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Lot 128

Onyeama (Dillibe) Ni**er at Eton, first edition, original boards, dust-jacket, light creasing and nicks to edges, very light chipping to spine head, otherwise excellent, 8vo, 1972. *** The memoir follows the adolescence of the author who was the first black child to finish studying at Eton College, and the racism he experienced during his four years at the prestigious college between 1965 and 1969. When it was published in 1972 by Leslie Frewin (when the author was 21), the book caused a great deal of controversy, indicting Eton as a racist institution. Onyeama was banned from ever setting foot on college campus. It was only in 2020 that the ban was rescinded and the headmaster issued an apology. The work remains an important literary case of English Black history.

Lot 59

Eliot (T.S.) Poetry and Drama, first English edition, signed by the author on title with strikethrough of printed name, very faint toning to endpapers, some very light spotting to fore-edge, occasionally straying onto margin, original cloth, dust-jacket, light creasing on spine head, [Gallup A57b.], 8vo, 1951.

Lot 194

Beardsley (Aubrey).- Jonson (Ben) Volpone, one of 650 copies, illustrations by Aubrey Beardsley, original red cloth decorated in gilt, light fading to spine, Berlin, 1910 § Hobbes (John Oliver) The Dream and the Business, first edition, ink ownership inscription to endpaper, original pictorial cloth after design by Aubrey Beardsley, light surface soiling a little rubbed, 1906; and 3 others, Beardsley and Wilde, v.s. (5)

Lot 65

Fleming (Ian) Goldfinger, first edition, original boards with skull design in gilt and blind, spine lettered in gilt, dust-jacket, toning and light rubbing along spine and joints, some nicks and tears along edges and spine ends, extremities a little chipped, still a very good unrestored copy, 8vo, 1959.

Lot 14

Bochořáková-Dittrichová (Helena) Childhood. A Cycle of Woodcuts, first English edition, one of 300 copies, woodcut illustrations by the author, light marginal toning, lower joint fragile, original boards, slight bumping to spine ends and corners, dust-jacket, very short split to head of upper joint, minor chipping to spine tips and corners, a very good copy, small 4to, A. Zwemmer [printed by F. Obzina, Vyskov, Czechoslovakia], 1931.*** The first graphic novel written by a woman, a pictorial account of the author's middleclass upbringing in Moravia. Rare in the dust-jacket. 

Lot 113

MacColl (Hugh) Mr. Stranger's Sealed Packet, second edition, signed presentation inscription from the author "Suzanne Kiener, with the kind regards of the author" on front free endpaper, first few pages and fore-edge spotted, original pictorial cloth, spine faded, light scratches to covers, 8vo, 1889. *** An interplanetary fantasy novel, written in the classic British mode of the “sword and planet” sub-genre of science-fiction. The work was clearly an influence for H.G. Wells, as well as a precursor to E.R. Burroughs. An important early science-fiction work. We can trace no other signed copy in commerce. 

Lot 8

Benson (E. F.) Spook Stories, ownership inscriptions on pastedown, cloth lightly faded on spine and a little rubbed at spine ends, [1928] § The Five Jars, plates, ownership name on endpapers, cloth a little frayed and discoloured, light soiling speckles, 1922 § Weird Stories, gift inscription on pastedown, endpapers browned and damp-stained, cloth spine faded, by Illustrated Newspapers, [1928], first editions, original cloth; and 7 others, weird and horror fiction, 8vo (10)   

Lot 119

McCarthy (Cormac) The Gardener's Son, first edition, original boards, dust-jacket, fine, Ecco Press, 1996; The Stonemason, original boards, dust-jacket, one or two creases, 1994; Cavalli Selvaggi, original wrappers, light soiling to edges, Guida Editori, Napoli, 1993; and another by the same, 8vo (4) *** A group of lesser-known titles from McCarthy.  

Lot 36

Christie (Agatha) The Adventure of the Christmas Pudding, first edition, original boards, dust-jacket, light fading on spine, short closed tear to lower edge, very light creasing to spine head but overall a remarkably crisp and bright copy, 8vo, 1960.

Lot 19

Bukowski (Charles) You Kissed Lilly, one of 200 copies signed by the author, original cloth-backed boards, dust-jacket, very light toning to spine head, otherwise fine, Santa Barbara, Black Sparrow Press, 1978 § Miller (Henry) The Air-Conditioned Nightmare, signed by the author on title, plates and illustrations, original cloth, spine a little dulled, corners and spine ends rubbed, 1945, 8vo (2) 

Lot 148

Sinclair (Upton) A World to Win, light marginal toning, original wrappers, chips and creases to extremities,  1946; Boston, original wrappers, spine toned and creased, 1928; The Story of a Patriot, original boards, dust-jacket, light creasing and chipping to extremities, 1920, all "gift copies", California, published by the author; and a advance uncorrected proof copy of The Autobiography of Upton Sinclair, 1962, v.s. (4)*** A good group of rare 'Gift Copy' editions, printed by the author and evidently not published for trade sale. 

Lot 97

Isherwood (Christopher) Mr. Norris Changes Trains, proof copy, very light toning to page margins, light foxing to final page, original brown wrappers, chips to extremities, creasing to spine, 4to, Hogarth Press, 1935. *** A rare proof copy of Isherwood's third novel, his first based on his experiences of living in Weimar Germany. 

Lot 32

Christie (Agatha) The Body in the Library, 1942; Easy to Kill, 1939; The Moving Finger, ownership name and price in pen on pastedown, marginal toning, 1942; Sad Cypress, 1940, original boards, some light rubbing or stains, dust-jackets, light creasing and fraying to spine ends, New York, Grosset & Dunlap; and 3 others by Christie, American editions, including a first American edition of The Murder at the Vicarage, 8vo (7) 

Lot 11

Betjeman (John) Summoned By Bells, original boards, dust-jacket, fading marks along edges but still crisp overall, 1960; First and Last Loves, tape stains to front free endpapers, original boards, dust-jacket, light creasing to spine ends, otherwise fine, 1952 § Eliot (T.S.) [Four Quartets], 3 vol. only (of 4), comprising East Coker, light spotting, original wrappers, lightly toned, 1940; The Dry Salvages, original wrappers, marked, 1941; Little Gidding, second state wrappers with staples, mark to upper corner, 1942, first editions; and 16 others, mostly by Betjeman and Eliot, v.s. (21)

Lot 195

Benson (A. C.) & others. The Book of the Queen's Dolls' House [Queen's Dolls' House Library], 2 vol., limited edition, presentation copy from Queen Mary, with signed presentation inscription "For Mrs Richards from Mary R. February 1931" on vol. 1 front free endpaper, plates, some colour, endpapers very lightly toned, original cloth-backed boards, uncut, corners rubbed, vol. 2 with a few spots to spine and a couple light marks to upper cover, dust-jackets, spines sunned, little rubbed with a few small chips to joints and edges, vol. 1 joints strengthened with tape to verso, housed together in slipcase (wear to extremities), 4to, 1924.

Lot 90

*** Please note, the description to this lot has changed.***Hemingway (Ernest) The Sun Also Rises, third or later issue, very faint ownership inscription on pastedown though mostly faded, 1927; A Farewell to Arms, first issue, light browning on endpapers, 1929; first editions, original cloth with uniform gold labels to upper covers and spines, spine labels a little faded and creased, spine ends and extremities a little bumped, overall excellent copies, [Hanneman A8a & A6b], New York, 8vo (2)

Lot 141

Rowling (J.K.) Harry Potter and the Chamber of Secrets, first edition, first printing, usual light marginal toning, original pictorial boards, second issue dust-jacket with corrected punctuation on upper flap, light creasing to head and foot, a mint example, [Errington A2(a)], 8vo.

Lot 169

Verne (Jules) The Adventures of Captain Hatteras, ownership name on front free endpapers verso, [c.1902]; Among the Cannibals, [c.1908]; Twenty Thousand Leagues Under the Sea, [c.1910], original pictorial cloth, light scuffing to extremities, still overall very bright copies; and 2 others, similar, 8vo (5)

Lot 66

Fleming (Ian) For Your Eyes Only, first edition, very light marginal toing and faint spots on endpapers, original boards with eye design in white to upper cover, spine lettered in gilt, dust-jacket, light discolouration and creasing along edges, light fading to spine as usual, one or two nicks along upper edge but excellent overall, 8vo, 1960.

Lot 20

Bulgakov (Mikhail) The Master and Margarita, first English edition, translated by Michael Glenny, very light strip of toning along jacket top edge, otherwise fine, 1967 § Ellis (A. E.) The Rack, first edition, ownership name on front free endpaper, jacket a little toned, chipped and rubbed at extremities but overall excellent, 1958 § Woolf (Virginia) Between the Acts, first edition, ownership name on pastedown, jacket with small tears and chips to extremities, 1941 § Ch'eng-en (Wu) Monkey, translated by Arthur Waley, title and jacket by Duncan Grant, cloth lightly discoloured, jacket with portion of loss to spine head, spine browned, extremities a little chipped, 1942, original boards or cloth, dust-jackets; and c.75 others, mixed modern literature, v.s. (c.80)

Lot 126

O'Donnell (Elliott) The Haunted Man, first edition, bookplate on pastedown, some light marginal toning, original cloth, spine ends a little bumped, else excellent, 8vo, 1917.

Lot 45

Dahl (Roald) The Magic Finger, first English edition, small number in biro to title, very faint occasional spots, board extremities lightly bumped, 1968; The Twits, jacket spine faded, 1980; George's Marvellous Medicine, touch of fading to spine, 1981; first editions, illustrations, all but the first by Quentin Blake, original boards, all but the first with dust-jackets, very light creasing to spine ends, otherwise fine; and 16 others by or relating to Blake, including a reprint of The Giraffe, The Pelly, and Me, signed by Blake, v.s. (19) 

Lot 1

Adams (Douglas) The Hitch Hiker's Guide to the Galaxy, first hardback edition, original boards, second state dust-jacket without the Capricorn One advert on rear panel, one or two nicks to extremities, light foxing to flaps, slightly offset onto endpapers, spine lightly sunned, some light bumping along spine head and top edge, otherwise an excellent copy, 8vo, 1979.

Lot 51

Du Maurier (Daphne) Rebecca, first edition, very light foxing to first few pages, contemporary morocco-backed boards, light rubbing along joints, fading to edges, 8vo, 1938. 

Lot 81

Greene (Graham) The Name of Action, first edition, light foxing on first and last few pages, original cloth, first state dust-jacket priced "7/6 Net" on spine, edges brittle with some chipping, 1" tear along lower panel joint tail, spine toned with few light surface scuffs, otherwise a remarkably fresh and bright copy, [Wobbe A3a], 8vo, 1930. *** Rare with the first state unrestored dust-jacket. Greene later disowned this work, as well as Rumour at Nightfall, saying that they were "of a badness beyond the power of criticism properly to evoke...." - Wobbe.

Lot 167

Verne (Jules) The Green Ray, first English edition, translated by Mary de Hauteville, 32pp. publisher's catalogue at end dated September 1883, plates, contemporary ink ownership inscription to front free endpapers,occasional finger-soiling marks but overall internally very clean, original ochre pictorial cloth, light fraying to spine ends, corners bumped, still overall a very crisp copy, 8vo, 1883. *** Published in September 1883, a month before George Munro's pirated "Seaside Library" edition. The Green Ray was something of a departure for Verne, a love story set in Scotland, wherein a girl refuses to marry the man her uncles have chosen for her unless she sees the mysterious "green ray," which would tell her it is true love. 

Lot 78

Freeman (R. Austin) The Mystery of 31 New Inn, light foxing to endpaper and half-title, 1912; A Silent Witness, endpapers lightly browned, variant cloth with gilt blind-stamping, 1914, first editions, original pictorial cloth, spines very lightly faded, extremities a little scuffed, but overall remarkably crisp copies, 8vo (2) *** A pair of quite scarce Freeman detective volumes, with the first edition of The Mystery of 31 New Inn invariably rare at auction, published a year before the Philadelphia published American edition.

Lot 101

Large (E.C.) Sugar in the Air, bookplate on endpapers, Book Society wraparound, 1937 § Lamb (Harold) A Garden to the Eastward, New York, 1947 § Rosny (J.H.) The Giant Cat, light foxing to endpapers, jacket spine head chipped, light nicks to edges, New York, 1924 § Claverton (V.F.) The Man Inside, signed presentation inscription from the author, light toning on endpapers, New York, 1936 § Scott (J. M.) The Silver Land, wraparound, 1937, first editions, original cloth or boards, light creasing or chips to edges but overall very attractive jackets; and c.90 others, mostly 20th century adventure fiction, v.s. (c.95) 

Lot 144

Russell (Bertrand) History of Western Philosophy, first edition, original cloth, dust-jacket with map printed on verso, spine ends and corners a little chipped and frayed, light rubbing to extremities, an excellent copy, 8vo, 1946

Lot 62

Fleming (Ian) Casino Royale, second impression, light spotting to first few pages, title with small 'M' stamp, light stain to fore-edge, contemporary cloth, 'Boots Book Lovers Library' decoration on upper cover, joints split and fraying, lightly rubbed, 8vo, 1953. 

Lot 146

Sassoon (Siegfried) To the Red Rose, one of 400 copies signed by the author, illustration by Stephen Tennant, original morocco-backed boards, spine faded, 1931; Nativity, illustration by Paul Nash, original wrappers, chip to corner, n.d. § Blunden (Edmund) Winter Nights, one of 500 copies signed by the author, illustration by Albert Rutherston, ink ownership inscription to endpaper, original boards, light bumping to spine ends, 1928; and c.50 others, poetry, 8vo (c.55)

Lot 166

Verne (Jules) The Steam House, 2 vol., comprising The Demon of Cawnpore, 1881; Tigers and Traitors, 1883, contemporary ownership or gift inscriptions on browned endpapers, original cloth, light rubbing; The Fur Country, prize bookplate on pastedown, plate, original cloth, 1877; and another by Verne, 8vo (4) 

Lot 77

Fraser (George MacDonald) Flashman, 1969; Flashman's Lady, 1977; Flashman and the Dragon, 1985; Flashman and the Redskins,1982, first editions, original boards, dust-jackets, light toning to spines, otherwise fine copies; and 3 others by the same, 8vo (7)  

Lot 264

Thomson (Hugh) "In the strictest confidence...", an original illustration for James Allen's 'A Kentucky Cardinal and Aftermath', pen and black ink, watercolour, pencil under-drawing, signed with initials in the lower right corner, on cream wove paper affixed onto paper support, sheet 320 x 250 mm (12 1/2 x 9 7/8 in), ink inscription verso, old pin holes to corners, minor surface dirt and light browning, unframed, [circa 1909]Provenance:Private collection, London

Lot 96

Huxley (Aldous) Eyeless in Gaza, ownership inscription on front free endpaper, dust-jacket, portion of loss affecting title to spine head, light creasing and tears along upper edge, 1936; Chrome Yellow, endpapers toned, cloth covers a little discoloured, 1921; Those Barren Leaves, dust-jacket, spine browned, ends frayed, extremities rubbed, 1925, first editions, original cloth, lightly rubbed; and 23 others by Huxley, 8vo (26)

Lot 112

Lytton (Edward George Earle Bulwer) The Haunted and the Haunters, first edition, light toning to endpapers, original boards, dust-jacket, light fraying to spine tail and lower corner flap joint, the odd nick on spine and upper panel, still overall a bright copy, 8vo, 1925.

Lot 181

White (T.H.) The Once and Future King, first single-volume edition, endpapers browned from newspaper clipping loosely inserted, original boards, dust-jacket, light fading to spine and joints, light discolouring to lower panel, still very tight and sharp overall, 1958; and another by the same, 8vo (2)  

Lot 82

Greene (Graham) The Basement Room and Other Stories, first edition, ink gift inscription on front free endpapers, light spotting to first few pages, original first state green cloth, discolored, lightly scuffed, spine faded, 8vo, 1935. *** The rare first issue of Greene's first collection of short stories including the title story 'The Basement Room', written by Greene on board shop while returning from Liberia and later adapted into the into the film The Fallen Idol.

Lot 106

le Carré (John) The Russia House, one of 250 copies, light spotting upper edge margin, original cloth-backed boards, 1989; The Night Manager, signed and dated by the author in year of publication on title, original boards, dust-jacket, 1993; A Perfect Spy, original boards, dust-jacket, 1986; Single & Single, original boards, dust-jacket, 1999; first editions, signed by the author, all excellent or fine; and 5 others by le Carré, first editions, all signed by the author, 8vo (9)

Lot 88

Hawking (Stephen) A Brief History of Time, first edition, light foxing to endpapers and occasionally to text margin, original boards, dust-jacket, lightly creased, 8vo, 1988.

Lot 160

Temple (William F.) Four Sided Triangle, cloth lightly faded, dust-jacket, spine ends reinforced with paper verso, light fading, [1949] § White (James) All Judgement Fled, dust-jacket, light scuffing on lower panel, 1968 § Symons (J.H.) The Supreme Mystery, foxing, cloth spine ends a little creased, 1917, all first editions, signed presentation inscription from the author on front free endpaper or titles, original cloth; and c.25 others, science-fiction, 8vo (c.30)

Lot 16

[Bowen (Marjorie)], "Joseph Shearing". The Fetch, first edition, margins toned, original cloth, light spotting, 8vo, 1942. ***  A historical mystery about haunting and possession based on the original essay, 'The ambiguities of Miss Smith', by William Roughead. Written under Marjorie Bowen's pseudonym Joseph Shearing. 

Lot 79

Gaddis (William) The Recognitions, first English edition, signed presentation inscription by the author "for Tom Rosenthal with very best regards William Gaddis | London February 1986" on title, ownership stamp on front free endpapers, original boards, very slightly bowed, dust-jacket, light surface marking and staining, spine ends a little creased and nicked, 8vo, 1962. *** Inscribed to publisher Tom Rosenthal (1935-2014) who headed up the UK publisher Secker & Warburg from 1971 to 1984.

Lot 15

Boulestin (X.M.) The New Keepsake for the Year/ Le Nouveau Keepsake pour l'Annee 1921, number 19 of 50 copies on Japon, from an edition of 620, errata slip, small contemporary ink ownership name on front free endpaper, original cream buckram, lettered in gilt, uncut, light surface dirt, spine faded, 4to, 1920. *** With engravings by J.E.Laboureur, Marie Laurencin and A.Dunoyer de Segonzac, woodcuts by Paul Nash, Edgar Tytgat and others, and literary contributions by Edmund Blunden, Aldous Huxley, D.H.Lawrence and Katherine Mansfield amongst others. This copy with the scarce errata slip. 

Lot 155

Steinbeck (John) Burning Bright, first edition, original cloth, dust-jacket, light marking and the occasional light nick or surface scuff, short tear on lower panel, spine faded, still overall a very crisp example, New York, 1950; and a proof copy of Steinbeck's biography by Nelson Valjean, 8vo (2)

Lot 38

Christie (Agatha) [Works], 6 vol., comprising The Mysterious Affair at Styles; Towards Zero; The Labours of Hercules; Crooked House; A Murder is Announced; Sleeping Murder, one of 350 sets, vol.1 signed by Rosalind Hicks, portrait frontispieces, original morocco-backed boards, light scuffs to spines, otherwise fine, housed in original morocco-backed slip-case, tall 8vo, 1990.

Lot 58

Eliot (T.S.) Murder in the Cathedral, second American edition, signed by the author on title with strikethrough printed name, original cloth, dust-jacket, light nicks to spine ends, spine a little faded, [Gallup A29g.], 8vo, [1936].

Lot 68

Fleming (Ian) Thunderball, ink gift inscription on pastedown, boards with skeletal hand in blind to upper cover, spine lettered in gilt, jacket price-clipped somewhat roughly, light creasing and nicks to edges, 1961; The Spy Who Loved Me, boards with dagger motif blocked to front board in silver and blind, spine lettered in silver, jacket with one or two scuff marks on joints, 1962; On Her Majesty's Secret Service, boards with ski trail design to upper cover, spine lettered in silver, 1963, first editions, original boards, dust-jackets, very light fading to spines, otherwise still excellent copies; and a first edition of Goldfinger in a later jacket, 8vo (4)

Lot 9

Berger (John) G., uncorrected proof, original wrappers, creasing to spine and corners, rubbing to extremities, 1972; G., first edition, original boards, dust-jacket, sunning to spine, light rubbing to head and foot, 1972, housed together in custom slipcase, 8vo (2) *** Winner of the 1972 Booker Prize, Berger would famously pledge half of the prize money to the Black Panthers in order to "turn the prize against itself".

Lot 122

Naipaul (V. S.) The Middle Passage, first edition, ink ownership name on endpapers verso, original boards, dust-jacket, light scuffing, some minor creasing and nicks along upper edge, 8vo, 1962.

Lot 183

White (Patrick) The Cockatoos, jacket with very small hole to upper cover, spine head a little nicked and frayed, extremities slightly rubbed, 1974; The Solid Mandala, light scattered spotting, top edge of jacket slightly rubbed and creased, 1966; The Twyborn Affair, ink ownership inscription to front free endpaper, jacket extremities nicked and frayed, thin strip of fading along top edge, spine lightly sunned, 1979, first editions, original cloth, spine ends very lightly bumped, dust-jackets; and 11 other first editions by White and Graham Greene, mostly excellent, 8vo (14)

Lot 140

GRIFFIN WILLIAM N.  A Treatise on Optics. 8 eng. diagrammatic plates (as required). Partly unopened. Rebound brds., some light stng. & foxing particularly to title. 1st ed., Cambridge, 1838; also David Brewster, A Treatise on Optics, eng. title vignette & text illus., rebound, The Cabinet Cyclopedia, 1831.  (2).

Lot 147

TYNDALL JOHN.  Six Lectures on Light & Heat, A Mode of Motion. 2 vols. Illus. Rebound brds. 1875 & 1868; also 5 other vols.  (7).

Lot 236

WHITE T. H.  Mistress Masham`s Repose. Pict. endpapers. Orig. grey cloth in d.w., priced 8s 6d. D.w with slight wear & rubbing to spine. 1st G.B. edition, Cape, 1947: also T. H. White, The Master, charts as endpapers, orig. blue cloth in v.g. d.w, priced 15s, light stain to edge of title page, 1st edtion, Cape, 1957  (with an original fldg. flier for this work). (2)

Lot 511

Pink Floyd Dark Side of the Moon. 30th Anniversary commemorative box of fine art prints. Pyramid, Prism, Collage, 3 prints in a signed ltd edition of only 90 sets contained in a custom made black box. Size approx 64 x 84cm silkscreen prints of approx 20 colours on 410gsm. Produced and signed by Storm Thorgerson. Also contains a collage poster approx 78 x 53cm.Condition Report: Some small tears to edge of collage and prism prints, creasing to poster. Light box wear.

Lot 72

Star Wars Old Republic Darth Malgus statue mad by Gentle Giant ltd Condition Report: Light wear to box, foam block inside still sealed.

Lot 520

The Beatles The Beatles Book (also known as Beatles Monthly) - a near complete run of fifty-eight monthly issues, from No. 1 August 1963 (lacks No. 25) to issue No. 59 June 1968, photo. illustrated stapled paper covers, photo. illustrated throughout, printed by Wembley Press, S. Tinsley & Co., each15.3 x 21.2cm. The Beatles fan magazine was first published in August 1963 and ran for 77 editions until it stopped publication after the December 1969 edition. It was revived in 1976 and ceased publication in 2003. (58)Condition Report: some minor rubbing to heads and tails of spines, and a few issues with minor light marks to covers; overall good conditions, with clean, crisp covers and internal pages.

Lot 123

Ernie Wise of Morecambe and Wise a quantity of personal ephemera, comprises; thirteen-pages of notes and lists relating to the Morecambe and Wise television shows, written in black and blue ink by both Eric and Ernie on single sheets of lined paper, includes, introductions and closing speeches for the shows, a one-page lists of artists with additional comments such as, Musical Kitchen Big Spender, Cliff Richards Ship, Vanessa Redgrave Spanish and Josephine, Eric Porter If They Could See Me Now, Glenda Jackson Victoria & Albert, Penelope Keith Cyrano, Elton John Piano, Andre Previn Perfect Combination and others, a one-page list of twenty-seven names and addresses which reads like a Whos Who of 1970s Light Entertainment Television, includes Michael Aspel, Eamon Andrews, Roy Castle, Barry Cryer, Bruce Forsyth, David Frost, Michael Parkinson, Mike Yarwood, Angela Rippon and others; and a four-page tribute to Irish presenter, Eamon Andrews, handwritten in blue ink on Hotel Plaza Athenee, New York, headed paper; five related Original souvenir programmes including, a pair of ABC Theatre programmes for The Morecambe and Wise Shows held in Blackpool and Great Yarmouth, Gaumont Theatre Southampton, Presenting Variety, November 14, 1955, The Morecambe and Wise Show, The Gold Rose of Montreux, 1970, and A Royal Charity Performance, Eric Morecambe & Ernie Wise And Their Friends, Theatre Royal, Windsor, July 3, 1977; Ernie Wises copy of a contract for a three feature film deal, drawn up between The Rank Organisation Film Productions and Eric Morecambe and Ernie Wise, both represented by Bernard Delfont Agency, dated August 17, 1964, with a Legends Management compliment slip attached, eleven-pages, Signed by Eric Morecambe on page six, and Ernie Wise on page 7, and further initialled several times by the comedy duo on two pages of the Condition of Engagement. Eric and Ernie starred in three feature films distributed by The Rank Organisation during the 1960s, The Intelligence Men (1965) That Riviera Touch (1966) and The Magnificent Two (1967); two birthday cards from Eric Morecambe to Ernie Wise, one printed inside Its you and me against the world, and written beneath in Erics hand EDDIE BRABEN AND THE PRESS! HAPPY BIRTHDAY both cards Signed by Eric x and his wife Joan; two-page typescript TV Scout Sketch by Dick Kleiner, titled Ernie Wise Its a Wise Comedian who Knows, for release week of Oct. 6, 1980, first of five sketches from United Feature Syndicate; two Typescript letters Signed, sent to Doreen Wise, the first - from The Rt. Hon. Lord Tebbit, dated March 12, 1999, Lord Tebbit wrote to Doreen Wise (nine days before Ernie died) to say he was glad to hear that she and Ernie were back home in England following a deterioration in Ernie Wises health; the second a letter of condolence sent by The Daily Mail journalist, Linda Lee Potter, dated March 25, 1999, following the sad news of Ernie Wise's recent death;30+ black and white photographs, many depicted the young Eric and Ernie rehearsing and performing their early shows, with others taken at publicity events, various sizes, the largest 10 x 8 inches; with publicity ephemera including 1980s American press notices. (qty) Provenance: Doreen Wise (1930-2018). Doreen Wise née Blythe, was a dancer who first met Ernie Wise in 1947. The couple were married from January 1953 until Ernies death in 1999. John Eric Bartholomew (1926-1984) and Ernest Wiseman (1925-1999) performed in variety, radio, film and most successfully in television. Their friendship began in 1940 when they were each booked separately to appear in Jack Hylton's touring revue, 'Youth Takes A Bow' at the Nottingham Empire Theatre. Eric and Ernie's professional partnership lasted from 1941 until Eric Morecambes death in 1984.

Lot 374

Harlan Ellison: a collection of Science Fiction Pulp Novels & short story anthologies. Harlan Jay Ellison(May 27, 1934 June 28, 2018)was an American writer, known for his prolific and influential work inNew Wave Fictionand for his outspoken, combative personality.His work includes more than 1,700 short stories,screenplays and comic book scripts. One of his best-known works include the 1967Star Trek episode "The City on the Edge of Forever", considered by some to be the greatest episode of Star Trek ever. He later wrote a book covering his work on the undertaking, which this lot includes. This lot also includes the rare and hard to find All the sounds of Fear and many others. (24)Mostly in FN/ VF condition (7.0) All pages secure and covers intact with signs of mild wear. Light foxing to some pages. Some in excellent unread condition.All the sounds of Fear. Granada Publishing, 1981. Rare and Hard to find. VF+ condition (8.5).Run for the stars. First printing, Tom Doherty publishing, 1991.Web of the City. Ace Publishing, 1983.Love aint Nothing But Sex Misspelled. Ace Publishing, 1983.Spider Kiss. Ace Publishing, 1982.I have no Mouth and I Must Scream. Ace Publishing, 1983.Shatterday. Granada Publishing, 1983.Ellison Wonderland. Plume & Meridian, 1974.Deathbird Stories. Pan Publishing, 1978. Immaculate condition.Memos From Purgatory. Ace Publishing, 1983The Beast That shouted Love at the Heart of The World. Pan Publishing, 1979. Front Cover ripped.From the Land of Fear. First Printing, Belmont Publishing, 1967.Partners in Wonder (in collaboration with William Rotsler, Robert Sheckley and others). Ace Publishing, 1983.Dangerous Visions I (anthology edited, introduced and curated by Harlan Ellison), Sphere Books, 1974No Doors, No Windows. Ace Publishing, 1983.Gentleman Junkie. Ace Publishing, 1983.The Other Glass Teat. Ace Publishing, 1983.The Other Glass Teat. Savoy Books, 1978.Stalking the Nightmare. Berkley publishing, 1984.The Time of The Eye. Granada Publishing, 1981.Dangerous Visions. Gollancz publishing, 1987The City on the Edge of Forever: The original Teleplay that became the classic Star Trek Episode. White Wolf Publishing, 1995Two Full Length Novels of Science Fiction: Doomsman by Harlan Ellison & Telepower by Lee Hoffman. Belmont Publishing, 1967.BugF*ck: The useless Wit & Wisdom of Harlan Ellison. Spectrum Press, 1991.(24)Condition Report: Mostly in FN/ VF condition (7.0) All pages secure and covers intact with signs of mild wear. Light foxing to some pages. Some in excellent unread condition.

Lot 81

Elizabeth Taylor - Pair of red Bruno Magli shoes worn by Elizabeth Taylor in the 1989 made-for-television film, 'Sweet Bird of Youth', the right shoe Signed in red ink, 'Love Elizabeth Taylor', each shoe within a Bruno Magli dust-bag, and contained within a Roland Cartier cardboard shoe box. (4) Provenance: accompanied with a letter typed on Elizabeth Taylor's headed notepaper, dated August 12, 1992, Signed by Jorlett Strumme, personal assistant to Elizabeth Taylor, and a copy of the original receipt from Christie's (South Kensington) Sale 4848, October 8, 1992. Condition Report: very light wear to the soles of both shoes, overall both in good condition.

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