set dial, boxed; a Michael Kors MK-6138 stainless steel bracelet watch with crystal set bezel, boxed; a Rotary Toledo 5021 stainless steel and gold plated bracelet dress watch, boxed; and five further lady's watches including Rotary, Gianni Sabatini, Sekonda and others. (8)Jacques Lemans: Fair to good with minor signs of wear. Some misting underneath crystal. Not running (likely new battery required)Michael Kors: Fair to good with general signs of wear. Not running (likely new battery required)Rotary Toledo: Fair to good with general signs of wear. Not running (likely new battery required)Remaining: None running but will likely need new batteries. Degrees of wear from very light to heavily worn.
Lot 109
Omega: A gentleman's stainless steel wristwatchModel: SeamasterReference: 14389-1Date: 1960Movement: Cal 268 17-jewel, manualDial: Silver grey, faceted baton hour markers, subsidiary seconds at 6 with cross-hairs, silver pointed hands with luminous insertsCase: Polished round, plain pull-push crown, screw-down back with hippocampusStrap/Bracelet: Brown leather strapBuckle/Clasp: Original stainless logo buckleSize: 35mm (37mm including crown)Case fair to good with typical light abrasions and some scratches.Movement winds, sets and runs - not tested for timekeeping.Crown likely replaced.Crystal fair with some light abrasions.Dial good with uniform ageing/patina.Batons and hands good with some minor tarnishing only visible under magnification. Lume still has some power.Strap associated and showing a little wear. Buckle has some minor abrasions.Not guaranteed for timekeeping or water resistance - it is advised that this watch is inspected and serviced by a qualified jeweller or the original manufacturer before full use.
Lot 194
A Chamberlains Worcester porcelain armorial plate, circa 1825-30, decorated with the arms of the Attwood family and their motto "Vive Et Vivere Sinas", dark green border with three floral cartouches, marked 'Chamberlains Worcester' in red script to the reverse, 25.5cm diameterA few minute nibbles to the plates rear rim along with some very minor brown discoloration/glaze fritting to the same area. The panels are in good condition with no rubbing. There are a couple of light, short scratches visible through the front of the plate (to the undecorated area). Condition generally good.
Lot 199
A group of six assorted English cream jugs, early 19th centurycomprising two Spode imari jugs, a further Spode bat-printed jug decorated with two swans (pattern 557), unusually further decorated with an iron red and gilt border, together with two Chamberlain's Worcester cream jugs and a further unmarked cream jug, tallest jug 14.5cm high (6)Smallest Spode imari jug- heavy loss of gilding around foot rim. Tall Chamberlain's jug - scratches and some wear to orange enamel, some light gilding wear.Smaller Chamberlain's jug - again scratches and rubbing to the orange ground, with some heavier gilding wear, mainly to the handle.No damages or repairs to any of the pieces. The bat print jug has some scratches through the printed decoration and wear to gilding at the top of the handle spur.
Lot 238
English School, 19th century, a gypsy encampment by a pond, farm buildings in the background, oil on canvas, re-lined, 40.5 x 61cm, frame 57 x 77.5cmPrivate West Midland's estate. Part of a collection formed from the late 19th century. Thence by descent.The painting is an oil on canvas, framed without glazing. The paint surface is stable and in generally good condition. There is evidence that the painting has been cleaned. There is some dirt above the windmill to centre-left and under UV light there appears to be some inpainting lower right (see photograph). The canvas is in good condition without evidence for holes, tears and the tension is good- canvas relined and the stretcher wedges are new. The frame is later, joints are solid, some small surface scuffs.
Lot 320
A French art deco figural lamp, the bronze effect cast spelter modelled as a seated pierrot, gazing up at the lamp head raised on a chromium tubular arch, set on a veined black marble oval base, 26.5cm.A little rubbing in places to the bronze finish on the figure. Typical light tarnishing to chromium plate. Not tested - will require re-wiring before use.
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