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Lot 12

ENGLISH SCHOOL (EARLY 18TH CENTURY) PORTRAIT OF A LADY WITH A BOOK Oil on canvas 109.5 x 89cm (43 x 35 in.) Condition Report: The canvas has been relined. Surface dirt and craquelure throughout. Two tears in the upper left quadrant. Rubbing to the edges with some associated loss. An area of flaking to the upper right quadrant with associated loss. An area of retouching visible in natural light and white blemishes, possibly blooming varnish to the lower left quadrant. Inspection under UV reveals a green masking varnish and some light scattered retouching, the extent of which may be concealed by the varnish. Condition Report Disclaimer

Lot 126

WALTER SICKERT (BRITISH 1860-1942) THE OLD FIDDLER (SMALL PLATE) (BROMBERG 187) Etching with drypoint, c. 1919, the small plate Signed in pencil 14.5 x 11cm (5½ x 4¼ in.) Condition Report: Examined out of the frame. The sheet is attached to the mount along the top and bottom edges with acid free mounting tape. There is dark discolouration to the extreme edges of the reverse of the sheet and general light time staining. Condition Report Disclaimer

Lot 145

λ KEN HOWARD (BRITISH B. 1932) BERGUN, 1987 Oil on linen laid to board Signed (lower right) 25.5 x 19.7cm (10 x 7¾ in.) Provenance: Oscar and Peter Johnson Limited, London Exhibited: London, Oscar and Peter Johnson Limited, Ken Howard, June 1987, no. 34 Condition Report: Very light surface dirt throughout. Inspection under UV reveals no evidence of retouching or infilling, In overall good condition. Condition Report Disclaimer

Lot 149

λ CAREL WEIGHT (BRITISH 1908-1997) THE MEETING Oil on board with scratching out Signed (upper left) 35.2 x 45.8cm (13¾ x 18 in.) Provenance: New Grafton Gallery, London F.R. Benson & Partners, London Exhibited: London, New Grafton Gallery, March 1974, cat. no. 34 Condition Report: Light surface dirt throughout. Some evidence of yellowing varnish visible to the sky. Otherwise appears to be in good original condition. Inspection under UV reveals no obvious evidence of restoration or repair. Condition Report Disclaimer

Lot 152

λ JULIAN BARROW (BRITISH 1939-2013) BERRY BROS. & RUDD LTD., WINE MERCHANTS, LONDON Oil on canvas Signed and dated 1981 (lower right) 25.5 x 35.5cm (10 x 13¾ in.) Provenance: Acquired directly from the artist by the present owner Julian Barrow was born in 1939 in Cumberland but spent most of his life in London. Barrow began as a restorer and joined the National Gallery restoration department in London. During his time there he was sent on many trips to complete commissions. Ireland, was a location that made a particular impression on Barrow. He was inspired by the rural scenery and surrounding hills and began to paint the view in his spare time. In 1960, he decided to become a full-time artist, and trained under Pietro Anningoni in Florence. Condition Report: Light surface dirt and possible paint splatters to the canvas surface. Otherwise in good original condition Condition Report Disclaimer

Lot 166

λ JESÚS CARLOS DE VILALLONGA (SPANISH 1927-2018) VIERGE À MARIER Oil on board Signed and dated '69 (lower right); inscribed 'Une adolescente devant un monde beau est frissoneuse de peur curieuse' (verso) 64 x 81.5cm (25 x 32 in.) Condition Report: Light surface dirt throughout. Rubbing to the extreme framing edges, with some associated loss most notably to the lower edge. Minor surface scratches scattered throughout. Otherwise overall good original condition. Condition Report Disclaimer

Lot 190

λ PETER HEDEGAARD (DANISH 1929-2008) UNTITLED (BLUE & GREEN) Screenprint in colours, 1969 Signed and dated in pencil, numbered 20/25 76 x 55cm (29¾ x 21½ in.) Condition Report: Unexamined out of glazed frame. Some light discolouration to the sheet. Some evidence of moisture trapped under the glaze visible to the blue pigment. This appears to have caused some discolouration. Condition Report Disclaimer

Lot 217

λ PATRICK PROCKTOR (BRITISH 1936-2003) EARLY MORNING VENICE, 1975 Offset lithograph, 1990, from the edition of 350 Signed in pencil 63 x 45cm (24¾ x 17½ in.) Condition Report: Unframed. Light surface dirt to the extreme edges. A vertical crease to the lower right corner. Small crease to the upper left corner and the corners are slightly worn. Condition Report Disclaimer

Lot 227

JONAS WOOD (AMERICAN B. 1977) LARGE SHELF STILL LIFE Offset lithograph poster in colours, 2017, published for the Shio Kusaka Jonas Wood exhibition at Voorlinden Museum & Gardens, Wassenaar, Netherlands, with the artists' and museum's ink stamp on the reverse 58.5 x 58.5cm (23 x 23 in.) Unframed Condition Report: In good original condition. With light fingerprint marks to the back of the work. Condition Report Disclaimer

Lot 232

AFTER MARTIN SHARP MISTER TAMBOURINE MAN; BLOWING IN THE MIND Each 75 x 49.5cm (29½ x 19¼ in.) (2) Condition Report: Each sheet is loose and not stuck down or mounted. David Bowie: The sheet has been cut down. Staining to the reverse. Creasing and undulation throughout the sheet. Glue residue to the upper edge, verso. Pin holes and some small losses to the lower corners. Horizontal crease approx. 10cm 1/3 from the bottom edge running into the centre of the sheet. Mister Tambourine Man: Red staining to the extreme edges of the sheet, recto. Very light handling creases scattered across the sheet. A horizontal creases running across the lower edge. Ink stains to sheet verso.   Condition Report Disclaimer

Lot 3

AFTER CARLO MARATTA SAINT ANTHONY WITH THE CHRIST CHILD Oil on copper 24 x 19cm (9¼ x 7¼ in.) Condition Report: It has a thick layer of discoloured varnish and surface dirt. Under UV light there are several small spots of restoration but this is all quite minor. It should clean well. Condition Report Disclaimer

Lot 34

CHARLES VERLAT (BELGIAN 1824-1890) TWO EAGLES WITH THEIR KILL ON A ROCKY OUTCROP Oil on canvas Signed and dated 1870 (lower left) 91 x 121cm (35¾ x 47½ in.) Condition Report: The canvas has not been relined. Craquelure scattered throughout. The paint surface is unstable and there is a large amount of craquelure along the lower 1/3 of the picture, with associated flaking and cupping. The lower left quadrant with some associated rubbing and loss. Slight undulation to the canvas, most notably to the lower left corner. Stretcher marks are visible. Light surface dirt throughout. There are 7 patch repairs visible to the reverse. Inspection under UV reveals scattered retouching and more extensive retouching in line with patch repairs verso. Condition Report Disclaimer

Lot 39

ALBERTO TERRINI (ITALIAN 19TH/20TH CENTURY) RIALTO BRIDGE, VENICE Oil on board Signed (lower right) 26 x 36cm (10 x 14 in.) Condition Report: Overall the frame appears in very good condition. On closer inspection there are some scattered hairline cracks to the edges, however there is no knocks or missing pieces. There is a thick varnish causing some yellowing across the surface and very small pools of varnish scattered across. This work may benefit from a light clean. Inspection under UV reveals an uneven green varnish but no evidence of restoration or repair. Condition Report Disclaimer

Lot 48

λ JULES BENOIT-LEVY (FRENCH 1866-1952) OLD FRIENDS Oil on canvas Signed (lower left) 54 x 65.5cm (21¼ x 25¾ in.) Condition Report: Light surface dirt. Areas of craquelure and paint shrinkage scattered throughout. Inspection under UV reveals a heavy green varnish and some scattered retouching and infilling. Condition Report Disclaimer

Lot 68

WALTER KINGDOM (BRITISH B. CIRCA 1852) A POMPEAIN Oil on canvas With inscribed label (attached verso) 31 x 25.5cm (12 x 10 in.) Condition Report: Relined. Craquelure and light surface dirt throughout. Some areas of paint shrinkage scattered throughout. Inspection under UV reveals an uneven varnish and retouching scattered throughout. Condition Report Disclaimer

Lot 75

λ BERTRAM PRIESTMAN (BRITISH 1868-1951) SUNSHINE AND SHADOW IN THE LANGDALE VALLEY AS SEEN FROM RED BANK Oil on board Signed with initials and dated '11 (lower right); further signed, titled, dated May 1911 and dedicated"To my father and mother June 12 1912." (verso) 21 x 27cm (8¼ x 10½ in.) Condition Report: Uneven varnish. Yellowing varnish causing some discolouration most notable to the sky. Areas of paint shrinkage scattered across the board. There is a small loss circa. 1cm to the lower edge together with a small cluster of pin hole size losses at the centre of the lower edge and a small loss circa. 1cm the centre of the left edge. Light rubbing with associated losses to the edges. Inspection under UV reveals an uneven varnish. Condition Report Disclaimer

Lot 8

MANNER OF MELCHIOR DE HONDECOETER (20TH CENTURY) BIRDS IN A LANDSCAPE Oil on panel Signed with a monogram (lower left) 40 x 49.5cm (15½ x 19¼ in.) Please Note: This work is 20th century. Condition Report: Uneven varnish causing some discolouration. Three scratches to the centre of the left edge. Light rubbing with associated loss to the edges. Light surface dirt throughout. Inspection under UV reveals an uneven varnish. Condition Report Disclaimer

Lot 86

ADOLPHUS KNELL (BRITISH ACT. 1860-1890) SHIPPING UNDER MOONLIGHT Oil on board Signed (lower right) 21 x 36cm (8¼ x 14 in.) Condition Report: Light surface dirt throughout. Light craquelure to the upper middle quadrant. Inspection under UV shows retouching to the upper middle quadrant and a layer of green varnish throughout. Condition Report Disclaimer

Lot 99

λ JAN HENDRIK EVERSEN (DUTCH 1906-1995) STILL LIFE OF SAUTERNES AND FRUIT Oil on panel Signed and dated 1953 (lower right) 41 x 31cm (16 x 12 in.) Provenance: Burlington Paintings, London Condition Report: Light surface dirt and fine vertical cracking throughout. Some small areas of retouching visible in natural light. Inspection under UV reveals infilling and retouching scattered throughout. Condition Report Disclaimer

Lot 193

CANON EOS 1200D DIGITAL SLR CAMERAwith a Canon zoom lens 18-55mm, Canon Sirius MC auto zoom lens 80-200mm, Canon zoom lens, Canon lens 50mm, a Graply LED video light, Canon RS-60E3 remote switch, Gingtu timer remote switch for time lapse pictures and a padded camera bag

Lot 210

SELECTION OF PHOTOGRAPHIC AND OPTICAL ITEMSincluding a cased pair of Crystal Meiko field glasses with 7x50 magnification, Zenit-B 35mm camera, Olympus Super Zoom 35mm camera, cased, HP Photosmart M627 digital camera, Olympus Trip AF 35mm camera, cased, Saiga 135mm lens, Hanimex light meter, Simmons 1200 telescope and a cased unmarked telephoto lens (9)

Lot 348

LIGHT OAK TORCHERE STANDraised on a circular base with a grooved column, 100cm high

Lot 361

ARTS AND CRAFTS LIGHT OAK SIDEBOARDwith a shaped bevelled mirror back above a shaped shelf, the base with two panelled drawers above two two panelled cupboard doors, standing on bun feet, 184cm x 137cm

Lot 372

ARTS AND CRAFTS LIGHT OAK DRESSING CHESTwith a rectangular mirror back flanked by a pair of supports with heart motifs above a shelf, the chest with two short and two long drawers, standing on a plinth base, 99cm wide

Lot 414

ART DECO HOUSEKEEPERS CUPBOARDin light oak, the upper section with three pairs of panelled cupboard doors opening to reveal shelves, the base with three pairs of panelled cupboard doors opening to reveal shelves, standing on bracket feet, 145.5cm x 238.5cm

Lot 443

LIGHT TEAK SIDE CABINETthe plain top with rounded corners above an open front with two adjustable shelves, standing on a plinth base, 107cm 100cm

Lot 799

A mid Century light Ercol dining table with four stick back dining chairs and an additional carver

Lot 389

ARR Doris Clare Zinkeisen, 1898-1991, a gentleman and a lady riding in a carriage, signed, oil on canvas, 49 x 59cmCondition report: Overall condition is ok. Slightly dirty, with some light specks and tiny flakes of paint, but these are not easy to spot. Clearly signed. Frame and mount look original and are fairly clean. Consigned from a private vendor in Essex

Lot 406

A Rene Lalique opalescent glass bowl, circa 1930's, decorated in the coquilles pattern, etched mark to base and numbered 3204, 13cm diameterCondition report: Some light surface marks inside and tiny marks to the rim you can feel with your nail. Etched R LALIQUE FRANCE to base. No obvious damage or repairs.

Lot 52

A 19th century brass oil lamp, with a pink opaque glass font and etched glass shade, 49cm high overallCondition report: Font is very dirty inside so difficult to see. Has glue under the base, where it meets the metal base. A soldered repair to the column on the brass. Heavily worn. Metal is very tarnished. Shade has a rough edge around the base, but has otherwise light wear and is dirty.

Lot 55

A late 19th century brass oil lamp, with a painted pink opaline font and etched glass shade, 57cm highCondition report: Dirty. Font appears complete and not drilled. Metal is tarnished and dull. All fits together ok. Shade has tiny chips around base where it fits into the aperture. Overall light wear.

Lot 555

A modern light oak cabinet72w x 35d x 87h cm

Lot 568

A modern light oak glazed dresser, with a limed oak upper section165w x 67d x 212h cm

Lot 578

A Christopher Wray style painted ceiling light, 65cm high

Lot 587

A modern light oak sideboard174w x 51d x 85h cm

Lot 666

A cut glass ceiling light, with glass drops, 35cm diameter

Lot 670

A 19th century brass wall light, with a scrolled support and glass drops, together with a collection of 19th century gas light fittings

Lot 697

Two boxes of silver plated items, to include a punch bowl with inscription for Sudbury Bowls Club, together with a green painted metal ceiling light

Lot 7

A set of twenty-five Elizabeth Our Queen silver Jubilee ingots, by John Pinches Limited, circa 1976, in a fitted presentation case, 34cm wide, with certificateCondition report: Each ingot weighs 25g. Set is complete and in clean condition. Box has light marks.

Lot 727

A Sai blown purple glass light, together with matching table lamp and shade, 52cm high overall (2)

Lot 732

Three early 20th century brass gas light wall brackets, each 34cm high (3)

Lot 75

A Bernard Moore flambe vase, of ovoid shape, painted mark to base, 17cm high, together with an early 20th century Moorcroft vase, painted in the anemone pattern, painted and impressed marks to base, 15cm high (2)Condition report: Botrh are dirty and have light marks acroiss the surfaces, but no visible damage. The Moocroft has a fine crazing within the glaze. These were removed from a house clearance in Suffolk.

Lot 755

A cut glass pendant ceiling light, with a brass mount, 30cm high

Lot 8

A Victorian silver mounted glass claret jug, in the manner of Dr Christopher Dresser (1834-1904) of dimpled form, with a hinged lid, by John Heath & John Middleton, of Hukin & Heath, London 1890, 16cm highAfter a design by Christopher Dresser (1834-1904), see catalogue no. M-038C Ref: 'Christopher Dresser, People's Designer' Exhibition by New Century. Overall light signs of wear. Hallmarks are slightly rubbed but still clear to read. Hinged lid opens ok. Wear to base. Removed from as house clearance in Suffolk.   

Lot 80

A garniture of five Chinese porcelain blue and white vases, 20th century, each decorated with a dragon, 41cm highCondition report: Dirty with light marks, but no visible damage or repairs. Removed from a house move in Essex.

Lot 822

A late Victorian walnut wind out extending dining table, with additional leaf, on turned legs, with winding handle181w x 119d x 74h cm overallCondition report: Overall is clean and usable. Has one additional leaf and will not extend to take any more. The top is mostly clean, with some light marks, but the legs are dull and dirty.

Lot 845

A Victorian walnut and green upholstered two seater sofa, on cabriole legs146w x 59d x 84h cmCondition report: Fabric is marked and has torn on the corners and edges and is plucked. The webbing underneath has come away along one side. Frame appears solid, but has some light marks from use.

Lot 846

A Regency mahogany and crossbanded breakfast table, of hinged rectangular shape, on a square column and carved quadruped base137 x 104cmCondition report: Overall complete and usable, with various light marks from use/age. The top opens ok, but looks like it has been repolished or restored and may not be original to the base. The base is dry, worn and dirty, with signs of old woodworm to the top of the column.

Lot 890

A cane seated arm chair, together with an Edwardian jardiniere stand, 96cm high (2)Overall the chair is solid and usable. The cane is complete. Does have some light wear and signs of use, but no obvious visible damage or repairs.

Lot 92

A set of twelve silver handled Queens pattern fish eaters, with steel blades, Sheffield 1930, together with a pair of matching servers and a later bread knife (16)Condition report: Tarnished with light signs of use, but no visible damage or repairs.

Lot 11

ARR Donald McIntyre, RCA, 1923-2009, Girl on Bed, signed, oil on board, 25 x 35cm, bearing a label for the Thackeray Gallery, Kensington Square, London, dated 1972Condition report: In original condition. No obvious damage or repair, but some signs of age. Was purchased by the vendors father new and has been inherited, so never cleaned. Clearly signed. Frame has light marks but is original to the picture.

Lot 110

A bronze model of a rearing horse, mid 20th century, draped with a cloth, on a textured plinth base, 40cm highCondition report: Dirty with some signs of age. Various light marks and wear to the base. Has been patinated with some wear to the finish on corners and edges showing the bronze colour beneath.

Lot 113

A Leon Hatot ladies designer shutter wristwatch, with a signed black dial and diamond encrusted cover, on a black leather strap, no.2693cm square caseCondition report: The case appears to be steel, with rows of diamonds set into the case. It is not running and appears to require a battery. Shows light signs of use and has no box.

Lot 118

A brown leather upholstered button back arm chair, 20th century, with scrolled arms, on square legs89cm wideCondition report: Solid and usable. Various light marks, but no obvious damage or repairs. Leather is creased and has variances of colour from age. Legs are scuffed.

Lot 125

A ruby etched glass oil lamp shade, with a four inch aperture, 18cm diameterCondition report: Dirty with light surface marks. Some fine chips around the aperture. Looks to be early 20th century in date.

Lot 14

A Murano glass aquarium block, after Gino Cenedese, modelled with two crabs, 30cm wideCondition report: Dirty with varoious light marks, but no obvious visible damage. Wear to the base.

Lot 141

A pair of large continental red upholstered throne chairs, 20th century, with gilt scrolled arms, on carved supports75w x 90d x 130h cmCondition report: These are solid, well made and usable. Fabric looks very clean. Some slight flaking to the paint and light signs of use. They appear to be later 20th century in date.

Lot 15

An early 19th century Spode New Stone dessert service, decorated with flowers, comprising twelve dessert plates, 20cm and three pairs of serving dishes, largest 30cm, impressed marksCondition report: Some light surface marks and wear to gilt. Staining to underside on most pieces. No visible damage or restorations. Removed from a local house clearance.

Lot 164

A Japanese bronze model of a lion, early 20th century, shown standing, signed to underside, 30cm longOverall looks to be complete but dirty. Various light surface marks and has been patinated to a dark colour. No obvious signs of repair or damage.

Lot 258

A Naples porcelain figure of Mme Barahoba, together with a comport, Worcester jar with puce marks, an 18th century delft blue and white plate, a Samson Chinese style mug with double twist handle and three continental platesCondition report: All the pieces have general wear and light marks, but no obvious damage or repairs. These were removed from a local house clearance in Suffolk.

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