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Pair of Tiffany and Co. Fine Painted Cobalt and Gold Cabinet Plates. Signed C.J. Weaver and signed Tiffany and Co. New York on obverse side. Each features a portrait of exotic birds. Measures 8-1/4" Dia. Condition: Condition: Light rubbing to gold, minor touch marks from plate holders to base otherwise good condition Estimate: $400.00 - $600.00 Domestic Shipping: $62.00
Vintage Round Brilliant Cut Diamond, Onyx and 14 Karat Pink Gold Slide Pendant and Earrings Suite. Stamped 14K. Pendant measures 1-1/4" H, 5/8" W; earrings measure 3/4" H, 1/2" W. Approx. weight: 21.4 grams. Condition: Good vintage condition, light surface wear. Estimate: $300.00 - $500.00 Domestic Shipping: $30.00
Antonio Pineda Cuff Bracelet with Pearl. Marked with Antonio Pineda Crown Mark, Taxco Sterling, Mexico a Bell, Silver 970, ZZ838. Weight 2.20 troy oz. Measures around interior 6-1/4" with a gap of 1-1/4" Condition: Good Condition some light scratching consistant with vintage age. Estimate: $100.00 - $200.00 Domestic Shipping: $42.00
Marc Chagall, French/ Russian (1887 - 1985) Color Etching and Aquatint on Imperial Japan Paper "The Painter in front of the Easel 1975-76" Pencil Signed and Numbered 6/25 on Lower Margin. Published by Editions Maeght, Paris. Original invoice included. Measures 18" H x 13-1/2" W, frame measures 28-1/2" H x 24-1/4" W. Condition: Some toning and very light foxing Estimate: $2000.00 - $4000.00 Domestic Shipping: $165.00
Man's Vintage Approx. 6.0 Carat TW Diamond and 18 Karat White and Yellow Gold Ring. Set in the center with a 1.50 carat round brilliant cut diamond and accented with 4.5 carat baguette and round brilliant cut diamonds. Diamonds E-F color, VVS-VS clarity. Stamped 18K. Ring size 9. Approx. weight: 26.6 grams. Condition: Very good condition, light surface wear consistent with normal use. Estimate: $7500.00 - $10000.00 Domestic Shipping: $28.00
Wilmot Pilsbury, British (1840-1908) Watercolor "The Bungalow Shore" Signed Lower Right 1593. Depicts a old country scene with paddle boat docked near creek. Painted on paper and laid on wooden board. Artist name and title en verso. Measures 9-3/4" H x 14" W (sight), frame measures 18-1/4" H x 22-1/4" W. Condition: Light toning otherwise good condition. Estimate: $150.00 - $250.00 Domestic Shipping: $115.00
Wallace 49 piece Sterling Flatware, Royal Satin. 11 Forks 7-3/4", 12 Salad Forks, 12 Teaspoons, 12 Knives 9", 2 Butter Knives. Signed Wallace Logo Sterling. Blades Wallace Sterling Handle Stainless Blade. Total Weight 66.19 troy oz, Without Knives 44.68 Troy oz. Condition: Very Good Condition, some light use. Estimate: $300.00 - $500.00 Domestic Shipping: $78.00
§ Anne Redpath, OBE, RSA, ARA, LLD, ROI, RBA (Scottish, 1895-1965) Dark Tulips in a Jug, 1962 signed 'Anne Redpath' (lower left) oil on board 39 x 59cm (15 x 23in) Provenance: Geoffrey Harley His sale, Woolley and Wallis, Salisbury, 7 February, 2018, lot 135, where acquired by the present owner Oil on hard board. Paint layers and support are in a good condition. There are a few light scuffs on the surface of the frame.
Ondines, an R. Lalique opalescent glass bowl, of circular form moulded with a band of swirling naked maidens, wheel etched mark and numbered 381 8 x 21cm (3 x 8in) In very good condition, rings true, no detectable chips or cracks, light surface abbrasion to foot rim commensurate with age and use.
A rare pair of Carlton ware 'Jazz' pattern vases, pattern no. 3352, printed and painted in colours on a red ground, highlighted in gilt printed and painted marks, paper collection label (2) 9cm (4in) Provenance: The Harrimann Judd Collection, Sotheby's online auction, 2001 Some light crazing and minor gilt rubbing otherwise very good.
§ Ronald Ossory Dunlop, RA, RBA, NEAC (Irish, 1894-1973) Silver Light on the Thames at Waterloo signed 'Dunlop' (lower right); titled to the stretcher oil on canvas 39 x 49cm (15 x 19in) Oil on canvas which is unlined. The canvas is slightly slack and there is a small tear at the lower right corner and a puncture at the upper left which has been filled and retouched. There are scattered paint losses in the sky. There is an old, yellowed varnish which has pooled in the thicker brushstrokes. The frame is in a good condition.
§ Robert Lenkiewicz (British, 1941-2002) Barbican Harbour, Plymouth signed to the reverse and titled to the frame oil on canvas 67 x 99cm (26 x 39in) Provenance: Collection of the late Samuel Alper, OBE (1924-2002) Other Notes: Sam Alper first met Robert Lenkiewicz in 1970 and he soon became a major patron of the artist. As well as purchasing thirty-two of his works - including 'Barbican Harbour, Plymouth - he also paid the artist's rent and bills. Lenkiewicz exhibited ninety-two of his works at the 1987 'Cambridge Festival', which took place at Chilford Hall, Cambridgeshire, home of the Alpers. It was entitled, 'Education Through the Eyes of Robert Lenkiewicz' and it was supported by Cheffin Grain & Cummins, or as it is known today - Cheffins. Oil on canvas. The canvas tension is poor with numerous undulations and deformations. Notably where is slackened against the stretcher bar behind at the top and bottom edges. The thin paint layer is in a good condition with a light layer of dirt on the surface. The painting is simply framed with wooden battens nailed into the side of the canvas, some of the nails are protruding.
A George V silver cased and two-tone pink striped enamel boudoir mantle clock, by Walker & Hall, Birmingham 1930, the enamel dial with Arabic numerals, French mechanism no. 54150 6, engraved inscription verso, "William Joseph Causton. In Remembrance of his Godfather. William James Bowker. (Brigade General, C. M. G., D. S. O.) Nov 1931" 18 x 15.50cm (7 x 6in) William James Bowker was the son of Frederick Bowker, Barrister-at-Law, of Lincoln's Inn. He was commissioned in the Somerset Light Infantry from the Militia on 21 February 1889. He saw active service in West Africa (1898), taking part in operations in the Niger Territories, and in the South African War (1899-1902). When the European War broke out he was a 45-year old major in the 2nd Battalion Somerset Light Infantry, based at Quetta. Bowker remained in India until January 1916 when he took command of 1/6th Battalion Essex Regiment, part of 161 Brigade, 54th (East Anglian) Division T F, in Egypt. He commanded 1/6th Essex until May 1917 when he became GOC 231 Brigade, 74th (Yeomanry) Division. He fell ill in July 1917. When he returned to duty in February 1918 it was as GOC 230 Brigade. 74th Division was re-deployed to France in April 1918 to help stem the German spring offensive. Bowker was removed from his command within a month of 74th Division being concentrated near Abbeville. Commanders of British formations that were re-deployed from Palestine to the Western Front in 1918 were scrutinised by the Military Secretary's office at GHQ and often replaced simply on age grounds. Bowker was 49. Literature by Dr John Bourne, The Western Front Association.
Ondines, an R. Lalique opalescent glass plate, of circular form moulded with a band of swirling naked maidens, wheel etched mark and numbered 3003 27.50cm (11in) In very good condition, rings true, no detectable chips or cracks, light surface abbrasion to foot rim commensurate with age and use.
§ Gwyneth Johnstone (British, 1914-2010) Two woman feeding birds, a hilltop town in the distance signed 'G Johnstone' (lower right) oil on board 121 x 147cm (47 x 57in) Provenance: Heffers Gallery, Cambridge (label verso) Oil on hardboard. The large support is framed with a slight wooden moulding and corner sections. The tacks securing the board to the corners are applied directly through the painting and are coming loose. Overall the painting is in a good condition. There is a light layer of dust across the surface.
§ Peter Kuhfeld, RP, NEAC (British, b.1952) In the Sitting Room, Womenswold oil on canvas 59.50 x 64cm (23 x 25in) Provenance: Thomas Agnew & Son Ltd, London (label verso) Oil on canvas. Canvas is slightly slack but in plane. Paint layer is in a good condition. The frame has a few light scuffs and losses.
§ Walter Horst Nessler (German/British, 1912-2001) Jersey signed 'Nessler' (lower left) oil on canvas 39.50 x 50cm (15 x 20in) Provenance: The Hertfordshire County Council 'Pictures For Schools' collection' Their sale, Cheffins, March 21 2019, lot 6, where acquired by the present owner Other Notes: Born in Leipzig, Germany, Nessler began his artistic career at the Castelli Italian School of Art, Dresden. Despite not being Jewish, he strongly opposed National Socialism, and eventually moved to London in 1937, joining the British army shortly thereafter. After the war, he studied sculpture at St Martin's School of Art and travelled to Paris, meeting the likes of Cocteau, Sartre, Picasso, Giacometti and Matisse. French modernism, particularly Cubism, exerted a strong influence on his subsequent work. The bright colours and geometric planes used to depict the landscape surrounding Jersey, the subject of numerous works in the early 1950s, reveals the artist's optimistic post-war outlook. Nessler first exhibited his work at the Molon Gallery in 1961. He also took part in several group exhibitions at the Royal Academy, the Royal Society of British Artists, and commercial galleries in London, the provinces, and abroad. A retrospective of his work was held in 1990, which coincided with his increasing recognition in Germany. Nessler's works are now held in numerous public collections internationally. Oil on canvas. On the reverse of the painting is an area of modern adhesive which appears to be a crude repair to a tear at the right of the painting. Around this area are raised flakes of paint. The area appears pink under ultraviolet light suggesting it may have been retouched or reworked following the damage. Quite extensive cracking throughout.
§ David Shanahan (Modern British) Medusa signed 'Shan' oil on board 82 x 123cm (32 x 48in) Provenance: Pieroni Studios Oil on board. The support is in plane. There are minor scuffs, staining and accretions on the surface but overall the painting is in a good condition. There is a light layer of dust on the surface.
§ Sir Kyffin Williams, OBE, RA, RCA (Welsh, 1918-2006) Hendre Waelod oil on canvas 76 x 127cm (30 x 50in) Provenance: Collection of the late Samuel Alper, OBE (1924-2002), who acquired the work at some point during the 1970's Other Notes: The friendship between Sam Alper and Kyffin Williams began after the artist and sculptor, Elizabeth Frink, introduced Williams to the Curwen Press in its new premises at Chilford Hall, Cambridgeshire. Alper had rescued the Press in 1989 after he learnt that the studio's Tottenham Court Road lease was about to expire. Williams wanted to make limited edition lithographic prints of his work in order to make it available to the public. He also wanted to find the funds for the construction of a space representing his work at The Oriel Ynys Mon Gallery on the Isle of Anglesey. Oil on canvas. The thick paint layer has developed some deep cracks in the sky at the upper left side. The cracks in turn are pulling the canvas forward. Some areas of paint has slight drying cracks and efflorescence with matte patches. There is s a light layer of surface dirt present. There are scattered losses to the painted surface of the frame.
FOUR SUNDRY PICTURES comprising Jacques Dove (Belgian / French 1861-1929) oil on canvas harbour scene, signed (in good carved gilded frame), 36.5 x 25cms, together with a Renaissance type engraving after Crispin Vande Passe (1564 - 1637) entitled 'Dominationes Zadakiel - The Light of the World', and a 20th Century mixed media painting of 'Nelly and Jack' ETC
Mark Time sets 2, Bombay Infantry set 4 CIVs and set 10, Artillery Officers, March Past French Infantry, Fusilier mounted British Officer and French Foreign Legion, Kingcast Trooper saddling horse, seven All the Queen's Men Royal Marine Light Infantry at present with Officer and seven mounted Trophy figures, with eight original boxes (Condition Excellent, boxes Very Good) (43)

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534325 item(s)/page