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Lot 100

A BOXED DIE CAST CORGI TOYS JAMES BOND TOYOTA 2000 GT DIE CAST VEHICLE, reference 336, from the film 'You Only Live Twice', white body with slightly bent red aerial, two seated figures, wear mainly to one with the gun, boot not opening smoothly but does work, not tested with rockets, overall good condition with only light wear to raised edges, box includes brown paper bag with eight rockets, two not attached to sprues, an information slip, internal packaging and stand, and its outer box, sticker to outer box but overall very good condition

Lot 113

A BOXED 1990 NINTENDO NES VERSION ENTERTAINMENT SYSTEM ACTION SET, includes console, two controllers, Zapper Light Gun, power supply, instruction manuals, not tested, appears complete and in a very good condition, little wear to box

Lot 353

Dapol N Gauge coaches - to include NC-209A, B, & C, 211A Gresley Teak coaches, all with Light Ready Bars, plus 2P-003-001 B Set Twin Pack in BR Maroon. Conditions: Generally Excellent Plus to Near Mint in Excellent Plus cases with Mostly Excellent outer sleeves, some are peeling at the join point.

Lot 50

Bachmann Branchline OO 32-520 light blue livery prototype Deltic Locomotive, produced exclusively for the National Railway Museum. Blanking chip in styrene suggests it has been fitted with a DCC chip. Conditions: Excellent Plus to Near Mint in Excellent box.

Lot 615

OO/HO Locomotive/Rolling stock Display Cabinets - COLLECTION ONLY - Quantity of four. Glass fronted/shelved in light wooden constructed cases. Conditions: Excellent to Excellent Plus - COLLECTION ONLY

Lot 262

DJ Models OO71-002HAT Class 71 E5015 in BR Southern Region light green with full Golden Arrow headboards, arrows and flags pre-fitted, Exclusive to Hatton's. One side arrow appears to have been removed/painted over. Conditions: Mostly Excellent to Excellent Plus in Excellent Plus to Near Mint box.

Lot 268

Accurascale Class 55 ACC-2167-DCC - BR Blue livery '55017' 'The Durham Light Infantry'. Conditions: One Bogie chain has detached from the body, otherwise in Excellent to Excellent Plus in Excellent Box.

Lot 127

Hornby (China) 3x Class 60 Locomotives to include R2800 EWS/DB Schenker Light Blue No. 60074 "Teenage Spirit" Rail Express Limited Edition plus others (see photo). Conditions are Good to Excellent Plus (unchecked for completeness in Good Plus boxes and Sleeve. Please note R2800's box is missing but includes foam packaging and sleeve. Limited Edition Certificate is also missing. 

Lot 1153

John Henry Knight , Light Motor Cars and Voiturettes, Hard back 1st edition, 1902, with illustrations, published by Iliffe & Sons Ltd London, 131 numbered pages.

Lot 1214

A 19th century album of mounted clipped signatures, and some loose correspondence and ephemera, relating to politicians, royalty, aristocacy, and other notable figures including former prime ministers Lord Palmerston, Lord Asquith, Lord Russell, painters Sir Thomas Lawrence PRA FRS, Francis Danby RA and Sir Oswald Birley MC, RA, ROI, engineers John Rennie and Sir Mark Brunel, military figures including the 7th Earl of Cardigan who famously led the charge of the light brigade at Balaklava and admirals, archbishops and bishops, over one hundred and twenty signatures mostly from the early 19th century, some up to the mid 20th century, half calf, marbled boards.

Lot 1253

Two Art Deco period coloured glass theatre / cinema EXIT ceiling light shades, red & white of triangular form, each with approximately 16.5cm drop. (2)

Lot 1290

WWI Trench Art - A rare Soldier YPRES 1915 brass vesta case, inscribed ‘YPRES 1915’ , ‘TRENCHES’ & ‘1st Bn.D.C.LI’ (1st Battalion The Duke of Cornwall’s Light Infantry) to neck, striker to base, 6.5cm.

Lot 1309

A novelty Tunbridge Ware style tea caddy fashioned as a house, 20th century, the front painted with panelled door below fan light and surrounded by nine sash windows amid foliage, the sides and back with sash windows, all bellow a tiled roof and two chimney stacks, interior with voided roof over two lids, adapted, 21cm. at widest.

Lot 1313

A Kodak Retinette Camera upcycled to make a light, fully working, PAT tested.

Lot 1454

An 18th century and later Light Dragoon style pistol converted to percussion cap from flintlock, the 9in. (22.8cm.) steel barrel with indistinct proof marks and worn fore-sight, double line etched steel lock and hammer with brass side plate, ramrod pipes, trigger-guard and butt-plate. *Martel Maides are not experts in this field, purchaser please satisfy yourself regarding authenticity prior to purchase. **This pistol has been restored.

Lot 1524

W Britain (Britains) collection of hand painted metal models, Limited edition 5197 'The Charge of the Light Brigade 1854' featuring 8th Hussars, 11th Hussars, 4th Light Dragoons, 17th Lancers, Russian artillery and infantry with Russian field gun, numbered 0893 of 2500, boxed; Britains Lord and Lady Curzon, 00264, boxed; Tradition Christmas 2021 set ' Avenge Gordon' six figures from the war along the Nile, boxed; Tradition, Gordon Relief Expedition Guards Camel corp, boxed, three figures; John Jenkins Designs Gordon at Kartoum, four figures limited edition 261 of 600, boxed. (5)

Lot 233

Workshop of Robert Mouseman Thompson (Kilburn), Pair of two light wall brackets, 17cm x 31.5cm

Lot 355

Archaeology finds, Neolithic interest etc - to include a Danish (Nordic) flint polished axehead, light greyish-brown mottled creamy white in colour, 9cm. length; Danish polished flint axehead, caramel in colour, 5cm. length; Neolithic part axehead made from granite, probably Guernsey, greenish-grey, sharp cutting edge, 6.7cm. length; well-crafted tanged arrowhead with convex base, probably North American Indian, made from green coloured chert, 5.3cm. length. (4) * Accompanied by Guernsey Museums letter, explaining each piece.

Lot 506

Michael Bang (Danish 1942-2013) - two Holmegaard 'Symmetrisk' lamps, c.1975, white bottle shaped glass bases with light grey, and purple bubble inclusions and patterns, leading to narrow neck with brass fittings, the tallest without fittings 27cm. (2)

Lot 863

A Nao porcelain panda, a 19thC German fairing The Last in Bed Put Out The Light, and two porcelain swans.

Lot 610

Silver and costume jewellery, including a gold plated bangle, with engraved foliate decoration, on a snap clasp, two Wedgwood light blue Jasper pendants on chains, a fringe necklace, Egyptian pendant, and a Swarovski crystal double pendant drop necklet. (a quantity)

Lot 654

A gilt metal wall light, modelled in the form of roses surrounding two candle arms, 44cm high, 32cm wide.

Lot 19

An Ercol light elm dining table, the rectangular top with rounded corners, on tapering legs, 73cm high, the top 74cm x 150cm, and four hoop back chairs. (1 AF, overall restored)

Lot 18

An Ercol light elm rectangular coffee table, on turned legs with under tier, 36cm high, 102cm wide, 43cm deep.

Lot 16

A nest of three Ercol light elm pebble tables, on turned legs, the largest 65cm wide.

Lot 290

A yellow painted industrial light, with moulded lens, 30cm diameter.

Lot 385

An early 20th Century 1821 pattern British Light Cavalry officers presentation sword. The sword having dome shaped pommel with ball finial and a x3 bar hilt. The ricasso stamped with proof star and blade etched ' Presented To Company Commander J. A Newsom , M.A By The Epsom & Ewell Platoons ' D ' Company 9th Battalion, Surrey V.T.C September 1915 '. Measures approx 109cm.

Lot 111

A 19th Century Victorian 1827 Pattern presentation sword to an Officer in the Kings Shropshire Light Infantry. Gothic style hilt with a strung bugle, rolled quillon and rayskin grip. Fullered blade with prove mark and named to one D. Faulkner. Measures approx 98cm.

Lot 312

A collection of WWII Second World War respirator gas masks comprising x2 ARP Air Raid Precaution / Civilian examples with original cardboard cartons and a Respirator, Anti-Gas, Light example with canvas haversack.

Lot 182

A WWII Second World War Russian 45mm Light Anti Tank INERT ammunition shell round with assorted markings on the base. Measures approx 41cm.

Lot 399

1930 Tactics, an Elementary Treatise for use in Indian Universities by Capt. J. W. Pendlebury, M. C. The East Lancashire Regiment. Publ. The Indian Press Ltd., Allahabad. Annotated throughout, with words and diagrams crossed through & amended, believed in the author's hand. Contemp. full yellow cloth, light bumping to extremities, pages a touch age-toned and with the odd spot. Illustrated with diagrams throughout; complete with numerous hand written leafs detailing tactics, believed by the author. Ephemera relating to the War Grave Commission planning of headstones loosely inserted. An interesting post First World War exploration into tank tactics. 8vo. Note: Lot 395 in this sale is a hand-written WWI diary by the author of this work.

Lot 42

This lot features a signed sheet music booklet for Have You Never Been Mellow by Olivia Newton-John. The cover showcases a black-and-white portrait of the legendary singer, with her signature prominently placed in bold black ink. This classic hit, written by John Farrar, was a defining song of the 1970s and remains an enduring favorite. The sheet music contains full lyrics, melody, and chord notations for piano and guitar. Light wear is present on the cover, consistent with age. A wonderful collectible for music enthusiasts and fans of Olivia Newton-John. Measures 12"H x 9"L.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

Lot 103

Rare Central Park Music Festival vinyl LP, featuring Lou Rawls, Maxine Brown, and the Ramsey Lewis Trio, released by Music Images and distributed by Capitol Records (Canada) Ltd. This live-recorded album captures the energy of Central Park, New York City, with standout performances. Side one showcases Lou Rawls delivering On Broadway and Love Is a Hurtin’ Thing, followed by Maxine Brown’s soulful interpretations of In the Midnight Hour and Soul Serenade. Side two highlights the Ramsey Lewis Trio, performing jazz classics like Salute to Ray Charles. This copy is signed on the front by Maxine Brown, adding a personal touch from the celebrated soul singer. An additional signature is present on the back, offering further intrigue for collectors. The vinyl is in good condition with minimal wear, and the sleeve retains its original graphics and inscriptions, showing only light aging. A fantastic addition for collectors of signed vinyl and classic jazz-soul recordings.Issued: 1968Dimensions: 12.5"HCondition: Age related wear.

Lot 62

This Barry Manilow II vinyl LP, released in 1974 by Arista Records (AL 4061), features the hit song Mandy, which became Manilow's breakthrough single. The album showcases his signature blend of pop and soft rock, with additional tracks such as It's a Miracle and Something’s Comin’ Up. The record includes its original cover, which features a blue-toned stylized performance image of Manilow, and a light blue Arista label on the vinyl. A collectible piece for fans of classic pop music. Measures 12.5"L x 12.5"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

Lot 428

Paul Stephens, British b.1957 - Venice, Dappled Light; oil on board, signed lower right 'P. Stephens', 40.6 x 40.9 cm (ARR) 

Lot 482

Laurence Jones, British b. 1991 - Details Oriented in Space, 2017; acrylic, ink and graphite on linen, signed, titled and dated on the reverse 'Laurence Jones Details Oriented in Space 17', 140 x 180.7 cm (unframed) (ARR)Provenance:Rebecca Hossack Gallery, London (according to the label attached to the reverse);private collection, purchased from the aboveNote:Jones' paintings feel familiar yet have an eerie emptiness through his use of light and composition which resemble a Hollywood set, reminiscent of Realist painter Edward Hopper.

Lot 513

Jason Shulman, British 20th century - Light Bulb, 2013; light box with light bulb, signed and dated on the reverse 'Jason Shulman 2013', H112 x W86.4 x D12.7 cm (ARR)Provenance:private collection, purchased from the artist in 2012Note:it is the buyer's responsibility to ensure that electrical items are professionally rewired for use. 

Lot 452

Brad Lochore, New Zealander b.1960 - Shadow Painting No.16, 1993; oil on canvas, signed with initials, titled and dated on the reverse 'BL Shadow Painting No 16 1993', 170 x 300 cm (unframed) (ARR) Provenance:Paintings in Hospitals, London, cat. no.SA24Note:Lochore studied under Gerhard Ritcher in Düsseldorf after giving him a copy of an essay he had written on his work. This work brilliantly captures light and shadow, what the artist is most renowned for. He is represented in major collections including the Government Art Collection, London; Ludwig Museum, Vienna, Austria; Provinzal Sammlung, Düsseldorf; Saatchi Gallery, London, and Tate, London.

Lot 473

Catherine Yass,  British b.1963 -  Stall 70, 1996;  photographic transparency and light box, H88.8 x W73 x D12.8 cm (ARR)  Note: it is the buyer's responsibility to ensure that electrical items are professionally rewired for use.  Provenance: Laure Genillard Gallery, London; private collection, UK Note:  lots 473 and 474 are exemplary of Yass' practice of layering the positive and negative of photographs and producing them as lightboxes. Since 1995, Yass has been photographing empty public spaces as seen here imbuing the devoid space with energy. She first shoots a positive transparency and then waits a moment that she describes as ‘the gap between illusion and reality’ (Tate Britain 2002, p.12) before taking a negative transparency. A similar work, produced as a screenprint, was commissioned by the Barbican Art Centre, London in 1997 of their stage set behind the theatre. She was short-listed for the Turner Prize in 2002. Her work can be found in numerous international public collections including the Tate, London; Victoria and Albert Museum, London; Scottish National Gallery of Modern Art, Edinburgh; Biblioteca Albertina, Leipzig; National Museum of Women in the Arts Collection, Washington D.C.; The Jewish Museum, New York; Museum of Modern Art, New York and Queensland Art Gallery, Australia. 

Lot 474

Catherine Yass,  British b.1963 -  Stall 58b, 1996;  photographic transparency and light box, H88.8 x W73 x D12.8 cm (ARR)  Note:  it is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Provenance:  Laure Genillard Gallery, London;  private collection, UK  Literature:  G. Hilty, 'Catherine Yass', London 2000, no.11 (another example illus.)  Note:  lots 473 and 474 are exemplary of Yass' practice of layering the positive and negative of photographs and producing them as lightboxes. Since 1995, Yass has been photographing empty public spaces as seen here imbuing the devoid space with energy. She first shoots a positive transparency and then waits a moment that she describes as ‘the gap between illusion and reality’ (Tate Britain 2002, p.12) before taking a negative transparency.A similar work, produced as a screenprint, was commissioned by the Barbican Art Centre, London in 1997 of their stage set behind the theatre.She was short-listed for the Turner Prize in 2002. Her work can be found in numerous international public collections including the Tate, London; Victoria and Albert Museum, London; Scottish National Gallery of Modern Art, Edinburgh; Biblioteca Albertina, Leipzig; National Museum of Women in the Arts Collection, Washington D.C.; The Jewish Museum, New York; Museum of Modern Art, New York and Queensland Art Gallery, Australia.

Lot 426

Peter Lloyd-Jones, British b.1956 - Round Table by Electric Light; oil on board, signed with initials lower right 'LJ', 63.5 x 61 cm (ARR) Provenance: with Cadogan Contemporary, London (according to the label attached to the reverse of the frame); private collection, purchased from the above 

Lot 1000

A 19th century brass three branch ceiling light

Lot 170

A Victorian cast iron and blue glass oil lamp; a reproduction brass oil lamp and a 7-light brass table candelabra.

Lot 281

A collection of various military cap badges including Royal Scots, Royal Marine Light Infantry etc

Lot 922

A 19th century light wood with quarter veneered panel triple campaign wardrobe with mirror door and two others, length 190cm, depth 58cm.

Lot 172

A selection of magic lantern slides etc. including Peter Pan; a 'Fantasia' lightning light.

Lot 480

A large Victorian jug with Danica floral decoration; a pottery cake stand; a Victorian light shade.

Lot 827

A modern light oak rectangular top dining table on heavy square legs, length 222cm.

Lot 24A

An Italian designed retro 1970's chrome ceiling light with orange and white spherical shade by Harvey Guzzini.Appears in good condition and complete, no damage.  WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer. WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION. 

Lot 874

A 1970's G Plan light oak and white laminate two piece bedroom suite comprising kneehole dressing table and side cabinet

Lot 999

A 19th brass rise and fall ceiling light with counter weights

Lot 87

A FRENCH/SWISS LAQUERED BRASS GORGE CASED CALENDAR CARRIAGE CLOCK WITH PUSH-BUTTON REPEAT AND ALARML'EPEE, SAINTE-SUZANNE, FRANCE, LATE 20th CENTURYThe eight-day two train gong striking movement with platform lever escapement regulated by sprung monometallic balance, the inside of the frontplate stamped with serial number 00001466, the backplate with alarm to upper left and stamped with circular L'Epee, 1889 crossed swords trademark to centre over MADE IN FRANCE, 11 ELEVEN JEWELS UNADJ. to lower margin, the rectangular white enamel Roman numeral dial inscribed L'Epee, Fondie en 1839, Sainte-Suzanne, France to centre and with Arabic five minutes to outer track, over subsidiary alarm setting dial flanked by further day-of-the-week and date-of-the-month dials, the bevel-glazed gorge case with hinged carrying handle over full-width top glass, trip-repeat button to front rail, channel-moulded uprights, and pin-hinged door to rear, on ogee-outline base.15cm (6ins) high with handle down, 9.5cm (3.75ins) wide, 8.5cm (3.375ins) deep. Condition Report: Movement is in clean working condition. The alarm is out-of-sync with the hands (approx. 2 hours out) and the strike train often only strikes once at the hour (but repeats fine) suggesting that the rack is sticking - hence the movement requires a gentle clean/service. The subsidiary calendar dials are advancing correctly shortly after midnight. The dial appears free form any visible faults and the case is also in fine original condition with no visible chips or other damage to the glasses and light oxidation to the brass (mostly to the mounding bordering the top glass) only.Clock is complete with a winding key. Condition Report Disclaimer

Lot 164

A VICTORIAN SCOTTISH CARVED MAHOGANY EIGHT-DAY LONGCASE CLOCKH. CONNEL, GLASGOW, MID 19th CENTURYThe four pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and inscribed H. CONNEL, GLASGOW to centre, with blued steel spade hands, the drumhead case with foliate scroll carved crest applied to the hinged moulded glazed dial surround incorporating gilt canted insert to interior, over a stylised foliate carved cradle and half-round lip mouldings, the trunk formed as a hall-oval section tapered fluted Greek Doric column incorporating removable concealed access segment to right hand-side beneath a projecting moulded capital, set on a five-section faceted plinth base fronted with three moulded panels over a canted skirt with bun feet, (dial re-touched).209cm (82.25ins) high, 52cm (20.5ins) wide, 29cm (11.5ins) deep. A Hugh Connell is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Glasgow circa 1860. Condition Report: Movement is in w0rking condition with no visible evidence of alteration or noticeable replacements. The mechanism is generally a little dirty/neglected hence a precautionary gentle service/lubrication is advisable if intending to put into long-term service. The dial has been refinished to a good standard with blemishes limited to a loss to the surface behind the centre of the subsidiary seconds hand (only visible on close examination). The movement and dial retains original seatboard which rests at the correct level in the case with no packing beneath the cheek uprights hence we are of the belief that the movement and dial are original to the case. The case is generally in sound original condition with faults very much limited to minor bumps, scuffs, wear and other light historic blemishes. The side access panel to the trunk is currently locked and we do not have the key.Clock has pendulum (no suspension spring) and two weights only. Condition Report Disclaimer

Lot 134

Y A WILLIAM IV BOULLE MANTEL TIMEPIECE IN THE LOUIS XV TASTEPAYNE, LONDON, CIRCA 1830The circular four columnar pillar single chain fusee movement with anchor escapement regulated by lenticular bob pendulum, the twenty-five piece white enamel cartouche dial with convex centre inscribed Payne, 163 NEW BOND STREET, LONDON within chapter ring with enamel Roman hour numerals within rococo borders and conforming Arabic five minutes to the repeating rosette decorated outer track, with blued steel moon hands set behind hinged convex glazed cast brass bezel, the engraved foliate scroll cut glass and red stained shell veneered case with generous acanthus scroll surmount to the ogee-shaped upstand applied with conforming scroll mounts to angles, over generous shaped crest and panel decorated with delicate symmetrical scrollwork beneath the dial flanked by leafy shouldered mounts to front angles, the scroll-outline sides further inlaid with scrolling foliage and the rear veneered in kingwood incorporating a shaped door, on generous rococo scroll cast feet with leafy apron to front between.47.5cm (18.75ins) high, 26cm (10.25ins) wide, 16.5cm (6.5ins) deep. William Payne first worked from 62 South Moulton Street, London from 1816. By 1825 he had moved to 163 New Bond Street with the firm becoming William Payne & Company at that address in 1852. Condition Report: Movement is in relatively clean working condition although a precautionary gentle clean/service is advised. The mechanism appears free form visible alteration or noticeable replacements between the plates. The pendulum is not original and the evidence in the backplate (spare threaded hole to eh lower margin) suggests that a holdfast clamp was fitted at some point. The movement securing brackets are each lacking one (out of two) screws, and the fusee pivot has noticeable bush inserted within the backplate. The dial centre has some slight chipping around the winding hole as well as some slight scratching to the central ena,el roundel. The 'X' hour cartouche has an enamel chip to lower right hand margin and the '60' minute panel has a very small chip to the left hand edge otherwise enamel appears free form visible damage. The bezel glass is presently loose hence requires fitting (snapping into place?), the bezel itself is rubbed and generally discoloured/tarnished in appearance compared to the case mounts. The case is generally in fine condition with no noticeable losses to the brass marquetry and only slight localised fill repairs to the shell veneers to the right- hand side otherwise faults to the veneers are very much limited to minor movement and age-related blemishes. The mounts are nicely finished and retain their gilding with only very light wear/discolouration. The rear is in good condition with only a very small bruise to the edge of the door evident.Timepiece has a pendulum but no winding key. Condition Report Disclaimer

Lot 189

A DUTCH WALNUT AND FLORAL MARQUETRY MONTH DURATION LONGCASE CLOCK WITH MOONPHASE AND ALARMJAN GOBELS, AMSTERDAM, THIRD QUARTER OF THE 18th CENTURYThe five pillar rack striking movement with five- wheel trains and pin-wheel deadbeat escapement regulated by seconds pendulum, the strike train sounding the hours in the Dutch manner both at the hour then again on the half hour on a smaller bell, the right hand side of the plates applied with a transverse alarm mechanism incorporating verge-type crownwheel engaging with a pallet arbor fitted with a T-shaped hammer for sounding on the larger hour bell positioned above the plates, the 13 inch brass break-arch dial with alarm setting disc, subsidiary seconds dial, calendar aperture and ringed winding holes to the scroll engraved matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes beyond the outer minute track and signed Jan Gobels, Amsterdam to lower margin, with scroll-pierced steel hands and cast figural 'four seasons' spandrels to angles within a herringbone engraved outer border, beneath arch incorporating rolling moonphase engraved with age of the moon to the edge of the disc set behind a pair of scroll-engraved lunettes to lower margin beneath a herringbone border to the arch, the case with carved giltwood Atlas and trumpeting nymph figural finials set on the bell-shaped caddy superstructure inlaid with floral trails, over break-arch cornice centred with a foliate carved crest and with blind fret frieze over integral three-quarter columns applied to the foliate trail inlaid hinged glazed dial aperture, the sides with break-arch scroll-pieced sound frets within conforming borders and quarter columns set against bargeboards at the rear, the trunk with leaf decorated concave throat moulding over break-arch caddy moulded door inlaid with urn set on a pedestal issuing flowering foliate around a central lenticle, with scroll detailed edge mouldings and butterflies to upper quadrants within a chevron band flanked by canted angles decorated with foliate trails, the sides further inlaid with urns issuing bird inhabited foliage, the ogee-shaped plinth base with cavetto cop mouldings, canted angles and overall conforming floral marquetry decoration, on inlaid cavetto skirt base with lions paw front feet.255cm (100.5ins) high excluding finials, 290cm (114ins) high overall; 57cm (22.5ins) wide, 32cm (12.5ins) deep. Jan Gobels is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Amsterdam in 1767. Condition Report: Movement is in relatively clean condition and appears to be in working order with no visible evidence of alteration or noticeable replacements. The escapement may be a slightly later 'upgrade' however there are no spare holes etc so could well be original. The alarm is complete except for rope line and driving weight. Movement is a little dusty hence a precautionary gentle clean service is advised. Dial is in good clean condition with only slight mellowing to finishes and there is no visible evidence of alteration or notable replacements. The seatboard appears original and rests on cheek uprights of the case with no visible evidence of adjustment hence we are of the belief that the movement and dial are original to the case. The case is generally in sound original condition. The finials are intact except for the fingers of one angel which are missing; the wings are currently detached bit present with the clock. There are three holes to the top of the arch moulding suggesting an alternative lower position for the finials or that the clock has other additional finials at some point. There is some lifting to the fretwork in the arch and both hood side frets have been pushed-in a little hence are now bowed with a couple of minor losses. The side panels of the plinth show movement hence opening of the joints to the top edges, there are also some light cracks etc to each. Case otherwise is in very sound original condition with faults very much limited to relatively minor shrinkage, wear, a few age-related bumps and scuffs, some historic consolidation/gluing and other blemishes. The colour is a little dry faded.Clock has pendulum, pair brass-cased weights, crank winding key and a case key. Condition Report Disclaimer

Lot 159

AN UNUSUAL REGENCY KINGWOOD CROSSBANDED MAHOGANY BALLOON-SHAPED BRACKET CLOCK OF NOTABLE PROPORTIONSS. THORP, ABBERLEY, EARLY 19th CENTURYThe substantial five pillar twin chain fusee movement with thick plates measuring 8 by 6.75 inches and anchor escapement regulated by half-seconds lenticular bob pendulum incorporating pivoted beam rise/fall regulation to suspension, unusual cranked crutch arrangement with knife-edge impulse flag and elaborate hinged holdfast fitted to the backplate, the trip-repeating strike train sounding the hours as well as a single blow for the half hour on a bell set above the plates, 12 inch very slightly convex single sheet silvered brass Roman numeral dial with subsidiary regulation adjustment over calendar dial and signed J. Thorp, Abberley to centre, with fine rosette decorated pierced steel hands set behind a generous hinged convex glazed cast brass bezel within reeded surround, the waisted kingwood crossbanded case with surmount formed as four leaf-carved shallow S scrolls meeting at the apex over panel banded curved side panels interrupted by spiral-turned batons at the waist, the front with unusual Anthemion marquetry decoration and reeded border to the shaped panel beneath the dial, the rear with hinged circular door behind the movement and conforming mouldings to borders, and the base with further twist turned batons to sides and break-arch apron to front over generous ball and claw cast gilt brass feet.71cm (28ins) high, 48cm (19ins) wide, 24cm (9.5ins) deep. Samuel Thorp was born in Madeley Shropshire in 1765 and was apprenticed to Robert Webster of Shrewsbury in 1780. He worked from Abberley in Worcestershire and is particularly well known for his turret clocks including for Great Witley (1804) and Stourport-on-Severn Yacht club (1813), A sundial by him dated 1819 can also be found at Shrawley Parish Church. Samuel Thorp died at Abberley in 1838. The present clock is notable in the quality of execution of the movement with details such as thick plates, generous shaped cocks for the fittings and distinctive large shallow-headed screws. The cranked arrangement for the crutch (complete with knife edge impulse flag) follows the practice adopted by Henry Hindley, but with much more attention given to the engagement of the crutch with the pendulum in order to eradicate any play within the connection. These details are indictive of a clockmaker who had a great deal of pride in his work. Condition Report: Movement is in relatively clean condition with no visible evidence of alteration or noticeable replacements. The going train will run however the strike train is currently wound down and won't wind (possibly a jam with the winding ratchet?) however can be made to strike if power is manually applied to the train. A gentle clean/service is also advisable. The dial has overall patchy oxidation, a small area of Verdigris at nine o'clock and crazing to the black infill of the numerals otherwise is in good original condition. Case is generally in good original condition exhibited only relatively minor age-related faults. The S-scroll carved sections forming the decorative superstructure are loose in their fixings and one of the scrolls is missing its tip. The side veneers exhibit historic shrinkage (but no notable movement in the carcass beneath) with some localised filling evident to the left-hand side. The mask around the dial (behind the bezel) has some slight chipping to the veneers adjacent to the lock aperture. The rear door has a slight warp otherwise faults to the case are very much limited to minor shrinkage and a few light bumps, scuffs and other age-related wear. Clock has pendulum, case key and a winder. Condition Report Disclaimer

Lot 153

A GEORGE I/II NORTH OXFORDSHIRE QUAKER-MADE IRON-FRAMED POSTED HOOK-AND-SPIKE WALL CLOCKATTRIBUTED TO THOMAS OR RICHARD GILKES, SIBFORD OR ADDERBURY, CIRCA 1725-35The posted two train countwheel bell striking movement with Huygens' endless chain winding and anchor escapement regulated by seconds pendulum, the iron frame with rectangular corner posts rivetted to the top and bottom plates and the rear with shaped hanging hoop over spurs formed as forged perpendicular extensions to the lower ends of the rear movement posts, the 9.75 inch square brass dial with three concentric bands of engraved wrigglework decoration to centre, scroll-pierced steel hand within applied silvered Roman numeral chapter ring with cruciform half hour markers, and with gilt twin cherub and crown pattern spandrels to angles.17cm (6.75ins) deep, 28cm (11ins) high. Thomas Gilkes is recorded in Beeson, C.F.C. Clockmaking in Oxfordshire 1400-1850 and Loomes, Brian The Early CLOCKMAKERS of Great Britain as born in Sibford circa 1665. He was a Quaker who married in 1702 and had sons Thomas in 1704 and Richard in 1715. Thomas junior subsequently set up as a clockmaker in Charlbury and Richard in Adderbury. Thomas Gilkes of Charlbury appears to have made very few clocks (possibly due to him also being a minister) however Richard Gilkes became a fairly prolific maker and is probably the best known of the north Oxfordshire Quaker clockmakers. Richard Gilkes married Grace Gower of Sibford in 1744, but despite the marriage producing six children Richard Gilkes had no male heirs on his death in 1787 due to both of his sons dying in childhood. Although unsigned, the present clock is essentially a textbook example of the type produced by Thomas Gilkes in Sibford towards the end of his career and then Richard Gilkes in Adderbury up until around 1750. Details such as the rivetted posted iron frame incorporating distinctive hanging hoop and spikes forged as part of the rear posts, together with distinctive wriggle-work engraved thin brass dial plates are seen on both makers work. The presence of cruciform half hour marks would suggest an early date, but the use of collets for mounting of the wheels (rather than directly onto tapered arbors) would suggest no earlier than around 1725. Condition Report: Movement is in very original unrestored condition with the only possible noticeable replacement being the countwheel. Although there is some moderate pinion wear evident the trains will run but as the mechanism is dirty/dusty a gentle clean through, conservation and lubrication is advised. The dial plate has small losses to both upper corners otherwise is in good original condition but with oval light to moderate discolouration/mellowing to the finishes; the hand and spandrels appear original. Clock is complete with pendulum and weight. Condition Report Disclaimer

Lot 110

A RARE FRENCH GILT BRASS CARIATIDES CASED MINIATURE CARRIAGE CLOCKG. BACQUEVILLE, PARIS, DATED 1893The rectangular eight-day movement with large single barrel incorporating tandem drive for both the going and strike trains, the former with silvered platform lever escapement regulated by sprung bimetallic balance and the latter with external hour hammer pivoted on the backplate for sounding on a gong set within the base of the case, the backplate stamped with serial number 3552 to lower margin, the 1 inch circular convex white enamel dial with vertically aligned Arabic hour numerals, five minute annotations to the outer minute track and fine scroll pierced gilt brass hands, set within a rectangular silvered mask signed G. Bacqueville, PARIS - 1895 to lower margin, the heavy cast gilt brass bevel-glazed cariatides case of Mignonette No. 2 size with rosette-centred acanthus scroll cast hinged carrying handle over thick glass set within generous repeating acanthus cast surround to top, above ogee-shaped lappet leaf cast cornice and canted corner uprights cast as Classical female terms, the rear with pin-hinged door and on conforming lappet-leaf ogee skirt base with pad feet.8.3cm (3.25ins) high with handle down, 6cm (2.625ins) wide, 5cm (2ins) deep. G. Bacqueville of Paris does not appear to be recorded in the usual sources however other decorative clocks (dating to the end of the 19th century) signed by him are known. The use of tandem barrel to drive both the going and strike trains, together with the provision of a silvered high-quality silvered platform jewelled escapement, suggests that the movement of the present clock may well be of Swiss manufacture. Hence would have most likely been supplied to Bacqueville for casing and retail in Paris. Miniature carriage clocks are called Mignonettes or 'little darlings' and come in three graded sizes with No. 1 being the smallest. Condition Report: The movement is in relatively clean fully working condition with no visible evidence of alteration or noticeable replacements. The hour hand is a little out of position (reading around one minute division ahead) hence would benefit from adjustment. Dial is free from any visible defects although the silvering to the mask is has slight overall oxidation giving a nice mellow colour to the silvered finish. The case is in very good original condition with no visible crack/chips or other defects to the glass and light to moderated wear to the gilding (most noticeable to the frame of the rear door).Clock is complete with a winding key. Condition Report Disclaimer

Lot 93

A FRENCH GILT BRASS AND CHAMPLEVE ENAMELLED SMALL MANTEL TIMEPIECE IN THE LOUIS XV TASTEUNSIGNED, PROBABLY PARIS, CIRCA 1900The circular eight-day single train movement with replaced platform lever escapement vertically planted on the backplate adjacent to stamped initials L.R opposing serial number 488, the 2 inch circular slightly convex white enamel dial with concentric polychrome floral swag painted garlands bordering the vertically orientated Arabic hour numerals, with scroll pierced and engraved pierced brass hands set behind a hinged engine milled cast convex bevel-glazed bezel, the case with rococo scroll pierced surmount to the ogee-shaped superstructure decorated in cobalt and sky blue with acanthus designs over conforming scroll crest and shouldered mounts bordering the fascia incorporating further blue foliate enamel infill beneath the dial, the sides with conforming serpentine-shaped enamel panels and the rear with circular glazed movement aperture within scroll relief cast surround, on integral scroll cast bracket feet with conforming shaped apron to front between.22cm (8.75ins) high, 11cm (4.25ins) wide, 6.5cm (2.5ins) deep. Condition Report: Movement is in relatively clean working condition although a precautionary gentle clean/service is probably advisable if intending to put into long term service. As catalogued the escapement is a replacement. Dial is vert presentable but has some very light hairline cracks near 2 o'clock numeral, slight shipping at the centre and some very light surface scratches; all these faults are only visible on very close examination. Case is in very good condition with no noticeable losses or significant cracks/chips to the enamel, indeed damage is limited to only a couple of very slight surface defects and age-related blemishes only visible on close examination. The gilding is mostly worn away probably from historic cleaning and the rear cover does not 'snap' secure when it is closed.Timepiece has a winding key. Condition Report Disclaimer

Lot 172

A REGENCY BRASS MOUNTED EBONISED BRACKET CLOCK WITH TRIP-HOUR REPEATGEORGE YONGE, LONDON, CIRCA 1810The five pillar twin fusee bell striking movement with and anchor escapement regulated by half-seconds lenticular bob pendulum, the geometric border engraved backplate signed Geo. Yonge, LONDON to centre over pendulum holdfast clip, the 7 inch circular convex cream painted Roman numeral dial signed GEO. YONGE, LONDON to centre, with decorative scroll pierced steel hands set behind hinged convex glazed cast brass bezel, the lancet-top case with brass edge mouldings to the arch enclosing raised brass geometric line decoration above the dial, over conforming looped lozenge and geometric line border panel infill beneath flanked by slender brass three-quarter columns to angles, the sides with brass lion's mask ring handles over brass fretwork lancet-shaped frets, and the rear with pointed break-arch glazed window set within the frame of the case, on stepped skirt base faced with a brass band over ball feet.40cm (15.5ins) high, 24cm (9.5ins) wide, 16cm (6.25ins) deep. George Yonge is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a 'fine maker' working in London 1776-1815. Online sources indicate that he worked from 131 Strand, took his son into partnership in 1820 and worked up until 1832. Condition Report: Movement is in relatively clean condition with no visible evidence of alteration or noticeable replacements. Unfortunately the going train fusee line has become detached from the fusee hence the train in not in working order. No other damage is apparent so hopefully it will just be a case of re-attaching the line to get the train running. However, due to the line being detached, we cannot offer any firm assurances as to the integrity of the mainspring (although the barrel exhibits tension when an attempt is made to turn it by hand). The strike train is in working order; the movement is a little dull/discoloured hence would generally benefit from a gentle clean and lubrication. The dial has been restored to a good standard (hence presents very well) but with finish applied straight over the original hence there are some slight surface depressions (mostly to the circumference) where the finish has been applied over chipping to the surface beneath. The case is in very good original condition with faults very much limited to natural light to moderate shrinkage/cracking to the veneers, very minor wear and other very slight age-related blemishes.Clock has a pendulum and winder but no case key. Condition Report Disclaimer

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