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A Nelson souvenir brass snuff box, of circular form the removable cover with bust of Nelson, the base with Greek key frieze and 'Conqueror at Aboukir 1 Augt. 1798, Copenhagen 2 April 1801, Trafalgar 21 Octr. 1805, Where He Gloriously Fell" within wreath to the underside.Diameter 54mm, height 24mm.Areas of Verdigris/discolouration.M&P Fecit mark to the base is worn.Underside with light dents.Underside rim slightly misshapen.The expected knocks consistent with age.
Thorburn, Archibald: Game Birds and Wild Fowl of Great Britain and Ireland, Containing Thirty Plates in Colour, Showing Fifty-Eight Species, This Edition is limited to One Hundred and Fifty-Five copies, of which this is No. 120, Longman's, Green and Co., 1923, in publishers red cloth with gilt titled spine, folio. (1) Light spotting throughout, not affecting text or images.Loose at spine and some pages coming loose.Cover worn.
Hugh Monahan, (Irish 1914-1970), Pinkfeet - mid-day, oil on canvas, signed lower right and dated 1949, with Rowland Ward's Sporting And Natural History Galleries label verso, 39.5 x 49.5cm.Would benefit from a light, but generally in good order.Canvas good, no craquelure.Tear to canvas on back where it has been caught while hanging.
Hugh Monahan, (Irish 1914-1970), Mallard - Lough Gara, oil on canvas, signed lower right and dated 1949, with Rowland Ward's Sporting And Natural History Galleries label verso, 39.5 x 49.5cm. Would benefit from a light, but generally in good order.Canvas good, no craquelure.Tear to label at back.
Hugh Monahan, (Irish 1914-1970), Shovellers - Sligo - Evening, oil on canvas, signed lower right and dated 1949, with Rowland Ward's Sporting And Natural History Galleries label verso, 39.5 x 49.5cm.Would benefit from a light, but generally in good order.Canvas good, no craquelure.Tear to canvas on back where it has been caught while hanging.
A large Poole Pottery limited edition circular charger, of dished form, flambé glazed with central leaping dolphin, printed marks verso, dia.41cm Light surface scuffs and scratches to interior surface (mostly to centre).Small area of Sellotape residue to outer edge of reverse.Otherwise very good.
Michael Cardew (1901-1983) for Abuja Pottery - a studio stoneware footed table bowl, having a slightly rounded rim, ribbed body with stylised combed Tenmoku glaze, artist monogram and Abuja seal mark to outer edge of foot rim, dia.27.5cmApprox. 12x4mm surface chip to top edge of top rim.Small areas of roughness to interior surface due to glaze imperfections.Fine hairline to body of bowl, also running through footrim.Some light scuffs/scratches to glaze surface.
A Continental Art Deco silver and enamel table cigarette box, the hinged cover enamel decorated with tree lined landscape scene, gilt decorated interior, the exterior further engine turned throughout, makers mark rubbed, London import marks for 1927, 5.9ozt, 10.2 x 7.7 x 2.2cmEnamel excellent, intact and complete, with only very light surface scratches which are only visible on close inspection.Cover closes good and flush.Silver tarnished.Interior surface worn.
Vivianna Torun Bülow-Hübe (1927-2004) for Georg Jensen (1866-1935) - a sterling silver 'Mobius' bangle, designed 1968, of kinked tapering form, stamped marks to inside 'Georg Jensen 925s Denmark Torun' and numbered 206, 8 x 6.5cm General light handling wear to surface, further small scuffs/scratches (only visible on close inspection).Overall good.
An early 20th century WMF silver plated three-piece coffee set in the Secessionist taste, each piece with stylised flower head upper banding over plain tapering bodies, comprising coffee pot with hinged cover, twin handled sugar and cover, and a single handled cream jug, each with stamped marks verso, coffee pot h.23cmFinial of coffee pot cover slightly off-centre (probably due to being dripped).Coffee pot cover sits well on base.Sugar bowl cover good.Silver plate wearing through to all pieces, mostly at extremities.Light surface scuffs and scratches also evident upon close inspection.
Three various circa 1900 hanging ceiling lights, to include an Arts & Crafts embossed copper example, inset with green glass shade, having domed mushroom form cover, h.17cm; a gilt brass cylindrical tapering example with frosted glass inset shade, h.23cm; and a painted and wirework iron example, with tinted pink glass shaped inset shade, h.21.5cmAll glass is intact.Copper framed light and painted wirework examples with nibbles and rough-cut finish to underside edge of glass shades.
Ernest Gomme for G-Plan - a 1960s light oak two piece bedroom suite, comprising; compactum with an arrangement of single door, three short drawers over lower cupboard door, h.122cm, w.88cm, d.46cm, and a low chest of three long drawers, raised on slightly splayed square tapering supports, h.84.5cm, w.76.5cm, d.46cm (2)
Ernest Gomme for G-Plan - a 1960s light oak chest of four long drawers, having curved integral lower handles, raised on turned tapering supports, h.92.5cm, w.76cm, d.45.5cm; together with a matching kneehole dressing table, having long rectangular mirror, black lacquered inset lower central surface, and an arrangement of seven drawers, height to upper surface 74.5cm, w.121cm, d.46cm (2)
A 1960s Ercol light elm 'Giraffe' room divider, model No.363, having four open upper shelves over twin lower cupboard section, to turned tapering supports united by stretchers, h.191cm, w.88cm, d.41cm Stands well and is structurally solid.Patina good and original.Approx. 3x3cm darkened heat mark to top surface of base section to right hand area of centre.Handles good and complete.Having one interior shelf.Doors work well.
An Ercol light elm Windsor 459 low coffee table, having rounded corners, laddered undertier, and raised on plain turned and tapering supports, circular paper label to underside, h.37cm, length 105cm, d.46cm Stands well and is structurally solid.Very light age related wear to top surface.Overall very good and original.
An Ercol blond elm dining suite, comprising; Grand Windsor 510 dining table with pull-out action, twin folding leaf, raised on square tapering supports, h.72cm, max length 224cm, d.90.5cm, together with a set of eight conforming Ercol light elm dining chairs (7+1) (9)Table stands well and is structurally solid.Top surface slightly faded and with general surface stains etc.Chairs overall are good and solid with no apparent faults.
Eero Saarinen (1910-1961) for Arkana - a teak laminate circular 'Tulip' table, raised on white painted cast metal base, raised mark to underside, h.76.5cm, dia.104.5cmStands well and structurally solid.The top is a little faded and with light surface scratches consistent with age.Base would benefit from a light clean, overall very good overall.Top is screwed to base and can be removed.
A contemporary chrome and glass inset two-tier drinks trolley, probably Italian, having angular raised end handle, on roller castors, height to handle 78cm, height to top surface 60.5cm, max length 73cm, d.50.5cm Stands well.Roller casters good.Some light scuffs / scratches to chrome.Glass good and complete.Would benefit from a poish.
Alexander Girard (1907-1993) for Knoll Studio - a contemporary layered plywood and walnut veneered long coffee table, of inverted shaped form, raised on black powder coated steel tubular supports, labelled to underside, h.41cm, length 150cm, max d.66.5cm Stands well and is structurally solid.Slight two-tone surface colour differentiation to top.It appears that a square object has stood at the wider end of the table for some time causing a darker colour tone.Light surface scratched visible upon close inspection.
Good antique harp lute in the manner of Edward Light, the seven sided segmented maple back banded with gilding, the spruce table within a wide ebonised band gilded with stylised foliage, birds and classical vases, the top with fluted pillar and gilded figural capital to one side and short fretboards to the other, united by a curved tapered peg box, 33" long overall
Good late 18th/early 19th century French violin possibly by Charles Thouvenel, unlabelled, the one piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/4", 36.20cm, bow, case
German violin by and labelled Hormann Schlosser, Geigenmacher in Erlbach.'Gesotzhch Geschutzt', the one piece back of faint wild flame with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light brown colour on a golden ground, 14 1/8", 35.90cm - *This violin is sold with a silver mounted violin bow, faintly stamped
Interesting violin labelled Antoniazzi Romeo Cremonese..., the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, case - *This violin is sold with a gilt metal and faux tortoiseshell mounted violoncello bow stamped *Lothar Seifert* - * Ivory Sale Submission Reference XU5BUJVN
Good modern Italian violin by and labelled Aldo Zani-Fece-Cesena, 1974 and signed by the maker on the label, the two piece back of faint irregular curl with medium curl to the sides and head, the table of a broad width grain and the varnish of a light reddish colour on a golden ground, 14 1/16", 35.70cm, case
Good French violin labelled Thomas Craig, Aberdeen, Established 1878, Artist Model, Oil Varnished Violin no. **, 1911, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Good French violin labelled Leon Mougenot Gauche, ex-Ouvrier des les Maisons de Brussels, Lyon, Paris, Londres, 1927, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm
19th century violin labelled Dominicus Montagnana, the two piece back of very faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 13 15/16", 35.40cm, case
Good French violin labelled Chipot-Vuillaume, Gendre de J.-B. Vuillaume á Paris, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm *This lot is subject to VAT at 20% on the hammer price
Good late 18th century German violin by and labelled Puncraty Reber fecit, Mogonty Ao. 1786; also bearing two repairer's labels, the two piece back of faint medium curl with fine curl to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm *This lot is subject to VAT at 20% on the hammer price
Good violin labelled Fait á Mirecourt, par le Maitre-Luthier, Amedee Dieudonne en 1936, no. 1027, the two piece back of faint medium/fine curl with faint medium curl to the head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm *This lot is subject to VAT at 20% on the hammer price
Contemporary English violoncello by and labelled Malcolm Rae, Leicester (r) 1986, the two piece back of faint medium/fine curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a light orange-brown colour on a golden ground, 28 7/8", 73.30cm, hard case - *This instrument is sold with a nickel mounted violoncello bow by and stamped R. Paesold; also another nickel mounted violoncello bow, unstamped
English violoncello in need of restoration by and labelled Jeffery J. Gilbert, Peterborough, Fecit, Anno MCMXXIX; also signed and dated 1929 to the inner back, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 28 1/4", 71.70cm, bow
French violoncello in need of restoration by Francois Barzoni fecit-anno 1909, Manufacture Speciale de la Maison, Beare & Fils á Londres, the two piece back of medium/fine curl with similar faint curl to the sides, the head of medium curl, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 29 7/8", 75.90cm, hard case
William Moorcroft (British, 1872 - 1945) for Moorcroft Waving Corn design large ovoid vase with collar rim, decorated with ears of corn painted in pink, green and oatmeal on a light cream ground, mid 1930s design, height 25 cm. Impressed factory and paint marks to base. Condition Report: Discolouration to glazing and some bleeding.
[WILDE, Oscar]. The Ballad of Reading Gaol by C.3. 3., published by Leonard Smithers, 1898, second edition as stated, copyright February, 1898, bookplate of Clarence Eiloart on front pastedown, half-title, later inscription on front free endpaper, 31 pages printed on single-sides of hand-made paper, a few pages uncut, edges untrimmed, original cream and tan cloth, gilt title to spine, 8vo.A poem by Oscar Wilde, written while in exile following his release from Reading Gaol on May 19, 1897. Smithers published the finished poem in 1898 under the name "C.3.3.", which stood for cell block C,landing 3, cell 3. The first edition of 800 copies, sold out within a week, and a second edition of 1,000 copies was printed on 24 February. It was not commonly known, until the 7th printing in June 1899, that C.3.3. was Oscar Wilde.Condition Report: some soiling to boards and spine, gilt title faded on spine, spine ends and corners rubbed, toning and light foxing to preliminaries, otherwise internally a clean copy.
[GREAT WAR]: CONFIDENTIAL 'WAR INSTRUCTIONS FOR BRITISH MERCHANT SHIPS', AUGUST 1917 - a rare first edition copy of the Admiralty's official publication C.B. (Confidential Book) 415, individually numbered Copy No. 227, containing secret instructions issued as a precaution against the German navys attempts to sink allied shipping, August 1917, with printed note to front pastedown This book is weighted with lead, and if thrown overboard will sink, 86 pages, plus two Addenda, and numerous 'Convoy Zig-Zag' diagrams, allied and enemy submarine silhouettes, and black and white photographic plates of mines and torpedoes, original blue buckram with lead-weighted covers (for rapid disposal at sea), 8vo; together with, a loosely inserted one-page typescript letter on Admiralty Staff headed notepaper and a Receipt form for Secret Book The Mercantile Marine and Submarine Warfare C.B. 721/a, the letter (unsigned) dated February 19, 1919, was sent to an unknown recipient from (Sgd.) Alan Hotham, Director of Trade Division, Hotham announces with honour that copies of another Secret Book, C.B. 721 (2) are to be issued through the Shipping Intelligence Officers, two copies thereof will be issued in exchange for the attached Form of Declaration and receipt duly completed . . . copies may be lent to Masters and Officers of the Mercantile Marine for perusal only . . at other times these books should be kept under lock and key, and under no circumstances should they be taken to sea. (3) Condition Report: light creasing to a few leaf edges, otherwise overall good condition with clean bright binding.
Only Fools & Horses (BBC Sitcom 1981-2003) - Sir David Jason - autographed large format 16x12" colour photograph from the episode 'A Touch Of Glass'. Signed by Jason in black ink to a light area. Supplied with a certificate of authenticity from the Only Fools and Horses Appreciation Society.

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534338 item(s)/page