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Lot 855
A pair of Mintons Aesthetic Movement porcelain pedestal moon flask vases with gilded handles, the blue ground decorated with butterflies and flowers, (differing) impressed marks to base. Heights 22 and 23cm.Condition report: Lot 855Both vases appear free of damage or repair, there are a few scratches and very light gilt wear to the handles.
Lot 911
A pair of Regency triple ring neck glass decanters and stoppers, with faceted and fluted decoration, height 21cm, together with three other decanters (5).Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old school antiques.We are honoured to be handling his estate and as well as the items in this antiques sale we will be selling further pieces from his extensive collection across our range of upcoming specialist sales.Condition report: Plenty of signs of use to the larger round decanter, chips, nibbles and clouding to the glass, also a chunk out of the stopper. The two smaller round decanters are rubbed inside the neck and have light marks, others are generally good.
Lot 979
An Orrefors glass vase, engraved with geese in flight, height 19.5cm, together with a similar smaller vase, A Kosta ashtray and three other items (6). Condition report: Light surface scratches and signs of use but no serious areas of concern. Tiny chip to leaf of apple dish, and tiny chip to top of large vase. Would all benefit from a clean.
Lot 250
Vinyl - The Beatles 'The Beatles' ('The White Album'), No. 0528320, the records in black inner sleeves within top opening gatefold sleeve, with four photographic prints and a poster.Condition report: Scratch visible to side 4. Scuff to fold on sleeve of album, some marks/light scratches to album cover. A few marks and a scratch to print of John Lennon.Image of scratch on David Lay website.
Lot 3056
A set of three Ercol beech and light elm hoop back dining chairs, stamped to the underside with kitemark and dated 1960, height 85cm (3).Condition report: Very good condition. Good and sturdy, no loose joints. Only two very minor tiny historical worm holes. Height to seat: 45cm. Width of seat 39.5cm
Lot 3110
A pair of mahogany and inlaid demi-lune side tables, in the Sheraton style, later 20th century with plate glass protectors, height 73cm, width 90cm, depth 45cm.Condition report: Very small chips and light scratches to legs. These tables are of relatively recent manufacture.More images are now online.
Lot 3180
A mahogany chest of drawers, early 19th century, with two short and two long drawers, on splay feet, height 80cm, width 96cm, depth 50cm.Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old-school antiques.Condition report: Light staining to top and front of drawers, very minor wear, all drawers move freely. Extra images on David Lay website
Lot 344
A William IV copper teapot, with semi-gadrooned cover, pearwood handle on circular foot, height 22cm.Condition report: Lot 344A few small dents to the cover. Internally the handle appears to have been resoldered, with a few light marks and scratches.Please see extra images on David Lay website.
Lot 353
An 18th/19th century gilt bronze figure of Jason, on carved stone base. Height 16cm.Condition report: Lot 353There is a small patch of solder? on the upper thigh and a slight loss to the edge of the base, otherwise just general light wear and patination.Please see extra images on David Lay website.
Lot 87
May 17th 2021 Just Before Sunset - Oil & Graphite. Every so often just before it sets the the sun can light places up in a way never seen before. This happened one evening this May when I saw the sun light up a big poplar and a distant building and I didn’t want that beautiful moment to pass forgotten and unrecorded.
Lot 1
Ivy on an Oak Tree - Watercolours and coloured pencils + gloss varnish. You posted yourself at my feet stealing my water, air and light. You promised our union would be symbiotic, evergreen. You lied, feigning affection you wound yourself around my trunk. Penetrated, weakened, dying my identity lost beneath your green cloak.Boasting you were self supportingyou grew up and over my dead body.
Lot 105
Sea Gazing - Watercolour, ink, acrylic. A pathway leads from a bright open space into a shadowy wood - or is it leading from the shadows into the light? To travel in the natural landscape, no matter what the direction or the terrain, enriches the mind, body and soul and balances our view of the World. A necessary escape from the pressures of the urban and industrial landscape..
Lot 108
Harlequin in Hibernation - Watercolour. The World Land Trust is currently protecting the European hedgehog to ensure its survival in the future. My painting of a hedgehog in multicolour is a depiction of the protection and hope for the mammal synonymous to the rainbow motif which has been a sign of light at the end of the tunnel during the COVID pandemic.
Lot 111
Into the Woods - Pastel. A pathway leads from a bright open space into a shadowy wood - or is it leading from the shadows into the light? To travel in the natural landscape, no matter what the direction or the terrain, enriches the mind, body and soul and balances our view of the World. A necessary escape from the pressures of the urban and industrial landscape.
Lot 21
Towards the Light - Oil on Board. "Towards the light" was inspired by a visit to a beach on the North West Coast of Ireland. After a surf session just before last light, the dark stormy sky over an empty beach, started to allow flickers of light and colour to break through, culminating in an amazing glimpse of the sun setting. The painting is trying to show however much darkness there seems to be, there is always light trying to break through.
Lot 24
The Last Reed Bed - Quick drying oil. My submission is a piece called The Last Reed Bed. It reflects the survival of natural spaces in our environment. I personally love Reed beds for their changing appearance throughout the year and the way light alters the appearance especially when water is involved. Of course they are a haven for the majestic Harriers circling above and the Reed bunting. Capturing the wind swept landscape and the colours of nature was the aim.
Lot 51
New Day New Hope - Mixed Media - textiles acrylic. ‘I have called the piece ‘New Day New Hope’ it is created using textiles and acrylic paints. I was inspired by my love for a seascape and how people are feeling at this stage in the pandemic. The current situation with the vaccines being rolled out and the easing of restrictions means that each day brings better news and there seems to be a light at the end of the tunnel.’
Lot 86
A Japanese Meiji period porcelain vase of baluster shape, with a flared rim, ring neck and splayed foot, decorated with flowering and blossoming branches, 38cm h, the top fitted with a metal plate and light fitting, character marks to the base 47cm h overallCondition: the metal plate moves but we cannot take it off
Lot 155
Chinese roof tile from Tiananmen Square, the circular tile with a dragon in relief to centre, in light brown glaze. Provenance: the collection of Peter Boode, who worked in Shanghai in the early 20th century and subsequently opened an antique shop in the 1930s in Mount St, London, patronised by European Royals and other wealthy members of society, his expertise lay in antiques up to and including the Ming period and in 1943 he published notes for collectors of Chinese antiques from remote antiquity to the end of the Ming period and lectured at the Oriental Society in London. Most of his collection was sold by Sothebys in the 1970s. This and other lots were by family descent. 17cm diam
Lot 2012
A collection of doll replacement wigs and doll shoes, comprising various replacement wigs including a Forest Fibres 30g premium mohair straight doll wig in light blonde and ash blonde; an M.Wanke (Germany) 23cm diameter doll wig with label; a pair of black kid leather miniature doll shoes; a pair of cream leatherette doll shoes etc (quantity) Provenance: The Late Sarah Stewart Collection
Lot 2128
A collection of Del Prado painted cast metal figures, including 1812-1814 Russian Cavalry Ural Cossack, 1806 French Garde du Corps Prussian Officer, 1811 French Hussars Captain, 1806 71st Glasgow Highlanders Piper, 1813 1st Regiment Guards of Honour Trumpeter and 1812 14th Light Dragoons Lieutenant; others, each unboxed (39)
Lot 14
A 19th century mahogany break-front chiffonier bookcase, the top comprising a pair of glazed doors enclosing three adjustable shelves and flanked by simple carved detail above a base of one long drawer and two panelled doors, raised on plinth base, approx 200 x 104 x 41cm. CONDITION REPORT Overall solid but used condition, the internal shelves are scratched and stained. There is light surface wear to the break front with a small area of slightly deeper scratches to the left hand side. The base section has scuff marks from the doors on the plinth base and further wear to the corners of the plinth and the corners of the upright section of the base cabinet, all commensurate with age and use.
Lot 166
A leather cased pair of Barr & Stroud, Glasgow & London 15 x CF46 binoculars, patent no.572537, numbered 115742, long Naval-style binoculars, length 29cm, together with a Canon AL-1 camera in leather case. CONDITION REPORT The leather case for the camera is in very poor condition and very perished. The camera itself with light general wear. Not tested, no guarantee of working order. Binocular optics functional, light general wear to the binoculars, case with heavier and more pronounced wear.
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534325 item(s)/page