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Lot 758
Nine unboxed dye cast vehicles comprising four Spot-on triang vehicles, metallic red Mercedes Benz 230 SL, turquoise green Austin 1800, light blue Humber Super Snipe estate car and dark metallic blue Humber Super Snipe estate car, four Dinky toys, light blue Volkswagen Beetle, green Austin Mini Moke, white and green Lamborghini Marzal and a metallic light blue Jaguar Mk X and a Corgi toys the Green Hornet's Black Beauty.
Lot 784
A quantity of Hornby Dublo railway items comprising an early box entitled 'The Perfect Miniature Railway' and containing a quantity of three rail track, a 0-6-2 tank locomotive no. 2690 in black LNER livery, a 0-6-2 locomotive no.69567 in black BR livery, a wooden Berwick Hornby Railway station, five unboxed wagons and a guards van, a boxed Dublo controller no.1D602, an ED1 single arm signal, three boxed wagons comprising fish van D1, 12 tonne goods vans D1 and meat van D1 and a boxed petrol tank wagon "Power Ethyl" D1, and a boxed corridor coach D1 in light blue boxes (illustrated)
Lot 793
A boxed Hornby Virgin Trains 125 High Speed train set with HST power car, dummy power car and two Mark 3 Tourist Class coaches, an unboxed light and dark grey intercity train set with HST power car and dummy power car and two coaches and an intercity 125 train set with HST power car, dummy power car and three coaches
Lot 915
A late 19th century continental oak tall cabinet, featuring a moulded cornice and blind fret frieze above two stained glass and leaded light panelled doors enclosing four shelves, flanked on either side by moulded architectural decoration, the base section with bow front protruding feature supported by an architectural bracket, above the two blind fret panelled cupboard doors, flanked by fluted columns, raised on plinth base, height approx 204x108cm wide (illustrated)
Lot 1002
Harry Hime (Irish, 1863-1933) - 'Landscape with Mountains', oil on canvas, signed, approx. 50x75cm, inset relief moulded and swept gilt gesso frame (illustrated) CONDITION REPORT: 1002 - The painting has two tears in the lower left corner, the second in the upper right corner. Nottable stretcher bar cracks. Noticeable cracking and crazing throughout. Yellowing to the varnish. Darkening to the paint. The painting floresces green under UV light, indicating a natural resin varnish.
Lot 349
TOWEL RAILS. Two metal mounted glass towel rails. CONDITION REPORTS: The 'two stepped' towel rail is in generally good condition, there is tarnishing and some wear to the plated ends. Each glass rail has a small flaking bruise and both have light surface scratches. The other single support rail is in a similar condition but has no bruises.
Lot 405
ENAMEL BADGES. Various wartime badges etc. Note: Lots 400-414 are mostly badges by Miller of Birmingham. Many obtained by the vendor directly from the works when living nearby. CONDITION REPORTS: The two 'ARP' Badges - Both these badges have some missing red enamel at the top and further missing enamel on the bottom edge of the white band. The 'Devil Dog' - has a very small bruise to the blue enamel at 1 o'clock, also a similar bruise to the edge of the letter D and the very edge of the letter E. There are a couple of light surface scratches and the gilt lining has some wear. Union Jack with 'V' in centre - the enamel is generally in good condition with some wear to the gilt outlining.
Lot 632
AFRICAN HEADREST. A decorated African headrest, with inlaid beadwork decoration. Width 27 x height 13cm. CONDITION REPORTS: Overall, this headrest is showing signs of light general wear and tear. The top surface has worn-through patination. The edges of the top and base are scuffed, with some minor loss. There are six small hammered beads missing. On one side of the rounded support, there is a natural crack, that has now been filled with a fine wedge of wood, pinned into place. This work has apparently been done several years ago, possibly for aesthetic reasons. On the opposite side, there is also a rounded plug, again possibly to fill a 'hole'. Overall, in good, original condition.
Lot 643
AUSTRIAN BRONZE PARROT. A late 19th/early 20th century Austrian, cold painted bronze model of an African grey parrot, stamped Geschutzt. Length 12cm. CONDITION REPORTS: The parrot is in generally good conditin, however, there is some rubbing to the paint on the upper part of the back Also, some further rubbing to the paint on the parrot's right eye. On both sides of the head, there is some light wear to the paint. The parrot sits well on a flat surface and does not wobble.
Lot 101
ERIC LEAPER. Two globular vases, a night light & a dish(rim chip) by Eric Leaper. CONDITION REPORTS: The tray has a small chip to one corner, which is noticeable from the front. One of the oval vases has a small bruise to the trailing glaze decoration. All four pieces have some fine light crazing. Otherwise in generally good condition.
Lot 103
ERIC LEAPER. Two models, a squirrel, height 9cm & a duck, length 10cm, by Eric Leaper. CONDITION REPORTS: The squirrel has bruising to the left ear which has resulted in a very small flaking chip to the top of the ear. There is a little light crazing throughout. The duck has a little light crazing throughout, but is otherwise in generally good condition.
Lot 204
NEWLYN COPPER. A Newlyn Industrial Class copper panel decorated with seahorses, possibly for a blotter or stationery folder cover. Unmarked. 31 x 28cm. CONDITION REPORTS: The plaque is in generally good condition and has not been over-polished and still has good definition. There are some light surface scratches, with a more noticeable scratch on the left hand corner which is about 6cm in length.
Lot 1911
* LOUISE RITCHIE, BLUESCAPE oil on canvas, 213cm x 213cm Unframed, as intended Note: Louise Ritchie gained a fine art degree and post graduate diploma in drawing & painting from Duncan of Jordanstone College of Art & Design, Dundee. She has won several major awards including the Glasgow Art Club Fellowship, RGI (1998), the Scottish Art Club Award (1997), and the Millar Homes Paris Scholarship Citie Des Artes (1990). She has exhibited widely, including a solo show 'Land Light Vision' at Glasgow's Compass Gallery (1996), and at the London and Glasgow Art Fairs. Louise was also nominated for the Millar Homes Young Artist of the Year Award (1990 & 1991), and has work in several major collections including, the Mirror Group, London, Dundee District Council and Fife Regional Arts. She was elected to serve on the Council of the SSA, the Society of Scottish Artists in 1998, and has taught in academic institutions in Glasgow and Dundee. Louise was invited to perform within the installation 'Killing Time', a collaboration between artist Graham Fagen and Suspect Cultures Graham Eatough at Dundee Contemporary Arts (2006).
Lot 42
Ludovico Diaz de Santillana, Italian 1931-1989, for Venini, Murano, a Coletto glass vase of flaring cylindrical form, the everted edge with black rim, acid stamp mark Venini Italia to base, 19cm high (may be subject to Droit de Suite) CONDITION REPORT: Light domestic dust and dirt present throughout Marks to lip, some scratches to base Signature to base No other damage noted Overall in good condition in accordance with age and usage
Lot 43
A Susie Cooper 'Venetia' pattern part coffee service, 20th century, printed with flowers and scrolling foliage, to include coffee cups and saucers, a coffee pot, side plates and sugar bowl, bears factory mark to base: together with other Susie Cooper ware (a lot) CONDITION REPORT: Light domestic dust and dirt Scratching and rubbing to design in accordance to usage Overall good condition Lot contains: Venetia Thirty four cups Three small and larger sugar cups Three tea/coffee jugs all with lids and one extra lid Three larger plates Fourteen small saucers Wedgwood Twenty four saucers with plain lines around the edges
Lot 509
Allan Forsyth, Scottish b.1955- "Olympia"; C-print with diasec mounting backed with aluminium, signed, titled and numbered 3/25 on the reverse, 77.5x228cm, (unframed), (may be subject to Droit de Suite) Note: an exhibition was recently held at Gallery Elena Schukina, Mayfair, London, Solo show of Allan Forsyth's photographic work entitled 'Vivid Light', 6 February-28 March 2014
Lot 511
Allan Forsyth, Scottish b.1955- "Kensington"; C-print with diasec mounting backed with aluminium, signed and titled on the reverse, 76x228cm, (unframed), (may be subject to Droit de Suite) Note: an exhibition was recently held at Gallery Elena Schukina, Mayfair, London, Solo show of Allan Forsyth's photographic work entitled 'Vivid Light', 6 February-28 March 2014
Lot 67
A pair of Bretby Pottery bookends, 20th century, modelled as children playing on naturalistic base, impressed Bretby mark and serial no 5072 and 5073 to the bases, respectively, 20cm high (2) CONDITION REPORT: Light domestic dust and dirt present Marks and scratches to base Stamped to base Slight cracking present, rubbing and marks throughout No other damage noted Overall in good condition in accordance with age and usage
Lot 12
A Baccarat glass suite for six people, to include wine glasses, twelve champagne flutes, tall drinking and water glasses, their edge with gilt lappets and flowers, the lower cup with ribbed decoration, champagne and wine glasses with faceted stem, bears etched factory mark to bases (30) CONDITION REPORT: overall no chips noted, some glasses have notable fading to the gilding, but most are in good condition, light domestic dirt.
Lot 392
Joyce Pallot, British 1932-1994- Industrial buildings; oil on canvas board, signed and dated 56, 52x77cm (may be subject to Droit de Suite) CONDITION REPORT: in a light green stained wooden moulding frame with linen mounted slip circal late 20th/early 21st century no visible damages, defects or restorations in good original condition
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