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Lot 252
â–´ Robert Sadler (1909-2001)Nude on green signed 'Sadler' l.l., acrylic on board46.5 x 38.5cmCondition ReportFramed: 48 x 40cmA small drip of glue (?) on the shoulder of the subject, upper left. Some minor losses and light surface scuffs. Not viewed under UV light, for a full report please contact the department.
Lot 262
Edmund Gill (1820-1894)'Waterfall, Dale Beck, Ingleton, Yorkshire'signed and dated 'E Gill 1884' l.l., inscribed and dated on artist's label verso, oil on panel17 x 23cmCondition Reportoverall: 39.5 x 44cmLight craquelure starting to emerge to the bottom right. A thin gold line to the bottom right edge which appears to have been caused by the frame. A small brown mark in the sky to the upper left. Not examined out of glazed frame or under UV light, for a full report please contact the department.
Lot 374
A Victorian walnut open armchair,mid-late 19th century, upholstered in Bennison 'Roses' fabric, raised on turned supports terminating in brass castors,57cm wide75cm deep83cm highBuying this antique armchair could save up to 0.12 tonnes of CO2e compared to buying new.Condition ReportLight discolouration to fabric. General knocks, scuffs and wear to legs. Castors run smoothly.
Lot 382
A 'Scylla' armchair,designed in 1996 by Gerard Vollenbrock for Leolux, the chromed tubular frame upholstered in light gray leather, raised to the front on tubular supports,72cm wide84cm deep73cm high, seat 41cmBuying this armchair at auction could save up to 0.12 tonnes of CO2e compared to buying new.
Lot 456
A Baroque-style gilt composition mirror, 19th century and later, the frame carved with fruit, flowers and foliage, enclosing a modern glass plate, 84cm wide117cm highCondition ReportGeneral knocks, cracks, wear and small losses to frame. Re-gilding and some touching up with gold paint. Old holes to back. Light wear to plate. Ready to hang.
Lot 1983
Peru, Chancay, 1200-1450, three large textile panels; one large dark brown panel with embroidered geometrical patterns, the second with various rows of embroidered geometrical designs, the last textile a light brown plane with the ends with fine weaving, depicting rows of birds. (wear and tear) 240 x 162 / 182 x 140 / 170 x 140 cm. Provenance:Private collection Koella, Zurich, Switzerland. from a private foundation of Anciient Americas Cultures, collected 1960's-1980's. [3]
Lot 19
A late 19th century English brass telescopic oil lamp standard, now converted to electricity, decorated with foliate motifs, overall height 163cm ***CONDITION REPORT***Very good condition, Hinks & Sons Patent stamp to the top of the mount so could be converted back to oil if required, currently has an electric light socket but no wiring, comes with a brand new pleated shade.
Lot 218
A 1920's English clear and green glass bag shaped light fitting, 27cm, and a 1950's English five tier bag light fitting, 14cm ***CONDITION REPORT***Green fitting in good restored condition, comes with chain and rose, overall 53cm, recently re-wiredSmaller bag fitting 26cm from the hook, does not have a fitting but will adapt to a pendant.
Lot 229
A Scottish Arts & Crafts wrought iron and copper light fitting designed by McKay Hugh Baillie Scott, decorated with stylised with crown motifs and hung with beaded glass fringe drops, height of fitting 59cm, height with fringe 72cm ***CONDITION REPORT***Honest untouched condition, some oxidisation to the metal work, a later but old light socket is fitted, recently re-wired, comes with a length of chain
Lot 234
An English Arts & Crafts brass light fitting by Faraday & Son, of circular scrolling design, hung with five green vaseline glass drops, width 74cm, height 68cm ***CONDITION REPORT***Very good lightly restored condition, a few small oxidisation spots not but no real faults noted, recently re-wired, comes with a length of chain
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534325 item(s)/page