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Lot 305
William Frederick Witherington RA (1785-1865)'The Harvest Field'signed 'W F Witherington' l.l., oil on canvas45 x 60cmProvenance: With The Royal Exchange Gallery, London.Condition ReportThe painting has been executed in oil on a canvas support which has been lined. The paint layers are in a very good condition overall, stable and secure. There is a slight vertical indentation at the right hand side. Overpaint is visible under ultraviolet light around the edges of the picture. The varnish is clear and even. Overall, the appearance of the picture is very good.
Lot 306
Ernest Charles Walbourn (1872-1927)'A Quiet Corner'oil on board, with artist's studio stamp 'EW' l.r.34.2 x 22.7cmProvenance: With the Bourne Gallery, Surrey;from the artist's estate.Condition ReportFramed size: 46 x 35cm.Overall, appears to be in good condition, not viewed under uv light, please contact the department for a full report.
Lot 313
Michail Markianovic Guermacheff (1867-1930)Snow along a riverbank at sunsetsigned 'Guermacheff' l.r., oil on canvas46.5 x 55cmProvenance: With Frost & Reed, No. S653.Condition Reportoverall: 58.5 x 68cmin generally good order, unexamined under UV light, for a full report please contact the department.
Lot 315
Michail Markianovic Guermacheff (1867-1930)Sunset through the treessigned 'Guermacheff' l.r., oil on canvas46.5 x 56cmProvenance: With Frost & Reed, No. S628.Condition Reportoverall: 58 x 67cmin generally good condition, unexamined under UV light. For a full report please contact the department.
Lot 316
Michail Markianovic Guermacheff (1867-1930)A still pool, sunsetsigned 'Guermacheff' l.r., oil on canvas46.5 x 55cmProvenance: With Frost & Reed, No. S451.Condition Reportoverall: 58 x 68cmthe canvas is unlined and generally the work looks to be in good order. Unexamined under UV light, please contact the department for a full report.
Lot 320
David Farquharson ARA (1839-1907)'The Tay - at Newburgh'signed and dated 'D. Farquharson/.89' l.l., inscribed with title and initialled verso, oil on canvas30.5 x 46cmCondition Reportoverall:45 x 65cmCanvas is unlined. Under uv light, a small area of retouching on centre left edge. Otherwise in good and original condition.
Lot 326
Bernard de Hoog (Dutch, 1867-1945)A woman sewing in an interiorsigned 'Bernard de Hoog' l.l., oil on canvas51 x 40cmCondition ReportThe canvas is lined. There is some flatenning to the impasto. Under UV light, it is difficult to assess any retouching due to a thick and patchy varnish, however, there may be some to parts of the skirt and possibly elswhere. The painting is well presented and ready to hang.
Lot 336
Alfred Pollentine (1836-1890)The Grand Canal, Venice, looking towards the Doge's Palace and St Mark's Squaresigned 'A Pollentine' l.r., oil on canvas51 x 76.5cmCondition Reportoverall: 64 x 89.5cmCanvas is relined. There are small areas of retouching to sky area that are noticeable under uv light. Otherwise the work is overall in good condition.
Lot 337
Alfred Pollentine (1836-1890)The Grand Canal, Venicesigned 'A Pollentine' l.r., oil on canvas40.5 x 60.5cmCondition Reportoverall: 53 x 75cmSome craquelure and slight stretcher mark to the upper edge apparant. The painting does not appear to be re-lined, however, the verso seems to have been treated and is shiny in appearance, possibly with a beva film or similar synthetic lining. Under UV light, two small areas of retouching in left portion of sky, this is faintly noticeable to naked eye.
Lot 338
â–´ Hugo Golli, known as 'Vallin' (Italian, b.1921)A Venetian backwatersigned 'Vallin' l.l., oil on canvas56 x 69cmProvenance: With The Medici SocietyCondition ReportOverall in good condition, under uv light no obvious signs of retouching or restoration. The work was acquired by the vendor from The Medici Society.
Lot 339
â–´ Antoine Bouvard (French, 1875-1957)A gondola on the Grand Canal, Venicesigned 'Bouvard' l.l., oil on canvas50.5 x 65cmCondition Reportoverall: 63.5 x 79cmCanvas is unlined. Under uv light, a couple of small spots of retouching toward left edge, please refer to condition report images for detail, these are only noticeable to naked eye on very close observation, otherwise in good order.
Lot 43
Circle of John Vanderbank (1694-1739)Portrait of a gentleman, three-quarter-length, in a red jacket and gold waistcoatoil on canvas127 x 101cm, unframedCondition ReportThe painting is executed probably in the 1720s-30s, oil on a canvas support which has been lined. Water staining is visible on the reverse of the lining canvas. There are numerous tears and deformations across the canvas. An old horizontal tear is present through the sitter’s neck. The fill and overpaint in this area is cracked and flaking. There are scattered areas of flaking paint and small losses across the surface. The painting has a thick varnish layer which has discoloured, obscuring the detail of the composition including the sitter’s red jacket. The varnish has possibly developed its own network of age cracks which is evident in the background. There is a thick layer of surface dust present. Under UV light, there are some small scattered retouchings in places, however this is not extensive.The painting comes from a private source, it is unclear whether it was recently hung or framed.
Lot 56
J... Coleman (19th century)A game lardersigned 'J Coleman' l.l., oil on canvas63.5 x 76cmCondition Reportoverall: 72 x 85cmCanvas is relined. Cracking to paint that has been retouched particularly around edges, this is obvious under uv light and to naked eye, please see images, some paint loss along bottom edges, condition now seems stable.
Lot 58
Circle of Adriaen van Diest (1655/56-1704)View of Plymouth with shipping in the Sound, figures and a horse-drawn coach in the foregroundoil on canvas70 x 119cmCondition ReportThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is generally in plane with some minor undulations. The paint layers are stable overall bit have suffered from wear and abrasion, notably in the sky. The sky has been extensively overpainted. There are touches of overpaint in the lower half of the painting but most of the detail is well preserved. The varnish is slightly yellowed and matte but even. There is a light layer of surface dirt present.
Lot 59
Flemish School, 18th centuryA wooded river landscape with figures loading a boat;A landscape with figures, a horse and cart and a distant towna pair, oil on copper, oval8 x 10.3cm (2)Condition ReportOverall: 11.5 x 14cmsome surface dirt but apparenty in good order, unexamined under UV light, for a full report please contact the department.
Lot 63
Follower of Jacob van RuisdaelA wooded landscapeoil on canvas54 x 62cmCondition ReportFramed size: 65.5 x 75.5cmthe canvas has been lined. Under UV light there is retouching apparent in parts, most notably to the left of the sky, to the lower left and to the lower right. The work is well presented, and ready to hang.
Lot 67
Scottish School, mid-18th centuryPortrait of James Mackie, half-length seated, in a brown coat and waistcoatoil on canvas72 x 62.5cmCondition Reportoverall: 87 x 77.5cmThe canvas has been lined. There is some craquelure in parts. Under UV light there is a significant amount of infilling to the craquelure scattered throughout.
Lot 7
After Carlo Dolci The Angel of the Annunciationinscribed verso 'Medal of Distinction Italian Exhibition of Costa & Conti Artists, Gallery of Copies & Ancient Pictures Florence', oil on canvas70 x 54cmAfter the original in the Pitti Palace, Florence.Condition Reportoverall: 91 x 74.5cmThe canvas has been lined. There is craquelure in parts and some slight bitumen damage to the darker tones around the angel's head and to the hair, see illustration. Under UV light there is a thick varnish which obscures much of the surface, however, there are some scattered flecks of retouching in places, to the right of the face and some strengthening of the drapery.
Lot 81
Attributed to John Ralston (1789-1833)Men-of-war anchored off the coast, figures in a rowing boat in the foregroundoil on canvas66 x 91.5cmCondition ReportFramed size: 104.5 x 79.5cmThe canvas has been lined. Some signs of over-cleaning in parts. There is some craquelure remaining and signs of the old stretcher marks. There is discolouration in places and some infill is noticeable. Under UV light, there is considerable retouching apparent in places throughout. The frame is in generally good order.
Lot 83
Circle of Charles Brooking (1723-1759)Frigates off the coastoil on canvas71 x 118cm, unframedCondition ReportThe canvas has had a wax relining. There is craquelure in parts. Stretcher marks are visible to the centre, left and right edges. There is some cockling to the surface, particularly across the bottom towards the right where there is sign of a repaired tear. Under UV light there is retouching in places throughout the composition.
Lot 86
Anglo-Chinese School, c.1855'Arabia', a clipper, 333 tonnes, off the coast possibly of Hong Kongoil on canvas46 x 59.5cm, in the original Chinese carved wood frameCondition ReportThe canvas has been lined. There is craquelure throughout. In parts this has lead to strinkage, apparent int he illustration. Under UV light, there is extensive infilling to the craquelure, also to the stretcher marks. There is crinkling to the paint surface to the upper left. Overall, the conservation has been well exected and the painting is presented in a stable condition, ready to hang.
Lot 91
Follower of Sir Thomas LawrencePortrait of a young lady, half-length, in a white dress and red wrapoil on canvas 35.5 x 30.5cmCondition Reportoverall: 46 x 41cmsome superficial surface abrasions, see illustration. Covered with a thick layer of discoloured varnish. Unexamine dunder UV light, for a full report please contact the department.
Lot 94
Circle of Richard Westall RA (1766-1836)A wounded female warrioroil on board, oval28.5 x 21.5cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportFramed size: 46 x 38cm.Condition generally appears to be good, under UV light there are some very minor retouchings to the red cloth, and two very small spots to the upper right. The painting is on panel, not board.The painting and surrounding decoration which are viewed through the frame appear to be painted by the same hand. Presented in a carved wooden frame, with overlayed gesso, red clay bole and gilding. The frame is from the same period as the panel.
Lot 97
Alexandre Calame (Swiss, 1810-1864)An extensive mountainous landscape with a distant lakesigned with initials 'AC' l.r., oil on paper laid down on canvas16.3 x 27.3cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportThe canvas is unlined. There is a little retouching apparent under UV light to the extreme left edge, a scratch to the upper left of the sky and some isolated small spots elsewhere. Generally speaking, however, the painting is in good order and well presented, ready to hang.
Lot 98
Léopold Leprince (French, 1800-1847)'Roof Tops'indistinctly titled, signed and dated 'Leopold Leprince 1815' verso, oil on board12.3 x 31cmProvenance: The Estate of Sir Jack and Lady Baer.Condition Reportoverall: 19.3 x 37.5cmA little staining and surface dirt to the centre of the sky. Under UV light, there are some scattered small specks of retouching to the sky. Small losses to the extreme upper right corner. The varnish is quite obscuring to the lower portion of the board so it is hard to assess if there is any further retouching this area.
Lot 543
Large collection of vintage Action Man figures, unsorted clothing, equipment and military vehicles including 2 1960's figures (both with damaged hand), helicopter, T29 tank, 'Sea Wolf' underwater vessel, search light, training tower, weaponry etc together with a 1970's 'Six Million dollar Man' by Kenner
Lot 835
Two artworks to include: A. Ruskin-Browne (20th century)- 'Morning Light, Bristol', pastel on paper, signed lower right, title inscribed in label verso, 36 x 50 cm; together with watercolour on paper signed, H. W. Browning/Brouning lower right, label inscribed 'Castle Hill Farm, Prescott' verso, 25 x 35 cm, both mounted, framed and glazed (2)
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534325 item(s)/page